IMAGINES – Classical Receptions in the Visual and Performing Arts – serie

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89 produkter

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89 produkter

Nyhet
Representations of Endymion and Selene
Dominance, Objectification, and Necrophilia in the Transformations of an Ancient Myth
AvAnna Chiara Corradino,Filippo Carlà-Uhinkm. fl.
Häftad, Engelska, 2026
472 kr
Skickas inom 10-15 vardagar
A focused study of an ancient myth and its reception, which provokes new consideration of how myth in general can challenge social norms. Analyzing the visual and literary transformations of the myth of Endymion and Selene, Anna Chiara Corradino argues that this myth becomes a valuable tool for understanding the cultural problematization and censorship of female sexuality, as well as the marginalization of alternative forms of male sexuality. The myth's key themes, of dominant femininity, reified masculinity and female necrophilia, are shaped through the centuries from the core story of Selene, the goddess of the Moon, falling in love with a mortal shepherd, Endymion, and granting him eternal sleep so she can kiss him every night.In five core sections focusing on the archaeology of the myth in the ancient world, the art of the Renaissance to Baroque periods, and modern art and film, Corradino traces the way the relationship between the two 'lovers' embodies the taboo topic of the eroticization of the sleeping and/or dead male body, and the suppressed desire of female domination and dominance. This research breaks new ground by displaying how these marginal desires have always challenged normativity and have had a profound impact on and through multiple receptions.
Homeric Catalogue of Shapes
The Iliad and Odyssey Seen Differently
AvCharlayn von Solms,Filippo Carlà-Uhink
Inbunden, Engelska, 2019
1 930 kr
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In the popular imagination, Homer as author of the Iliad and the Odyssey, epitomises poetic genius. So, when scholars proposed that the Homeric epics were not the unique creation of an individual author, but instead reflected a traditional compositional system developed by generations of singer-poets, swathes of assumptions about the poems and their 'author' were swept aside and called into question. Much had to be re-evaluated through a new lens.The creative process described by scholars for the Homeric epics shares many key attributes with the modern visual art-forms of collage and its less familiar variant: sculptural assemblage. A Homeric Catalogue of Shapes describes a series of twelve sculptures that together function as an abstract portrait of Homer: not a depiction of him as an individual, but as a compositional system. The technique by which the artworks were produced reflects the poetic method that scholars termed oral-formulaic. In both of these creative processes the artwork is constructed from pre-existing elements: such as phrases, characters, and plot-lines in the epics; and objects, fragmented items, and borrowed forms in the sculptures. The artist/author presents a largely unknown characterisation of Homeric poetics in a manner that emphasizes the extent and complexity of this Homer’s artistry.
Homeric Catalogue of Shapes
The Iliad and Odyssey Seen Differently
AvCharlayn von Solms
E-bok
PDF, Engelska, 2019
573 kr
Läs direkt efter köp
In the popular imagination, Homer as author of the Iliad and the Odyssey, epitomises poetic genius. So, when scholars proposed that the Homeric epics were not the unique creation of an individual author, but instead reflected a traditional compositional system developed by generations of singer-poets, swathes of assumptions about the poems and their ''author'' were swept aside and called into question. Much had to be re-evaluated through a new lens. The creative process described by scholars for the Homeric epics shares many key attributes with the modern visual art-forms of collage and its less familiar variant: sculptural assemblage. A Homeric Catalogue of Shapes describes a series of twelve sculptures that together function as an abstract portrait of Homer: not a depiction of him as an individual, but as a compositional system. The technique by which the artworks were produced reflects the poetic method that scholars termed oral-formulaic. In both of these creative processes the artwork is constructed from pre-existing elements: such as phrases, characters, and plot-lines in the epics; and objects, fragmented items, and borrowed forms in the sculptures. The artist/author presents a largely unknown characterisation of Homeric poetics in a manner that emphasizes the extent and complexity of this Homer''s artistry.
Homeric Catalogue of Shapes
The Iliad and Odyssey Seen Differently
AvCharlayn von Solms
E-bok
Engelska, 2019
573 kr
Läs direkt efter köp
In the popular imagination, Homer as author of the Iliad and the Odyssey, epitomises poetic genius. So, when scholars proposed that the Homeric epics were not the unique creation of an individual author, but instead reflected a traditional compositional system developed by generations of singer-poets, swathes of assumptions about the poems and their ''author'' were swept aside and called into question. Much had to be re-evaluated through a new lens. The creative process described by scholars for the Homeric epics shares many key attributes with the modern visual art-forms of collage and its less familiar variant: sculptural assemblage. A Homeric Catalogue of Shapes describes a series of twelve sculptures that together function as an abstract portrait of Homer: not a depiction of him as an individual, but as a compositional system. The technique by which the artworks were produced reflects the poetic method that scholars termed oral-formulaic. In both of these creative processes the artwork is constructed from pre-existing elements: such as phrases, characters, and plot-lines in the epics; and objects, fragmented items, and borrowed forms in the sculptures. The artist/author presents a largely unknown characterisation of Homeric poetics in a manner that emphasizes the extent and complexity of this Homer''s artistry.
Orientalism and the Reception of Powerful Women from the Ancient World
AvFilippo Carlà-Uhink,Anja Wieber
Inbunden, Engelska, 2020
1 872 kr
Skickas inom 10-15 vardagar
Why is Cleopatra, a descendent of Alexander the Great, a Ptolemy from a Greek–Macedonian family, in popular imagination an Oriental woman? True, she assumed some aspects of pharaonic imagery in order to rule Egypt, but her Orientalism mostly derives from ancient (Roman) and modern stereotypes: both the Orient and the idea of a woman in power are signs, in the Western tradition, of 'otherness' – and in this sense they can easily overlap and interchange. This volume investigates how ancient women, and particularly powerful women, such as queens and empresses, have been re-imagined in Western (and not only Western) arts; highlights how this re-imagination and re-visualization is, more often than not, the product of Orientalist stereotypes – even when dealing with women who had nothing to do with Eastern regions; and compares these images with examples of Eastern gaze on the same women. Through the chapters in this volume, readers will discover the similarities and differences in the ways in which women in power were and still are described and decried by their opponents.
Orientalism and the Reception of Powerful Women from the Ancient World
AvFilippo Carlà-Uhink,Anja Wieber
E-bok
PDF, Engelska, 2020
513 kr
Läs direkt efter köp
Why is Cleopatra, a descendent of Alexander the Great, a Ptolemy from a Greek–Macedonian family, in popular imagination an Oriental woman? True, she assumed some aspects of pharaonic imagery in order to rule Egypt, but her Orientalism mostly derives from ancient (Roman) and modern stereotypes: both the Orient and the idea of a woman in power are signs, in the Western tradition, of ''otherness'' – and in this sense they can easily overlap and interchange. This volume investigates how ancient women, and particularly powerful women, such as queens and empresses, have been re-imagined in Western (and not only Western) arts; highlights how this re-imagination and re-visualization is, more often than not, the product of Orientalist stereotypes – even when dealing with women who had nothing to do with Eastern regions; and compares these images with examples of Eastern gaze on the same women. Through the chapters in this volume, readers will discover the similarities and differences in the ways in which women in power were and still are described and decried by their opponents.
Orientalism and the Reception of Powerful Women from the Ancient World
AvFilippo Carlà-Uhink,Anja Wieber
E-bok
Engelska, 2020
513 kr
Läs direkt efter köp
Why is Cleopatra, a descendent of Alexander the Great, a Ptolemy from a Greek–Macedonian family, in popular imagination an Oriental woman? True, she assumed some aspects of pharaonic imagery in order to rule Egypt, but her Orientalism mostly derives from ancient (Roman) and modern stereotypes: both the Orient and the idea of a woman in power are signs, in the Western tradition, of ''otherness'' – and in this sense they can easily overlap and interchange. This volume investigates how ancient women, and particularly powerful women, such as queens and empresses, have been re-imagined in Western (and not only Western) arts; highlights how this re-imagination and re-visualization is, more often than not, the product of Orientalist stereotypes – even when dealing with women who had nothing to do with Eastern regions; and compares these images with examples of Eastern gaze on the same women. Through the chapters in this volume, readers will discover the similarities and differences in the ways in which women in power were and still are described and decried by their opponents.
Classical Antiquity in Video Games
Playing with the Ancient World
AvChristian Rollinger
Inbunden, Engelska, 2020
1 585 kr
Skickas inom 10-15 vardagar
From gaming consoles to smartphones, video games are everywhere today, including those set in historical times and particularly in the ancient world. This volume explores the varied depictions of the ancient world in video games and demonstrates the potential challenges of games for scholars as well as the applications of game engines for educational and academic purposes. With successful series such as “Assassin’s Creed” or "Civilization” selling millions of copies, video games rival even television and cinema in their role in shaping younger audiences’ perceptions of the past. Yet classical scholarship, though embracing other popular media as areas of research, has so far largely ignored video games as a vehicle of classical reception. This collection of essays fills this gap with a dedicated study of receptions, remediations and representations of Classical Antiquity across all electronic gaming platforms and genres. It presents cutting-edge research in classics and classical receptions, game studies and archaeogaming, adopting different perspectives and combining papers from scholars, gamers, game developers and historical consultants. In doing so, it delivers the first state-of-the-art account of both the wide array of ‘ancient’ video games, as well as the challenges and rewards of this new and exciting field.
Classical Antiquity in Video Games
Playing with the Ancient World
AvChristian Rollinger
E-bok
PDF, Engelska, 2020
513 kr
Läs direkt efter köp
From gaming consoles to smartphones, video games are everywhere today, including those set in historical times and particularly in the ancient world. This volume explores the varied depictions of the ancient world in video games and demonstrates the potential challenges of games for scholars as well as the applications of game engines for educational and academic purposes. With successful series such as “Assassin''s Creed” or "Civilization” selling millions of copies, video games rival even television and cinema in their role in shaping younger audiences'' perceptions of the past. Yet classical scholarship, though embracing other popular media as areas of research, has so far largely ignored video games as a vehicle of classical reception. This collection of essays fills this gap with a dedicated study of receptions, remediations and representations of Classical Antiquity across all electronic gaming platforms and genres. It presents cutting-edge research in classics and classical receptions, game studies and archaeogaming, adopting different perspectives and combining papers from scholars, gamers, game developers and historical consultants. In doing so, it delivers the first state-of-the-art account of both the wide array of ''ancient'' video games, as well as the challenges and rewards of this new and exciting field.
Classical Antiquity in Video Games
Playing with the Ancient World
AvChristian Rollinger
E-bok
Engelska, 2020
513 kr
Läs direkt efter köp
From gaming consoles to smartphones, video games are everywhere today, including those set in historical times and particularly in the ancient world. This volume explores the varied depictions of the ancient world in video games and demonstrates the potential challenges of games for scholars as well as the applications of game engines for educational and academic purposes. With successful series such as “Assassin''s Creed” or "Civilization” selling millions of copies, video games rival even television and cinema in their role in shaping younger audiences'' perceptions of the past. Yet classical scholarship, though embracing other popular media as areas of research, has so far largely ignored video games as a vehicle of classical reception. This collection of essays fills this gap with a dedicated study of receptions, remediations and representations of Classical Antiquity across all electronic gaming platforms and genres. It presents cutting-edge research in classics and classical receptions, game studies and archaeogaming, adopting different perspectives and combining papers from scholars, gamers, game developers and historical consultants. In doing so, it delivers the first state-of-the-art account of both the wide array of ''ancient'' video games, as well as the challenges and rewards of this new and exciting field.
Classical Antiquity in Heavy Metal Music
AvK. F. B. Fletcher,Osman Umurhan
Inbunden, Engelska, 2019
2 090 kr
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This book demonstrates the rich and varied ways in which heavy metal music draws on the ancient Greek and Roman world. Contributors examine bands from across the globe, including: Blind Guardian (Germany), Therion (Sweden), Celtic Frost, Eluveitie (Switzerland), Ex Deo (Canada/Italy), Heimdall, Stormlord, Ade (Italy), Kawir (Greece), Theatre of Tragedy (Norway), Iron Maiden, Bal-Sagoth (UK), and Nile (US). These and other bands are shown to draw inspiration from Classical literature and mythology such as the Homeric Hymns, Vergil’s Aeneid, and Caesar’s Gallic Wars, historical figures from Rome and ancient Egypt, and even pagan and occult aspects of antiquity. These bands’ engagements with Classical antiquity also speak to contemporary issues of nationalism, identity, sexuality, gender, and globalization. The contributors show how the genre of heavy metal brings its own perspectives to Classical reception, and demonstrate that this music—often dismissed as lowbrow—engages in sophisticated dialogue with ancient texts, myths, and historical figures. The authors reveal aspects of Classics’ continued appeal while also arguing that the engagement with myth and history is a defining characteristic of heavy metal music, especially in countries that were once part of the Roman Empire.
Classical Antiquity in Heavy Metal Music
AvK. F. B. Fletcher,Osman Umurhan
E-bok
PDF, Engelska, 2019
573 kr
Läs direkt efter köp
This book demonstrates the rich and varied ways in which heavy metal music draws on the ancient Greek and Roman world. Contributors examine bands from across the globe, including: Blind Guardian (Germany), Therion (Sweden), Celtic Frost, Eluveitie (Switzerland), Ex Deo (Canada/Italy), Heimdall, Stormlord, Ade (Italy), Kawir (Greece), Theatre of Tragedy (Norway), Iron Maiden, Bal-Sagoth (UK), and Nile (US). These and other bands are shown to draw inspiration from Classical literature and mythology such as the Homeric Hymns, Vergil''s Aeneid, and Caesar''s Gallic Wars, historical figures from Rome and ancient Egypt, and even pagan and occult aspects of antiquity. These bands'' engagements with Classical antiquity also speak to contemporary issues of nationalism, identity, sexuality, gender, and globalization. The contributors show how the genre of heavy metal brings its own perspectives to Classical reception, and demonstrate that this music-often dismissed as lowbrow-engages in sophisticated dialogue with ancient texts, myths, and historical figures. The authors reveal aspects of Classics'' continued appeal while also arguing that the engagement with myth and history is a defining characteristic of heavy metal music, especially in countries that were once part of the Roman Empire.
Classical Antiquity in Heavy Metal Music
AvK. F. B. Fletcher,Osman Umurhan
E-bok
Engelska, 2019
573 kr
Läs direkt efter köp
This book demonstrates the rich and varied ways in which heavy metal music draws on the ancient Greek and Roman world. Contributors examine bands from across the globe, including: Blind Guardian (Germany), Therion (Sweden), Celtic Frost, Eluveitie (Switzerland), Ex Deo (Canada/Italy), Heimdall, Stormlord, Ade (Italy), Kawir (Greece), Theatre of Tragedy (Norway), Iron Maiden, Bal-Sagoth (UK), and Nile (US). These and other bands are shown to draw inspiration from Classical literature and mythology such as the Homeric Hymns, Vergil''s Aeneid, and Caesar''s Gallic Wars, historical figures from Rome and ancient Egypt, and even pagan and occult aspects of antiquity. These bands'' engagements with Classical antiquity also speak to contemporary issues of nationalism, identity, sexuality, gender, and globalization. The contributors show how the genre of heavy metal brings its own perspectives to Classical reception, and demonstrate that this music-often dismissed as lowbrow-engages in sophisticated dialogue with ancient texts, myths, and historical figures. The authors reveal aspects of Classics'' continued appeal while also arguing that the engagement with myth and history is a defining characteristic of heavy metal music, especially in countries that were once part of the Roman Empire.
Ancient Violence in the Modern Imagination
The Fear and the Fury
AvIrene Berti,Maria G. Castellom. fl.
E-bok
PDF, Engelska, 2020
498 kr
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The collected essays in this volume focus on the presentation, representation and interpretation of ancient violence – from war to slavery, rape and murder – in the modern visual and performing arts, with special attention to videogames and dance as well as the more usual media of film, literature and theatre. Violence, fury and the dread that they provoke are factors that appear frequently in the ancient sources. The dark side of antiquity, so distant from the ideal of purity and harmony that the classical heritage until recently usually called forth, has repeatedly struck the imagination of artists, writers and scholars across ages and cultures.A global assembly of contributors, from Europe to Brazil and from the US to New Zealand, consider historical and mythical violence in Stanley Kubrick''s Spartacus and the 2010 TV series of the same name, in Ridley Scott''s Gladiator, in the work of Lars von Trier, and in Soviet ballet and the choreography of Martha Graham and Anita Berber. Representations of Roman warfare appear in videogames such as Ryse: Son of Rome and Total War, as well as recent comics, and examples from both these media are analysed in the volume. Finally, interviews with two artists offer insight into the ways in which practitioners understand and engage with the complex reception of these themes.
Ancient Violence in the Modern Imagination
The Fear and the Fury
AvIrene Berti,Maria G. Castellom. fl.
Inbunden, Engelska, 2020
1 728 kr
Skickas inom 10-15 vardagar
The collected essays in this volume focus on the presentation, representation and interpretation of ancient violence – from war to slavery, rape and murder – in the modern visual and performing arts, with special attention to videogames and dance as well as the more usual media of film, literature and theatre. Violence, fury and the dread that they provoke are factors that appear frequently in the ancient sources. The dark side of antiquity, so distant from the ideal of purity and harmony that the classical heritage until recently usually called forth, has repeatedly struck the imagination of artists, writers and scholars across ages and cultures.A global assembly of contributors, from Europe to Brazil and from the US to New Zealand, consider historical and mythical violence in Stanley Kubrick’s Spartacus and the 2010 TV series of the same name, in Ridley Scott’s Gladiator, in the work of Lars von Trier, and in Soviet ballet and the choreography of Martha Graham and Anita Berber. Representations of Roman warfare appear in videogames such as Ryse: Son of Rome and Total War, as well as recent comics, and examples from both these media are analysed in the volume. Finally, interviews with two artists offer insight into the ways in which practitioners understand and engage with the complex reception of these themes.
Ancient Violence in the Modern Imagination
The Fear and the Fury
AvIrene Berti,Maria G. Castellom. fl.
E-bok
Engelska, 2020
498 kr
Läs direkt efter köp
The collected essays in this volume focus on the presentation, representation and interpretation of ancient violence – from war to slavery, rape and murder – in the modern visual and performing arts, with special attention to videogames and dance as well as the more usual media of film, literature and theatre. Violence, fury and the dread that they provoke are factors that appear frequently in the ancient sources. The dark side of antiquity, so distant from the ideal of purity and harmony that the classical heritage until recently usually called forth, has repeatedly struck the imagination of artists, writers and scholars across ages and cultures.A global assembly of contributors, from Europe to Brazil and from the US to New Zealand, consider historical and mythical violence in Stanley Kubrick''s Spartacus and the 2010 TV series of the same name, in Ridley Scott''s Gladiator, in the work of Lars von Trier, and in Soviet ballet and the choreography of Martha Graham and Anita Berber. Representations of Roman warfare appear in videogames such as Ryse: Son of Rome and Total War, as well as recent comics, and examples from both these media are analysed in the volume. Finally, interviews with two artists offer insight into the ways in which practitioners understand and engage with the complex reception of these themes.
Ancient Mediterranean Sea in Modern Visual and Performing Arts
Sailing in Troubled Waters
AvRosario Rovira Guardiola
Häftad, Engelska, 2019
480 kr
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When thinking about the Mediterranean, Fernand Braudel’s haunting words resound like an echo of the sea and its millenary history. From Prehistory until today, the Mediterranean has been setting, witness and protagonist of mythical adventures, of encounters with the Other, of battles and the rise and fall of cultures and empires, of the destinies of humans. Braudel’s appeal for a long durée history of the Mediterranean challenged traditional views that often present it as a sea fragmented and divided through periods.This volume proposes a journey into the bright and dark sides of the ancient Mediterranean through the kaleidoscopic gaze of artists who from the Renaissance to the 21st century have been inspired by its myths and history. The view of those who imagined and recreated the past of the sea has largely contributed to the shaping of modern cultures which are inexorably rooted and embedded in Mediterranean traditions. The contributions look at modern visual reinterpretations of ancient myths, fiction and history and pay particular attention to the theme of sea travel and travellers, which since Homer's Odyssey has become the epitome of the discovery of new worlds, of cultural exchanges and a metaphor of personal developments and metamorphoses.
Art Nouveau and the Classical Tradition
AvRichard Warren,Filippo Carlà-Uhink
Häftad, Engelska, 2019
480 kr
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Art Nouveau was a style for a new age, but it was also one that continued to look back to the past. This new study shows how in expressing many of their most essential concerns – sexuality, death and the nature of art – its artists drew heavily upon classical literature and the iconography of classical art. It challenges the conventional view that Art Nouveau's adherents turned their backs on Classicism in their quest for new forms. Across Europe and North America, artists continued to turn back to the ancient world, and in particular to Greece, for the vitality with which they sought to infuse their creations.The works of many well-known artists are considered through this prism, including those of Gustav Klimt, Aubrey Beardsley and Louis Comfort Tiffany. But, breaking new ground in its comparative approach, this study also considers some of the movement's less well-known painters, sculptors, jewellers and architects, including in central and eastern Europe, and their use of classical iconography to express new ideas of nationhood. Across the world, while Art Nouveau was a plural style drawing on multiple influences, the Classics remained a key artistic vocabulary for its artists, whether blended with Orientalist and other iconographies, or preserving the purity of classical form.
Geographies of Myth and Places of Identity
The Strait of Scylla and Charybdis in the Modern Imagination
AvMarco Benoît Carbone,Filippo Carlà-Uhink
Inbunden, Engelska, 2022
1 370 kr
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Turning to a region of South Italy associated with Greater Greece and the geographies of Homer's Odyssey, Marco Benoît Carbone delivers a historical and ethnographic treatment of how places defined in public imagination and media by their associated histories become sites of memory and identity, as their landscape and mythologies turn into insignia of a romanticised antiquity.For the ancient Greeks, Homer had set the marine monsters of the Odyssey in the Strait between Calabria and Sicily. Since then, this passage has been glowing with the aura of its mythological landmarks. Travellers and tourists have played Odysseus by re-enacting his journey. Scholars and explorers have explained the myths as metaphors of whirlpools and marine fauna. The iconic Strait and village of Scilla have turned into place-myths and playgrounds, defined by the region's heritage.Carbone observes the enduring impact of Hellas on the real Strait today. The continuous rekindling of cultural and visual traditions of place in the arts, media, travel, and tourism have intersected with philhellenic historiographies, shaping local policies, public histories, views of development, and forms of Hellenicist identitarianism. Elements of society have celebrated the landscape of the Odyssey, appropriated Homer as their imagined heirs, and purported themselves as the original Europeans–pandering to outdated ideological appropriations of 'classical' antiquity and exclusionary, West-centric views of the Mediterranean.
Geographies of Myth and Places of Identity
The Strait of Scylla and Charybdis in the Modern Imagination
AvMarco Benoît Carbone
E-bok
PDF, Engelska, 2022
466 kr
Läs direkt efter köp
Turning to a region of South Italy associated with Greater Greece and the geographies of Homer''s Odyssey, Marco Benoît Carbone delivers a historical and ethnographic treatment of how places defined in public imagination and media by their associated histories become sites of memory and identity, as their landscape and mythologies turn into insignia of a romanticised antiquity.For the ancient Greeks, Homer had set the marine monsters of the Odyssey in the Strait between Calabria and Sicily. Since then, this passage has been glowing with the aura of its mythological landmarks. Travellers and tourists have played Odysseus by re-enacting his journey. Scholars and explorers have explained the myths as metaphors of whirlpools and marine fauna. The iconic Strait and village of Scilla have turned into place-myths and playgrounds, defined by the region''s heritage.Carbone observes the enduring impact of Hellas on the real Strait today. The continuous rekindling of cultural and visual traditions of place in the arts, media, travel, and tourism have intersected with philhellenic historiographies, shaping local policies, public histories, views of development, and forms of Hellenicist identitarianism. Elements of society have celebrated the landscape of the Odyssey, appropriated Homer as their imagined heirs, and purported themselves as the original Europeans–pandering to outdated ideological appropriations of ''classical'' antiquity and exclusionary, West-centric views of the Mediterranean.
Geographies of Myth and Places of Identity
The Strait of Scylla and Charybdis in the Modern Imagination
AvMarco Benoît Carbone
E-bok
Engelska, 2022
466 kr
Läs direkt efter köp
Turning to a region of South Italy associated with Greater Greece and the geographies of Homer''s Odyssey, Marco Benoît Carbone delivers a historical and ethnographic treatment of how places defined in public imagination and media by their associated histories become sites of memory and identity, as their landscape and mythologies turn into insignia of a romanticised antiquity.For the ancient Greeks, Homer had set the marine monsters of the Odyssey in the Strait between Calabria and Sicily. Since then, this passage has been glowing with the aura of its mythological landmarks. Travellers and tourists have played Odysseus by re-enacting his journey. Scholars and explorers have explained the myths as metaphors of whirlpools and marine fauna. The iconic Strait and village of Scilla have turned into place-myths and playgrounds, defined by the region''s heritage.Carbone observes the enduring impact of Hellas on the real Strait today. The continuous rekindling of cultural and visual traditions of place in the arts, media, travel, and tourism have intersected with philhellenic historiographies, shaping local policies, public histories, views of development, and forms of Hellenicist identitarianism. Elements of society have celebrated the landscape of the Odyssey, appropriated Homer as their imagined heirs, and purported themselves as the original Europeans–pandering to outdated ideological appropriations of ''classical'' antiquity and exclusionary, West-centric views of the Mediterranean.
Screening Love and War in Troy: Fall of a City
AvAntony Augoustakis,Monica S. Cyrino
Inbunden, Engelska, 2022
1 226 kr
Skickas inom 10-15 vardagar
This is the first volume of essays published on the television series Troy: Fall of a City (BBC One and Netflix, 2018). Covering a wide range of engaging topics, such as gender, race and politics, international scholars in the fields of classics, history and film studies discuss how the story of Troy has been recreated on screen to suit the expectations of modern audiences. The series is commended for the thought-provoking way it handles important issues arising from the Trojan War narrative that continue to impact our society today.With discussions centered on epic narrative, cast and character, as well as tragic resonances, the contributors tackle gender roles by exploring the innovative ways in which mythological female figures such as Helen, Aphrodite and the Amazons are depicted in the series. An examination is also made into the concept of the hero and how the series challenges conventional representations of masculinity. We encounter a significant investigation of race focusing on the controversial casting of Achilles, Patroclus, Zeus and other series characters with Black actors. Several essays deal with the moral and ethical complexities surrounding warfare, power and politics. The significance of costume and production design are also explored throughout the volume.
Screening Love and War in Troy: Fall of a City
AvAntony Augoustakis,Monica S. Cyrino
E-bok
PDF, Engelska, 2022
433 kr
Läs direkt efter köp
This is the first volume of essays published on the television series Troy: Fall of a City (BBC One and Netflix, 2018). Covering a wide range of engaging topics, such as gender, race and politics, international scholars in the fields of classics, history and film studies discuss how the story of Troy has been recreated on screen to suit the expectations of modern audiences. The series is commended for the thought-provoking way it handles important issues arising from the Trojan War narrative that continue to impact our society today. With discussions centered on epic narrative, cast and character, as well as tragic resonances, the contributors tackle gender roles by exploring the innovative ways in which mythological female figures such as Helen, Aphrodite and the Amazons are depicted in the series. An examination is also made into the concept of the hero and how the series challenges conventional representations of masculinity. We encounter a significant investigation of race focusing on the controversial casting of Achilles, Patroclus, Zeus and other series characters with Black actors. Several essays deal with the moral and ethical complexities surrounding warfare, power and politics. The significance of costume and production design are also explored throughout the volume.
Screening Love and War in Troy: Fall of a City
AvAntony Augoustakis,Monica S. Cyrino
E-bok
Engelska, 2022
420 kr
Läs direkt efter köp
This is the first volume of essays published on the television series Troy: Fall of a City (BBC One and Netflix, 2018). Covering a wide range of engaging topics, such as gender, race and politics, international scholars in the fields of classics, history and film studies discuss how the story of Troy has been recreated on screen to suit the expectations of modern audiences. The series is commended for the thought-provoking way it handles important issues arising from the Trojan War narrative that continue to impact our society today. With discussions centered on epic narrative, cast and character, as well as tragic resonances, the contributors tackle gender roles by exploring the innovative ways in which mythological female figures such as Helen, Aphrodite and the Amazons are depicted in the series. An examination is also made into the concept of the hero and how the series challenges conventional representations of masculinity. We encounter a significant investigation of race focusing on the controversial casting of Achilles, Patroclus, Zeus and other series characters with Black actors. Several essays deal with the moral and ethical complexities surrounding warfare, power and politics. The significance of costume and production design are also explored throughout the volume.
Ancient Greece and Rome in Videogames
Representation, Play, Transmedia
AvRoss Clare,Filippo Carlà-Uhink
Inbunden, Engelska, 2021
1 442 kr
Skickas inom 10-15 vardagar
This volume presents an original framework for the study of video games that use visual materials and narrative conventions from ancient Greece and Rome. It focuses on the culturally rich continuum of ancient Greek and Roman games, treating them not just as representations, but as functional interactive products that require the player to interpret, communicate with and alter them. Tracking the movement of such concepts across different media, the study builds an interconnected picture of antiquity in video games within a wider transmedial environment. Ancient Greece and Rome in Videogames presents a wide array of games from several different genres, ranging from the blood-spilling violence of god-killing and gladiatorial combat to meticulous strategizing over virtual Roman Empires and often bizarre adventures in pseudo-ancient places. Readers encounter instances in which players become intimately engaged with the “epic mode” of spectacle in God of War, moments of negotiation with colonised lands in Rome: Total War and Imperium Romanum, and multi-layered narratives rich with ancient traditions in games such as Eleusis and Salammbo. The case study approach draws on close analysis of outstanding examples of the genre to uncover how both representation and gameplay function in such “ancient games”.
Ancient Greece and Rome in Videogames
Representation, Play, Transmedia
AvRoss Clare
E-bok
PDF, Engelska, 2021
468 kr
Läs direkt efter köp
This volume presents an original framework for the study of video games that use visual materials and narrative conventions from ancient Greece and Rome. It focuses on the culturally rich continuum of ancient Greek and Roman games, treating them not just as representations, but as functional interactive products that require the player to interpret, communicate with and alter them. Tracking the movement of such concepts across different media, the study builds an interconnected picture of antiquity in video games within a wider transmedial environment. Ancient Greece and Rome in Videogames presents a wide array of games from several different genres, ranging from the blood-spilling violence of god-killing and gladiatorial combat to meticulous strategizing over virtual Roman Empires and often bizarre adventures in pseudo-ancient places. Readers encounter instances in which players become intimately engaged with the “epic mode” of spectacle in God of War, moments of negotiation with colonised lands in Rome: Total War and Imperium Romanum, and multi-layered narratives rich with ancient traditions in games such as Eleusis and Salammbo. The case study approach draws on close analysis of outstanding examples of the genre to uncover how both representation and gameplay function in such “ancient games”.
Ancient Greece and Rome in Videogames
Representation, Play, Transmedia
AvRoss Clare
E-bok
Engelska, 2021
466 kr
Läs direkt efter köp
This volume presents an original framework for the study of video games that use visual materials and narrative conventions from ancient Greece and Rome. It focuses on the culturally rich continuum of ancient Greek and Roman games, treating them not just as representations, but as functional interactive products that require the player to interpret, communicate with and alter them. Tracking the movement of such concepts across different media, the study builds an interconnected picture of antiquity in video games within a wider transmedial environment. Ancient Greece and Rome in Videogames presents a wide array of games from several different genres, ranging from the blood-spilling violence of god-killing and gladiatorial combat to meticulous strategizing over virtual Roman Empires and often bizarre adventures in pseudo-ancient places. Readers encounter instances in which players become intimately engaged with the “epic mode” of spectacle in God of War, moments of negotiation with colonised lands in Rome: Total War and Imperium Romanum, and multi-layered narratives rich with ancient traditions in games such as Eleusis and Salammbo. The case study approach draws on close analysis of outstanding examples of the genre to uncover how both representation and gameplay function in such “ancient games”.
Martha Graham's Greek Myth-Based Dances and Her Collaboration with Isamu Noguchi
AvRonnie Ancona,Filippo Carlà-Uhink
Inbunden, Engelska, 2026
1 226 kr
Skickas inom 10-15 vardagar
Illuminating an understudied avenue of classical reception in the performing arts, this book considers how the long artistic collaboration between one of the greatest dancers and choreographers of recent times and the set designer with whom she worked extensively, can inform a deeper understanding of how artists today refashion their audience's appreciation of classical antiquity. In her many classically-inspired dances, all of which are discussed in this book, Martha Graham transformed Greek myth, creating a “woman-centered” reception of antiquity. In “Night Journey,” her dance based on the Oedipus myth, Jocasta is the central figure, not Oedipus. In "Errand into the Maze," Ariadne takes center stage. It is Clytemnestra, not Agamemnon, who dominates Graham's retelling of the Oresteia, while in “Cave of the Heart,” Medea eclipses Jason.Graham’s interpretations provide a provocative view of Greek myth that counters the traditional privileging of the “male,” and result in a special resonance for contemporary audiences. But these transformations of Greek mythology are also shaped by the influential set designs of Japanese-American sculptor and designer, Isamu Noguchi. Ronnie Ancona therefore considers each dance through the lens of their collaboration, considering how Noguchi’s objects actively participate in the creation of Graham's interpretations. Informed by classical research as well as research in dance and the visual arts, this is a vital work of interdisciplinary scholarship that introduces the classicist to a rich new chapter in classical reception, while informing dance specialists about the classical background of Graham’s use of Greek myth.
Martha Graham's Greek Myth-Based Dances and Her Collaboration with Isamu Noguchi
AvRonnie Ancona
E-bok
PDF, Engelska, 2025
1 169 kr
Läs direkt efter köp
Illuminating an understudied avenue of classical reception in the performing arts, this book considers how the long artistic collaboration between one of the greatest dancers and choreographers of recent times and the set designer with whom she worked extensively, can inform a deeper understanding of how artists today refashion their audience's appreciation of classical antiquity. In her many classically-inspired dances, all of which are discussed in this book, Martha Graham transformed Greek myth, creating a woman-centered reception of antiquity. In Night Journey, her dance based on the Oedipus myth, Jocasta is the central figure, not Oedipus. In "e;Errand into the Maze,"e; Ariadne takes center stage. It is Clytemnestra, not Agamemnon, who dominates Graham's retelling of the Oresteia, while in Cave of the Heart, Medea eclipses Jason. Graham's interpretations provide a provocative view of Greek myth that counters the traditional privileging of the male, and result in a special resonance for contemporary audiences. But these transformations of Greek mythology are also shaped by the influential set designs of Japanese-American sculptor and designer, Isamu Noguchi. Ronnie Ancona therefore considers each dance through the lens of their collaboration, considering how Noguchi's objects actively participate in the creation of Graham's interpretations. Informed by classical research as well as research in dance and the visual arts, this is a vital work of interdisciplinary scholarship that introduces the classicist to a rich new chapter in classical reception, while informing dance specialists about the classical background of Graham's use of Greek myth.
Martha Graham's Greek Myth-Based Dances and Her Collaboration with Isamu Noguchi
AvRonnie Ancona
E-bok
Engelska, 2025
1 166 kr
Läs direkt efter köp
Illuminating an understudied avenue of classical reception in the performing arts, this book considers how the long artistic collaboration between one of the greatest dancers and choreographers of recent times and the set designer with whom she worked extensively, can inform a deeper understanding of how artists today refashion their audience's appreciation of classical antiquity. In her many classically-inspired dances, all of which are discussed in this book, Martha Graham transformed Greek myth, creating a woman-centered reception of antiquity. In Night Journey, her dance based on the Oedipus myth, Jocasta is the central figure, not Oedipus. In "e;Errand into the Maze,"e; Ariadne takes center stage. It is Clytemnestra, not Agamemnon, who dominates Graham's retelling of the Oresteia, while in Cave of the Heart, Medea eclipses Jason. Graham's interpretations provide a provocative view of Greek myth that counters the traditional privileging of the male, and result in a special resonance for contemporary audiences. But these transformations of Greek mythology are also shaped by the influential set designs of Japanese-American sculptor and designer, Isamu Noguchi. Ronnie Ancona therefore considers each dance through the lens of their collaboration, considering how Noguchi's objects actively participate in the creation of Graham's interpretations. Informed by classical research as well as research in dance and the visual arts, this is a vital work of interdisciplinary scholarship that introduces the classicist to a rich new chapter in classical reception, while informing dance specialists about the classical background of Graham's use of Greek myth.

IMAGINES – Classical Receptions in the Visual and Performing Arts – serie

Representations of Endymion and Selene

Homeric Catalogue of Shapes

Homeric Catalogue of Shapes

Homeric Catalogue of Shapes

Orientalism and the Reception of Powerful Women from the Ancient World

Orientalism and the Reception of Powerful Women from the Ancient World

Orientalism and the Reception of Powerful Women from the Ancient World

Classical Antiquity in Video Games

Classical Antiquity in Video Games

Classical Antiquity in Video Games

Classical Antiquity in Heavy Metal Music

Classical Antiquity in Heavy Metal Music

Classical Antiquity in Heavy Metal Music

Ancient Violence in the Modern Imagination

Ancient Violence in the Modern Imagination

Ancient Violence in the Modern Imagination

Ancient Mediterranean Sea in Modern Visual and Performing Arts

Art Nouveau and the Classical Tradition

Geographies of Myth and Places of Identity

Geographies of Myth and Places of Identity

Geographies of Myth and Places of Identity

Screening Love and War in Troy: Fall of a City

Screening Love and War in Troy: Fall of a City

Screening Love and War in Troy: Fall of a City

Ancient Greece and Rome in Videogames

Ancient Greece and Rome in Videogames

Ancient Greece and Rome in Videogames

Martha Graham's Greek Myth-Based Dances and Her Collaboration with Isamu Noguchi

Martha Graham's Greek Myth-Based Dances and Her Collaboration with Isamu Noguchi

Martha Graham's Greek Myth-Based Dances and Her Collaboration with Isamu Noguchi