SUNY series, Genders in the Global South – serie

Examines the intersections of "Latino," "queer," and "American," to illustrate how the categories of class, race, gender, sexuality, and ethnicity are directly entangled with issues of citizenship and belonging.María-Amelia Viteri explores the multiple unfixed meanings that the term "Latino" takes on as this category is reappropriated and translated by LGBT "Latinos" in Washington, DC, San Salvador, and Quito. Using an anthropology-based, interdisciplinary approach, she exposes the creative ways in which migrants-including herself-subvert traditional readings based on country of origin, skin color, language, and immigrant status. A critical look at the multiple ways migrants view what it means to be American, Latino, and/or queer provides fertile ground for theoretical, methodological, and political debates on the importance of a queer transnational and immigration framework when analyzing citizenship and belonging. Desbordes (un/doing, overflowing borders) ethnographically addresses the limits and constraints of current paradigms within which sexuality and gender have been commonly analyzed as they intersect with race, class, ethnicity, immigration status, and citizenship. This book uses the concept of "queerness" as an analytical tool to problematize the notion of a seamless relationship between identity and practice.

Examines the intersections of "Latino," "queer," and "American," to illustrate how the categories of class, race, gender, sexuality, and ethnicity are directly entangled with issues of citizenship and belonging.María-Amelia Viteri explores the multiple unfixed meanings that the term "Latino" takes on as this category is reappropriated and translated by LGBT "Latinos" in Washington, DC, San Salvador, and Quito. Using an anthropology-based, interdisciplinary approach, she exposes the creative ways in which migrants-including herself-subvert traditional readings based on country of origin, skin color, language, and immigrant status. A critical look at the multiple ways migrants view what it means to be American, Latino, and/or queer provides fertile ground for theoretical, methodological, and political debates on the importance of a queer transnational and immigration framework when analyzing citizenship and belonging. Desbordes (un/doing, overflowing borders) ethnographically addresses the limits and constraints of current paradigms within which sexuality and gender have been commonly analyzed as they intersect with race, class, ethnicity, immigration status, and citizenship. This book uses the concept of "queerness" as an analytical tool to problematize the notion of a seamless relationship between identity and practice.

Discusses how theories of queer performativity, as articulated within the US Academy, are unable to capture the whole of Latino American queer subjectivity and experience.The Avowal of Difference explores the potentialities and limitations that queer theory offers in the context of Latino American texts and subjects. Ben. Sifuentes-Jáuregui contrasts Latino American sexual genealogies with the Anglo-European "coming out" narrative-and interrogates the centrality of the "coming out" story as the regulating metaphor for gay, lesbian, or queer identities. In its place, the book looks at other strategies-from silence to circumlocution, from disavowal to indifference-to theorize queer subject formation in a Latino American cultural context. The analysis of texts by José Lezama Lima, Luis Zapata, Manuel Puig, Severo Sarduy, Junot Díaz, and others offers a comparative approach to understanding how queer sexualities are shaped and written in other cultural contexts.

Discusses how theories of queer performativity, as articulated within the US Academy, are unable to capture the whole of Latino American queer subjectivity and experience.The Avowal of Difference explores the potentialities and limitations that queer theory offers in the context of Latino American texts and subjects. Ben. Sifuentes-Jáuregui contrasts Latino American sexual genealogies with the Anglo-European "coming out" narrative-and interrogates the centrality of the "coming out" story as the regulating metaphor for gay, lesbian, or queer identities. In its place, the book looks at other strategies-from silence to circumlocution, from disavowal to indifference-to theorize queer subject formation in a Latino American cultural context. The analysis of texts by José Lezama Lima, Luis Zapata, Manuel Puig, Severo Sarduy, Junot Díaz, and others offers a comparative approach to understanding how queer sexualities are shaped and written in other cultural contexts.

Presents multifaceted aspects of Asian Muslim women's lives and agencies.This book resists the homogenization of Muslim women by detailing the diversity in their lives and by challenging the dominant paradigm of Arabized Islam as the sole interpreter of the faith. Though much has been written on the Middle East, there is a huge gap in research on Asia, which has two-thirds of the world's Muslim population. These essays reveal that the lives of Muslim women are impacted not only by Islam but also by local politics, class, religion, and ethnicity. Through ethnographic research and other methodologies, the contributors describe how economic globalization, construction of sexualities, and diasporic expectations shape women's lives. The book focuses on women's negotiations and resistances to global, national, and local patriarchies in an attempt to empower themselves.

Presents multifaceted aspects of Asian Muslim women's lives and agencies.This book resists the homogenization of Muslim women by detailing the diversity in their lives and by challenging the dominant paradigm of Arabized Islam as the sole interpreter of the faith. Though much has been written on the Middle East, there is a huge gap in research on Asia, which has two-thirds of the world's Muslim population. These essays reveal that the lives of Muslim women are impacted not only by Islam but also by local politics, class, religion, and ethnicity. Through ethnographic research and other methodologies, the contributors describe how economic globalization, construction of sexualities, and diasporic expectations shape women's lives. The book focuses on women's negotiations and resistances to global, national, and local patriarchies in an attempt to empower themselves.

Creates a new space for hybrid feminist analysis of Asian Muslim women's lives.Contesting Feminisms explores how Asian Muslim women make decisions on appropriating Islam and Islamic lifestyles through their own participation in the faith. The contributors highlight the fact that secularism has provided the space for some women to reclaim their religious identity and their own feminisms. Through compelling case studies and theoretical discussions, this volume challenges mainstream Western and national feminisms that presume homogeneity of Muslim women's lives to provide a deeper understanding of the multiple realities of feminism in Muslim communities.

Creates a new space for hybrid feminist analysis of Asian Muslim women's lives.Contesting Feminisms explores how Asian Muslim women make decisions on appropriating Islam and Islamic lifestyles through their own participation in the faith. The contributors highlight the fact that secularism has provided the space for some women to reclaim their religious identity and their own feminisms. Through compelling case studies and theoretical discussions, this volume challenges mainstream Western and national feminisms that presume homogeneity of Muslim women's lives to provide a deeper understanding of the multiple realities of feminism in Muslim communities.

Provides sophisticated theoretical approaches to Latin American cinema and sexual culture.2016 CHOICE Outstanding Academic Title Despite All Adversities examines a representative selection of notable queer films by Spanish America's most important directors since the 1950s. Each chapter focuses on a single film and offers rich and thoughtful new interpretations by a prominent scholar. The book explores films from across the region, including Tomás Gutiérrez Alea's and Juan Carlos Tabío's Fresa y chocolate (Strawberry and Chocolate, 1993), Marcelo Piñeyro's Plata quemada (Burnt Money, 2000), Barbet Schroeder's La Virgen de los Sicarios (Our Lady of the Assassins, 2000), Lucía Puenzo's XXY (XXY, 2007), Francisco J. Lombardi's No se lo digas a nadie (Don't Tell Anyone, 1998), Arturo Ripstein's El lugar sin límites (Hell Without Limits, 1978), among others. A survey of recent lesbian-themed Mexican films is also included.

Provides sophisticated theoretical approaches to Latin American cinema and sexual culture.2016 CHOICE Outstanding Academic Title Despite All Adversities examines a representative selection of notable queer films by Spanish America's most important directors since the 1950s. Each chapter focuses on a single film and offers rich and thoughtful new interpretations by a prominent scholar. The book explores films from across the region, including Tomás Gutiérrez Alea's and Juan Carlos Tabío's Fresa y chocolate (Strawberry and Chocolate, 1993), Marcelo Piñeyro's Plata quemada (Burnt Money, 2000), Barbet Schroeder's La Virgen de los Sicarios (Our Lady of the Assassins, 2000), Lucía Puenzo's XXY (XXY, 2007), Francisco J. Lombardi's No se lo digas a nadie (Don't Tell Anyone, 1998), Arturo Ripstein's El lugar sin límites (Hell Without Limits, 1978), among others. A survey of recent lesbian-themed Mexican films is also included.

Analyzes cultural materials that grapple with gender and blackness to revise traditional interpretations of Mexicanness.Honorable Mention, 2018 Elli Kongas-Maranda Professional Award presented by the Women's Studies Section of the American Folklore Society Winner of the 2018 Katherine Singer Kovacs Prize presented by the Modern Language Association Winner of the 2016 Victoria Urbano Critical Monograph Book Prize presented by the International Association of Hispanic Feminine Literature and Culture México's Nobodies examines two key figures in Mexican history that have remained anonymous despite their proliferation in the arts: the soldadera and the figure of the mulata. B. Christine Arce unravels the stunning paradox evident in the simultaneous erasure (in official circles) and ongoing fascination (in the popular imagination) with the nameless people who both define and fall outside of traditional norms of national identity. The book traces the legacy of these extraordinary figures in popular histories and legends, the Inquisition, ballads such as "La Adelita" and "La Cucaracha," iconic performers like Toña la Negra, and musical genres such as the son jarocho and danzón. This study is the first of its kind to draw attention to art's crucial role in bearing witness to the rich heritage of blacks and women in contemporary México.

Analyzes cultural materials that grapple with gender and blackness to revise traditional interpretations of Mexicanness.Honorable Mention, 2018 Elli Kongas-Maranda Professional Award presented by the Women's Studies Section of the American Folklore Society Winner of the 2018 Katherine Singer Kovacs Prize presented by the Modern Language Association Winner of the 2016 Victoria Urbano Critical Monograph Book Prize presented by the International Association of Hispanic Feminine Literature and Culture México's Nobodies examines two key figures in Mexican history that have remained anonymous despite their proliferation in the arts: the soldadera and the figure of the mulata. B. Christine Arce unravels the stunning paradox evident in the simultaneous erasure (in official circles) and ongoing fascination (in the popular imagination) with the nameless people who both define and fall outside of traditional norms of national identity. The book traces the legacy of these extraordinary figures in popular histories and legends, the Inquisition, ballads such as "La Adelita" and "La Cucaracha," iconic performers like Toña la Negra, and musical genres such as the son jarocho and danzón. This study is the first of its kind to draw attention to art's crucial role in bearing witness to the rich heritage of blacks and women in contemporary México.

Analyzes literary and cultural representations of iconic Mexican women to explore how these reimaginings can undermine or perpetuate gender norms in contemporary Mexico.2019 CHOICE Outstanding Academic Title In Troubled Memories, Oswaldo Estrada traces the literary and cultural representations of several iconic Mexican women produced in the midst of neoliberalism, gender debates, and the widespread commodification of cultural memory. He examines recent fictionalizations of Malinche, Hernán Cortés's indigenous translator during the Conquest of Mexico; Sor Juana Inés de la Cruz, the famous Baroque intellectual of New Spain; Leona Vicario, a supporter of the Mexican War of Independence; the soldaderas of the Mexican Revolution; and Frida Kahlo, the tormented painter of the twentieth century. Long associated with gendered archetypes and symbols, these women have achieved mythical status in Mexican culture and continue to play a complex role in Mexican literature. Focusing on contemporary novels, plays, and chronicles in connection to films, television series, and corridos of the Mexican Revolution, Estrada interrogates how and why authors repeatedly recreate the lives of these historical women from contemporary perspectives, often generating hybrid narratives that fuse history, memory, and fiction. In so doing, he reveals the innovative and sometimes troublesome ways in which authors can challenge or perpetuate gendered conventions of writing women's lives.

Analyzes literary and cultural representations of iconic Mexican women to explore how these reimaginings can undermine or perpetuate gender norms in contemporary Mexico.2019 CHOICE Outstanding Academic Title In Troubled Memories, Oswaldo Estrada traces the literary and cultural representations of several iconic Mexican women produced in the midst of neoliberalism, gender debates, and the widespread commodification of cultural memory. He examines recent fictionalizations of Malinche, Hernán Cortés's indigenous translator during the Conquest of Mexico; Sor Juana Inés de la Cruz, the famous Baroque intellectual of New Spain; Leona Vicario, a supporter of the Mexican War of Independence; the soldaderas of the Mexican Revolution; and Frida Kahlo, the tormented painter of the twentieth century. Long associated with gendered archetypes and symbols, these women have achieved mythical status in Mexican culture and continue to play a complex role in Mexican literature. Focusing on contemporary novels, plays, and chronicles in connection to films, television series, and corridos of the Mexican Revolution, Estrada interrogates how and why authors repeatedly recreate the lives of these historical women from contemporary perspectives, often generating hybrid narratives that fuse history, memory, and fiction. In so doing, he reveals the innovative and sometimes troublesome ways in which authors can challenge or perpetuate gendered conventions of writing women's lives.

Revisits a foundational moment in Argentine history to demonstrate how the crisis of modernity opened up new possibilities for imagining kinship otherwise.Winner of the 2020 Best Book in the Nineteenth Century Award presented by the Nineteenth Century Section of the Latin American Studies Association As Argentina rose to political and economic prominence at the turn of the twentieth century, debates about the family, as an ideological structure and set of lived relationships, took center stage in efforts to shape the modern nation. In Argentine Intimacies, Joseph M. Pierce draws on queer studies, Latin American studies, and literary and cultural studies to consider the significance of one family in particular during this period of intense social change: Carlos, Julia, Delfina, and Alejandro Bunge. One of Argentina's foremost intellectual and elite families, the Bunges have had a profound impact on Argentina's national culture and on Latin American understandings of education, race, gender, and sexual norms. They also left behind a vast archive of fiction, essays, scientific treatises, economic programs, and pedagogical texts, as well as diaries, memoirs, and photography. Argentine Intimacies explores the breadth of their writing to reflect on the intersections of intimacy, desire, and nationalism, and to expand our conception of queer kinship. Approaching kinship as an interface of relational dispositions, Pierce reveals the queerness at the heart of the modern family. Queerness emerges not as an alternative to traditional values so much as a defining feature of the state project of modernization.

Revisits a foundational moment in Argentine history to demonstrate how the crisis of modernity opened up new possibilities for imagining kinship otherwise.Winner of the 2020 Best Book in the Nineteenth Century Award presented by the Nineteenth Century Section of the Latin American Studies Association As Argentina rose to political and economic prominence at the turn of the twentieth century, debates about the family, as an ideological structure and set of lived relationships, took center stage in efforts to shape the modern nation. In Argentine Intimacies, Joseph M. Pierce draws on queer studies, Latin American studies, and literary and cultural studies to consider the significance of one family in particular during this period of intense social change: Carlos, Julia, Delfina, and Alejandro Bunge. One of Argentina's foremost intellectual and elite families, the Bunges have had a profound impact on Argentina's national culture and on Latin American understandings of education, race, gender, and sexual norms. They also left behind a vast archive of fiction, essays, scientific treatises, economic programs, and pedagogical texts, as well as diaries, memoirs, and photography. Argentine Intimacies explores the breadth of their writing to reflect on the intersections of intimacy, desire, and nationalism, and to expand our conception of queer kinship. Approaching kinship as an interface of relational dispositions, Pierce reveals the queerness at the heart of the modern family. Queerness emerges not as an alternative to traditional values so much as a defining feature of the state project of modernization.

Comparative, ethnographic study of women who migrate for marriage in rural north India.Shortlisted for the 2023 BASAS Book Prize presented by British Association for South Asian Studies Based on ethnographic fieldwork in a village in the north Indian state of Uttar Pradesh, Moving for Marriage compares the lived experiences of women in "regional" marriages (that conform to caste and community norms within a relatively short distance) with women in "cross-regional" marriages (that traverse caste, linguistic, and state boundaries and entail long-distance migration within India). By demonstrating how geographic distance and regional origins make a difference in these women's experiences, Shruti Chaudhry challenges stereotypes and moral panics about cross-regional brides who are brought from far away. Indeed, Moving for Marriage highlights the ways in which the post-marital experiences of both categories of wives in this study-their work and social relationships, their sexual lives and childbearing decisions, and their ability to access support in everyday contexts and in the event of marital distress-are shaped by factors such as caste, class/poverty, religion, and stage in the life-course. In focusing on this Global South context, Chaudhry makes novel arguments about the development of intimacy within marriages that are inherently unequal and even violent, thereby offering an alternative to Euro-American understandings of intimacy and women's agency.

Comparative, ethnographic study of women who migrate for marriage in rural north India.Shortlisted for the 2023 BASAS Book Prize presented by British Association for South Asian Studies Based on ethnographic fieldwork in a village in the north Indian state of Uttar Pradesh, Moving for Marriage compares the lived experiences of women in "regional" marriages (that conform to caste and community norms within a relatively short distance) with women in "cross-regional" marriages (that traverse caste, linguistic, and state boundaries and entail long-distance migration within India). By demonstrating how geographic distance and regional origins make a difference in these women's experiences, Shruti Chaudhry challenges stereotypes and moral panics about cross-regional brides who are brought from far away. Indeed, Moving for Marriage highlights the ways in which the post-marital experiences of both categories of wives in this study-their work and social relationships, their sexual lives and childbearing decisions, and their ability to access support in everyday contexts and in the event of marital distress-are shaped by factors such as caste, class/poverty, religion, and stage in the life-course. In focusing on this Global South context, Chaudhry makes novel arguments about the development of intimacy within marriages that are inherently unequal and even violent, thereby offering an alternative to Euro-American understandings of intimacy and women's agency.

Challenges and reimagines transnational feminism by analyzing the concept of ummah, or community, in Muslim women's writing.This book examines Muslim women's creative strategies of deploying religious concepts such as ummah, or community, to solve problems of domestic and communal violence, polygamous abuse, sterility, and heteronormativity. By closely reading and examining examples of ummah-building strategies in interfaith dialogues, exchanges, and encounters between Muslim and non-Muslim women in a selection of African and Southeast Asian fictions and essays, this book highlights women's assertive activisms to redefine transnationalism, understood as relationships across national boundaries, as transgeography. Ummah-building strategies shift the space of, or respatialize, transnational relationships, focusing on connections between communities, groups, and affiliations within the same nation. Such a respatialization also enables a more equitable and inclusive remediation of the citizenship of gendered and religious citizens to the nation-state and the transnational sphere of relationships.

Challenges and reimagines transnational feminism by analyzing the concept of ummah, or community, in Muslim women's writing.This book examines Muslim women's creative strategies of deploying religious concepts such as ummah, or community, to solve problems of domestic and communal violence, polygamous abuse, sterility, and heteronormativity. By closely reading and examining examples of ummah-building strategies in interfaith dialogues, exchanges, and encounters between Muslim and non-Muslim women in a selection of African and Southeast Asian fictions and essays, this book highlights women's assertive activisms to redefine transnationalism, understood as relationships across national boundaries, as transgeography. Ummah-building strategies shift the space of, or respatialize, transnational relationships, focusing on connections between communities, groups, and affiliations within the same nation. Such a respatialization also enables a more equitable and inclusive remediation of the citizenship of gendered and religious citizens to the nation-state and the transnational sphere of relationships.

Examines how contemporary Mexican literature uses humor to contest heteronormativity.Between Camp and Cursi examines the role of humor in portrayals of homosexuality in contemporary Mexican literature. Brandon P. Bisbey argues that humor based on camp and cursilería-a form of "bad taste" that expresses a sense of social marginalization-is used to represent key social conflicts and contradictions of modernity in Mexico. Combining perspectives from queer theory, humor theory, and Latin American cultural studies, Bisbey looks at a corpus of canonical and lesser-known texts that treat a range of topics relevant to contemporary discussions of gender, sexuality, race, and human rights in Mexico-including sex work, transvestitism, bisexuality, same-sex marriage, racism, classism, and homophobic and transphobic violence. Emphasizing the subversive possibilities of the comic, Between Camp and Cursi considers how this body of twentieth- and twenty-first-century literature has challenged heteronormativity in Mexico and wrestled more broadly with both the colonial underpinnings of modernity and hegemonic Western gender norms.

Examines how contemporary Mexican literature uses humor to contest heteronormativity.Between Camp and Cursi examines the role of humor in portrayals of homosexuality in contemporary Mexican literature. Brandon P. Bisbey argues that humor based on camp and cursilería-a form of "bad taste" that expresses a sense of social marginalization-is used to represent key social conflicts and contradictions of modernity in Mexico. Combining perspectives from queer theory, humor theory, and Latin American cultural studies, Bisbey looks at a corpus of canonical and lesser-known texts that treat a range of topics relevant to contemporary discussions of gender, sexuality, race, and human rights in Mexico-including sex work, transvestitism, bisexuality, same-sex marriage, racism, classism, and homophobic and transphobic violence. Emphasizing the subversive possibilities of the comic, Between Camp and Cursi considers how this body of twentieth- and twenty-first-century literature has challenged heteronormativity in Mexico and wrestled more broadly with both the colonial underpinnings of modernity and hegemonic Western gender norms.

Explores twentieth-century Mexican counterculture through the lens of pleasure, body autonomy, and music and film undergrounds.Consuming Citizens offers a fresh conception of twentieth-century Mexican cultural production by critically tracing the underside of mestizo modernity. Examining a diverse corpus that includes poetry, song, avant-garde film, and more from the 1920s to '80s, the volume uses queer, feminist, and psychedelic theories to understand counterculture-and especially different acts of consumption-as a way of creating culture and alternative social structures. Practices of consuming media, sex, and drugs become means of generating community among subjects who have been marginalized by the nominally inclusive mestizo nation. Consuming Citizens thus rethinks nationalism, citizenship, and society in relation to, and as creations of, countercultural bodies.

Explores twentieth-century Mexican counterculture through the lens of pleasure, body autonomy, and music and film undergrounds.Consuming Citizens offers a fresh conception of twentieth-century Mexican cultural production by critically tracing the underside of mestizo modernity. Examining a diverse corpus that includes poetry, song, avant-garde film, and more from the 1920s to '80s, the volume uses queer, feminist, and psychedelic theories to understand counterculture-and especially different acts of consumption-as a way of creating culture and alternative social structures. Practices of consuming media, sex, and drugs become means of generating community among subjects who have been marginalized by the nominally inclusive mestizo nation. Consuming Citizens thus rethinks nationalism, citizenship, and society in relation to, and as creations of, countercultural bodies.

Shows how representations of sapphic desire can subvert or sustain prevailing norms of gender, sexuality, and power in Mexican texts from the 1980s to the 2010s.Drawing inspiration from the 2020 Marcha Lencha—"Lesbian March"—in Mexico City, Alejandra Márquez expands the concept of lenchitudes into a critical framework for thinking about gender and sexuality more expansively and inclusively, beyond essentialist identity categories. Assembling a lesbian archive that stretches from the publication of Rosamaría Roffiel's cult classic Amora in 1989 to the 2010s, Lenchitudes argues that sapphic representation in contemporary Mexican narrative subverts but also reinforces patriarchal norms. Sapphic narratives, Márquez argues, are not inherently queer but rather can uphold binary gender roles, heteronormativity, and monogamy. Bridging literature and activism, and putting theorists such as Judith Butler, Jack Halberstam, and José Esteban Muñoz into conversation with Latin American scholarship, Lenchitudes boldly joins ongoing debates about the place of queerness, or lo cuir, in Latin America.

Shows how representations of sapphic desire can subvert or sustain prevailing norms of gender, sexuality, and power in Mexican texts from the 1980s to the 2010s.Drawing inspiration from the 2020 Marcha Lencha—"Lesbian March"—in Mexico City, Alejandra Márquez expands the concept of lenchitudes into a critical framework for thinking about gender and sexuality more expansively and inclusively, beyond essentialist identity categories. Assembling a lesbian archive that stretches from the publication of Rosamaría Roffiel's cult classic Amora in 1989 to the 2010s, Lenchitudes argues that sapphic representation in contemporary Mexican narrative subverts but also reinforces patriarchal norms. Sapphic narratives, Márquez argues, are not inherently queer but rather can uphold binary gender roles, heteronormativity, and monogamy. Bridging literature and activism, and putting theorists such as Judith Butler, Jack Halberstam, and José Esteban Muñoz into conversation with Latin American scholarship, Lenchitudes boldly joins ongoing debates about the place of queerness, or lo cuir, in Latin America.

Argues that Colombian media culture has been a central vehicle for manufacturing consent for a patriarchal social order.Regimes of Colombianidad addresses the gender politics of media culture in a country where endless non-symbolic violence has been the primary focus of academic interest. Examining three tropes in contemporary Colombian media—beauty, citizenship, and sex—the book draws out the historical significance of ideals of the body in the nation-building process in the twenty-first century, but ultimately since independence. Taking the Miss Colombia pageant as a starting point for the contextualization of beauty politics, Isis Giraldo seriously engages with the "men's magazine" SoHo, popular telenovelas, and mainstream periodicals in manufacturing consent for patriarchal, postfeminist understandings of subjectivity, national belonging, and sexual liberation. Regimes of Colombianidad decenters and provincializes northern debates about postfeminism while globalizing Latin American decolonial critique. More than as a sensibility, it reconceptualizes postfeminism as a global technology of power that traverses the liberal and conservative ends of the political spectrum while enacting coloniality.