INSTANT NATIONAL BESTSELLER • Longlisted for the Leacock Medal of Humour • One of Kobo CA's Top Horror Ebooks and Top Horror Audiobook of 2024 A tragic plane crash that leaves two women stranded and fighting for their lives kicks off this sweeping and hilarious novel from award-winning writer Drew Hayden Taylor that blends thriller, murder mystery, and horror with humour and spectacle.Elmore Trent is a professor of Indigenous studies who finds himself entangled in an affair that's ruining his marriage; Paul North plays in the IHL (Indigenous Hockey League), struggling to keep up with the game that's passing him by; Detective Ruby Birch is chasing a string of gruesome murders, with clues that conspicuously lead her to both Elmore and Paul. And then there's Fabiola Halan, former journalist-turned-author and famed survivor of a plane crash that sparked a nationwide tour promoting her book. What starts off as a series of subtle connections between isolated characters quickly takes a menacing turn, as it becomes increasingly clear that someone—or something—is hunting them all.Taking tropes from the murder mystery, police procedural, thriller, and horror genres, Drew Hayden Taylor weaves a pulse-pounding and propulsive narrative with an intricate cast of characters, while never losing the ability to make you laugh.

NATIONAL BESTSELLERA GLOBE AND MAIL BEST BOOK OF THE YEARThe brilliant, critically-acclaimed story of two legendary leaders who fought each other relentlessly, but between them created today’s Canada.John Diefenbaker has been unfairly treated by history. Although he wrestled with personal demons, his governments launched major reforms in public health care, law reform and immigration. On his watch, First Nations on reserve obtained the right to vote and the federal government began to open up the North. He established Canada as a leader in the struggle against apartheid in South Africa, and took the first steps in making Canada a leader in the fight against nuclear proliferation. And Diefenbaker’s Bill of Rights laid the groundwork for the Charter of Rights and Freedoms. He set in motion many of the achievements credited to his successor, Lester B. Pearson. Pearson, in turn, gave coherence to Diefenbaker’s piecemeal reforms. He also pushed Parliament to adopt a new, and now much-loved, Canadian flag against Diefenbaker’s fierce opposition. Pearson understood that if Canada were to be taken seriously as a nation, it must develop a stronger sense of self.    Pearson was superbly prepared for the role of prime minister: decades of experience at External Affairs, respected by leaders from Washington to Delhi to Beijing, the only Canadian to win the Nobel Prize for Peace. Diefenbaker was the better politician, though. If Pearson walked with ease in the halls of power, Diefenbaker connected with the farmers and small-town merchants and others left outside the inner circles. Diefenbaker was one of the great orators of Canadian political life; Pearson spoke with a slight lisp.    Diefenbaker was the first to get his name in the papers, as a crusading attorney: Diefenbaker for the Defence, champion of the little man. But he struggled as a politician, losing five elections before making it into the House of Commons, until his ascension to the Progressive Conservative leadership in 1956 through a freakish political accident.    As a young university professor, Pearson caught the attention of the powerful men who were shaping Canada’s first true department of foreign affairs, rising to prominence as the helpful fixer, the man both sides trusted, the embodiment of a new country that had earned its place through war in the counsels of the great powers: ambassador, undersecretary, minister, peacemaker. Everyone knew he was destined to be prime minister. But in 1957, destiny took a detour.     Then they faced each other, Diefenbaker v Pearson, across the House of Commons, leaders of their parties, each determined to wrest and hold power, in a decade-long contest that would shake and shape the country.

To celebrate the fifth anniversary of the Indigenous Voices Awards, an anthology consisting of selected works by finalists over the past five years, edited by Jordan Abel, Carleigh Baker, and Madeleine Reddon.Established in 2017, the Indigenous Voices Awards honour the sovereignty of Indigenous creative voices and nurture the work of emerging Indigenous writers in lands claimed by Canada.Through generous support from hundreds of Canadians and organizations such as Penguin Random House Canada, Scholastic Canada, Douglas & McIntyre, Pamela Dillon and Family Gift Fund, the awards have ushered in a new and dynamic generation of Indigenous writers. Past IVAs recipients include Billy-Ray Belcourt and Tanya Tagaq. The IVAs also promote the works of unpublished writers, helping to launch the careers of Smokii Sumac, Cody Caetano, and Samantha Martin-Bird. This anthology gathers together a selection of the finalists over the past five years, highlighting some of the most pathbreaking Indigenous writing across poetry, prose, and theatre in English, French, and Indigenous languages. Curated by award-winning and critically acclaimed writers Jordan Abel (Nisga’a) and Carleigh Baker (Métis), and scholar Madeleine Reddon (Métis), this anthology is a celebration of Indigenous storytelling that both introduces readers to emerging luminaries and returns them to treasured favourites.

A career-spanning volume that brings together new and selected works by an iconic voice in Canadian literature.From the Lost and Found Department, by the trailblazing Joy Kogawa, is a profound work of spare, trenchant, and haunting poems that lets us stay with the quietest qualities of beauty and the sublime.This essential volume brings together thrilling new work with selected poems from The Splintered Moon (1967), A Choice of Dreams (1974), Jericho Road (1977), Woman In the Woods (1985), and A Garden of Anchors: Selected Poems (2003).Kogawa’s poems here are evidence that our every vulnerability can open into vast channels of grace.

A national bestseller, The Class is a riveting and personal book from Ken Dryden.On Tuesday, September 6, 1960, the day after Labour Day, class 9G at Etobicoke Collegiate Institute in a suburb of Toronto assembled for the first time. Its thirty-five students, having written special exams, came to be known as the “Selected Class.”They would stay together through high school, with few exceptions. They would spend more than two hundred days a year together. Few had known each other before. Few have been in other than accidental contact in all the decades since.Their ancestors were almost all from working-class backgrounds. Their parents had lived their formative years through depression and war. They themselves were born into a postwar world of new homes, new schools, new churches. New suburbs. Of new classes like this one. Of boundless possibilities.When almost anything seems within reach, what do we reach for?Ken Dryden was one of these thirty-five. In his varied, improbable life, he had wondered often how he had gotten from there to here. How any of us do. He decided to try and find his classmates, to see how they are, what they are doing, how life has been for them. They talked many long hours, in a way they had never talked before. Most had married, some divorced, most have kids, many have grandkids.This is the story of a place, a time, and so much more.

A new, fully restored edition of the essential Canadian classic.An unflinchingly honest memoir of her experience as a Métis woman in Canada, Maria Campbell's Halfbreed depicts the realities that she endured and, above all, overcame. Maria was born in Northern Saskatchewan, her father the grandson of a Scottish businessman and Métis woman--a niece of Gabriel Dumont whose family fought alongside Riel and Dumont in the 1885 Rebellion; her mother the daughter of a Cree woman and French-American man. This extraordinary account, originally published in 1973, bravely explores the poverty, oppression, alcoholism, addiction, and tragedy Maria endured throughout her childhood and into her early adult life, underscored by living in the margins of a country pervaded by hatred, discrimination, and mistrust. Laced with spare moments of love and joy, this is a memoir of family ties and finding an identity in a heritage that is neither wholly Indigenous or Anglo; of strength and resilience; of indomitable spirit.This edition of Halfbreed includes a new introduction written by Indigenous (Métis) scholar Dr. Kim Anderson detailing the extraordinary work that Maria has been doing since its original publication 46 years ago, and an afterword by the author looking at what has changed, and also what has not, for Indigenous people in Canada today. Restored are the recently discovered missing pages from the original text of this groundbreaking and significant work.

Finalist for the 2024 Forest of Reading Evergreen Book Award and the City of Vancouver Book Award. Named a Best Book of 2023 by the Globe and Mail and Apple Books CanadaA TODAY Show Recommended ReadThis beautifully intimate memoir-in-pieces uses one woman's life-long love affair with pop culture as a revelatory lens to explore family, identity, belonging, grief, and the power of female rage.For most of Jen Sookfong Lee's life, pop culture was an escape from family tragedy and a means of fitting in with the larger culture around her. Anne of Green Gables promised her that, despite losing her father at the age of twelve, one day she might still have the loving family of her dreams. Princess Diana was proof that maybe there was more to being a good girl after all. And yet as Jen grew up, she began to recognize the ways in which pop culture was not made for someone like her—the child of Chinese immigrant parents who looked for safety in the invisibility afforded by embracing model minority myths.Ranging from the unattainable perfection of Gwyneth Paltrow and the father-figure familiarity of Bob Ross, to the long shadow cast by The Joy Luck Club and the life lessons she has learned from Rihanna, Jen weaves together key moments in pop culture with stories of her own failings, longings, and struggles as she navigates the minefields that come with carving her own path as an Asian woman, single mother, and writer. And with great wit, bracing honesty, and a deep appreciation for the ways culture shapes us, she draws direct lines between the spectacle of the popular, the intimacy of our personal bonds, and the social foundations of our collective obsessions.

A blazing collection of responses to the U.S.'s shocking annexation threats and the swell of Canadian national unity that followed, from a remarkable array of Canada's sharpest and most influential minds.2025. Donald Trump is president. And he is insisting that Canada is for sale. It feels disorienting, even existential, to watch a trade war escalate and to hear an American president vow to make Canada “the 51st state.” Amid this disorientation, there is an urgent question: how do we meet the moment? This is not the first time we have had an identity crisis resulting in a swell of Canadian pride, but it is the first time many Canadians have experienced the direct threat of American imperialism knocking so loudly on our country’s door. The fact that treaties can be broken, that resources can be stolen, and that the consequences of land theft include loss of culture, ritual, and identity is not new to the Indigenous and refugee peoples living in this country. But to many other Canadians, this kind of threat is new. As a result, there appears to be a new sense of a “we” emerging. People are angry and standing together with renewed shared purpose. This is a pivotal moment in history, and we need to take stock of how we got here, to learn from our past and walk tenaciously together into an uncertain future. Inspired by the 1968 collection The New Romans: Candid Canadian Opinions of the U.S., which was edited by Al Purdy and curated amidst the civil rights movement and the Vietnam War, Elbows Up! is the book for our generation’s own moment of crisis, featuring the words of leading cultural figures speaking candidly on America, on Canada, and on the malleable contours of a national narrative still taking hold.

This much-anticipated, game-changing special edition of Canada's premier annual fiction anthology celebrates the country's best emerging Black writers.For over thirty years, The Journey Prize Stories has consistently introduced readers to the next generation of great Canadian writers. The 33rd edition of Canada's most prestigious annual fiction anthology proudly continues this tradition by celebrating the best emerging Black writers in the country, as selected by a jury comprising internationally acclaimed, award-winning writers David Chariandy, Esi Edugyan, and Canisia Lubrin.  An eagle-eyed mother and a hungry child contend with the aftereffects of an unusual multi-course meal. Both the debts of the past and the promise of the future hover over two siblings as they debate what to do with an unexpected windfall. A pesky but beloved baboon looms large in the memory of a daughter whose family has been forced to move to a new town. Unclear boundaries and cheerful hypocrisy dominate a woman’s whirlwind romance with a photographer. A schoolgirl contends with complicated emotions as she awaits the return of her long-absent mother. News of a hunter’s death reverberates throughout his family, travelling across oceans and phonelines to trouble his cousin’s already-shaky relationship. An office worker joins a lost grandmother on an unexpected pilgrimage. After years away, a woman journeys back to Jamaica—and back to the sister who refused to leave with her—stirring up insecurities, laughter, and wounds unhealed by time. All the instructions in the world cannot protect a family from the impacts of grief. The only Black girls in school experiment with what it means to be a lady when you’re not yet a woman.

A disturbing, darkly funny fictionalization of the life of Fred A. Leuchter, the garage tinkerer turned execution authority who became a darling of the neo-Nazi movement, and subject of the Errol Morris documentary, Mr. Death.He comes to fix your photocopier, but really, Fred’s an inventor. At night, he goes to work. He has goals, ambitions, and when offered the task of building a better electric chair, he jumps at the chance. People have to die—he believes in the occasional necessity of evil—but what if we could kill them more humanely?A death specialist, first in his field but forever under-appreciated, he’s charmed when a new generation of fascists come calling for his expertise. A Holocaust denier is on trial in Toronto—could Fred prove the gas chambers never existed? Newspapers descend. Talking heads have their say. A documentarist makes a film. Everyone will know his name, though some things society will simply not abide. Dishonoured, discredited, disgraced. But Fred’s work does not stop, and the world may yet be reminded of the dangerous truth that some men are driven by forces far more powerful than shame. First published in 2013, this is the updated and definitive edition of Eugene Marten’s chilling masterwork of transformational historical fiction.

INSTANT NATIONAL BESTSELLER • Longlisted for the Leacock Medal of Humour • One of Kobo CA's Top Horror Ebooks and Top Horror Audiobook of 2024 A tragic plane crash that leaves two women stranded and fighting for their lives kicks off this sweeping and hilarious novel from award-winning writer Drew Hayden Taylor that blends thriller, murder mystery, and horror with humour and spectacle.Elmore Trent is a professor of Indigenous studies who finds himself entangled in an affair that's ruining his marriage; Paul North plays in the IHL (Indigenous Hockey League), struggling to keep up with the game that's passing him by; Detective Ruby Birch is chasing a string of gruesome murders, with clues that conspicuously lead her to both Elmore and Paul. And then there's Fabiola Halan, former journalist-turned-author and famed survivor of a plane crash that sparked a nationwide tour promoting her book. What starts off as a series of subtle connections between isolated characters quickly takes a menacing turn, as it becomes increasingly clear that someone—or something—is hunting them all.Taking tropes from the murder mystery, police procedural, thriller, and horror genres, Drew Hayden Taylor weaves a pulse-pounding and propulsive narrative with an intricate cast of characters, while never losing the ability to make you laugh.

NATIONAL BESTSELLERA GLOBE AND MAIL BEST BOOK OF THE YEARThe brilliant, critically-acclaimed story of two legendary leaders who fought each other relentlessly, but between them created today’s Canada.John Diefenbaker has been unfairly treated by history. Although he wrestled with personal demons, his governments launched major reforms in public health care, law reform and immigration. On his watch, First Nations on reserve obtained the right to vote and the federal government began to open up the North. He established Canada as a leader in the struggle against apartheid in South Africa, and took the first steps in making Canada a leader in the fight against nuclear proliferation. And Diefenbaker’s Bill of Rights laid the groundwork for the Charter of Rights and Freedoms. He set in motion many of the achievements credited to his successor, Lester B. Pearson. Pearson, in turn, gave coherence to Diefenbaker’s piecemeal reforms. He also pushed Parliament to adopt a new, and now much-loved, Canadian flag against Diefenbaker’s fierce opposition. Pearson understood that if Canada were to be taken seriously as a nation, it must develop a stronger sense of self.    Pearson was superbly prepared for the role of prime minister: decades of experience at External Affairs, respected by leaders from Washington to Delhi to Beijing, the only Canadian to win the Nobel Prize for Peace. Diefenbaker was the better politician, though. If Pearson walked with ease in the halls of power, Diefenbaker connected with the farmers and small-town merchants and others left outside the inner circles. Diefenbaker was one of the great orators of Canadian political life; Pearson spoke with a slight lisp.    Diefenbaker was the first to get his name in the papers, as a crusading attorney: Diefenbaker for the Defence, champion of the little man. But he struggled as a politician, losing five elections before making it into the House of Commons, until his ascension to the Progressive Conservative leadership in 1956 through a freakish political accident.    As a young university professor, Pearson caught the attention of the powerful men who were shaping Canada’s first true department of foreign affairs, rising to prominence as the helpful fixer, the man both sides trusted, the embodiment of a new country that had earned its place through war in the counsels of the great powers: ambassador, undersecretary, minister, peacemaker. Everyone knew he was destined to be prime minister. But in 1957, destiny took a detour.     Then they faced each other, Diefenbaker v Pearson, across the House of Commons, leaders of their parties, each determined to wrest and hold power, in a decade-long contest that would shake and shape the country.

To celebrate the fifth anniversary of the Indigenous Voices Awards, an anthology consisting of selected works by finalists over the past five years, edited by Jordan Abel, Carleigh Baker, and Madeleine Reddon.Established in 2017, the Indigenous Voices Awards honour the sovereignty of Indigenous creative voices and nurture the work of emerging Indigenous writers in lands claimed by Canada.Through generous support from hundreds of Canadians and organizations such as Penguin Random House Canada, Scholastic Canada, Douglas & McIntyre, Pamela Dillon and Family Gift Fund, the awards have ushered in a new and dynamic generation of Indigenous writers. Past IVAs recipients include Billy-Ray Belcourt and Tanya Tagaq. The IVAs also promote the works of unpublished writers, helping to launch the careers of Smokii Sumac, Cody Caetano, and Samantha Martin-Bird. This anthology gathers together a selection of the finalists over the past five years, highlighting some of the most pathbreaking Indigenous writing across poetry, prose, and theatre in English, French, and Indigenous languages. Curated by award-winning and critically acclaimed writers Jordan Abel (Nisga’a) and Carleigh Baker (Métis), and scholar Madeleine Reddon (Métis), this anthology is a celebration of Indigenous storytelling that both introduces readers to emerging luminaries and returns them to treasured favourites.

A career-spanning volume that brings together new and selected works by an iconic voice in Canadian literature.From the Lost and Found Department, by the trailblazing Joy Kogawa, is a profound work of spare, trenchant, and haunting poems that lets us stay with the quietest qualities of beauty and the sublime.This essential volume brings together thrilling new work with selected poems from The Splintered Moon (1967), A Choice of Dreams (1974), Jericho Road (1977), Woman In the Woods (1985), and A Garden of Anchors: Selected Poems (2003).Kogawa’s poems here are evidence that our every vulnerability can open into vast channels of grace.

A national bestseller, The Class is a riveting and personal book from Ken Dryden.On Tuesday, September 6, 1960, the day after Labour Day, class 9G at Etobicoke Collegiate Institute in a suburb of Toronto assembled for the first time. Its thirty-five students, having written special exams, came to be known as the “Selected Class.”They would stay together through high school, with few exceptions. They would spend more than two hundred days a year together. Few had known each other before. Few have been in other than accidental contact in all the decades since.Their ancestors were almost all from working-class backgrounds. Their parents had lived their formative years through depression and war. They themselves were born into a postwar world of new homes, new schools, new churches. New suburbs. Of new classes like this one. Of boundless possibilities.When almost anything seems within reach, what do we reach for?Ken Dryden was one of these thirty-five. In his varied, improbable life, he had wondered often how he had gotten from there to here. How any of us do. He decided to try and find his classmates, to see how they are, what they are doing, how life has been for them. They talked many long hours, in a way they had never talked before. Most had married, some divorced, most have kids, many have grandkids.This is the story of a place, a time, and so much more.

A new, fully restored edition of the essential Canadian classic.An unflinchingly honest memoir of her experience as a Métis woman in Canada, Maria Campbell's Halfbreed depicts the realities that she endured and, above all, overcame. Maria was born in Northern Saskatchewan, her father the grandson of a Scottish businessman and Métis woman--a niece of Gabriel Dumont whose family fought alongside Riel and Dumont in the 1885 Rebellion; her mother the daughter of a Cree woman and French-American man. This extraordinary account, originally published in 1973, bravely explores the poverty, oppression, alcoholism, addiction, and tragedy Maria endured throughout her childhood and into her early adult life, underscored by living in the margins of a country pervaded by hatred, discrimination, and mistrust. Laced with spare moments of love and joy, this is a memoir of family ties and finding an identity in a heritage that is neither wholly Indigenous or Anglo; of strength and resilience; of indomitable spirit.This edition of Halfbreed includes a new introduction written by Indigenous (Métis) scholar Dr. Kim Anderson detailing the extraordinary work that Maria has been doing since its original publication 46 years ago, and an afterword by the author looking at what has changed, and also what has not, for Indigenous people in Canada today. Restored are the recently discovered missing pages from the original text of this groundbreaking and significant work.

Finalist for the 2024 Forest of Reading Evergreen Book Award and the City of Vancouver Book Award. Named a Best Book of 2023 by the Globe and Mail and Apple Books CanadaA TODAY Show Recommended ReadThis beautifully intimate memoir-in-pieces uses one woman's life-long love affair with pop culture as a revelatory lens to explore family, identity, belonging, grief, and the power of female rage.For most of Jen Sookfong Lee's life, pop culture was an escape from family tragedy and a means of fitting in with the larger culture around her. Anne of Green Gables promised her that, despite losing her father at the age of twelve, one day she might still have the loving family of her dreams. Princess Diana was proof that maybe there was more to being a good girl after all. And yet as Jen grew up, she began to recognize the ways in which pop culture was not made for someone like her—the child of Chinese immigrant parents who looked for safety in the invisibility afforded by embracing model minority myths.Ranging from the unattainable perfection of Gwyneth Paltrow and the father-figure familiarity of Bob Ross, to the long shadow cast by The Joy Luck Club and the life lessons she has learned from Rihanna, Jen weaves together key moments in pop culture with stories of her own failings, longings, and struggles as she navigates the minefields that come with carving her own path as an Asian woman, single mother, and writer. And with great wit, bracing honesty, and a deep appreciation for the ways culture shapes us, she draws direct lines between the spectacle of the popular, the intimacy of our personal bonds, and the social foundations of our collective obsessions.

A blazing collection of responses to the U.S.'s shocking annexation threats and the swell of Canadian national unity that followed, from a remarkable array of Canada's sharpest and most influential minds.2025. Donald Trump is president. And he is insisting that Canada is for sale. It feels disorienting, even existential, to watch a trade war escalate and to hear an American president vow to make Canada “the 51st state.” Amid this disorientation, there is an urgent question: how do we meet the moment? This is not the first time we have had an identity crisis resulting in a swell of Canadian pride, but it is the first time many Canadians have experienced the direct threat of American imperialism knocking so loudly on our country’s door. The fact that treaties can be broken, that resources can be stolen, and that the consequences of land theft include loss of culture, ritual, and identity is not new to the Indigenous and refugee peoples living in this country. But to many other Canadians, this kind of threat is new. As a result, there appears to be a new sense of a “we” emerging. People are angry and standing together with renewed shared purpose. This is a pivotal moment in history, and we need to take stock of how we got here, to learn from our past and walk tenaciously together into an uncertain future. Inspired by the 1968 collection The New Romans: Candid Canadian Opinions of the U.S., which was edited by Al Purdy and curated amidst the civil rights movement and the Vietnam War, Elbows Up! is the book for our generation’s own moment of crisis, featuring the words of leading cultural figures speaking candidly on America, on Canada, and on the malleable contours of a national narrative still taking hold.

This much-anticipated, game-changing special edition of Canada's premier annual fiction anthology celebrates the country's best emerging Black writers.For over thirty years, The Journey Prize Stories has consistently introduced readers to the next generation of great Canadian writers. The 33rd edition of Canada's most prestigious annual fiction anthology proudly continues this tradition by celebrating the best emerging Black writers in the country, as selected by a jury comprising internationally acclaimed, award-winning writers David Chariandy, Esi Edugyan, and Canisia Lubrin.  An eagle-eyed mother and a hungry child contend with the aftereffects of an unusual multi-course meal. Both the debts of the past and the promise of the future hover over two siblings as they debate what to do with an unexpected windfall. A pesky but beloved baboon looms large in the memory of a daughter whose family has been forced to move to a new town. Unclear boundaries and cheerful hypocrisy dominate a woman’s whirlwind romance with a photographer. A schoolgirl contends with complicated emotions as she awaits the return of her long-absent mother. News of a hunter’s death reverberates throughout his family, travelling across oceans and phonelines to trouble his cousin’s already-shaky relationship. An office worker joins a lost grandmother on an unexpected pilgrimage. After years away, a woman journeys back to Jamaica—and back to the sister who refused to leave with her—stirring up insecurities, laughter, and wounds unhealed by time. All the instructions in the world cannot protect a family from the impacts of grief. The only Black girls in school experiment with what it means to be a lady when you’re not yet a woman.

A disturbing, darkly funny fictionalization of the life of Fred A. Leuchter, the garage tinkerer turned execution authority who became a darling of the neo-Nazi movement, and subject of the Errol Morris documentary, Mr. Death.He comes to fix your photocopier, but really, Fred’s an inventor. At night, he goes to work. He has goals, ambitions, and when offered the task of building a better electric chair, he jumps at the chance. People have to die—he believes in the occasional necessity of evil—but what if we could kill them more humanely?A death specialist, first in his field but forever under-appreciated, he’s charmed when a new generation of fascists come calling for his expertise. A Holocaust denier is on trial in Toronto—could Fred prove the gas chambers never existed? Newspapers descend. Talking heads have their say. A documentarist makes a film. Everyone will know his name, though some things society will simply not abide. Dishonoured, discredited, disgraced. But Fred’s work does not stop, and the world may yet be reminded of the dangerous truth that some men are driven by forces far more powerful than shame. First published in 2013, this is the updated and definitive edition of Eugene Marten’s chilling masterwork of transformational historical fiction.