Materialität Und Produktion – serie
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The changing role of materiality first became apparent and perceptible through F.-J. Lyotard and T. Chaput's legendary exhibition Les Immatériaux at the Centre Pompidou in Paris. Where are we today, 3 years later? The essays in this volume thematize the most diverse forms of materiality, including the materiality of production or the relationship between production and materiality. Beyond art, film and literature, the essays also focus on the body, rituals and thought patterns as well as the processual in historical epochs. The authors of this volume show that we can anticipate a longue durée, a long life of service of " materiality," which thus far has only been given peripheral attention in the Western philosophy of science's dominant discourses.
Zur Intermaterialität geschnitzter Kästen aus Holz
Die Imitation von Elfenbein, Seide und Gold im Hoch- und Spätmittelalter
Inbunden, Tyska, 2024
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How does materiality affect artistic processes of object creation and reception? This volume examining carved boxes from the High and Late medieval periods deals with interrelations between material and technique. It compiles details of the origin, provenance and function of numerous boxes and also embeds production techniques, material preferences and reception aesthetics in the state of contemporary knowledge. One focus is on interactions and transfers of materials. Wood in particular was used to imitate and evoke ivory, silk and gold, which might bring about social rapprochement between the lower nobility and the higher nobility, or between the carving craftsmen and the bourgeoisie. The analysis of intermateriality establishes that materials, forms and techniques cannot be grasped in isolation.