Manchester University Press – serie

Cosmopolitan Dystopia shows that rather than populists or authoritarian great powers it is cosmopolitan liberals who have done the most to subvert the liberal international order. Cosmopolitan Dystopia explains how liberal cosmopolitanism has led us to treat new humanitarian crises as unprecedented demands for military action, thereby trapping us in a loop of endless war. Attempts to normalize humanitarian emergency through the doctrine of the ‘responsibility to protect’ has made for a paternalist understanding of state power that undercuts the representative functions of state sovereignty. The legacy of liberal intervention is a cosmopolitan dystopia of permanent war, insurrection by cosmopolitan jihadis and a new authoritarian vision of sovereignty in which states are responsible for their peoples rather than responsible to them. This book will be of vital interest to scholars and students of international relations, IR theory and human rights.

This is the first major study in English of cine quinqui, a cycle of popular Spanish films from the late 1970s and early 1980s that starred real-life juvenile delinquents. The book provides a close analysis of key quinqui films by directors such as Eloy de la Iglesia, José Antonio de la Loma and Carlos, as well as the moral panics, public fears and media debates that surrounded their controversial production and reception. In paying particular attention to the soundtrack of the films, the book shows how marginal youth cultures during Spain’s transition to democracy were shaped by sound. It will be of interest to scholars and students of Spanish film, history and cultural studies, and those working in sound studies and youth subcultures more broadly.

A celebration of queer history like you've never seen it before.Queer as folklore travels across centuries and continents to reveal the unsung heroes and villains of storytelling, magic and fantasy. Featuring images from archives, galleries and museums around the world, each chapter investigates the queer history of different mythic and folkloric characters, both old and new.Leaving no headstone unturned, Sacha Coward takes you on a wild ride through the night from ancient Greece to the main stage of RuPaul’s Drag Race, visiting cross-dressing pirates, radical fairies and the graves of the ‘queerly departed’ along the way. Queer communities have often sought refuge in the shadows and created safe spaces in underworlds. But these forgotten narratives tell stories of resilience that deserve to be heard.Join any Pride march and you will see a glorious display of papier-mâché unicorn heads, drag queens in mermaid tails and more fairy wings than you can shake a trident at. These are not just accessories: they are queer symbols with historic roots. To truly understand who queer people are today, we must confront the twisted tales of the past.

John Wyclif (d. 1384) was among the leading schoolmen of fourteenth-century Europe. He was an outspoken controversialist and critic of the Church, and, in his last days at Oxford, the author of the greatest heresy that England had known. This volume offers new translations of a representative selection of his Latin writings on theology, the Church and the Christian life. It provides a comprehensive view of the life of this charismatic but irascible medieval theologian, and of the development of the most prominent dissenting mind in pre-Reformation England. This collection will be of interest to undergraduate and graduate students of medieval history, historical theology and religious heresy, as well as scholars in the field.

The subject of Britain analyses key seventeenth-century texts by Bacon, Jonson and Shakespeare within the context of the English reign of King James VI and I, whose desire to create a united Britain prompted serious reflection on questions of nationhood. This book traces writing on Britain and Britishness in succession literature, panegyric, Union tracts and treatises, play-texts and atlases. Focusing on texts printed in London and Edinburgh, as well as manuscript material that circulated within and across Britain and Ireland, this book sheds valuable light on texts in relation to the wider geopolitical context that informed their production. Combining literary criticism with political analysis and book history, The subject of Britain offers a fresh approach to a significant moment in British history, and will appeal to postgraduates and undergraduates of early modern British literary history.

This book offers a re-evaluation of the emergence, development and outcome of the peace process in Northern Ireland. Drawing on interviews with many of the key participants of the peace process, newly released archival material and the existing scholarship on the conflict, it explains the decisions that shaped the peace process in their proper context. O'Kane argues that although the outcome of the process can be seen as a success, it is not the outcome that was originally expected or intended by most of its participants. By tracing the process and highlighting the pragmatic decisions of the parties that shaped it the work explains how Northern Ireland moved from conflict to peace. The book concludes by examining what the implications of Brexit are for Northern Ireland’s hard-won peace and political stability.

From the early 1970s, working class writing and publishing in local communities rapidly proliferated into a national movement. This book is the first full evaluation of these developments and opens up new perspectives on literature, culture, class and identity over the past 50 years. Its origins are traced in the context of international shifts in class politics, civil rights, personal expression and cultural change. The writing of young people, older people, adult literacy groups as well as writing workshops is analysed. Thematic chapters explore how audiences consumed this work, the learning of writers, the fierce debates over identity, class and organisation, as well as changing relations with mainstream institutions. The book is accessibly written but engages with a wide range of scholarly work in history, education, cultural studies, literature and sociology. It will be of interest to lecturers and students in these areas as well as the general reader.

'The idea which I shall present here came to me more or less out of the blue. I was on a train some five years ago, on my way to spend a day at Headingley, and I was reading a book about the death camp Sobibor... The particular, not very appropriate, conjunction involved for me in this train journey...had the effect of fixing my thoughts on one of the more dreadful features of human coexistence, when in the shape of a simple five-word phrase the idea occurred to me.'The contract of mutual indifferenceIn this classic work, newly reissued here with a preface by Oliver Kamm, Norman Geras discusses a central aspect of the experience of the Holocaust with a view to exploring its most important contemporary implications. A bold and powerful synthesis of memorial, literary record, historical reflection and political theory, Geras’s argument focuses on the figure of the bystander – the bystander to the destruction of the Jews of Europe and the bystander to more recent atrocity – to consider the moral consequences of looking on without active responses at persecution and great suffering. This book argues that we owe a duty of help to those who are suffering under terrible oppression. Geras contends that the tragedy of European Jewry – so widely pondered by historians, social scientists, psychologists, theologians and others – has not yet found its proper reflection within political philosophy. Attempting to fill the gap, he adapts an old idea from within that tradition of enquiry, the idea of the social contract, to the task of thinking about the triangular relation between perpetrators, victims and bystanders, and draws a sombre conclusion from it. Geras goes on to ask how far this conclusion may be offset by the hypothesis of a universal duty to bring aid.The contract of mutual indifference is an original and challenging work, aimed at the complacent abstraction of much contemporary theory-building. It is supplemented by three shorter essays on the implications of the Jewish catastrophe for conceptions of human nature and progress.

The idea which I shall present here came to me more or less out of the blue. I was on a train some five years ago, on my way to spend a day at Headingley, and I was reading a book about the death camp Sobibor... The particular, not very appropriate, conjunction involved for me in this train journey...had the effect of fixing my thoughts on one of the more dreadful features of human coexistence, when in the shape of a simple five-word phrase the idea occurred to me.'The contract of mutual indifferenceIn this classic work, newly reissued here with a preface by Oliver Kamm, Norman Geras discusses a central aspect of the experience of the Holocaust with a view to exploring its most important contemporary implications. A bold and powerful synthesis of memorial, literary record, historical reflection and political theory, Geras’s argument focuses on the figure of the bystander – the bystander to the destruction of the Jews of Europe and the bystander to more recent atrocity – to consider the moral consequences of looking on without active responses at persecution and great suffering. This book argues that we owe a duty of help to those who are suffering under terrible oppression. Geras contends that the tragedy of European Jewry – so widely pondered by historians, social scientists, psychologists, theologians and others – has not yet found its proper reflection within political philosophy. Attempting to fill the gap, he adapts an old idea from within that tradition of enquiry, the idea of the social contract, to the task of thinking about the triangular relation between perpetrators, victims and bystanders, and draws a sombre conclusion from it. Geras goes on to ask how far this conclusion may be offset by the hypothesis of a universal duty to bring aid.The contract of mutual indifference is an original and challenging work, aimed at the complacent abstraction of much contemporary theory-building. It is supplemented by three shorter essays on the implications of the Jewish catastrophe for conceptions of human nature and progress.

The idea which I shall present here came to me more or less out of the blue. I was on a train some five years ago, on my way to spend a day at Headingley, and I was reading a book about the death camp Sobibor... The particular, not very appropriate, conjunction involved for me in this train journey...had the effect of fixing my thoughts on one of the more dreadful features of human coexistence, when in the shape of a simple five-word phrase the idea occurred to me.'The contract of mutual indifferenceIn this classic work, newly reissued here with a preface by Oliver Kamm, Norman Geras discusses a central aspect of the experience of the Holocaust with a view to exploring its most important contemporary implications. A bold and powerful synthesis of memorial, literary record, historical reflection and political theory, Geras’s argument focuses on the figure of the bystander – the bystander to the destruction of the Jews of Europe and the bystander to more recent atrocity – to consider the moral consequences of looking on without active responses at persecution and great suffering. This book argues that we owe a duty of help to those who are suffering under terrible oppression. Geras contends that the tragedy of European Jewry – so widely pondered by historians, social scientists, psychologists, theologians and others – has not yet found its proper reflection within political philosophy. Attempting to fill the gap, he adapts an old idea from within that tradition of enquiry, the idea of the social contract, to the task of thinking about the triangular relation between perpetrators, victims and bystanders, and draws a sombre conclusion from it. Geras goes on to ask how far this conclusion may be offset by the hypothesis of a universal duty to bring aid.The contract of mutual indifference is an original and challenging work, aimed at the complacent abstraction of much contemporary theory-building. It is supplemented by three shorter essays on the implications of the Jewish catastrophe for conceptions of human nature and progress.

Cosmopolitan Dystopia shows that rather than populists or authoritarian great powers it is cosmopolitan liberals who have done the most to subvert the liberal international order. Cosmopolitan Dystopia explains how liberal cosmopolitanism has led us to treat new humanitarian crises as unprecedented demands for military action, thereby trapping us in a loop of endless war. Attempts to normalize humanitarian emergency through the doctrine of the ‘responsibility to protect’ has made for a paternalist understanding of state power that undercuts the representative functions of state sovereignty. The legacy of liberal intervention is a cosmopolitan dystopia of permanent war, insurrection by cosmopolitan jihadis and a new authoritarian vision of sovereignty in which states are responsible for their peoples rather than responsible to them. This book will be of vital interest to scholars and students of international relations, IR theory and human rights.

Bad English investigates the impact of increasing language diversity, precipitated by migration, globalisation, and new forms of communication, in transforming contemporary literature in Britain. Considering writers whose work engages experimentally, playfully, and ambivalently with English’s power, while exploring what it means to move between forms of language, it makes the case for literature as the pre-eminent medium to probe the terms of linguistic belonging, and for a diverse and growing field of writing in Britain defined by its inside/outside relationship to English in its institutionalised forms.Bad English offers innovative readings of writers including James Kelman, Tom Leonard, Suhayl Saadi, Raman Mundair, Daljit Nagra, Xiaolu Guo, Leila Aboulela, Brian Chikwava, and Caroline Bergvall. Drawing on insights from applied linguistics and translation studies as well as literary scholarship, it will appeal to students and academics across these disciplines.

Supernatural elements are of central significance in many of Shakespeare's plays, contributing to their dramatic power and intrigue. Ghosts haunt political spaces and internal psyches, witches foresee the future and disturb the present, fairies meddle with love and a magus conjures a tempest from the elements. Although written and performed for early modern audiences, for whom the supernatural, whether sacred, demonic or folkloric, was part of the fabric of everyday life, the supernatural in Shakespeare continues to enthrall audiences and readers, and maintains its power to raise a range of questions in contemporary contexts.This edited collection of twelve essays from an international range of contemporary Shakespeare scholars explores the supernatural in Shakespeare from a variety of perspectives and approaches, generating new knowledge and presenting hitherto unexplored avenues of enquiry across the Shakespearean canon.

Supernatural elements are of central significance in many of Shakespeare's plays, contributing to their dramatic power and intrigue. Ghosts haunt political spaces and internal psyches, witches foresee the future and disturb the present, fairies meddle with love and a magus conjures a tempest from the elements. Although written and performed for early modern audiences, for whom the supernatural, whether sacred, demonic or folkloric, was part of the fabric of everyday life, the supernatural in Shakespeare continues to enthrall audiences and readers, and maintains its power to raise a range of questions in contemporary contexts.This edited collection of twelve essays from an international range of contemporary Shakespeare scholars explores the supernatural in Shakespeare from a variety of perspectives and approaches, generating new knowledge and presenting hitherto unexplored avenues of enquiry across the Shakespearean canon.

Supernatural elements are of central significance in many of Shakespeare's plays, contributing to their dramatic power and intrigue. Ghosts haunt political spaces and internal psyches, witches foresee the future and disturb the present, fairies meddle with love and a magus conjures a tempest from the elements. Although written and performed for early modern audiences, for whom the supernatural, whether sacred, demonic or folkloric, was part of the fabric of everyday life, the supernatural in Shakespeare continues to enthrall audiences and readers, and maintains its power to raise a range of questions in contemporary contexts.This edited collection of twelve essays from an international range of contemporary Shakespeare scholars explores the supernatural in Shakespeare from a variety of perspectives and approaches, generating new knowledge and presenting hitherto unexplored avenues of enquiry across the Shakespearean canon.

Supernatural elements are of central significance in many of Shakespeare's plays, contributing to their dramatic power and intrigue. Ghosts haunt political spaces and internal psyches, witches foresee the future and disturb the present, fairies meddle with love and a magus conjures a tempest from the elements. Although written and performed for early modern audiences, for whom the supernatural, whether sacred, demonic or folkloric, was part of the fabric of everyday life, the supernatural in Shakespeare continues to enthrall audiences and readers, and maintains its power to raise a range of questions in contemporary contexts.This edited collection of twelve essays from an international range of contemporary Shakespeare scholars explores the supernatural in Shakespeare from a variety of perspectives and approaches, generating new knowledge and presenting hitherto unexplored avenues of enquiry across the Shakespearean canon.

Immigration has long been associated with the urban landscape, from accounts of inner-city racial tension and discrimination during the 1960s and 1970s and studies of minority communities of the 1980s and 1990s, to the increased focus on cities amongst contemporary scholars of migration and diaspora. Though cities have long provided the geographical frameworks within which a significant share of post-war migration has taken place, Sarah Hackett argues that that there has long existed a rural dimension to Muslim integration in Britain.This book offers the first comprehensive study of Muslim migrant integration in rural Britain across the post-1960s period, examining the previously unexplored relationship between Muslim integration and rurality by using the county of Wiltshire in the South West of England as a case study. Drawing upon a range of archival material and oral histories, it challenges the long-held assumption that local authorities in more rural areas have been inactive, and even disinterested, in devising and implementing migration, integration and diversity policies, and sheds light on smaller and more dispersed Muslim communities that have traditionally been written out of Britain’s immigration history.

This book examines the relationship between the integration of Muslim migrant communities and rurality in Britain. It uses the county of Wiltshire as a case study, and charts both local authority policy and Muslims communities’ personal experiences of migration and integration across the post-1960s period. It draws upon both previously unexplored archival material and oral histories, and addresses a range of topics and themes, including entrepreneurship, housing, education, multiculturalism, social cohesion, and religious identities, needs and practices. It challenges the notion that local authorities in more rural areas have been inactive, and even disinterested, in devising and implementing migration, integration and diversity policies, and sheds light on small and dispersed Muslim communities that have traditionally been written out of Britain’s immigration history. In doing so, it reveals that there has long existed a rural dimension to Muslim integration in Britain.

Immigration has long been associated with the urban landscape, from accounts of inner-city racial tension and discrimination during the 1960s and 1970s and studies of minority communities of the 1980s and 1990s, to the increased focus on cities amongst contemporary scholars of migration and diaspora. Though cities have long provided the geographical frameworks within which a significant share of post-war migration has taken place, Sarah Hackett argues that that there has long existed a rural dimension to Muslim integration in Britain.This book offers the first comprehensive study of Muslim migrant integration in rural Britain across the post-1960s period, examining the previously unexplored relationship between Muslim integration and rurality by using the county of Wiltshire in the South West of England as a case study. Drawing upon a range of archival material and oral histories, it challenges the long-held assumption that local authorities in more rural areas have been inactive, and even disinterested, in devising and implementing migration, integration and diversity policies, and sheds light on smaller and more dispersed Muslim communities that have traditionally been written out of Britain’s immigration history.

Immigration has long been associated with the urban landscape, from accounts of inner-city racial tension and discrimination during the 1960s and 1970s and studies of minority communities of the 1980s and 1990s, to the increased focus on cities amongst contemporary scholars of migration and diaspora. Though cities have long provided the geographical frameworks within which a significant share of post-war migration has taken place, Sarah Hackett argues that that there has long existed a rural dimension to Muslim integration in Britain.This book offers the first comprehensive study of Muslim migrant integration in rural Britain across the post-1960s period, examining the previously unexplored relationship between Muslim integration and rurality by using the county of Wiltshire in the South West of England as a case study. Drawing upon a range of archival material and oral histories, it challenges the long-held assumption that local authorities in more rural areas have been inactive, and even disinterested, in devising and implementing migration, integration and diversity policies, and sheds light on smaller and more dispersed Muslim communities that have traditionally been written out of Britain’s immigration history.

This book examines the impact that nostalgia has had on the Labour Party’s political development since 1951. In contrast to existing studies that have emphasised the role played by modernity, it argues that nostalgia has defined Labour’s identity and determined the party’s trajectory over time. Jobson outlines how Labour, at both an elite and a grassroots level, has been and remains heavily influenced by a nostalgic commitment to an era of heroic male industrial working-class struggle.This commitment has hindered policy discussion, determined the form that the modernisation process has taken and shaped internal conflict and cohesion. More broadly, Labour’s emotional attachment to the past has made it difficult for the party to adjust to the socioeconomic changes that have taken place in Britain. In short, nostalgia has frequently left the party out of touch with the modern world. In this way, this study offers an assessment of Labour’s failures to adapt to the changing nature and demands of post-war Britain and will be of interest to both students and academics working in the field of British political history and to those with a more general interest in Labour’s history and politics.

This book examines the impact that nostalgia has had on the Labour Party’s political development since 1951. In contrast to existing studies that have emphasised the role played by modernity, it argues that nostalgia has defined Labour’s identity and determined the party’s trajectory over time. Jobson outlines how Labour, at both an elite and a grassroots level, has been and remains heavily influenced by a nostalgic commitment to an era of heroic male industrial working-class struggle.This commitment has hindered policy discussion, determined the form that the modernisation process has taken and shaped internal conflict and cohesion. More broadly, Labour’s emotional attachment to the past has made it difficult for the party to adjust to the socioeconomic changes that have taken place in Britain. In short, nostalgia has frequently left the party out of touch with the modern world. In this way, this study offers an assessment of Labour’s failures to adapt to the changing nature and demands of post-war Britain and will be of interest to both students and academics working in the field of British political history and to those with a more general interest in Labour’s history and politics.

Art as worldmaking is a response to Alex Potts’s provocative 2013 book Experiments in modern realism. Twenty essays by leading scholars test Potts’s recasting of realism through examinations of art produced in different media and periods, ranging from eighth-century Chinese garden aesthetics to video work by the contemporary Russian collective Radek Community. While the book does not neglect avatars of pictorial realism such as Menzel and Eakins, or the question of nineteenth-century realism’s historical antecedents, it is contemporary in orientation in that many contributors are particularly concerned with the questions that sculpture, photography and non-traditional media pose for realism as an aesthetic norm. It will be essential reading for students of art history concerned with art’s truth value or more broadly with conceptual problems of representation and the intersections of art and politics.

Debating medieval Europe serves as an entry point for studying and teaching medieval history. Rather than simply presenting foundational knowledge or introducing sources, it provides the reader with frameworks for understanding the distinctive historiography of the period, digging beneath the historical accounts provided by other textbooks to expose the contested foundations of apparently settled narratives. It opens a space for discussion and debate, as well as providing essential context for the sometimes overwhelming abundance of specialist scholarship.Volume I addresses the early Middle Ages, covering the period c. 450–c. 1050. The chapters are organised chronologically, and cover such topics as the Carolingian Order, England and the ‘Atlantic Archipelago’, the Vikings and Ottonian Germany. It features a highly distinguished selection of medieval historians, including Paul Fouracre and Janet L. Nelson.

Debating medieval Europe serves as an entry point for studying and teaching medieval history. Rather than simply presenting foundational knowledge or introducing sources, it provides the reader with frameworks for understanding the distinctive historiography of the period, digging beneath the historical accounts provided by other textbooks to expose the contested foundations of apparently settled narratives. It opens a space for discussion and debate, as well as providing essential context for the sometimes overwhelming abundance of specialist scholarship.Volume I addresses the early Middle Ages, covering the period c. 450–c. 1050. The chapters are organised chronologically, and cover such topics as the Carolingian Order, England and the ‘Atlantic Archipelago’, the Vikings and Ottonian Germany. It features a highly distinguished selection of medieval historians, including Paul Fouracre and Janet L. Nelson.

The Irish writer, Deirdre Madden, has written key novels about the Northern Irish Troubles and about contemporary Ireland. In these works, she weighs up the aftermath of violence and the impact of the shift to a more open but materialist society in the country overall. Memory, trauma, and the abiding but elusive links between the past and the present are central concerns of her fiction. This pioneering set of essays by leading experts in Irish Studies explores the many dimensions of her novels from a wide variety of perspectives. Madden’s skill at interweaving novels of ideas with artist novels that draw out the complex inner predicaments of her characters is highlighted. States of dislocation are concentrated on in her texts, but also the quest for a home in the world and a lasting set of values that allows for personal integrity and authenticity. These multifaceted explorations bear out the compelling and enduring aspects of Madden’s highly regarded novels.

John Wyclif (d. 1384) was among the leading schoolmen of fourteenth-century Europe. He was an outspoken controversialist and critic of the Church, and, in his last days at Oxford, the author of the greatest heresy that England had known. This volume offers new translations of a representative selection of his Latin writings on theology, the Church and the Christian life. It provides a comprehensive view of the life of this charismatic but irascible medieval theologian, and of the development of the most prominent dissenting mind in pre-Reformation England. This collection will be of interest to undergraduate and graduate students of medieval history, historical theology and religious heresy, as well as scholars in the field.

John Wyclif (d. 1384) was among the leading schoolmen of fourteenth-century Europe. He was an outspoken controversialist and critic of the Church, and, in his last days at Oxford, the author of the greatest heresy that England had known. This volume offers new translations of a representative selection of his Latin writings on theology, the Church and the Christian life. It provides a comprehensive view of the life of this charismatic but irascible medieval theologian, and of the development of the most prominent dissenting mind in pre-Reformation England. This collection will be of interest to undergraduate and graduate students of medieval history, historical theology and religious heresy, as well as scholars in the field.