Jerusalem Studies in Religion and Culture - Böcker

This book examines the seemingly universal notion of a grammatical cosmos. Individual essays discuss how many of the great civilizations provide cognitive maps that emerge from a metaphysical linguistics in which sounds, syllables and other signs form the constructive elements of reality. The essays address cross-cultural issues such as: Why does grammar serve as a template in these cultures? How are such templates culturally contoured? To what end are they applied — i.e., what can one do with grammar — , and how does it work upon the world? The book is divided into three sections that deal with the metaphysics of linguistic creation; practices of encoding and decoding as a means of deciphering reality; and language in the widest sense as a medium for self- and cultural transformation.Contributors include: Jan Assman, Sara Sviri, Michael Stone, M. Finkelberg, Yigal Bronner, Martin Kern, Brouria Bitton-Ashkelony, Dan Martin, Jonathan Garb, Tom Hunter, David Shulman, and Sergio La Porta.

The present volume is the result of a team research which gathered biblical scholars, philologists, and historians of religions, on the issue of the multiple "Interpretations of Moses" inherited from the ancient mediterranean cultures. The concrete outcome of this comparative inquiry is the common translation and commentary of the fragments from the works of the mysterious Artapanus. The comparative perspective suggested here is not so much methodological, or thematic. It is first of all an invitation to cross disciplinary boundaries and to take account of the contributions of diverse cultures to the formation of a single mythology, in the case, a Moses mythology. With respect to Judea, Greece, Egypt or Rome, and further more an emerging christianity and its "gnostic" counterpart, the figure of Moses is at the heart of a cross-cultural dialogue the pieces of which, if they can be seperated for the confort of their specific study, mostly gain by being put together.Contributions by: Daniel Barbu, René Bloch, Philippe Borgeaud, Sabrina Inowlocki-Meister, Caterina Moro, Thomas Römer, Matthieu Smyth, Youri Volokhine, and Claudio ZamagniCe volume est le fruit d’un travail d’équipe, qui a réuni des biblistes, des philologues, et des historiens des religions autour des multiples « Interprétations de Moïse » que nous ont léguées les cultures de la Méditerranée antique. Le résultat pratique de cette enquête comparatiste culmine dans la traduction et le commentaire à « douze mains » des fragments du mystérieux Artapan, qui ouvrent le volume. Le comparatisme proposé dans le présent volume ne se veut ni méthodologique ni thématique, mais vise d’abord à franchir les frontières disciplinaires, tout en envisageant les apports culturels respectifs contribuant à la formation d’une mythologie, en l’occurrence celle de Moïse. Entre la Judée, l’Egypte, la Grèce, Rome, et bien-sûr le christianisme naissant et l’univers « gnostique » qui l’accompagne, la figure de Moïse est au cœur d’un dialogue, dont les pièces, si elles peuvent être disjointes pour la commodité de l’étude, gagnent surtout à être rapprochées.

This volume brings together thirteen studies by as many experts in the study of one or more ancient or medieval magical traditions, from ancient Mesopotamia and Pharaonic and Greco-Roman Egypt to the Greek world, Judaism, Christianity and Islam. It lays special emphasis on the recurrence of similar phenomena in magical texts as far apart as the Akkadian cuneiform tablets and an Arabic manuscript bought in Egypt in the late-twentieth century. Such similarities demonstrate to what extent many different cultures share a “magical logic” which is strikingly identical, and in particular they show the recurrence of certain phenomena when magical practices are transmitted in written form and often preserve, adopt and adapt much older textual units.Contributors include: Tzvi Abusch, Joachim Friedrich Quack, Jacco Dieleman, Fritz Graf, Christopher Faraone, Ithamar Gruenwald, Shaul Shaked, Dan Levene, Kocku von Stuckrad, Reimund Leicht, Yuval Harari, Gideon Bohak, and Alexander Fodor.

One, God, Two Goddesses presents three studies, one of Tamil myths of the god Murugan and two of goddess rituals: Gangamma in Tirupati and Paiditalli in Vizianagaram, both in Andhra Pradesh. All three essays search for lineaments of the cosmos that these deities inhabit and shape. These cosmoi are characterised by the dynamism of their incessant interior movement. Should they become still, they would die. Deities activate and regenerate such a cosmos. The dynamism of Murugan’s cosmos eliminates the chaotic. Through ritual, Gangamma regenerates her cosmos through feminising it. Through ritual, Paiditalli annually re-grows the historic little kingdom of Vizianagaram, regenerating its kingship. All three studies point to the need to rethink cosmology in South India.

The volume demonstrates the cultural centrality of the oral tradition for Iranian studies. It contains contributions from scholars from various areas of Iranian and comparative studies, among which are the pre-Islamic Zoroastrian tradition with its wide network of influences in late antique Mesopotamia, notably among the Jewish milieu; classical Persian literature in its manifold genres; medieval Persian history; oral history; folklore and more. The essays in this collection embrace both the pre-Islamic and Islamic periods, both verbal and visual media, as well as various language communities (Middle Persian, Persian, Tajik, Dari) and geographical spaces (Greater Iran in pre-Islamic and Islamic medieval periods; Iran, Afghanistan and Tajikistan of modern times). Taken as a whole, the essays reveal the unique blending of oral and literate poetics in the texts or visual artefacts each author focuses upon, conceptualizing their interrelationship and function.Contributors are: Frantz Grenet, Jo-Ann Gross, Charles G. Häberl, Galit Hasan-Rokem, Reuven Kiperwasser, Ulrich Marzolph, Margaret A. Mills, Ravshan Rahmoni, Karl Reichl, Julia Rubanovich, Shaul Shaked, Raya Shani, Dan Y. Shapira, Maria E. Subtelny, Gabrielle R. van den Berg, Yuhan S.-D. Vevaina, Naama Vilozny, Mohsen Zakeri, and Tsila Zan-Bar Tsur.

This book explores historical and cultural aspects of modern and contemporary Bengal through the performance-centred study of a particular repertoire: the songs of the saint-composer Bhaba Pagla (1902-1984), who is particularly revered among Baul and Fakir singers. The author shows how songs, if examined as 'sacred scriptures', represent multi-dimensional texts for the study of South Asian religions. Revealing how previous studies about Bauls mirror the history of folkloristics in Bengal, this book presents sacred songs as a precious symbolic capital for a marginalized community of dislocated and unorthodox Hindus, who consider the practice of singing in itself an integral part of the path towards self-realization.

Historically, all societies have used comparison to analyze cultural difference through the interaction of religion, power, and translation. When comparison is a self-reflective practice, it can be seen as a form of comparatism. Many scholars are concerned in one way or another with the practice and methods of comparison, and the need for a cognitively robust relativism is an integral part of a mature historical self-placement. This volume looks at how different theories and practices of writing and interpretation have developed at different times in different cultures and reconsiders the specificities of modern comparative approaches within a variety of comparative moments. The idea is to reconsider the specificities, the obstacles, and the possibilities of modern comparative approaches in history and anthropology through a variety of earlier and parallel comparative horizons. Particular attention is given to the exceptional role of Athens and Jerusalem in shaping the Western understanding of cultural difference.Contributors are: Matei Candea, Philippe Descola, Renaud Gagné, Simon Goldhill, Anthony Grafton, Caroline Humphrey, Dmitri Levitin, Geoffrey Lloyd, Joan-Pau Rubiés, Jonathan Sheehan, Marilyn Strathern, Guy Stroumsa, and Phiroze Vasunia.

In Esoteric Images: Decoding the Late Herat School of Painting Tawfiq Daʿadli decodes the pictorial language which flourished in the city of Herat, modern Afghanistan, under the rule of the last Timurid ruler, Sultan Husayn Bayqara (r.1469-1506). This study focuses on one illustrated manuscript of a poem entitled Khamsa by the Persian poet Nizami Ganjavi, kept in the British Library under code Or.6810. Tawfiq Daʿadli decodes the paintings, reveals the syntax behind them and thus deciphers the message of the whole manuscript. The book combines scholarly efforts to interpret theological-political lessons embedded in one of the foremost Persian schools of art against the background of the court dynamic of an influential medieval power in its final years.