Mark Twain Papers – serie

From the Introduction:It should always be with some misgivings that an editor presents to the public materials which an author has discarded. By returning the materials to his files, the author has voted against publication. By resurrecting them, the editor risks exposing the author to the adverse criticism which he wished to avoid. But, at the same time, the resurrection serves a valuable purpose by making available indispensable evidence to be used by those seeking to understand the creative process. It is because they serve such a purpose that the texts published in this volume have been salvaged from Mark Twain's files. Indeed, they are doubly valuable because they aid in dispelling a myth about his own creative process which Twain himself did much to establish. In several instances Twain gave the impression that for him plotting a novel was a rather simple affair...But in actuality, as the texts published in this volume illustrate, he experienced much more trouble than this statement would suggest in delimiting his fictional world, establishing its nature, and maintaining control over the characters placed therin.

This collection of correspondence between Clemens and Rogers may be thought of as a continuation of Mark Twain's Letters to His Publishers, 1867-1894, edited by Hamlin Hill. It completes the story begun there of Samuel Clemens's business affairs, especially insofar as they concern dealings with publishers; and it documents Clemens's progress from financial disaster, with the Paige typesetter and Webster & Company, to renewed prosperity under the steady, skillful hand of H. H. Rogers. But Clemens's correspondence with Rogers reveals more than a business relationship. It illuminates a friendship which Clemens came to value above all others, and it suggests a profound change in his patterns of living. He who during the Hartford years had been a devoted family man, content with a discrete circle of intimates, now became again (as he had been during the Nevada and California years) a man among sporting men, enjoying prizefights and professional billiard matches in public, and-in private-long days of poker, gruff jest, and good Scotch whisky aboard Rogers's magnificent yacht.

This volume provides authoritative texts of Twain's unpublished writings, both fictional and factual, about the people and places of his home town, Hannibal, Missouri. A significant part of only one of them, "Jane Lampton Clemens", has been published; it was inserted unjustifiably in "Twain's Authobiography". Written soon after the death of Clemens' mother on 27October 1890, it arranges and assesses a son's recollections of a vibrant personality important in shaping his life. At the start the author turns to the time when he, a six-year-old, knelt with his mother by the bed on which his dead brother lay - a harassing experience that understandably seared the boy's memory. The sketch moves on to a host of details about antebellum Hannibal, its society and its attitudes toward slavery, and to vivid memories about the child, his mother, and his father in the 1840's and 1850's. The movement from a single remembered episode to a series of loosely associated recollections was a typical performance in Clemens' 'autobiography' and his fiction.

For years, many of Twain's philosophical, religious, and historical fantasies concerning the nature and condition of humanity remained unpublished. Thirty-six of these writings make their first appearance here.

In the summer of 1855, when the nineteen-year-old Sam Clements traveled from Saint Louis to Hannibal, Paris, and Florida, Missouri, and then to Keokuk, Iowa, he carried with him a notebook in which he entered French lessons, phrenological information, miscellaneous observations, and reminders about errands to be performed. This first notebook thus took the random form which would characterize most of those to follow. About the text: In order to avoid editorial misrepresentation and to preserve the texture of autograph documents, the entries are presented in their original, often unfinished, form with most of Clemens' irregularities, inconsistencies, errors, and cancellations unchanged. Clemens' cancellations are included in the text enclosed in angle brackets, thus ; editorially-supplied conjectural readings are in square brackets, thus [word]; hyphens within square brackets stand for unreadable letters, thus [--]; and editorial remarks are italicized and enclosed in square brackets, thus [blank page}- A slash separates alternative readings which Clemens left unresolved, thus word/word.The separation of entries is indicated on the printed page by extra space between lines; when the end of a manuscript entry coincides with the end of a page of the printed text, the symbol [#] follows the entry. A full discussion of textual procedures accompanies the tables of emendation and details of inscription in the Textual Apparatus at the end of each volume; specific textual problems are explained in headnotes or footnotes when unusual situations warrant.

The twelve notebooks in volume 1 provided information about the eighteen years in which the most profound, even dramatic, changes took place in Clemens' life. He early achieved the limits of his boyhood ambition by becoming a steamboat pilot on the Mississippi River, a position there is no reason to believe he would have abandoned if the Civil War had not forced him to do so. In fleeing from a war which principle and temperament prevented him from supporting, Clemens entered into the first stages of his literary career by serving as a reporter for newspapers in Virginia City and San Francisco. When the restricted experiences available to a local reporter had been thoroughly explored, he moved on as a traveling correspondent to the Sandwich Islands and then still farther to Europe and the Near East. The latter travels provided him with material for The Innocents Abroad, the book that established Mark Twain as a popular author with an international reputation in 1869. In 1872 he further exploited his personal history by publishing Roughing It and in the same year visited England to gather material on English people and institutions.He returned to England the following year, this time accompanied by his family and by a secretary who would record the observations printed as the last notebook in volume 1. Volume 2 of Mark Twain's Notebooks and Journals, documenting Clemens' activities in the years from 1877 to 1883, consists largely of the record of three trips which would serve as the source for three travel narratives: the excursion to Bermuda, a prolonged tour of Europe, and an evocative return to the Mississippi River. Despite the common impulse to preserve observations and impressions for literary use, the contents of the notebooks are remarkably different in their vitality-and the works which developed from the notes are correspondingly varied.

Volume III of Mark Twain's notebooks spans the years 1883 to 1891, a period during which Mark Twain's personal fortunes reached their zenith, as he emerged as one of the most successful authors and publishers in American literary history. During these years Life on the Mississippi, Adventures of Huckleberry Finn, and a Connecticut Yankee in King Arthur's Court appeared, revealing the diversity, depth, and vitality of Mark Twain's literary talents. With his speeches, his public performances, and his lecture tour of 1884/1885, he became the most recognizable of national figures. At the same time, Mark Twain's growing fame and prosperity allowed him to plunge deeply into the business world, a sphere not suited to his erratic energies. He created the subscription publish firm of Charles L. Webster & Company, Which published the most profitable book of its time, the Personal Memoirs of U.S. Grant. And he became the primary financial support for the ingenious but imperfectible Paige typesetter. Within a few years both the publishing company and the typesetter had taxed Mark Twain's patience, and pocket, beyond endurance.The near bankruptcy of the publishing firm and the debacle of the typesetter scheme finally resulted in 1891 in a drastic decision--to leave the house in Hartford, Connecticut, which had long been the symbol of Mark Twain's rising fortunes and idyllic family life, and move to Europe for an indefinite period in the hope of reducing the family's living expenses. The Clemens family would never return to the Hartford house, and the European stay would lengthen into an almost unbroken nine years of exile. Mark Twain's notebooks permit an intimate view of this turbulent period, whose triumphs were tempered by intimations of financial disaster and personal bitterness.

Here is young Sam Clemens - in the world, getting famous, making love - in 155 magnificently edited letters that trace his remarkable self-transformation from a footloose, irreverent West Coast journalist to a popular lecturer and author of "The Jumping Frog", soon to be a national and international celebrity. And on the move he was - from San Francisco to New York, to St. Louis, and then to Paris, Naples, Rome, Athens, Constantinople, Yalta, and the Holy Land; back to New York and on to Washington; back to San Francisco and Virginia City; and, on to lecturing in Ohio, Michigan, Pennsylvania, and New York. Resplendent with wit, love of life, ambition, and literary craft, this new volume in the wonderful Bancroft Library edition of "Mark Twain's Letters" will delight and inform both scholars and general readers. This volume has been supported by the National Endowment for the Humanities, the Mark Twain Foundation, Jane Newhall, and The Friends of The Bancroft Library.

'You ought to see Livy & me, now-a-days - you never saw such a serenely satisfied couple of doves in all your life. I spent Jan 1, 2, 3 & 5 there & left at 8 last night. With my vile temper & variable moods, it seems an incomprehensible miracle that we two have been right together in the same house half the time for a year & a half, & yet have never had a cross word, or a lover's 'tiff,' or a pouting spell, or a misunderstanding, or the faintest shadow of a jealous suspicion. Now isn't that absolutely wonderful? Could I have had such an experience with any other girl on earth? I am perfectly certain I could not...We are to be married on Feb. 2d'. So begins Volume 4 of the letters, with Samuel Clemens anticipating his wedding to Olivia L. Langdon. The 338 letters in this volume document the first two years of a loving marriage that would last more than thirty years. They recount, in Clemens' own inimitable voice, a tumultuous time: a growing international fame, the birth of a sickly first child, and the near-fatal illness of his wife.At the beginning of 1870, fresh from the success of "The Innocents Abroad", Clemens is on 'the long agony' of a lecture tour and planning to settle in Buffalo as editor of the "Express". By the end of 1871, he has moved to Hartford and is again on tour, anticipating the publication of "Roughing It" and the birth of his second child. The intervening letters show Clemens bursting with literary ideas, business schemes, and inventions, and they show him erupting with frustration, anger, and grief, but more often with dazzling humor and surprising self-revelation. In addition to "Roughing It", Clemens wrote some enduringly popular short pieces during this period, but he saved some of his best writing for private letters, many of which are published here for the first time.

'Livy darling, it was flattering, at the Lord Mayor's dinner, tonight, to have the nation's honored favorite, the Lord High Chancellor of England, in his vast wig and gown, with a splendid, sword-bearing lackey, following him and holding up his train, walk me arm-in-arm through the brilliant assemblage, and welcome me with all the enthusiasm of a girl, and tell me that when affairs of state oppress him and he can't sleep, he always has my books at hand and forgets his perplexities in reading them!' - 10 November, 1872. On his first trip to England to gather material for a book and cement relations with his newly authorized English publishers, Samuel Clemens was astounded to find himself hailed everywhere as a literary lion. America's premier humorist had begun his long tenure as an international celebrity. Meanwhile, he was coming into his full power at home. "The Innocents Abroad" continued to produce impressive royalties and his new book, "Roughing It", was enjoying great popularity. In newspaper columns he appeared regularly as public advocate and conscience, speaking on issues as disparate as safety at sea and political corruption.Clemens' personal life at this time was for the most part fulfilling, although saddened by the loss of his nineteen-month-old son, Langdon, who died of diphtheria. "Life in the Nook Farm" community of writers and progressive thinkers and activists was proving to be all the Clemenses had hoped for. The 309 letters in this volume, more than half of them never before published, capture the events of these years with detailed intimacy. Thoroughly annotated and indexed, they are supplemented by genealogical charts of the Clemens and Langdon families, a transcription of the journals Clemens kept during his 1872 visit to England, book contracts, his preface to the English edition of "The Gilded Age", contemporary photographs of family and friends, and a gathering of all newly discovered letters written between 1865 and 1871. This volume is the fifth in the only complete edition of Mark Twain's letters ever attempted, and the twenty-fourth in the comprehensive edition known as "The Mark Twain Papers" and "Works of Mark Twain".

Mark Twain's letters for 1874 and 1875 encompass one of his most productive and rewarding periods as author, husband and father, and man of property. He completed the writing of The Adventures of Tom Sawyer, published the major collection Sketches, New and Old, became a leading contributor to the Atlantic Monthly, and turned The Gilded Age, the novel he had previously coauthored with Charles Dudley Warner, into one of the most popular comedies of the nineteenth-century American stage. His personal life also was gratifying, unmarred by the family tragedies that had darkened the earlier years of the decade. He and his wife welcomed a second healthy daughter and moved into the showplace home in Hartford, Connecticut, that they occupied happily for the next sixteen years. All of these accomplishments and events are vividly captured, in Mark Twain's inimitable language and with his unmatched humor, in letters to family and friends, among them some of the leading writers of the day. The comprehensive editorial annotation supplies the historical and social context that helps make these letters as fresh and immediate to a modern audience as they were to their original readers.This volume is the sixth in the only complete edition of Mark Twain's letters ever attempted. The 348 letters it contains, many of them never before published, have been meticulously transcribed, either from the original manuscripts (when extant) or from the most reliable sources now available. They have been thoroughly annotated and indexed and are supplemented by genealogical charts, contemporary notices of Mark Twain and his works, and photographs of him, his family, and his friends.

Autobiography of Mark Twain READER'S EDITION Now Available! Half the Size, All the Twain! ISBN 978052027255 "I've struck it!" Mark Twain wrote in a 1904 letter to a friend. "And I will give it away--to you. You will never know how much enjoyment you have lost until you get to dictating your autobiography." Thus, after dozens of false starts and hundreds of pages, Twain embarked on his "Final (and Right) Plan" for telling the story of his life. His innovative notion--to "talk only about the thing which interests you for the moment"--meant that his thoughts could range freely. The strict instruction that many of these texts remain unpublished for 100 years meant that when they came out, he would be "dead, and unaware, and indifferent," and that he was therefore free to speak his "whole frank mind." The year 2010 marks the 100th anniversary of Twain's death. In celebration of this important milestone and in honor of the cherished tradition of publishing Mark Twain's works, UC Press is proud to offer for the first time Mark Twain's uncensored autobiography in its entirety and exactly as he left it.This major literary event brings to readers, admirers, and scholars the first of three volumes and presents Mark Twain's authentic and unsuppressed voice, brimming with humor, ideas, and opinions, and speaking clearly from the grave as he intended. Editors: Harriet E. Smith, Benjamin Griffin, Victor Fischer, Michael B. Frank, Sharon K. Goetz, Leslie Myrick

Mark Twain's complete, uncensored Autobiography was an instant bestseller when the first volume was published in 2010, on the centennial of the author's death, as he requested. Published to rave reviews, the Autobiography was hailed as the capstone of Twain's career. It captures his authentic and unsuppressed voice, speaking clearly from the grave and brimming with humor, ideas, and opinions. The eagerly-awaited Volume 2 delves deeper into Mark Twain's life, uncovering the many roles he played in his private and public worlds. Filled with his characteristic blend of humor and ire, the narrative ranges effortlessly across the contemporary scene. He shares his views on writing and speaking, his preoccupation with money, and his contempt for the politics and politicians of his day. Affectionate and scathing by turns, his intractable curiosity and candor are everywhere on view. Editors: Benjamin Griffin and Harriet E. Smith Associate Editors: Victor Fischer, Michael B. Frank, Sharon K. Goetz and Leslie Diane Myrick

Mark Twain's final and uncensored masterpiece, presented in three volumes, is a landmark publication in American literature.“Twain will begin to seem strange again, alluring and still astonishing . . . in ways that still resonate with us.”—New York Times“His crystalline humor and expansive range are a continuous source of delight and awe.”—Los Angeles Times Book Review"I've struck it!" Mark Twain wrote in a 1904 letter to a friend. "And I will give it away—to you. You will never know how much enjoyment you have lost until you get to dictating your autobiography." Thus, after dozens of false starts and hundreds of pages, Twain embarked on his "Final (and Right) Plan" for telling the story of his life. His innovative notion—to "talk only about the thing which interests you for the moment"—meant that his thoughts could range freely. The strict instruction that many of these texts remain unpublished for 100 years meant that when they came out, he would be "dead, and unaware, and indifferent," and that he was therefore free to speak his "whole frank mind." The year 2010 marks the 100th anniversary of Twain's death. In celebration of this important milestone and in honor of the cherished tradition of publishing Mark Twain's works, UC Press is proud to offer for the first time Mark Twain's uncensored autobiography in its entirety and exactly as he left it. This major literary event brings to readers, admirers, and scholars the first of three volumes and presents Mark Twain's authentic and unsuppressed voice, brimming with humor, ideas, and opinions, and speaking clearly from the grave as he intended.Editors:Harriet E. Smith, Benjamin Griffin, Victor Fischer, Michael B. Frank, Sharon K. Goetz, Leslie Myrick

Mark Twain's final and uncensored masterpiece, presented in three volumes, is a landmark publication in American literature.“Twain will begin to seem strange again, alluring and still astonishing . . . in ways that still resonate with us.”—New York Times  “His crystalline humor and expansive range are a continuous source of delight and awe.”—Los Angeles Times Book ReviewMark Twain’s complete, uncensored Autobiography was an instant bestseller when the first volume was published in 2010, on the centennial of the author’s death, as he requested. Published to rave reviews, the Autobiography was hailed as the capstone of Twain’s career. It captures his authentic and unsuppressed voice, speaking clearly from the grave and brimming with humor, ideas, and opinions.The eagerly-awaited Volume 2 delves deeper into Mark Twain’s life, uncovering the many roles he played in his private and public worlds. Filled with his characteristic blend of humor and ire, the narrative ranges effortlessly across the contemporary scene. He shares his views on writing and speaking, his preoccupation with money, and his contempt for the politics and politicians of his day. Affectionate and scathing by turns, his intractable curiosity and candor are everywhere on view.Editors: Benjamin Griffin and Harriet E. SmithAssociate Editors: Victor Fischer, Michael B. Frank, Sharon K. Goetz and Leslie Diane Myrick

Mark Twain's final and uncensored masterpiece, presented in three volumes, is a landmark publication in American literature.“Twain will begin to seem strange again, alluring and still astonishing . . . in ways that still resonate with us.”—New York Times“His crystalline humor and expansive range are a continuous source of delight and awe.”—Los Angeles Times Book ReviewWhen the first volume of Mark Twain’s uncensored Autobiography was published in 2010, it was hailed as an essential addition to the shelf of his works and a crucial document for our understanding of the great humorist’s life and times. This third and final volume crowns and completes his life’s work. Like its companion volumes, it chronicles Twain's inner and outer life through a series of daily dictations that go wherever his fancy leads.Created from March 1907 to December 1909, these dictations present Mark Twain at the end of his life: receiving an honorary degree from Oxford University; railing against Theodore Roosevelt; founding numerous clubs; incredulous at an exhibition of the Holy Grail; credulous about the authorship of Shakespeare’s plays; relaxing in Bermuda; observing (and investing in) new technologies. The Autobiography’s “Closing Words” movingly commemorate his daughter Jean, who died on Christmas Eve 1909. Also included in this volume is the previously unpublished “Ashcroft-Lyon Manuscript,” Mark Twain’s caustic indictment of his “putrescent pair” of secretaries and the havoc that erupted in his house during their residency.Fitfully published in fragments at intervals throughout the twentieth century, Autobiography of Mark Twain has now been critically reconstructed and made available as it was intended to be read. Fully annotated by the editors of the Mark Twain Project, the complete Autobiography emerges as a landmark publication in American literature.Editors: Benjamin Griffin and Harriet Elinor SmithAssociate Editors: Victor Fischer, Michael B. Frank, Amanda Gagel, Sharon K. Goetz, Leslie Diane Myrick, Christopher M. Ohge

Mark Twain’s Letters, Volume 1, 1853–1866 inaugurates the comprehensive edition of Samuel Clemens’s correspondence, tracing his transformation from an ambitious journeyman printer into the writer who would become Mark Twain. This first volume gathers letters from Twain’s early travels across the United States and his formative years in Nevada and California, culminating in the period just before the publication of The Celebrated Jumping Frog of Calaveras County. The correspondence captures his wit, irreverence, and sharp eye for character, while also offering candid glimpses of his personal struggles, ambitions, and relationships with family and friends. Edited with full annotation, the letters are accompanied by contextual notes that illuminate Twain’s cultural milieu and clarify references to people, events, and places central to his development. They reveal the interplay between Twain’s lived experiences—riverboat piloting, mining, and reporting—and his growing literary voice. Together, these documents chronicle the apprenticeship of an American humorist while enriching our understanding of the social and cultural world of mid-nineteenth-century America. This first volume is indispensable to scholars and general readers alike, presenting the raw material of a life that would reshape American literature.