Issues & Debates – serie
Visar alla böcker i serien Issues & Debates. Handla med fri frakt och snabb leverans.
9 produkter
9 produkter
619 kr
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In the early to mid-twentieth century, the vast majority of printed photographs appeared in the pages of illustrated magazines. Publications such as Life, China Pictorial, Drum, Picture Post, and Ebony did more than showcase photographs; they crafted visual narratives by combining images, text, and graphics into influential cultural artifacts. These periodicals shaped public perception and mass media consensus like the Internet does today, bringing a shared visual experience to homes and newsstands around the world.The essays in this volume delve into the technologies and visual strategies behind these publications, showing how their layouts were affected by political, commercial, editorial, and artistic factors leading up to World War II. The commentaries also explore how democracy, dictatorships, colonization, and modernity at large gave rise to experimental magazine designs, turning avant-garde art and lifestyle reporting into popular formats. Featuring over 150 images, Print Matters traces how illustrated magazines evolved across countries and continents, offering new insights into their history and enduring impact on culture and society.
564 kr
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This is an illuminating collection of essays that explore the idea of cultural identity in the ancient Mediterranean. Cultural identity is a slippery and elusive concept. When applied to the collective self-consciousness among people or nations, it becomes all the more difficult to define or grasp. In recent decades scholars have focused on the 'other' - the alien, the unfamiliar, the different, perceived or conceived as the opposite - to highlight the virtues and advantages of the self. While this influential idea continues to hold sway, the time has come for a more nuanced and complex understanding of how the various societies of the ancient Mediterranean shaped their sense of identity. The twenty-four essays in this volume examine the subject from a variety of angles, encompassing a broad range of cultures: Greek, Persian, Jewish, Phoenician, Egyptian, Roman, Gallic, and German - and an impressive array of topics.
396 kr
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Ever since the mid-nineteenth century, when the new medium of photography was pressed into service to illustrate sculpture, photographs of sculptural objects have directed viewers as to just when, in the course of ambling around a sculpture, was the single perfect moment to stop and look. What is the photograph's place in writing the history of sculpture? How has it changed according to culture, generation, critical conviction, and changes in media? Photography and Sculpture: The Art Object in Reproduction studies aspects of these questions from the perspectives of sixteen leading art historians. Chapters on such varied topics as picturing Conceptual art, manipulating sacred images in India to be nonphotographs, and framing Roman art with an iPad illustrate the latent visual and narrative powers and ever-expanding potential of these images of sculpture.
568 kr
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With the rise of the Achaemenid Empire (550–330 BCE), Persian institutions of kingship became the model for legitimacy, authority, and prestige across three continents. Despite enormous upheavals, Iranian visual and political cultures connected an ever-wider swath of Afro-Eurasia over the next two millennia, exerting influence at key historical junctures. This book provides the first critical exploration of the role that Persian cultures played in articulating the myriad ways power was expressed across Afro-Eurasia between the sixth century BCE and the nineteenth century CE.Exploring topics such as royal cosmologies, fashion, banqueting, manuscript cultures, sacred landscapes, and inscriptions, the volume’s essays analyze the intellectual and political exchanges of art, architecture, ritual, and luxury material within and beyond the Persian world. They show how Perso-Iranian cultures offered neighbors and competitors raw material with which to formulate their own imperial aspirations. Unique among studies of Persia and Iran, this volume explores issues of change, renovation, and interconnectivity in these cultures over the longue durée
Collecting Mesoamerican Art before 1940
A New World of Latin American Antiquities
Häftad, Engelska, 2024
568 kr
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This book traces the fascinating history of how and why ancient Mesoamerican objects have been collected. It begins with the pre-Hispanic antiquities that first entered European collections in the sixteenth century as gifts or seizures, continues through the rise of systematic collecting in Europe and the Americas during the nineteenth and twentieth centuries, and ends in 1940—the start of Europe’s art market collapse at the outbreak of World War II and the coinciding genesis of the large-scale art market for pre-Hispanic antiquities in the United States.Drawing upon archival resources and international museum collections, the contributors analyze the ways shifting patterns of collecting and taste—including how pre-Hispanic objects changed from being viewed as anthropological and scientific curiosities to collectible artworks—have shaped modern academic disciplines as well as public, private, institutional, and nationalistic attitudes toward Mesoamerican art. As many nations across the world demand the return of their cultural patrimony and ancestral heritage, it is essential to examine the historical processes, events, and actors that initially removed so many objects from their countries of origin.
568 kr
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While today we are experiencing a revival of world art and the so-called global turn of art history, encounters between art historians and anthropologists remain rare. Even after a century and a half of interactions between these epistemologies, a sceptical distance prevails with respect to the disciplinary other. This volume is a timely exploration of the roots of this complex dialogue, as it emerged worldwide in the colonial and early postcolonial periods, between 1870 and 1970.Exploring case studies from Australia, Austria, Brazil, France, Germany, and the United States, this volume addresses connections and rejections between art historians and anthropologists—often in the contested arena of “primitive art.” It presents better- and lesser-known actors, from the art historian-anthropologist Aby Warburg to the modernist Brazilian artist Tarsila do Amaral, and from curators-museum directors such as Alfred Barr and René d’Harnoncourt to the curator-impresario Leo Frobenius. Entering the current debates on decolonizing the past, this collection will prompt reflection on future relations between these two fields.
Money in the Air
Art Dealers and the Making of a Transatlantic Market, 1880-1930
Häftad, Engelska, 2024
525 kr
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“There was money in the air, ever so much money,” wrote Henry James in 1907, reflecting on the American appetite for art acquisitions. Indeed, collectors such as Henry Clay Frick and Andrew W. Mellon are credited with bringing noteworthy European art to the United States, with their collections forming the backbone of major American museums today. But what of the dealers, who possessed the expertise in art and recognized the potential of developing a new market model on both sides of the Atlantic?Money in the Air investigates the often-overlooked role of these dealers in creating an international art world. Contributors examine the histories of well-known international firms like Duveen Brothers, M. Knoedler & Co., and Goupil Cie and their relationships with American clients, as well as accounts of other remarkable dealers active in the transatlantic art market. Drawing on dealer archives, scholars reveal compelling findings, including previously unknown partnerships and systems of cooperation. This volume offers new perspectives on the development of art collections that formed the core of American art museums, such as the National Gallery of Art, the Metropolitan Museum of Art, and the Frick Collection.
987 kr
Kommande
Formore than a millennium, ancient Persia and the classical Mediterranean weredeeply intertwined-not merely through conflict but also through diplomacy,trade, and cultural exchange. From the rise of the Achaemenid Empire in thesixth century BCE to the fall of Rome in 476 CE and the twilight of SasanianPersia in 651 CE, political, religious, and artistic exchanges shaped-andwere shaped by-the dynamic interactions between ancient Persia, Greece, andRome. These encounters fostered a complex web of cultural connectivity,challenging the notion of antiquity as a series of isolated civilizations andrevealing its deep, enduring entanglements.Bringing thedisciplines of classics, Iranian studies, and global history into dialogue,this volume examines how successive Iranian empires-Achaemenid, Seleucid,Arsacid (Parthian), and Sasanian-engaged with their western (and occasionallyeastern) neighbors. Essays on diplomacy, religion, art, and intellectual lifeoffer fresh perspectives on ancient historiography, cross-culturalmythmaking, material and visual culture, and the political and religiousdynamics of empire. Featuring more than 100 illustrations,Entangled Worlds is a compellingresource for scholars, students, and general readers interested in the sharedlegacies of the ancient world.
989 kr
Kommande
Thiscompelling volume invites readers to reimagine how monuments shape history,identity, and public space. Monumentality is explored as a dynamic andcontested idea—one that moves beyond grand buildings and enduring structuresto understand how societies remember the past and envision thefuture.Engaging scholarly essays, accompanied by focusedreflections on objects held in Getty collections, analyze the emotional,ideological, and technological dimensions of monuments by tracing theirchanging meanings across cultures and historical periods. Spanning themes ofdestruction, circulation, territorialization, and empire, the bookinvestigates topics such as the ruin aesthetic of the Paris Commune, thematerial remnants of Buddhism in India, the construction of Cold War dams,and the influence of Almohad minaret architecture. Throughout, readers willencounter the enduring effects of colonialism, modernization, and settlementson societies around the world—from nineteenth-century West Africa to postwarJapan and Guam to present-day Israel and Ukraine.Together, these studies integrate histories of art, architecture,and urban landscapes to examine the role of monuments in contemporary life.Monumentality offers freshperspectives on what we choose to honor, why the past is preserved (orforgotten), and how the complex narratives embedded in memorials or publicart condition our experience of the present.