Hachette Books – serie

In this urgent and “thrillingly written” book, there is a case and solution for humanity’s last shot at survival (Sunday Times). Humanity’s future is at risk. We face existential catastrophes, climate change, nuclear war, and more. If we do not act fast to reach a place of safety, it will soon be too late. Drawing on over a decade of research, The Precipice explores the cutting-edge science behind the risks we face. And it points the way forward, to the actions and strategies that can safeguard humanity. An Oxford philosopher, Toby Ord has advised the US National Intelligence Council, the UK Prime Minister's Office, and the World Bank on the biggest questions facing humanity. In The Precipice, he offers a startling reassessment of human history, the future we are failing to protect, and the steps we must take to ensure that our generation is not the last."A book that seems made for the present moment." —New Yorker

ONE OF BILLBOARD'S "100 GREATEST MUSIC BOOKS OF ALL TIME"The provocative transgender advocate and lead singer of the punk rock band Against Me! provides a searing account of her search for identity and her true self.It began in a bedroom in Naples, Florida, when a misbehaving punk teenager named Tom Gabel, armed with nothing but an acoustic guitar and a headful of anarchist politics, landed on a riff. Gabel formed Against Me! and rocketed the band from its scrappy beginnings-banging on a drum kit made of pickle buckets-to a major-label powerhouse that critics have called this generation's The Clash. Since its inception in 1997, Against Me! has been one of punk's most influential modern bands, but also one of its most divisive. With every notch the four-piece climbed in their career, they gained new fans while infuriating their old ones. They suffered legal woes, a revolving door of drummers, and a horde of angry, militant punks who called them "sellouts" and tried to sabotage their shows at every turn.But underneath the public turmoil, something much greater occupied Gabel-a secret kept for 30 years, only acknowledged in the scrawled-out pages of personal journals and hidden in lyrics. Through a troubled childhood, delinquency, and struggles with drugs, Gabel was on a punishing search for identity. Not until May of 2012 did a Rolling Stone profile finally reveal it: Gabel is a transsexual, and would from then on be living as a woman under the name Laura Jane Grace.Tranny is the intimate story of Against Me!'s enigmatic founder, weaving the narrative of the band's history, as well as Grace's, with dozens of never-before-seen entries from the piles of journals Grace kept. More than a typical music memoir about sex, drugs, and rock 'n' roll-although it certainly has plenty of that-Tranny is an inside look at one of the most remarkable stories in the history of rock.

** THE INSTANT NEW YORK TIMES BESTSELLER **** AN AMAZON "BEST BOOKS OF THE MONTH" FOR AUGUST 2023 (Biographies & Memoirs) **From an award-winning former law enforcement park ranger and investigator, this female-driven true crime adventure follows the author's quest to find missing hikers along the Pacific Crest Trail by pairing up with an eclectic group of unlikely allies.As a park ranger with the National Park Service's law enforcement team, Andrea Lankford led search and rescue missions in some of the most beautiful (and dangerous) landscapes across America, from Yosemite to the Grand Canyon. But though she had the support of the agency, Andrea grew frustrated with the service's bureaucratic idiosyncrasies, and left the force after twelve years. Two decades later, however, she stumbles across a mystery that pulls her right back where she left off: three young men have vanished from the Pacific Crest Trail, the 2,650-mile trek made famous by Cheryl Strayed's Wild, and no one has been able to find them. It's bugging the hell out of her.Andrea's concern soon leads her to a wild environment unlike any she's ever encountered: missing person Facebook groups. Andrea launches an investigation, joining forces with an eclectic team of amateurs who are determined to solve the cases by land and by screen: a mother of the missing, a retired pharmacy manager, and a mapmaker who monitors terrorist activity for the government. Together, they track the activities of kidnappers and murderers, investigate a cult, rescue a psychic in peril, cross paths with an unconventional scientist, and reunite an international fugitive with his family. Searching for the missing is a brutal psychological and physical test with the highest stakes, but eventually their hardships begin to bear strange fruits-ones that lead them to places and people they never saw coming.Beautifully written, heartfelt, and at times harrowing, TRAIL OF THE LOST paints a vivid picture of hiker culture and its complicated relationship with the ever-expanding online realm, all while exploring the power and limits of determination, generosity, and hope. It also offers a deep awe of the natural world, even as it unearths just how vast and treacherous it can be. On the TRAIL OF THE LOST, you may not find what you are looking for, but you will certainly find more than you seek.

The definitive biography of the Everly Brothers, one of the greatest and most influential acts in popular music history, based on dozens of exclusive and archival interviews, as well as long-lost global reportingIn between the Elvis years and the rise of the Beatles, there was no bigger act than The Everly Brothers. From 1957-1962, they were among the highest selling pop acts in the U.S., with 11 Number One singles and over 35 high- charting records in all. In that time, they developed their own brand of rock 'n' roll and gentle pop balladry that leaned heavily on older, close harmony styles of country music singing. "Wake Up, Little Susie," "All I Have to Do Is Dream," "Cathy's Clown," "Let it Be Me," - their hits were legion and their sweet and sour Appalachian-style harmonies influenced everyone from The Beatles to Simon and Garfunkel to the Beach Boys to Crosby, Stills, and Nash. "Blood harmony" refers to the kind of close harmony seemingly only obtainable by siblings, and Don and Phil Everly were the kings of it. Anytime you hear the style of harmony you hear in, say, the Beatles' "Please Please Me," you are hearing the sound (and impact) of The Everly Brothers. The Everly Brothers-Don and Phil-are inducted members of both the Rock and Roll Hall of Fame and the Country Music Hall of Fame, and progenitors of the hybrid Americana roots music format. Yet the duo have remained the only original, founding inductees of the Rock Hall without a penetrating, substantial biography. What books there have been-most published 30-40 years ago, reflecting perspectives of that time-have been either fan-written and surface-skimming or approached the Everlys with particular emphasis on their discography, more than their lived experiences.Blood Harmony: The Everly Brothers Story is the first biography that's focused on the dramatic, complicated relationship of these two famous and strikingly talented brothers, and explores how the evolution of their relationship played out in the much- loved music they created-through some sixty years of performing. Their story is the story of American music, from their rural Kentucky origins to massive international fame, falling out of fashion in the wake of the rise of rock bands and singer-songwriters, and their many comebacks.Written with reverence and insight, and featuring dozens of brand new and archival interviews with those who knew them best, as well as long-lost global reporting, Blood Harmony is a fitting ode to the brothers who made a huge impact on the modern music scene, celebrating how their creative "blood harmony" evolved to become an entry point into country music for millions around the world.

Discover the true story of a self-taught surgeon and trailblazing figure in medical history-Madame Restsell, a revolutionary surgeon who fought for women's rights and healthcare in Gilded Age New York.​An industrious immigrant who built her business from the ground up, Madame Restell was a self-taught surgeon on the cutting edge of healthcare in pre-Gilded Age New York, and her bustling "boarding house" provided birth control, abortions, and medical assistance to thousands of women-rich and poor alike. As her practice expanded, her notoriety swelled, and Restell established her-self as a prime target for tabloids, threats, and lawsuits galore. But far from fading into the background, she defiantly flaunted her wealth, parading across the city in designer clothes, expensive jewelry, and bejeweled carriages, rubbing her success in the faces of the many politicians, publishers, fellow physicians, and religious figures determined to bring her down.Unfortunately for Madame Restell, her rise to the top of her field coincided with "the greatest scam you've never heard about"-the campaign to curtail women's power by restricting their access to both healthcare and careers of their own. Powerful, secular men-threatened by women's burgeoning independence-were eager to declare abortion sinful, a position endorsed by newly-minted male MDs who longed to edge out their feminine competition and turn medicine into a standardized, male-only practice. By unraveling the misogynistic and misleading lies that put women's lives in jeopardy, Wright simultaneously restores Restell to her rightful place in history and obliterates the faulty reasoning underlying the very foundation of what has since been dubbed the "pro-life" movement.Thought-provoking, character-driven, boldly written, and feminist as hell, Madame Restell is required reading for anyone and everyone who believes that when it comes to women's rights, women's bodies, and women's history, women should have the last word.

A New York Times Editors' Choice Pick"Kennedy and King is an unqualified masterpiece of historical narrative . . . A landmark achievement." -- Douglas Brinkley, New York Times bestselling author of Rosa Parks Kennedy and King traces the emergence of two of the twentieth century's greatest leaders, their powerful impact on each other and on the shape of the civil rights battle between 1960 and 1963. These two men from starkly different worlds profoundly influenced each other's personal development. Kennedy's hesitation on civil rights spurred King to greater acts of courage, and King inspired Kennedy to finally make a moral commitment to equality. As America still grapples with the legacy of slavery and the persistence of discrimination, Kennedy and King is a vital, vivid contribution to the literature of the Civil Rights Movement.

From the legendary singer-songwriter of Bad Religion comes a historical memoir and cultural criticism of punk rock's evolution.Greg Graffin is the lead vocalist and songwriter of Bad Religion, recently described as "America's most significant punk band." Since its inception in Los Angeles in 1980, Bad Religion has produced 18 studio albums, become a long-running global touring powerhouse, and has established a durable legacy as one of the most influential punk rock bands of all time.Punk Paradox is Graffin's life narrative before and during L.A. punk's early years, detailing his observations on the genre's explosive growth and his band's steady rise in importance. The book begins by exploring Graffin's Midwestern roots and his life-changing move to Southern California in the mid-'70s. Swept up into the burgeoning punk scene in the exhilarating and often-violent streets of Los Angeles, Graffin and his friends formed Bad Religion, built a fanbase, and became a touring institution. All these activities took place in parallel with Graffin's never ceasing quest for intellectual enlightenment. Despite the demands of global tours, recording sessions, and dedication to songwriting, the author also balanced a budding academic career. In so doing, he managed to reconcile an improbable double-life as an iconic punk rock front man and University Lecturer in evolution.Graffin's unique experiences mirror the paradoxical elements that define the punk genre-the pop influence, the quest for society's betterment, music's unifying power-all of which are prime ingredients in its surprising endurance. Fittingly, this book argues against the traditional narrative of the popular perception of punk. As Bad Religion changed from year to year, the spirit of punk-and its sonic significance-lived on while Graffin was ever willing to challenge convention, debunk mythology, and liberate listeners from the chains of indoctrination.

A thought-provoking exploration of Bruce Springsteen's iconic album, Born in the U.S.A.-a record that both chronicled and foreshadowed the changing tides of modern AmericaOn June 4, 1984, Columbia Records issued what would become one of the best-selling and most impactful rock albums of all time. Bruce Springsteen's Born in the U.S.A. would prove itself to be a landmark not only for the man who made it, but rock music in general and even the larger American culture over the next 40 years. Because this record ended up being much more than just an album-it is a document of what this country was in its moment, a dream of what it might become, and a prescient forecast of what it actually turned into decades later.In There Was Nothing You Could Do, veteran rock critic Steven Hyden explores the essential questions that explain this classic album - what it means, why it was made, and how it changed the world. By mixing up his signature blend of personal memoir, criticism, and journalism, Hyden digs deep into the songs that made Born In The U.S.A. as well as the scores of tunes that didn't, including the tracks that make up the album's sister release, 1982's Nebraska. He investigates how the records before Born In The U.S.A. set the table for the album's tremendous success, following Springsteen as he tries to balance his commercial ambitions with his fear of losing artistic control and being co-opted by the machine. Hyden also takes a closer look how Springsteen's work after Born In The U.S.A. reacted to that album, discussing how "The Boss" initially ran away from his most popular (and most misunderstood) LP until he learned to once again accept his role as a kind of living national monument.But the book doesn't stop there. Hyden also looks beyond Springsteen's career, placing Born In The U.S.A. in a larger context in terms of how it affected rock music as well as America. Though he aspired to be as big as Elvis and as profound as Dylan, he was equally aware of his heroes' shortcomings and eager to avoid their mistakes-all while navigating the tumultuous aftermath of Vietnam and Watergate, a time when America was coming apart at the seams. Born In The U.S.A. simultaneously chronicles that coming apart and pushes for a more united future, a duality that made him a hero to a younger generation of bands - from Arcade Fire to The Killers to The War On Drugs - who openly emulated the sound of Born In The U.S.A. in the hopes of somehow, in their own way, achieving a measure of that album's impact in the 21st century. By the aughts, when Springsteen fan (and future podcast partner) Barack Obama entered the White House, it appeared that the hopeful promise of Born In The U.S.A. might be realized. But the election of Donald Trump seemed to confirm an opposite truth that was closer to the darkness of songs like "My Hometown" and "Born In The U.S.A." than Springsteen's revival-like shows. As Springsteen himself reluctantly conceded, the working-class middle American progressives he wrote about in 1984 had turned into the resentful and scored Trump voters of the 2010s.How did we lose Springsteen's heartland? And what can listening to these songs teach us about the American decline that Born In The U.S.A. forecasted? In There Was Nothing You Could Do, Hyden takes readers on a journey to find out.

A leading music journalist's riveting chronicle of how beloved band Pearl Jam shaped the times, and how their legacy and longevity have transcended generations.Ever since Pearl Jam first blasted onto the Seattle grunge scene three decades ago with their debut album, Ten, they have sold 85M+ albums, performed for hundreds of thousands of fans around the world, and have even been inducted into the Rock and Roll Hall of Fame. In Long Road: Pearl Jam and the Soundtrack Of A Generation, music critic and journalist Steven Hyden celebrates the life, career, and music of this legendary group, widely considered to be one of the greatest American rock bands of all time. Long Road is structured like a mix tape, using 18 different Pearl Jam classics as starting points for telling a mix of personal and universal stories. Each chapter tells the tale of this great band - how they got to where they are, what drove them to greatness, and why it matters now.Much like the generation it emerged from, Pearl Jam is a mass of contradictions. They were an enormously successful mainstream rock band who felt deeply uncomfortable with the pursuit of capitalistic spoils. They were progressive activists who spoke in favor of abortion rights and against the Ticketmaster monopoly, and yet they epitomized the sound of traditional, male-dominated rock 'n' roll. They were looked at as spokesmen for their generation, even though they ultimately projected profound confusion and alienation. They triumphed, and failed, in equal doses - the quintessential Gen-X tale.Impressive as their stats, accolades, and longevity may be, Hyden also argues that Pearl Jam's most definitive accomplishment lies in the impact their music had on Generation X as a whole. Pearl Jam's music helped an entire generation of listeners connect with the glory of bygone rock mythology, and made it relevant during a period in which tremendous American economic prosperity belied a darkness at the heart of American youth. More than just a chronicle of the band's career, this book is also a story about Gen- X itself, who like Pearl Jam came from angsty, outspoken roots and then evolved into an establishment institution, without ever fully shaking off their uncertain, outsider past. For so many Gen-Xers growing up at the time, Pearl Jam's music was a beacon that offered both solace and guidance. They taught an entire generation how to grow up without losing the purest and most essential parts of themselves.Written with his celebrated blend of personal memoir, criticism, and journalism, Hyden explores Pearl Jam's path from Ten to now. It's a chance for new fans and old fans alike to geek out over Pearl Jam minutia-the B-sides, the beloved deep cuts, the concert bootlegs-and explore the multitude of reasons why Pearl Jam's music resonated with so many people. As Hyden explains, "Most songs pass through our lives and are swiftly forgotten. But Pearl Jam is forever."

In I Die Each Time I Hear the Sound, musician Mike Doughty presents stories about life on the road as an indie rock musician, taking readers deep inside the dislocated life of an itinerant performer, the exhilaration and terror involved in getting up in front of strangers night after night, and as far behind the curtain as they've ever dared to venture. Doughty's writing is deeply provocative, eliciting visceral responses from his readers, and this extraordinary book will blow the minds of people who have never considered what life is like for those on the other side of the stage.I Die Each Time I Hear the Sound is composed of strange, surreal tales from on the road that draw from dream-like conflations of memories of times and places, especially New York City in the '90s. It looks at why diminished circumstances are sometimes, bafflingly, more profitable than chart success, how the nostalgia of fans is both a boon and a burden for an artist struggling to stay vital, and what it means--and how it works--to grow into middle age while still playing hundreds of shows and releasing albums prolifically.Both a fascinating and dislocated narrative and a highly review-worthy examination of what it is to be an artist at this cultural juncture, I Die Each Time I Hear the Sound is funny, unsparing, vulnerable, and incisive.

USA TODAY BESTSELLER"I loved Tough Titties and didn't want it to end! ... Laura Belgray speaks to the late bloomers and slow starters in us all." - Kelly Ripa, New York Times bestselling author of Live Wire"Nobody makes me laugh like Laura Belgray. ... Tough Titties is a hilarious, must-read permission slip to be 100% you." - Marie Forleo, #1 New York Times bestselling author of Everything is FigureoutableFrom award-winning TV writer Laura Belgray, a hilarious collection of full-body-cringe, watch-through-your-fingers life lessons her own husband calls "loser Sex and the City."What does it take to grow up cool and popular, master adulthood, fast track your success, and always be your best? Laura Belgray wouldn't know.Her wildly relatable coming-of-age stories include hate-following her 6th grade bully on social media decades later; moving home post-college to measure her self-worth in hookups with Upper West Side bartenders; dating a sociopathic man-baby; proving herself in the early '90s at New York's coolest magazine (as the world's worst intern); falling for get-rich-quick schemes on the Internet; and, most of all, saying "tough titties" to the supposed-to's in life: driving a car, being on time, handing in your paperwork, learning to roast a chicken, and having kids. Peppered with cutting insights on our confusing, self-helpy culture that calls hair removal "self care" and tells us to give our 110% but also to give zero f*cks, Tough Titties will leave you feeling better about, well, everything. Let's face it: we're all tired of shame-spiraling after being told what to do when we know we're not going to do any of it.Tough Titties is one big permission slip to be a dork, a sometimes-unspiritual slacker, a late bloomer and, ultimately, 100% yourself. It'll also have you snort-laughing in public and tapping whoever's nearby to say, "Lemme read you one more part!" Which is annoying, but tough titties.

When Tom Breihan launched his Stereogum column in early 2018, "The Number Ones"-a space in which he has been writing about every #1 hit in the history of the Billboard Hot 100, in chronological order-he figured he'd post capsule-size reviews for each song. But there was so much more to uncover. The column has taken on a life of its own, sparking online debate and occasional death threats.The Billboard Hot 100 began in 1958, and after four years of posting the column, Breihan is still in the early aughts. But readers no longer have to wait for his brilliant synthesis of what the history of #1s has meant to music and our culture. In The Number Ones, Breihan writes about twenty pivotal #1s throughout chart history, revealing a remarkably fluid and connected story of music that is as entertaining as it is enlightening.The Numbers Ones features the greatest pop artists of all time, from the Brill Building songwriters to the Beatles and the Beach Boys; from Motown to Michael Jackson, Prince, and Mariah Carey; and from the digital revolution to the K-pop system. Breihan also ponders great artists who have never hit the top spot, like Bob Dylan, Bruce Springsteen, and James Brown. Breihan illuminates what makes indelible ear candy across the decades-including dance crazes, recording innovations, television phenomena, disco, AOR, MTV, rap, compact discs, mp3s, social media, memes, and much more-leaving readers to wonder what could possibly happen next.

Get a completely new look at guitar legend Eddie Van Halen with this groundbreaking oral history, composed of more than fifty hours of interviews with Eddie himself as well as his family, friends, and colleagues.When rock legend Eddie Van Halen died of cancer on October 6, 2020, the entire world seemed to stop and grieve. Since his band Van Halen burst onto the scene with their self-titled debut album in 1978, Eddie had been hailed as an icon not only to fans of rock music and heavy metal, but to performers across all genres and around the world. Van Halen’s debut sounded unlike anything that listeners had heard before and remains a quintessential rock album of the era. Over the course of more than four decades, Eddie gained renown for his innovative guitar playing, and particularly for popularizing the tapping guitar solo technique. Unfortunately for Eddie and his legions of fans, he died before he was ever able to put his life down to paper in his own words, and much of his compelling backstory has remained elusive—until now. In Eruption, music journalists Brad Tolinski and Chris Gill share with fans, new and old alike, a candid, compulsively readable, and definitive oral history of the most influential rock guitarist since Jimi Hendrix. It is based on more than 50+ hours of unreleased interviews they recorded with Eddie Van Halen over the years, most of them conducted at the legendary 5150 studios at Ed’s home in Los Angeles. The heart of Eruption is drawn from these intimate and wide-ranging talks, as well as conversations with family, friends, and colleagues. In addition to discussing his greatest triumphs as a groundbreaking musician, including an unprecedented dive into Van Halen’s masterpiece 1984, the book also takes an unflinching look at Edward’s early struggles as young Dutch immigrant unable to speak the English language, which resulted in lifelong issues with social anxiety and substance abuse. Eruption: Conversations with Eddie Van Halen also examines his brilliance as an inventor who changed the face of guitar manufacturing.As entertaining as it is revealing, Eruption is the closest readers will ever get to hearing Eddie’s side of the story when it comes to his extraordinary life.

Over the course of its seven-year run, Buffy the Vampire Slayer cultivated a loyal fandom and featured a strong, complex female lead, at a time when such a character was a rarity. Evan Ross Katz explores the show's cultural relevance through a book that is part oral history, part celebration, and part memoir of a personal fandom that has universal resonance still, decades later.Katz-with the help of the show's cast, creators, and crew-reveals that although Buffy contributed to important conversations about gender, sexuality, and feminism, it was not free of internal strife, controversy, and shortcomings. Men-both on screen and off-would taint the show's reputation as a feminist masterpiece, and changing networks, amongst other factors, would drastically alter the show's tone.Katz addresses these issues and more, including interviews with stars Sarah Michelle Gellar, Charisma Carpenter, Emma Caulfield, Amber Benson, James Marsters, Anthony Stewart Head, Seth Green, Marc Blucas, Nicholas Brendon, Danny Strong, Tom Lenk, Bianca Lawson, Julie Benz, Clare Kramer, K. Todd Freeman, Sharon Ferguson; and writers Douglas Petrie, Jane Espenson, and Drew Z. Greenberg; as well as conversations with Buffy fanatics and friends of the cast including Stacey Abrams, Cynthia Erivo, Lee Pace, Claire Saffitz, Tavi Gevinson, and Selma Blair.Into Every Generation a Slayer Is Born engages with the very notion of fandom, and the ways a show like Buffy can influence not only how we see the world but how we exist within it.

For seventy years, Queen Elizabeth ruled over an institution and a family. During her lifetime she was constant in her desire to provide a steady presence and to be a trustworthy steward of the British people and the Commonwealth. In the face of her uncle's abdication, in the uncertainty of the Blitz, and in the tentative exposure of her family and private life to the public via the press, Elizabeth became synonymous with the crown.?But times change. Recent years have brought grief and turmoil to the House of Windsor, and even as England celebrated the Queen's Platinum Jubilee, there were calls for a changing of the guard.In The New Royals, journalist Katie Nicholl provides a nuanced look at Elizabeth's remarkable and unrivalled reign, with new stories from Palace courtiers and aides, documentarians, and family members. She examines King Charles and Queen Camilla's decades in waiting and beyond-where "The Firm" is headed as William and Kate present the modern faces of an ancient institution. In the wake of Harry and Meghan leaving the Royal Family and Prince Andrew's spectacular fall from grace, the royal family must reckon with its history, the light and the dark, in order to chart a new course for Britain and show that it is an institution capable of leadership in an ever-changing modern world.

"Unnervingly raw and honest, this book is timeless wisdom that was earned the hard way."-Mark Manson, author of The Subtle Art of Not Giving a F*ckFrom the author of Dark Days and lead singer of long-running extreme metal band, Lamb of God, a riveting and revelatory memoir about self-development and maintaining proper perspective through difficult timesIn his gripping, bestselling debut memoir Dark Days, Lamb of God vocalist D. Randall (Randy) Blythe unflinchingly wrote about some of the most harrowing episodes of his past. Now, in his highly anticipated follow-up Just Beyond the Light, Blythe shares how he works daily to maintain positivity in a world that feels like it is spinning out of control. In his own words, Just Beyond the Light is a "tight, concise roadmap of how I have attempted to maintain what I believe to be a proper perspective in life, even during difficult times." Written with a scathing balance of hard-edged reality offset by a knowing humor and a razor-sharp wit, voiced in in his inimitable, conversational, everyman-philosopher style, Blythe clearly breaks down his approach to life, which is a personal and idiosyncratic mix of sobriety, art, and surfing. He writes movingly of his childhood in the South, of fallen friends, of what he's learned touring the world as the vocalist of a successful heavy metal band, and of the very real ways he is doing what he can to leave the world a better place. Above all, he offers readers hope that balance, real balance, is possible, even (or especially) when things seem hopeless. Compelling, compassionate, and refreshingly honest, Just Beyond the Light ultimately reminds readers that "as long as we keep our feet (and minds) planted firmly on the ground that is reality, the sky isn't falling- it never has been, and it never will."

An insider history of the Blind Boys of Alabama, the longest running group in American music, and the untold story of their world, written with band members and key musical colleagues, drawing from the group's private archiveThe Blind Boys of Alabama are the quintessential Gospel vocal group, and the longest-running musical institution in America. Their story intersects with pivotal moments and issues in American history and is an ideal prism through which to trace music, culture, history, and race in America. Spirit of the Century invites readers to follow along the Blind Boys' eight-decade journey together from a segregated trade school, through the rough and tumble indie record game and grinding tour schedule of the golden age of gospel, to starring in an iconic Broadway musical, performing at the White House for three presidents twice, collaborating with Tom Petty, Lou Reed, and Ben Harper, among others, singing the theme song for "The Wire," and winning five Grammys. More than just a story of the Blind Boys' illustrious career, Spirit of the Century also sheds new light on the larger world of African American gospel music, its origins, and the colorful characters at its center. Though there have been several iterations of the group over the decades, Spirit of the Century rounds up all surviving members of the group as contributors to the telling of their own story, and a result, the book offers a unique and intimate perspective on the group's enduring success. Current drummer and road manager Rickie McKinney has been with the group throughout its renaissance, while guitarist Joey Williams, the group's sighted member, has been the eyes of the Blind Boys since 1992. Octogenarian Jimmy Lee Carter has a fascinating history, as a fellow student of the original but deceased Blind Boys Clarence Fountain, George Scott, Olice Thomas, Johnny Fields, J.T. Hutton, and Velma Traylor at the Talladega school. Carter is one of a few performers who have been in both the Blind Boys of Alabama and Mississippi. He fronts the Alabama group today as a classic quartet leader and fiery preacher. Along with extensive interviews of Fountain, these legendary musicians provide this book with the voice, firsthand perspective, and authenticity that bring their story the same inspirational power that you hear in their songs.Thought-provoking, heartfelt, and deeply inspiring, Spirit of the Century is a fascinating and one-of-a-kind read that you won't be able to put down.

Well-known disability activist and social media influencer, Melissa Blake, offers a frank, illuminating memoir and a call to action for disabled people and allies.In the summer of 2019, journalist Melissa Blake penned an op-ed for CNN Opinion. A conservative pundit caught wind of it, mentioning Blake's work in a YouTube video. What happened next is equal parts a searing view into society, how we collectively view and treat disabled people, and the making of an advocate. After a troll said that Blake should be banned from posting pictures of herself, she took to Twitter and defiantly posted three smiling selfies, all taken during a lovely vacation in the Big Apple:I wanted desperately to clap back at these vile trolls in a way that would make a statement, not only about how our society views disabilities, but also about the toxicity of our strict and unrealistic beauty standards. Of course I knew that posting those selfies wasn't going to erase the nasty names I'd been called and, the chances were, they would never even see my tweet, but that didn't matter. I wasn't doing it for them; I was doing it for me and every single disabled person who has been bullied before, online and in real life. When people mock how I look, they're not just insulting me. They're insulting all disabled people. We're constantly told that we're repulsive and ugly and not good enough to be seen. This was me pushing back against that toxic, ableist narrative.For the first time, I felt like I was doing something empowering, taking back my power and changing the story.Her tweet went viral, attracting worldwide media attention and interviews with the BBC, USA Today, the Chicago Tribune, PEOPLE magazine, Good Morning America and E! News.Now, in her manifesto, Beautiful People, Blake shares her truths about disability, writing about (among other things):- the language we use to describe disabled people- ableism, microaggressions, and their pernicious effects- what it's like to live in a society that not only isn't designed for you, but actively operates to render you invisible- her struggles with self-image and self-acceptance- the absence of disabled people in popular culture- why disabled people aren't tragic heroesBlake also tells the stories of some of the heroes of the disability rights movement in America, in doing so rescuing their incredible achievements from near total obscurity. Highlighting other disabled activists and influencers, Blake's work is the calling card of a powerful voice-one that has sparked new, different, better conversations about disability.

The first biography of the thriving and influential rock scene in Chapel Hill, which gave the world artists like Ben Folds Five, Superchunk, and Squirrel Nut ZippersNorth Carolina has always produced extraordinary music.From Charlie Poole standardizing the bluegrass form in the 1920s, to the creation of an entire diaspora of Black musicians which included Thelonious Monk, John Coltrane, and Nina Simone, to the gentle early-70s sounds of James Taylor, the state has many distinguished sons and daughters. But it was the indie rock boom of the late 1980s and '90s that brought North Carolina most fully into the public consciousness. In addition to creating legacy label Merge Records and a raft of excellent indie bands like Superchunk and Archers of Loaf, this was the time when North Carolina bands broke Billboard's top 200 and sold millions of records - several million of which were issued by an ambitious indie label based in Carrboro, Chapel Hill's smaller, sleepier, next door neighbor. It's time to take a closer look at exactly what happened.A Really Strange and Wonderful Time chronicles the extraordinary decade between 1989 and 1999, letting those who were there - band members, culture mavens, producers, visual artists, DJs, club owners - speak for themselves, while musician and writer Tom Maxwell provides context, color, and his own perspective as a participant. Deftly researched and intimately written, this is a book that takes readers directly into the scenes as Maxwell experienced them: to the sweaty basement gig, the sold-out Cradle show, the makeshift recording studio, the 15-passenger van. Through interviews and insightful commentary, Maxwell convey the wondrous flowering of activity, followed by its inevitable decay, proving that success is not necessarily defined by fame-and that genius is communal.

A gritty, revealing heavy metal memoir by Lamb of God's lead guitarist and co-lyricist, which explores both his life in music and his tumultuous path through addiction and into recovery.DESOLATION is the story of Morton's lifelong quest for clarity and self-acceptance, and shows how the pressures of career success and personal battles eventually came into conflict with Morton's dedication to the creative process. Intertwined with addiction, self-destruction, and the path to eventual surrender and recovery, Morton also reveals the greatest personal tragedy of his life: the death of his two-day old daughter, plunging Morton further into hopelessness. Surrounded by bandmates living their wildest dreams, Morton wanted nothing more than to disappear, ingesting potentially lethal cocktails of drugs and alcohol into his system on a daily basis.And yet, amidst the harrowing heartbreak, there were moments of triumph, hope, and incredible personal connection. Morton developed close relationships with his bandmates and crew members, sharing experiences that have made for some strange and hilarious tales. He's also gained a greater sense of purpose through interactions with his fans, who remind him that his work reaches people on a deeply personal level. Through the highs and the lows, Morton learns how to find presence and gratitude where he once found fear and resentment, a process that he considers a gift of spiritual awakening. DESOLATION is, at its core, about Morton's journey as a musician navigating self doubt, anxiety and the progressive disease of addiction, and ultimately finding relative serenity. Perfect for fans, new and old, as well as anyone who has ever been tested and brought to their limits, DESOLATION is a highly-satisfying, full-throttle investigation of the human experience.

The tragic and inspiring story of the leaders of Outlaw country and their influence on today's Alt-Country and Americana superstars, tracing a path from Waylon Jennings' survival on the Day the Music Died through to the Highwaymen and on to the current creative and commercial explosion of Chris Stapleton, Brandi Carlile, Tyler Childers, Jason Isbell, and the HighwomenOn February 2, 1959, Waylon Jennings, bassist for his best friend, the rock star Buddy Holly, gave up his seat on a charter flight. Jennings, 21, joked that he hoped the plane, leaving without him, would crash. When it did, killing all aboard, on "the Day the Music Died," he was devastated and never fully recovered.Jennings switched to playing country, creating the Outlaw movement with Johnny Cash, Willie Nelson, and Kris Kristofferson, and later forming the Highwaymen, country's first supergroup, with them. The foursome battled addiction, record companies, ex-wives, tragic violence, and the I.R.S. and D.E.A., en route to unprecedented mainstream success. Today, their acolytes Jamey Johnson, Zach Bryan, Tyler Childers, Brandi Carlile, and Taylor Swift outsell all challengers, and country in its various forms is the most popular of all genres.In this fascinating new book, Brian Fairbanks draws a line from Buddy Holly through the Outlaw stars of the 60s and 70s, all the way to the country headliners and more diverse, up-and-coming Nashville rebels of today. He brings the reader deep into the worlds of not only Cash, Nelson, Kristofferson, Jennings, and Jessi Colter, but artists like Chris Stapleton, Sturgill Simpson, Ryan Bingham, and Jason Isbell, stadium-filling masters whose stories have not been told in book form, as well as new, diverse artists like the Highwomen, Brittney Spencer, and Allison Russell, and shows how a twenty-one-year-old bass playing plane crash survivor helped changed the course of American popular music.

Bestselling music historian Elijah Wald follows Jelly Roll Morton on a journey through the hidden worlds and forbidden songs of early blues and jazzIn Jelly Roll Blues: Censored Songs and Hidden Histories, Elijah Wald takes readers on a journey into the hidden and censored world of early blues and jazz, guided by the legendary New Orleans pianist Jelly Roll Morton. Morton became nationally famous as a composer and bandleader in the 1920s, but got his start twenty years earlier, entertaining customers in the city's famous bordellos and singing rough blues in Gulf Coast honky-tonks. He recorded an oral history of that time in 1938, but the most distinctive songs were hidden away for over fifty years, because the language and themes were as wild and raunchy as anything in gangsta rap. Those songs inspired Wald to explore how much other history had been locked away and censored, and this book is the result of that quest. Full of previously unpublished lyrics and stories, it paints a new and surprising picture of the dawn of American popular music, when jazz and blues were still the private, after-hours music of the Black "sporting world." It gives new insight into familiar figures like Buddy Bolden and Louis Armstrong, and introduces forgotten characters like Ready Money, the New Orleans sex worker and pickpocket who ended up owning one of the largest Black hotels on the West Coast.Revelatory and fascinating, these songs and stories provide an alternate view of Black culture at the turn of the twentieth century, when a new generation was shaping lives their parents could not have imagined and art that transformed popular culture around the world-the birth of a joyous, angry, desperate, loving, and ferociously funny tradition that resurfaced in hip-hop and continues to inspire young artists in a new millennium.

They say to never meet your heroes. Brad Balukjian doesn't listen.From the bestselling author of The Wax Pack, comes another eye-opening road trip adventure into a pocket of massively popular pop culture-professional wrestling-starring the Iron Sheik, Hulk Hogan, Tito Santana, and many more larger-than-life characters of the WWF of the 1980s.In 2005, Brad Balukjian left his dream job as a magazine fact-checker to pursue another dream: partner with his childhood hero, The Iron Sheik (whose real name is Khosrow Vaziri), to write his biography. Things quickly went terribly wrong, culminating in the Sheik threatening Balukjan's life. Now seventeen years later, Balukjian returns to the road in search of not only a reunion with the Sheik, but something much bigger: truth in a world built on illusion. He seeks out six of the Sheik's contemporaries, fellow witnesses to the World Wrestling Federation's (WWF) explosion in the mid-80s, along with the man driving the ship, Vince McMahon, to unearth their true identities. As Balukjian drives 12,525 miles around the country, we revisit the heady days when these avatars of strength, villainy, and heroism first found fame and see where their journeys took them. Balukjian plumbs their lives outside the ring, uncovering the pain of the inevitable transformation into their ring personas as myth merged with reality. From working out with Tony Atlas (Tony White) to visiting Hulk Hogan's (Terry Bollea) karaoke bar, we see where these men are now and how they have navigated the cliffs of fame.The Six Pack is fascinating for its humor, honesty, and clear-eyed look at the spectacle of sports entertainment. Balukjian combines the spirit of a fan with the rigor of an investigative reporter, tracking down former WWF employees who have never spoken publicly on the company's inner workings. But what makes this book so compelling is the humanity beneath each wrestler. Wrestling is perceived as a subculture, a sideshow without a cultural home, somewhere between sport and dance and theater and improv. It is often dismissed by the elites as low-brow, silly, and simplistic. But ironically, an industry built on illusion is underlain by radical truth, and is arguably among our most democratic forms of entertainment. The Iron Sheik, Hulk Hogan, and the rest of the cast were not pieces on a game board or characters in a comic book movie. They were real people, with families and feelings and bodies that could break. Most of them did, in fact, break; some have been repaired, but none of them will ever be the same.

Lessons and advice on navigating uncertainty while battling stage four cancer after divorce in midlife Amy Low resides in a room that is her last-her medical team is clear-eyed with her: there is no cure for Stage IV metastatic colon cancer, and the odds of long-term survival are scant. Miraculously, she's lived four years with her diagnosis, and that life between life has changed her.Through the swirl of prolonged trauma and unbearable grief, a vantage point emerged-a window that showed her the way to relish life and be kinder to herself and others while living through the inevitable loss and heartbreak that crosses everyone's paths. Instead of viewing joy and sorrow as opposites, she saw how both exist in harmony, full of mystery and surprise. Instead of seeing days as succeeding or failing, and physical selves as healthy or unwell, she's learned to carry both achievements and afflictions in stride. And instead of bitterness and betrayal, forgiveness-toward her body, toward others, toward herself-became her wisest light.Mapping her experiences to the words that St. Paul wrote in his own last room, The Brave In-Between is a sacred invitation to explore that space between triumph and tragedy. We all have a heart to marvel at miracles, a lightness to spot the absurdity, and an imagination to pause and extend empathy for others-even when tragedy strikes. Sometimes we just need a guide.

THE MAKING AND MEANING OF RADIOHEAD'S GROUNDBREAKING, CONTROVERSIAL, EPOCHDEFINING ALBUM, KID A.In 1999, as the end of an old century loomed, five musicians entered a recording studio in Paris without a deadline. Their band was widely recognized as the best and most forward-thinking in rock, a rarefied status granting them the time, money, and space to make a masterpiece. But Radiohead didn't want to make another rock record. Instead, they set out to create the future.For more than a year, they battled writer's block, intra-band disagreements, and crippling self-doubt. In the end, however, they produced an album that was not only a complete departure from their prior guitar-based rock sound, it was the sound of a new era-and it embodied widespread changes catalyzed by emerging technologies just beginning to take hold of the culture. What they created was Kid A.Upon its release in 2000, Radiohead's fourth album divided critics. Some called it an instant classic; others, such as the UK music magazine Melody Maker, deemed it "tubby, ostentatious, self-congratulatory... whiny old rubbish." But two decades later, Kid A sounds like nothing less than an overture for the chaos and confusion of the twenty-first century.Acclaimed rock critic Steven Hyden digs deep into the songs, history, legacy, and mystique of Kid A, outlining the album's pervasive influence and impact on culture in time for its twentieth anniversary in 2020. Deploying a mix of criticism, journalism, and personal memoir, Hyden skillfully revisits this enigmatic, alluring LP and investigates the many ways in which Kid A shaped and foreshadowed our world.