Lines of the Symbolic in Psychoanalysis Series – serie

Pink Herrings engages in a re-examination of six of Freud's cases via Lacan's account of sexuation. Specifically, the book outlines a theoretical framework in which sexuation is understood as a 'choice' made in response to the fact of the sexual non relationship. In making this choice, unconscious fantasy allows for the circulation of object a, which bear traces of jouissance. Drawing upon Lacan's distinction between phallic and other jouissance, Pink Herrings examines the four positions outlined in Lacan's formula of sexuation, and maps these onto the six case studies. In so doing, Pink Herrings not only brings new life and insights to the cases, but also clears a path to what is referred to as a 'clinic of sexuation'. Such a clinic would not replace existing Lacanian psychoanalytic practice (with its focus on the structures of neurosis, perversion and psychosis), but instead provide additional avenues through which to explore the operations of fantasy.

This book provides a detailed examination of the historical roots of psychoanalysis from ancient Greece to the late nineteenth century, focusing on social practices that were related to the founders of psychoanalytic theory and maintained within contemporary treatment. Alongside the reconstruction of an evolutionary accumulation of healing practices, the book includes linked discussions of current issues pertaining to psychoanalytic treatment and its working structure as elaborated by Freud and Lacan. There are vital political consequences for psychoanalytic practice - here articulated with an acknowledgement of these practical derivations of early pre-psychoanalytic treatments of the soul. The book demonstrates that these are neither mere techniques nor concepts of the world and the human subject, but they concern the way the problem of power is articulated. The historical establishment of psychoanalytical practice becomes legible through analysis of the traces of the elements of a political ontology, an account of the roots of those traces and the elaboration of the conceptual structure of psychoanalysis as theory and treatment, a praxis which maintains its own distinctive identity.

This book uses an interdisciplinary approach to explore the ways in which sexual difference can be understood as an encounter with otherness through the abjected, investigating social discourses and unconscious anxieties around "monstrous" women throughout history and how they may challenge these characterizations. The author expands on Barbara Creed’s notion of the monstrous-feminine to give a specifically Lacanian analysis of different types of feminine monsters, such as Mary Toft, Andrea Yates, Lillith, and Medusa. Drawing on Lacan’s theory of "sexuation," the book interrogates characterizations of pregnant women during the Enlightenment, women who commit filicide, mothers in the psychoanalytic clinic, and women with borderline personality disorder. Chapters explore how encounters with a feminine subject in the Lacanian sense can manifest in misogynistic practices aimed at women, as well as how a Deleuzian notion of becoming-other may pose a challenge to their interpretation in a phallocentric meaning-making system. Creatively engaging the work of both Jacques Lacan and Gilles Deleuze, the text goes beyond simply identifying misogynistic practices by probing the relational, unconscious dynamics between hegemonic groups and those designated as "other."Approaching the concept of the borderline from a critical and transdisciplinary perspective, this text will appeal to postgraduate students and researchers from Lacanian psychoanalysis, gender studies, cultural studies, and critical psychology.

This book uses an interdisciplinary approach to explore the ways in which sexual difference can be understood as an encounter with otherness through the abjected, investigating social discourses and unconscious anxieties around "monstrous" women throughout history and how they may challenge these characterizations. The author expands on Barbara Creed’s notion of the monstrous-feminine to give a specifically Lacanian analysis of different types of feminine monsters, such as Mary Toft, Andrea Yates, Lillith, and Medusa. Drawing on Lacan’s theory of "sexuation," the book interrogates characterizations of pregnant women during the Enlightenment, women who commit filicide, mothers in the psychoanalytic clinic, and women with borderline personality disorder. Chapters explore how encounters with a feminine subject in the Lacanian sense can manifest in misogynistic practices aimed at women, as well as how a Deleuzian notion of becoming-other may pose a challenge to their interpretation in a phallocentric meaning-making system. Creatively engaging the work of both Jacques Lacan and Gilles Deleuze, the text goes beyond simply identifying misogynistic practices by probing the relational, unconscious dynamics between hegemonic groups and those designated as "other."Approaching the concept of the borderline from a critical and transdisciplinary perspective, this text will appeal to postgraduate students and researchers from Lacanian psychoanalysis, gender studies, cultural studies, and critical psychology.

This book takes a critical feminist approach to Lacan’s fundamental concepts, merging discourse and sexuation theories in a novel way for both psychoanalysis and feminism, and exploring the possibility of a feminist subject within a non-masculine logic. In Lacan and Critical Feminism, Carusi merges Lacan’s theories of discourse and sexuation, not only from a gender/sexuality angle, but also from a literary, feminist, and women’s studies framework. By drawing examples from literature, film, art, and socio-political movements to focus on discourse and sexuation, the text examines how tropes impact the subject’s positionality within any discourse mode. The book also uses women’s collective experience and action to illustrate ways that women have repositioned dominant narratives discursively. This text represents essential reading for researchers interested in the relationship between Lacan and feminist theory.

This book takes a critical feminist approach to Lacan’s fundamental concepts, merging discourse and sexuation theories in a novel way for both psychoanalysis and feminism, and exploring the possibility of a feminist subject within a non-masculine logic. In Lacan and Critical Feminism, Carusi merges Lacan’s theories of discourse and sexuation, not only from a gender/sexuality angle, but also from a literary, feminist, and women’s studies framework. By drawing examples from literature, film, art, and socio-political movements to focus on discourse and sexuation, the text examines how tropes impact the subject’s positionality within any discourse mode. The book also uses women’s collective experience and action to illustrate ways that women have repositioned dominant narratives discursively. This text represents essential reading for researchers interested in the relationship between Lacan and feminist theory.

This striking Lacanian contribution to discourse analysis is also a critique of contemporary psychological abstraction, as well as a reassessment of the radical opposition between psychology and psychoanalysis. This original introduction to Lacans work bridges the gap between discourse-analytical debates in social psychology and the social-theoreti

In this fascinating new book, Rosalinda Quintieri addresses some of the key questions of visual theory concerning our unending fascination with simulacra by evaluating the recent return of the life-size doll in European and American visual culture. Through a focus on the contemporary photographic and cinematic forms of this figure and a critical mobilisation of its anthropological complexity, this book offers a new critical understanding of this classical aesthetic motif as a way to explore the relevance that doubling, fantasy and simulation hold in our contemporary culture.Quintieri explores the figure of the inanimate human double as an "inhuman partner", reflecting on contemporary visuality as the field of a hypermodern, post-Oedipal aesthetic. Through a series of case studies that blur traditional boundaries between practices (photography, performance, sculpture, painting, documentary) and between genres (comedy, drama, fairy tale), Quintieri puts in contrast the new function of the double and its plays of simulations on the background of the capitalist injunction to enjoy.Engaging with new theories on post-Oedipal forms of subjectivity developed within the Lacanian orientation of psychoanalysis, Quintieri offers exciting analyses of still and moving photographic work, giving body to an original aesthetic model that promises to revitalise our understanding of contemporary photography and visual culture. It will appeal to psychoanalysts and researchers from Lacanian psychoanalysis, visual studies and cultural theory, as well as readers with an academic interest in the cultural history of dolls and the theory of the uncanny.

In this fascinating new book, Rosalinda Quintieri addresses some of the key questions of visual theory concerning our unending fascination with simulacra by evaluating the recent return of the life-size doll in European and American visual culture. Through a focus on the contemporary photographic and cinematic forms of this figure and a critical mobilisation of its anthropological complexity, this book offers a new critical understanding of this classical aesthetic motif as a way to explore the relevance that doubling, fantasy and simulation hold in our contemporary culture.Quintieri explores the figure of the inanimate human double as an "inhuman partner", reflecting on contemporary visuality as the field of a hypermodern, post-Oedipal aesthetic. Through a series of case studies that blur traditional boundaries between practices (photography, performance, sculpture, painting, documentary) and between genres (comedy, drama, fairy tale), Quintieri puts in contrast the new function of the double and its plays of simulations on the background of the capitalist injunction to enjoy.Engaging with new theories on post-Oedipal forms of subjectivity developed within the Lacanian orientation of psychoanalysis, Quintieri offers exciting analyses of still and moving photographic work, giving body to an original aesthetic model that promises to revitalise our understanding of contemporary photography and visual culture. It will appeal to psychoanalysts and researchers from Lacanian psychoanalysis, visual studies and cultural theory, as well as readers with an academic interest in the cultural history of dolls and the theory of the uncanny.

While traditional feminist readings on antagonism have pivoted around the sole axis of sex and/or gender, a broader and intersectional approach to antagonism is much needed; this book offers an innovative, feminist, and discursive reading on the Lacanian concept of sexual position as a way to problematize the concepts of political antagonism and political subjects. Can Lacanian psychoanalysis offer new grounds for feminist politics? This discursive mediation of Lacan's work presents a new theoretical framework upon which to articulate proposals for intersectional political theory. The first part of this book develops the theoretical framework, and the second part applies it to the construction of woman’s identity in European politics and economy. It concludes with notes for a feminist political and economic praxis through community currencies and municipalism. The interdisciplinary approach of this book will appeal to scholars interested in the fields of psychoanalysis, feminisms, and political philosophy as well as multidisciplinary scholars interested in discourse theory, sexuality and gender studies, cultural studies, queer theory, and continental philosophy. Students at master's and PhD level will also find this a useful feminist introduction to Lacanian psychoanalysis, discourse, and gender.

While traditional feminist readings on antagonism have pivoted around the sole axis of sex and/or gender, a broader and intersectional approach to antagonism is much needed; this book offers an innovative, feminist, and discursive reading on the Lacanian concept of sexual position as a way to problematize the concepts of political antagonism and political subjects. Can Lacanian psychoanalysis offer new grounds for feminist politics? This discursive mediation of Lacan's work presents a new theoretical framework upon which to articulate proposals for intersectional political theory. The first part of this book develops the theoretical framework, and the second part applies it to the construction of woman’s identity in European politics and economy. It concludes with notes for a feminist political and economic praxis through community currencies and municipalism. The interdisciplinary approach of this book will appeal to scholars interested in the fields of psychoanalysis, feminisms, and political philosophy as well as multidisciplinary scholars interested in discourse theory, sexuality and gender studies, cultural studies, queer theory, and continental philosophy. Students at master's and PhD level will also find this a useful feminist introduction to Lacanian psychoanalysis, discourse, and gender.

This work presents thoughts on the Lacanian subject: What are we as a speaking being? What makes us a human subject from a psychoanalytic perspective? Is it feelings and affect that make us a human? Or was it the Freudian invention of the unconscious that drew a line between human and a non-human? What can be learnt from the subject of the unconscious in the clinic of psychoanalysis that can help us to approach these questions? Berjanet Jazani takes examples from the psychoanalytic clinic as well as cultural references ranging from ancient Persia to London’s Theatreland in order to elaborate the question of subjectivity, reality and truth from a psychoanalytic perspective. In the era of hyperreality, the agency of branding and marketing strategies has overshadowed the reality of a human being, his true nature and agency. The hyperreality of contemporary society creates in each individual a false hope of becoming a high-fidelity copy of their idols, and such a fallacy has led many to believe that this is what determines their being in a social bond. Jazani explores the question of the reality and mortality of a subject through a Lacanian prism, from the theorising of analytical subjectivity that starts with the Freudian Oedipal myth more than a century ago to the futurist aspiration to fabricate human beings according to some ideal model. This book will be important reading for students and academics of Lacanian psychoanalysis, as well as professionals concerned with complex social problems.

This work presents thoughts on the Lacanian subject: What are we as a speaking being? What makes us a human subject from a psychoanalytic perspective? Is it feelings and affect that make us a human? Or was it the Freudian invention of the unconscious that drew a line between human and a non-human? What can be learnt from the subject of the unconscious in the clinic of psychoanalysis that can help us to approach these questions? Berjanet Jazani takes examples from the psychoanalytic clinic as well as cultural references ranging from ancient Persia to London’s Theatreland in order to elaborate the question of subjectivity, reality and truth from a psychoanalytic perspective. In the era of hyperreality, the agency of branding and marketing strategies has overshadowed the reality of a human being, his true nature and agency. The hyperreality of contemporary society creates in each individual a false hope of becoming a high-fidelity copy of their idols, and such a fallacy has led many to believe that this is what determines their being in a social bond. Jazani explores the question of the reality and mortality of a subject through a Lacanian prism, from the theorising of analytical subjectivity that starts with the Freudian Oedipal myth more than a century ago to the futurist aspiration to fabricate human beings according to some ideal model. This book will be important reading for students and academics of Lacanian psychoanalysis, as well as professionals concerned with complex social problems.

Schizostructuralism draws together insights from psychoanalytic, structuralist, and Marxist theory, and the divisions and antagonisms that both underpin and distinguish them, to form a new psychoanalytic system.Working through the key concepts and methods in these fields, Daniel Bristow describes the processes of unification and separation inherent in structure; extends concepts within the field of psychoanalytic topology and its study of surface; and interrogates types and phasings of time that operate psychosocially, testing workings of these against analyses of class division and struggle. Returning to and working through key concepts and methods in the fields of structuralism, topology, temporality, and Marxist political theory, Schizostructuralism looks again at such major figures as Freud, Reich, Lacan, Laing, and Deleuze and Guattari—invoking their socially oriented theories and practices—and sets out possibilities for recalibrating critical and clinical approaches to be more politically radical and inclusive. Bristow draws on an array of schematic diagrams, depicting and formulating the clinical categories of neurosis, perversion, and psychosis.Schizostructuralism will be of interest to academics and students of psychoanalytic studies, Lacanian studies, and philosophy. It will also inform psychoanalysts in practice and in training.

Schizostructuralism draws together insights from psychoanalytic, structuralist, and Marxist theory, and the divisions and antagonisms that both underpin and distinguish them, to form a new psychoanalytic system.Working through the key concepts and methods in these fields, Daniel Bristow describes the processes of unification and separation inherent in structure; extends concepts within the field of psychoanalytic topology and its study of surface; and interrogates types and phasings of time that operate psychosocially, testing workings of these against analyses of class division and struggle. Returning to and working through key concepts and methods in the fields of structuralism, topology, temporality, and Marxist political theory, Schizostructuralism looks again at such major figures as Freud, Reich, Lacan, Laing, and Deleuze and Guattari—invoking their socially oriented theories and practices—and sets out possibilities for recalibrating critical and clinical approaches to be more politically radical and inclusive. Bristow draws on an array of schematic diagrams, depicting and formulating the clinical categories of neurosis, perversion, and psychosis.Schizostructuralism will be of interest to academics and students of psychoanalytic studies, Lacanian studies, and philosophy. It will also inform psychoanalysts in practice and in training.

Obscenity, Psychoanalysis and Literature offers a fascinating psychoanalytic reading of four landmark obscenity trials involving the texts of D. H. Lawrence and James Joyce. By tracing the legal histories of Lawrence and Joyce, from censorship to their eventual redemption and transformation into champions of sexual freedom, the book draws a narrative of changing legal, literary and cultural investments.The book examines the four trials of these authors in detail to show how the literary text can function as a symbol of both life and death and the political uses of figuring them as such. Taking a psychoanalytic perspective, we can see how this narrative of sexual repression to sexual liberation may itself be an emergent form of the superego imperative to enjoy and consume. Through close readings of trial transcripts and archival documents, this book helps elucidate the fantasies operating throughout the trials: the unquestioned assumptions of the nature of sexuality, gender, drugs and truth. It demonstrates with clarity how, through its attempt to suppress the sexual, the law confronts its own nature as language and in doing so troubles the distinctions between law, literature and desire that it usually wishes to protect.Offering a uniquely psychoanalytic account of the obscenity trials of these authors, this text will be of great interest to scholars from across the fields of psychoanalysis, law and literature.

Obscenity, Psychoanalysis and Literature offers a fascinating psychoanalytic reading of four landmark obscenity trials involving the texts of D. H. Lawrence and James Joyce. By tracing the legal histories of Lawrence and Joyce, from censorship to their eventual redemption and transformation into champions of sexual freedom, the book draws a narrative of changing legal, literary and cultural investments.The book examines the four trials of these authors in detail to show how the literary text can function as a symbol of both life and death and the political uses of figuring them as such. Taking a psychoanalytic perspective, we can see how this narrative of sexual repression to sexual liberation may itself be an emergent form of the superego imperative to enjoy and consume. Through close readings of trial transcripts and archival documents, this book helps elucidate the fantasies operating throughout the trials: the unquestioned assumptions of the nature of sexuality, gender, drugs and truth. It demonstrates with clarity how, through its attempt to suppress the sexual, the law confronts its own nature as language and in doing so troubles the distinctions between law, literature and desire that it usually wishes to protect.Offering a uniquely psychoanalytic account of the obscenity trials of these authors, this text will be of great interest to scholars from across the fields of psychoanalysis, law and literature.

This innovative text addresses the lack of literature regarding intersectional approaches to psychoanalysis, underscoring the importance of thinking through race, class, and gender within psychoanalytic theory and practice.The book tackles the widespread perception of psychoanalysis today as a discipline detached from the progressive ideals of social responsibility, institutional psychotherapy, and community mental health. Bringing together a range of international contributions, the collection explores issues of class, politics, oppression, and resistance within the field of psychoanalysis in cultural, theoretical, and clinical contexts. It shows how, in contrast to this misperception, psychoanalysis has been attentive to these ideals from its origins, as well as demonstrating how it continues to be relevant today, through wide-ranging conceptual discussions of the anti-globalization, Black Lives Matter, and #MeToo movements.Written in an accessible style, Psychoanalysis, Politics, Oppression and Resistance will be essential reading for practicing psychoanalysts as well as academics and students in a range of humanities and social sciences fields.

This innovative text addresses the lack of literature regarding intersectional approaches to psychoanalysis, underscoring the importance of thinking through race, class, and gender within psychoanalytic theory and practice.The book tackles the widespread perception of psychoanalysis today as a discipline detached from the progressive ideals of social responsibility, institutional psychotherapy, and community mental health. Bringing together a range of international contributions, the collection explores issues of class, politics, oppression, and resistance within the field of psychoanalysis in cultural, theoretical, and clinical contexts. It shows how, in contrast to this misperception, psychoanalysis has been attentive to these ideals from its origins, as well as demonstrating how it continues to be relevant today, through wide-ranging conceptual discussions of the anti-globalization, Black Lives Matter, and #MeToo movements.Written in an accessible style, Psychoanalysis, Politics, Oppression and Resistance will be essential reading for practicing psychoanalysts as well as academics and students in a range of humanities and social sciences fields.

This text explores a set of key concepts in Marxist theory as developed and read by Lacan, demonstrating links and connections between Marxist thought and Lacanian practice.The book examines the complexity of these encounters through the structure of a comprehensive vocabulary which covers diverse areas, from capitalism and communism to history, ideology, politics, work, and family. Offering new perspectives on these concepts in psychoanalysis, as well as in the fields of political and critical theory, the book brings together contributions from a range of international experts to demonstrate the dynamic relationship between Marx and Lacan, as well as illuminating "untranslatable points" which may offer productive tension between the two. The entries trace the trajectory of Lacan’s appropriation of Marx’s concepts and analyses how they were questioned, criticized, and reworked by Lacan, accounting for the wide reach of two thinkers and worlds in constant homology. Each entry also discusses psychoanalytic debates relating to the concept and seeks to refine the clinical scope of Marx’s work, demonstrating its impact on the social and individual dimensions of Lacanian clinical practice.With a practical and structured approach, The Marx through Lacan Vocabulary will appeal to psychoanalysts and researchers in a range of fields, including political science, cultural studies, and philosophy.

This text explores a set of key concepts in Marxist theory as developed and read by Lacan, demonstrating links and connections between Marxist thought and Lacanian practice.The book examines the complexity of these encounters through the structure of a comprehensive vocabulary which covers diverse areas, from capitalism and communism to history, ideology, politics, work, and family. Offering new perspectives on these concepts in psychoanalysis, as well as in the fields of political and critical theory, the book brings together contributions from a range of international experts to demonstrate the dynamic relationship between Marx and Lacan, as well as illuminating "untranslatable points" which may offer productive tension between the two. The entries trace the trajectory of Lacan’s appropriation of Marx’s concepts and analyses how they were questioned, criticized, and reworked by Lacan, accounting for the wide reach of two thinkers and worlds in constant homology. Each entry also discusses psychoanalytic debates relating to the concept and seeks to refine the clinical scope of Marx’s work, demonstrating its impact on the social and individual dimensions of Lacanian clinical practice.With a practical and structured approach, The Marx through Lacan Vocabulary will appeal to psychoanalysts and researchers in a range of fields, including political science, cultural studies, and philosophy.

Psychoanalysis and the New Rhetoric: Freud, Burke, Lacan, and Philosophy's Other Scenes is an innovative work that places the fields of psychoanalysis and rhetoric in dynamic resonance with one another. The book operates according to a compelling interdisciplinary conceit: Adleman provocatively explores the psychoanalytic aspects of rhetoric and Vanderwees probes the rhetorical dimensions of psychoanalytic practice.This thoroughly researched text takes a closer look at the "missed encounter" between rhetoric and psychoanalysis. The first section of the book explores the massive, but underappreciated, influence of Freudian psychoanalysis on Kenneth Burke’s "new rhetoric." The book’s second section undertakes sustained investigations into the rhetorical dimensions of psychoanalytic concepts such as transference, free association, and listening. Psychoanalysis and the New Rhetoric then culminates in a more comprehensive discussion of Lacanian psychoanalysis in the context of Kenneth Burke’s new rhetoric. The book therefore serves as an invaluable aperture to the fields of psychoanalysis and rhetoric, including their much overlooked disciplinary entanglement.Psychoanalysis and the New Rhetoric will be of great interest to scholars of psychoanalytic studies, rhetoric, language studies, semiotics, media studies, and communication studies.

Psychoanalysis and the New Rhetoric: Freud, Burke, Lacan, and Philosophy's Other Scenes is an innovative work that places the fields of psychoanalysis and rhetoric in dynamic resonance with one another. The book operates according to a compelling interdisciplinary conceit: Adleman provocatively explores the psychoanalytic aspects of rhetoric and Vanderwees probes the rhetorical dimensions of psychoanalytic practice.This thoroughly researched text takes a closer look at the "missed encounter" between rhetoric and psychoanalysis. The first section of the book explores the massive, but underappreciated, influence of Freudian psychoanalysis on Kenneth Burke’s "new rhetoric." The book’s second section undertakes sustained investigations into the rhetorical dimensions of psychoanalytic concepts such as transference, free association, and listening. Psychoanalysis and the New Rhetoric then culminates in a more comprehensive discussion of Lacanian psychoanalysis in the context of Kenneth Burke’s new rhetoric. The book therefore serves as an invaluable aperture to the fields of psychoanalysis and rhetoric, including their much overlooked disciplinary entanglement.Psychoanalysis and the New Rhetoric will be of great interest to scholars of psychoanalytic studies, rhetoric, language studies, semiotics, media studies, and communication studies.

Lacanian Fantasy addresses the question of how fantasy developed as a psychological concept, particularly as influenced by Sigmund Freud and Jacques Lacan.Kirk Turner moves thematically, from childhood to adulthood, and chronologically, from Freud’s earliest theories to Lacan’s most complex statements on fantasy towards the end of his career. He explores not only the variations that the concept has undergone throughout its history – from Ancient Greek discourse around phantasia to the present day – but also the changing consequences of its applications. Lacanian Fantasy includes further insights on our current predicament: the age of the social media image and fantasy in the uncertain ‘locked down’ world of a pandemic. Spanning numerous examples, both historical and recent, this book explores relatable forms of fantasy life. In bridging psychology and philosophy, as well as gender and sexuality studies, it ultimately opens new perspectives on fantasy.This book will be of interest to psychoanalytic practitioners and humanities scholars, as well as students interested in critical theory.

Laura Sokolowsky’s survey of psychoanalysis under Weimar and Nazism explores how the paradigm of a ‘psychoanalysis for all’ became untenable as the Nazis rose to power.Mainly discussing the evolution of the Berlin Institute during the period between Freud’s creation of free psychoanalytic centres after the founding of the Weimar Republic and the Nazi seizure of power in 1933, the book explores the ideal of making psychoanalysis available to the population of a shattered country after World War I, and charts how the Institute later came under Nazi control following the segregation and dismissal of Jewish colleagues in the late 1930s. The book shows how Freudian standards resisted the medicalisation of psychoanalysis for purposes of adaptation and normalisation, but also follows Freud’s distinction between sacrifice (where you know what you have given up) and concession (an abandonment of position through compromise) to demonstrate how German psychoanalysts put themselves at the service of the fascist master, in the hope of obtaining official recognition and material rewards.Discussing the relations of psychoanalysis with politics and ethics, as well as the origin of the Lacanian movement as a response to the institutionalisation of psychoanalysis during the Nazi occupation, this book is fascinating reading for scholars and practitioners of psychoanalysis working today.

Laura Sokolowsky’s survey of psychoanalysis under Weimar and Nazism explores how the paradigm of a ‘psychoanalysis for all’ became untenable as the Nazis rose to power.Mainly discussing the evolution of the Berlin Institute during the period between Freud’s creation of free psychoanalytic centres after the founding of the Weimar Republic and the Nazi seizure of power in 1933, the book explores the ideal of making psychoanalysis available to the population of a shattered country after World War I, and charts how the Institute later came under Nazi control following the segregation and dismissal of Jewish colleagues in the late 1930s. The book shows how Freudian standards resisted the medicalisation of psychoanalysis for purposes of adaptation and normalisation, but also follows Freud’s distinction between sacrifice (where you know what you have given up) and concession (an abandonment of position through compromise) to demonstrate how German psychoanalysts put themselves at the service of the fascist master, in the hope of obtaining official recognition and material rewards.Discussing the relations of psychoanalysis with politics and ethics, as well as the origin of the Lacanian movement as a response to the institutionalisation of psychoanalysis during the Nazi occupation, this book is fascinating reading for scholars and practitioners of psychoanalysis working today.

Lacanian Fantasy addresses the question of how fantasy developed as a psychological concept, particularly as influenced by Sigmund Freud and Jacques Lacan.Kirk Turner moves thematically, from childhood to adulthood, and chronologically, from Freud’s earliest theories to Lacan’s most complex statements on fantasy towards the end of his career. He explores not only the variations that the concept has undergone throughout its history – from Ancient Greek discourse around phantasia to the present day – but also the changing consequences of its applications. Lacanian Fantasy includes further insights on our current predicament: the age of the social media image and fantasy in the uncertain ‘locked down’ world of a pandemic. Spanning numerous examples, both historical and recent, this book explores relatable forms of fantasy life. In bridging psychology and philosophy, as well as gender and sexuality studies, it ultimately opens new perspectives on fantasy.This book will be of interest to psychoanalytic practitioners and humanities scholars, as well as students interested in critical theory.

Psychoanalysis and the Small Screen examines the impact of cinema closures and the shift to small-screen consumption on our aesthetic and subjective desires during the COVID-19 pandemic from a Lacanian perspective. The chapters in this text hold a unique focus on the intersections of film, psychoanalysis, and the subjective implications of the shift from cinema to the small screen of domestic space. The subjects span historical and current Lacanian thinking, including the representation of psychoanalysis as artifice, Lacan appearing on television, the travails and tribulations of computer mediated analysis, the traumatrope, and the techno-inflected imagined social bond of what Jacques Lacan called the ‘alethosphere’. In this collection, the socio-cultural narratives and Real disruptions of the pandemic are framed as a function of the paradoxes of enjoyment characteristic of Lacanian psychoanalysis rather than merely the psychosocial repercussions of a planetary and contingent disaster. With contributions from practicing psychoanalysts, as well as academics working in related interdisciplinary areas, Psychoanalysis and the Small Screen will have appeal to readers of contemporary Lacanian work in general, to readers and researchers of contemporary psychoanalytic studies, and transdisciplinary and intersectional scholars engaged in psychoanalytic, cultural, and psycho-social research.

Psychoanalysis and the Small Screen examines the impact of cinema closures and the shift to small-screen consumption on our aesthetic and subjective desires during the COVID-19 pandemic from a Lacanian perspective. The chapters in this text hold a unique focus on the intersections of film, psychoanalysis, and the subjective implications of the shift from cinema to the small screen of domestic space. The subjects span historical and current Lacanian thinking, including the representation of psychoanalysis as artifice, Lacan appearing on television, the travails and tribulations of computer mediated analysis, the traumatrope, and the techno-inflected imagined social bond of what Jacques Lacan called the ‘alethosphere’. In this collection, the socio-cultural narratives and Real disruptions of the pandemic are framed as a function of the paradoxes of enjoyment characteristic of Lacanian psychoanalysis rather than merely the psychosocial repercussions of a planetary and contingent disaster. With contributions from practicing psychoanalysts, as well as academics working in related interdisciplinary areas, Psychoanalysis and the Small Screen will have appeal to readers of contemporary Lacanian work in general, to readers and researchers of contemporary psychoanalytic studies, and transdisciplinary and intersectional scholars engaged in psychoanalytic, cultural, and psycho-social research.