Library of Gender and Popular Culture – serie
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160 produkter
160 produkter
Inbunden, Engelska, 2019
1 670 kr
Skickas inom 10-15 vardagar
What is steampunk? Fashion craze, literary genre, lifestyle - or all of the above? Playing with the scientific innovations and aesthetics of the Victorian era, steampunk creatively warps history and presents an alternative future, imagined from a nineteenth-century perspective. In her interdisciplinary book, Claire Nally delves into this contemporary subculture, explaining how the fashion, music, visual culture, literature and politics of steampunk intersect with theories of gender and sexuality. Exploring and occasionally critiquing the ways in which gender functions in the movement, she addresses a range of different issues, including the controversial trope of the Victorian asylum; gender and the graphic novel; the legacies of colonialism; science and the role of Ada Lovelace as a feminist steampunk icon. Drawing upon interviews, theoretical readings and textual analysis, Nally asks: why are steampunks fascinated by our Victorian heritage, and what strategies do they use to reinvent history in the present?
E-bok
Engelska, 2019500 kr
Läs direkt efter köp
What is steampunk? Fashion craze, literary genre, lifestyle - or all of the above? Playing with the scientific innovations and aesthetics of the Victorian era, steampunk creatively warps history and presents an alternative future, imagined from a nineteenth-century perspective. In her interdisciplinary book, Claire Nally delves into this contemporary subculture, explaining how the fashion, music, visual culture, literature and politics of steampunk intersect with theories of gender and sexuality. Exploring and occasionally critiquing the ways in which gender functions in the movement, she addresses a range of different issues, including the controversial trope of the Victorian asylum; gender and the graphic novel; the legacies of colonialism; science and the role of Ada Lovelace as a feminist steampunk icon. Drawing upon interviews, theoretical readings and textual analysis, Nally asks: why are steampunks fascinated by our Victorian heritage, and what strategies do they use to reinvent history in the present?
E-bok
PDF, Engelska, 2019500 kr
Läs direkt efter köp
What is steampunk? Fashion craze, literary genre, lifestyle - or all of the above? Playing with the scientific innovations and aesthetics of the Victorian era, steampunk creatively warps history and presents an alternative future, imagined from a nineteenth-century perspective. In her interdisciplinary book, Claire Nally delves into this contemporary subculture, explaining how the fashion, music, visual culture, literature and politics of steampunk intersect with theories of gender and sexuality. Exploring and occasionally critiquing the ways in which gender functions in the movement, she addresses a range of different issues, including the controversial trope of the Victorian asylum; gender and the graphic novel; the legacies of colonialism; science and the role of Ada Lovelace as a feminist steampunk icon. Drawing upon interviews, theoretical readings and textual analysis, Nally asks: why are steampunks fascinated by our Victorian heritage, and what strategies do they use to reinvent history in the present?
E-bok
PDF, Engelska, 2020514 kr
Läs direkt efter köp
Over the last two decades, fatness has become the focus of ubiquitous negative rhetoric, in the USA and beyond, presented under the cover of the medicalized ''''war against the obesity epidemic''''. In Fat on Film, Barbara Plotz provides a critical analysis of the cinematic representation of fatness during this timeframe, specifically in contemporary Hollywood cinema, with an emphasis on the intersection of gender, race and fatness. The analysis is based on around 50 films released since 2000 and includes examples such as Transformers (2007), Precious (2009), Kung Fu Panda (2008), Paul Blart (2009) and Pitch Perfect (2012).Plotz maps the common cinematic tropes of fatness and also shows how commonplace notions of fatness that are part of the current ''''obesity epidemic'''' discourse are reflected in these tropes. In this original study, Plotz brings critical attention to the politics of fat representation, a topic that has so far received little attention within film and cinema studies.
Inbunden, Engelska, 2020
1 578 kr
Skickas inom 10-15 vardagar
Over the last two decades, fatness has become the focus of ubiquitous negative rhetoric, in the USA and beyond, presented under the cover of the medicalized ‘‘war against the obesity epidemic’’. In Fat on Film, Barbara Plotz provides a critical analysis of the cinematic representation of fatness during this timeframe, specifically in contemporary Hollywood cinema, with an emphasis on the intersection of gender, race and fatness. The analysis is based on around 50 films released since 2000 and includes examples such as Transformers (2007), Precious (2009), Kung Fu Panda (2008), Paul Blart (2009) and Pitch Perfect (2012).Plotz maps the common cinematic tropes of fatness and also shows how commonplace notions of fatness that are part of the current ‘‘obesity epidemic’’ discourse are reflected in these tropes. In this original study, Plotz brings critical attention to the politics of fat representation, a topic that has so far received little attention within film and cinema studies.
E-bok
Engelska, 2020514 kr
Läs direkt efter köp
Over the last two decades, fatness has become the focus of ubiquitous negative rhetoric, in the USA and beyond, presented under the cover of the medicalized ''''war against the obesity epidemic''''. In Fat on Film, Barbara Plotz provides a critical analysis of the cinematic representation of fatness during this timeframe, specifically in contemporary Hollywood cinema, with an emphasis on the intersection of gender, race and fatness. The analysis is based on around 50 films released since 2000 and includes examples such as Transformers (2007), Precious (2009), Kung Fu Panda (2008), Paul Blart (2009) and Pitch Perfect (2012).Plotz maps the common cinematic tropes of fatness and also shows how commonplace notions of fatness that are part of the current ''''obesity epidemic'''' discourse are reflected in these tropes. In this original study, Plotz brings critical attention to the politics of fat representation, a topic that has so far received little attention within film and cinema studies.
E-bok
PDF, Engelska, 2020486 kr
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Women Who Kill explores several lines of inquiry: the female murderer as a figure that destabilizes order; the tension between criminal and victim; the relationship between crime and expression (or the lack thereof); and the paradox whereby a crime can be both an act of destruction and a creative assertion of agency. In doing so, the contributors assess the influence of feminist, queer and gender studies on mainstream television and cinema, notably in the genres (film noir, horror, melodrama) that have received the most critical attention from this perspective. They also analyse the politics of representation by considering these works of fiction in their contexts and addressing some of the ambiguities raised by postfeminism.The book is structured in three parts: Neo-femmes Fatales; Action Babes and Monstrous Women. Films and series examined include White Men Are Cracking Up (1994); Hit & Miss (2012); Gone Girl (2014); Terminator (1984); The Walking Dead (2010); Mad Max: Fury Road (2015); Contagion (2011) and Ex Machina (2015) among others.
486 kr
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Women Who Kill explores several lines of inquiry: the female murderer as a figure that destabilizes order; the tension between criminal and victim; the relationship between crime and expression (or the lack thereof); and the paradox whereby a crime can be both an act of destruction and a creative assertion of agency. In doing so, the contributors assess the influence of feminist, queer and gender studies on mainstream television and cinema, notably in the genres (film noir, horror, melodrama) that have received the most critical attention from this perspective. They also analyse the politics of representation by considering these works of fiction in their contexts and addressing some of the ambiguities raised by postfeminism.The book is structured in three parts: Neo-femmes Fatales; Action Babes and Monstrous Women. Films and series examined include White Men Are Cracking Up (1994); Hit & Miss (2012); Gone Girl (2014); Terminator (1984); The Walking Dead (2010); Mad Max: Fury Road (2015); Contagion (2011) and Ex Machina (2015) among others.
E-bok
Engelska, 2020471 kr
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What makes a woman ''bad'' is commonly linked to certain ''qualities'' or behaviours seen as morally or socially corrosive, dirty and disgusting. In Bad Girls, Dirty Bodies, Gemma Commane critically explores the social, sexual and political significance of women who are labelled ''bad'', sluts or dirty. Through a variety of case studies drawn from qualitative and original ethnographic research, she argues that ''Bad Girls'' disrupt heterosexual normativity and contribute new embodied knowledge.From neo-burlesque, sex-positive and queer performance art, to explicit entertainment and areas of popular culture; Commane situates ''bad'' women as sites of power, possibility and success. Through the combination of case studies (Ms T, Empress Stah and RubberDoll, Mouse and Doris La Trine), Gemma Commane offers a challenge to those who think that sexual, slutty, bad, and dirty women are not worth listening to. Significantly, she unpicks the issues generated by women who are complicit in the subjugation, policing and marginalization of ''other'' women, both in popular culture and in sites of subcultural resistance.
E-bok
PDF, Engelska, 2020471 kr
Läs direkt efter köp
What makes a woman ''bad'' is commonly linked to certain ''qualities'' or behaviours seen as morally or socially corrosive, dirty and disgusting. In Bad Girls, Dirty Bodies, Gemma Commane critically explores the social, sexual and political significance of women who are labelled ''bad'', sluts or dirty. Through a variety of case studies drawn from qualitative and original ethnographic research, she argues that ''Bad Girls'' disrupt heterosexual normativity and contribute new embodied knowledge.From neo-burlesque, sex-positive and queer performance art, to explicit entertainment and areas of popular culture; Commane situates ''bad'' women as sites of power, possibility and success. Through the combination of case studies (Ms T, Empress Stah and RubberDoll, Mouse and Doris La Trine), Gemma Commane offers a challenge to those who think that sexual, slutty, bad, and dirty women are not worth listening to. Significantly, she unpicks the issues generated by women who are complicit in the subjugation, policing and marginalization of ''other'' women, both in popular culture and in sites of subcultural resistance.
E-bok
PDF, Engelska, 2023454 kr
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The heroic romance is one of the West''s most enduring narratives, found everywhere, from religion and myth to blockbuster films and young adult literature. Within this story, adolescent girls are not, and cannot be, the heroes. They are, at best, the hero''s bride, a prize he wins for slaying monsters. Crucially, although the girl''s exclusion from heroic selfhood affects all girls, it does not do so equally- whiteness and able-bodiedness are taken as markers of heightened, fantasy femininity. Female Heroes in Young Adult Fantasy Fiction explores how the young female-heroes of mythopoeic YA, a Tolkienian-inspired genre drawing on myth''s world-creating power and YA''s liminal potential, disrupt the conventional heroic narrative. These heroes, such as Tamora Pierce''s Alanna the Lioness, Daine the Wildmage, and Marissa Meyer''s Cinder and Iko, offer a model of being-hero, an embodied way of living and being in this world that disrupts the typical hero''s violent hierarchy, isolating individuality, and erasure of difference. In doing so, they push the boundaries of what it means to be a hero, a girl, and even human.
E-bok
Engelska, 2023454 kr
Läs direkt efter köp
The heroic romance is one of the West''s most enduring narratives, found everywhere, from religion and myth to blockbuster films and young adult literature. Within this story, adolescent girls are not, and cannot be, the heroes. They are, at best, the hero''s bride, a prize he wins for slaying monsters. Crucially, although the girl''s exclusion from heroic selfhood affects all girls, it does not do so equally- whiteness and able-bodiedness are taken as markers of heightened, fantasy femininity. Female Heroes in Young Adult Fantasy Fiction explores how the young female-heroes of mythopoeic YA, a Tolkienian-inspired genre drawing on myth''s world-creating power and YA''s liminal potential, disrupt the conventional heroic narrative. These heroes, such as Tamora Pierce''s Alanna the Lioness, Daine the Wildmage, and Marissa Meyer''s Cinder and Iko, offer a model of being-hero, an embodied way of living and being in this world that disrupts the typical hero''s violent hierarchy, isolating individuality, and erasure of difference. In doing so, they push the boundaries of what it means to be a hero, a girl, and even human.
Inbunden, Engelska, 2023
1 443 kr
Skickas inom 10-15 vardagar
The heroic romance is one of the West’s most enduring narratives, found everywhere, from religion and myth to blockbuster films and young adult literature. Within this story, adolescent girls are not, and cannot be, the heroes. They are, at best, the hero’s bride, a prize he wins for slaying monsters. Crucially, although the girl’s exclusion from heroic selfhood affects all girls, it does not do so equally— whiteness and able-bodiedness are taken as markers of heightened, fantasy femininity.Female Heroes in Young Adult Fantasy Fiction explores how the young female-heroes of mythopoeic YA, a Tolkienian-inspired genre drawing on myth’s world-creating power and YA’s liminal potential, disrupt the conventional heroic narrative. These heroes, such as Tamora Pierce's Alanna the Lioness, Daine the Wildmage, and Marissa Meyer's Cinder and Iko, offer a model of being-hero, an embodied way of living and being in this world that disrupts the typical hero’s violent hierarchy, isolating individuality, and erasure of difference. In doing so, they push the boundaries of what it means to be a hero, a girl, and even human.
E-bok
PDF, Engelska, 20201 767 kr
Läs direkt efter köp
Anglo-American culture is marked by a gladiatorial impulse: a deep cultural fascination in watching men fight each other. The gladiator is an archetypal character embodying this impulse and his brand of violent and eroticised masculinity has become a cultural shorthand that signals a transhistorical version of heroic masculinity. Frequently the gladiator or celebrity fighter - from the amphitheatres of Rome to the octagon of the Ultimate Fighting Championships - is used as a way of insisting that a desire to fight, and to watch men fighting, is simply a part of our human nature. This book traces a cultural interest in stories about gladiators through twentieth and twenty-first-century film, television and videogames.
Inbunden, Engelska, 2020
1 510 kr
Skickas inom 5-8 vardagar
Anglo-American culture is marked by a gladiatorial impulse: a deep cultural fascination in watching men fight each other. The gladiator is an archetypal character embodying this impulse and his brand of violent and eroticised masculinity has become a cultural shorthand that signals a transhistorical version of heroic masculinity. Frequently the gladiator or celebrity fighter - from the amphitheatres of Rome to the octagon of the Ultimate Fighting Championships - is used as a way of insisting that a desire to fight, and to watch men fighting, is simply a part of our human nature. This book traces a cultural interest in stories about gladiators through twentieth and twenty-first-century film, television and videogames.
E-bok
Engelska, 20201 767 kr
Läs direkt efter köp
Anglo-American culture is marked by a gladiatorial impulse: a deep cultural fascination in watching men fight each other. The gladiator is an archetypal character embodying this impulse and his brand of violent and eroticised masculinity has become a cultural shorthand that signals a transhistorical version of heroic masculinity. Frequently the gladiator or celebrity fighter - from the amphitheatres of Rome to the octagon of the Ultimate Fighting Championships - is used as a way of insisting that a desire to fight, and to watch men fighting, is simply a part of our human nature. This book traces a cultural interest in stories about gladiators through twentieth and twenty-first-century film, television and videogames.
E-bok
PDF, Engelska, 20251 286 kr
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This is the first dedicated overview of the international television romantic comedy genre, Mary Irwin builds on the critical work on cinematic romantic comedy to offer a dedicated critical analysis of the romantic comedy on the small screen. Drawing on series from the 1960s to the present day, Irwin presents five themed chapters around the theme of romantic love, from searching for it and finding it to the love wars of the book''s title to finding love later in life and in places you didn''t expect. Chapters explore the genre''s key recurrent themes: evolving attitudes to love, relationships, sex, class and money, feminism and post-feminism, changes in the nuclear family (dramatised through contrasting romantic relationships) and shifting discourses of masculinity, situating them within the specific socio-historic and cultural context in which the series are set. Throughout, Irwin underscores the centrality of women, their friendships and their personal and professional lives and experiences to the television romantic comedy genre, demonstrating that it is prominence of female characters and their interests and concerns which have most significantly affected the genre''s thematic focus. Crucially, this thematic approach allows for explorations both of similarities in representations to be found in series decades apart and the way in which such representations ebb and flow across time. Additionally, the international nature of the comedies selected also makes possible comparison beyond national boundaries.
E-bok
Engelska, 20251 286 kr
Läs direkt efter köp
This is the first dedicated overview of the international television romantic comedy genre, Mary Irwin builds on the critical work on cinematic romantic comedy to offer a dedicated critical analysis of the romantic comedy on the small screen. Drawing on series from the 1960s to the present day, Irwin presents five themed chapters around the theme of romantic love, from searching for it and finding it to the love wars of the book''s title to finding love later in life and in places you didn''t expect. Chapters explore the genre''s key recurrent themes: evolving attitudes to love, relationships, sex, class and money, feminism and post-feminism, changes in the nuclear family (dramatised through contrasting romantic relationships) and shifting discourses of masculinity, situating them within the specific socio-historic and cultural context in which the series are set. Throughout, Irwin underscores the centrality of women, their friendships and their personal and professional lives and experiences to the television romantic comedy genre, demonstrating that it is prominence of female characters and their interests and concerns which have most significantly affected the genre''s thematic focus. Crucially, this thematic approach allows for explorations both of similarities in representations to be found in series decades apart and the way in which such representations ebb and flow across time. Additionally, the international nature of the comedies selected also makes possible comparison beyond national boundaries.
E-bok
PDF, Engelska, 2022454 kr
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This book explores the various issues raised by women''s fraught integration into the mainstream in film and television, whether it be off screen as filmmakers and film critics or on screen in film and TV series. Marianne Kac-Vergne and Julie Assouly consider the varied representations of women in films such as Jackie Brown (1997), Marie Antoinette (2006), It''s a Free World… (2007) and Wonder Woman (2017). They particularly look into the overlooked gendered aspects of voice-overs and the adverse tropes used to represent maternity in television series as well as the complex motif of the vagina dentata in contemporary film and television. The chapters analyze independent, art-house, Hollywood and TV productions often in transnational contexts, shedding light on how definitions of femininity are culturally specific yet cross national, class and racial lines. The contributors include renowned scholars such as Yvonne Tasker, Celestino Deleyto, David Roche and Nicole Cloarec, as well as emerging yet well-published film scholars.
E-bok
Engelska, 2022454 kr
Läs direkt efter köp
This book explores the various issues raised by women''s fraught integration into the mainstream in film and television, whether it be off screen as filmmakers and film critics or on screen in film and TV series. Marianne Kac-Vergne and Julie Assouly consider the varied representations of women in films such as Jackie Brown (1997), Marie Antoinette (2006), It''s a Free World… (2007) and Wonder Woman (2017). They particularly look into the overlooked gendered aspects of voice-overs and the adverse tropes used to represent maternity in television series as well as the complex motif of the vagina dentata in contemporary film and television. The chapters analyze independent, art-house, Hollywood and TV productions often in transnational contexts, shedding light on how definitions of femininity are culturally specific yet cross national, class and racial lines. The contributors include renowned scholars such as Yvonne Tasker, Celestino Deleyto, David Roche and Nicole Cloarec, as well as emerging yet well-published film scholars.
E-bok
PDF, Engelska, 2020514 kr
Läs direkt efter köp
In the 21st century, films about the lives and experiences of girls and young women have become increasingly visible. Yet, British cinema''s engagement with contemporary girlhood has - unlike its Hollywood counterpart - been largely ignored until now. Sarah Hill''s Young Women, Girls and Postfeminism in Contemporary British Film provides the first book-length study of how young femininity has been constructed, both in films like the St. Trinians franchise and by critically acclaimed directors like Andrea Arnold, Carol Morley and Lone Scherfig. Hill offers new ways to understand how postfeminism informs British cinema and how it is adapted to fit its specific geographical context. By interrogating UK cinema through this lens, Hill paints a diverse and distinctive portrait of modern femininity and consolidates the important academic links between film, feminist media and girlhood studies.
E-bok
Engelska, 2020514 kr
Läs direkt efter köp
In the 21st century, films about the lives and experiences of girls and young women have become increasingly visible. Yet, British cinema''s engagement with contemporary girlhood has - unlike its Hollywood counterpart - been largely ignored until now. Sarah Hill''s Young Women, Girls and Postfeminism in Contemporary British Film provides the first book-length study of how young femininity has been constructed, both in films like the St. Trinians franchise and by critically acclaimed directors like Andrea Arnold, Carol Morley and Lone Scherfig. Hill offers new ways to understand how postfeminism informs British cinema and how it is adapted to fit its specific geographical context. By interrogating UK cinema through this lens, Hill paints a diverse and distinctive portrait of modern femininity and consolidates the important academic links between film, feminist media and girlhood studies.
E-bok
PDF, Engelska, 2020500 kr
Läs direkt efter köp
The father is an enduring and iconic figure in Hollywood cinema and in the 1990s, narratives of redemptive fatherhood featured prominently in some of the decade''s most popular films like Kindergarten Cop (1990), Mrs Doubtfire (1993), Jurassic Park (1993) and The Lion King (1994). Interpreting such films through the lens of feminist and queer theory, along with masculinity studies and psychoanalysis, Katie Barnett offers an insightful and interdisciplinary discussion of cinematic fathers.Barnett reveals that the father figure is often portrayed as one that invests in and is part of a discourse of reproductive futurism. This plays out across a range of genres including rom-coms, fantasy, sci-fi, drama, and disaster. By exploring both blockbuster and more low-budget films of the 1990s, Barnett explores the figure of the father against the crisis of masculinity in the United States, and indeed more globally, at this time.
E-bok
Engelska, 2020500 kr
Läs direkt efter köp
The father is an enduring and iconic figure in Hollywood cinema and in the 1990s, narratives of redemptive fatherhood featured prominently in some of the decade''s most popular films like Kindergarten Cop (1990), Mrs Doubtfire (1993), Jurassic Park (1993) and The Lion King (1994). Interpreting such films through the lens of feminist and queer theory, along with masculinity studies and psychoanalysis, Katie Barnett offers an insightful and interdisciplinary discussion of cinematic fathers.Barnett reveals that the father figure is often portrayed as one that invests in and is part of a discourse of reproductive futurism. This plays out across a range of genres including rom-coms, fantasy, sci-fi, drama, and disaster. By exploring both blockbuster and more low-budget films of the 1990s, Barnett explores the figure of the father against the crisis of masculinity in the United States, and indeed more globally, at this time.
Inbunden, Engelska, 2020
1 532 kr
Skickas inom 10-15 vardagar
The father is an enduring and iconic figure in Hollywood cinema and in the 1990s, narratives of redemptive fatherhood featured prominently in some of the decade’s most popular films like Kindergarten Cop (1990), Mrs Doubtfire (1993), Jurassic Park (1993) and The Lion King (1994). Interpreting such films through the lens of feminist and queer theory, along with masculinity studies and psychoanalysis, Katie Barnett offers an insightful and interdisciplinary discussion of cinematic fathers.Barnett reveals that the father figure is often portrayed as one that invests in and is part of a discourse of reproductive futurism. This plays out across a range of genres including rom-coms, fantasy, sci-fi, drama, and disaster. By exploring both blockbuster and more low-budget films of the 1990s, Barnett explores the figure of the father against the crisis of masculinity in the United States, and indeed more globally, at this time.
Inbunden, Engelska, 2019
1 185 kr
Skickas inom 10-15 vardagar
What can queer theory, media studies and feminism bring to our understanding of cinema's Lavender Ladies? Addressing the groundswell of scholarly interest in age and its representation, Ageing Femininity on Film explores character tropes for old women in recent film. Alongside a proliferation of negative stereotypes, like the grotesque hag or the dotty old fool, this book illuminates gentility as a key alternative. Across classics of British and American cinema since the 1980s, including Driving Miss Daisy and The Queen, ageing females are empowered by genteel manners. They are amateur sleuths, retired political figures, and everyday women who refuse to be ignored. Studying examples beyond the “politics of pity,” this important book unpacks the multi-faceted relationship between gentility and feminine strength.
Häftad, Engelska, 2019
492 kr
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What happens to gender at 120mph? Are Harley-Davidsons more masculine than Yamahas? The Gendered Motorcycle answers such questions through a critical examination of motorcycles in film, advertising and television. Whilst bikers and biker cultures have been explored previously, the motorcycle itself has remained largely under-theorised, especially in relation to gender. Esperanza Miyake reveals how representations of motorcycles can produce different gendered bodies, identities, spaces and practices. This interdisciplinary book offers new and critical ways to think about gender and motorcycles, and will interest scholars and students of gender, technology and visual cultures, as well as motorcycle industry practitioners and motorcycle enthusiasts.
Häftad, Engelska, 2019
492 kr
Skickas inom 10-15 vardagar
Never before has period drama offered viewers such an assortment of complex male characters, from transported felons and syphilitic detectives to shell shocked soldiers and gangland criminals. Neo-Victorian Gothic fictions like Penny Dreadful represent masculinity at its darkest, Poldark and Outlander have refashioned the romantic hero and anti-heritage series like Peaky Blinders portray masculinity in crisis, at moments when the patriarchy was being bombarded by forces like World War I, the rise of first wave feminism and the breakdown of Empire. Scholars of film, media, literature and history explore the very different types of maleness offered by contemporary television and show how the intersection of class, race, history and masculinity in period dramas has come to hold such broad appeal to twenty-first-century audiences.
Häftad, Engelska, 2019
395 kr
Skickas inom 10-15 vardagar
What role does taste play in contemporary youth culture? How do young people reproduce, or alternatively, reject gender norms? Using new research and the work of renowned theorists such as Judith Butler and Pierre Bourdieu, Victoria Cann argues that popular culture affects young people's experiences of masculinity and femininity and forces them to navigate a social minefield in which they are pressured to display tastes deemed appropriate for their gender. Combining her own unique empirical research with a strong theoretical framework, Cann widens and links the fields of gender and taste studies to show the everyday reality of twenty-first-century youth and their apprehensions - especially those of young boys- about participating in activities, or embracing pop-cultural preferences that have traditionally only been associated with the opposite sex.
Häftad, Engelska, 2020
478 kr
Skickas inom 10-15 vardagar
The exotic and dangerous stereotype of the Gypsy woman formed in 19th-century literature and visual culture remains alive today. These contemporary cliches about Gypsy culture - both negative and romanticised - have a long history. In The Gypsy Woman, Jodie Matthews analyses why the representation of female Gypsy figures in print, painting, television series such as Big Fat Gypsy Weddings and social media sites like Instagram matters so much. Some of these images have been so damaging that they require legal regulation, but Matthews claims that supposedly positive portrayals are just as detrimental by reiterating the same story about Gypsies that have been told since the 19th century. Her study makes this book a highly relevant resource for students, teachers and researchers working in literary, cultural, gender and Romani studies.