The volume invites readers to reconsider the symbolic complexity of the Colosseum through the works of one of the most captivating contemporary photographers, Olivo Barbieri. ​Famous for his unique use of perspective and light, Barbieri transforms the Colosseum into a disquieting visual narrative, highlighting its history, modernity, and architectural seriality. Each photograph, turning space into time, captures the monument's infinite grandeur and its most auratic details. This significant sequence of images offers a singular perspective from unprecedented viewpoints, making the ancient world extraordinarily present while preserving its timeless vastness. The book is enriched with texts by Andrea Cortellessa and Luca Fiore.  Text in English and Italian.

The catalogue for the exhibition at the Cleve Carney Museum in Chicago (2025) presents an exceptional collection of Japanese artworks, offering the public an in-depth understanding of Japanese painting production from the Edo period (1603–1868), particularly of ukiyo-e, the “images of the Floating World.” The volume includes a selection of hanging vertical scroll paintings (kakemono) and hand-painted horizontal scrolls by the great masters of the various schools, starting from the mid-17th century. Also featured are colour woodblock prints with black outlines and hand painted details — a technique that evolved into nishiki-e, the famous multicoloured “brocade pictures” — as well as printed and painted fans, and high-quality handcrafted objects that testify to Japan’s rich artistic and artisanal tradition, such as board games and musical instruments. These works reflect the evolution of taste, fashion, and entertainment culture that developed during the long Tokugawa peace corresponding to the Edo period. The extraordinary works come from the prestigious collections of the E. Chiossone Museum of Oriental Art in Genoa.

Two souls coexisted within the genius of Salvador Dalí: one revolutionary, the other deeply rooted in the great tradition of painting. The volume, edited by Lucia Moni and Carme Ruiz, with scientific supervision by Montse Aguer, presents a close dialogue with art history, counterpointed by a comparison with Pablo Picasso, an emblem of revolution and modernity. Dalí. Revolution and Tradition also explores the artist’s relationship with the masters who most deeply influenced his vision—Velázquez, Vermeer, and Raphael, his favourite painters—highlighting how his pursuit of technical perfection and formal harmony intertwines with surrealist irreverence and a constant drive toward innovation. Alongside masterpieces inspired by the great artists of the past, the volume also features a selection of illustrations for the book 50 Secrets of Magic Craftsmanship, a testament to Dalí’s profound reflections on art, technique, and creation.

I am Mine traces Feuerman's emergence as a key figure in the Superrealist movement of the 1970s, and considers her ongoing influence on contemporary sculpture. The 1960s and 1970s marked the rise of countercultural movements that challenged social norms regarding sexuality and morality. These movements fostered a more liberal approach to art, allowing artists to explore taboo subjects without fear of censorship. The feminist movement of the late 1960s and the following decade also transformed perceptions of self-determination in the management of one's sexuality. Female artists began to reclaim their bodies, challenging male dominated narratives that often marginalised or objectified female experiences. " With this book, I wanted to initiate a reflection on the cultural climate that characterized the 1970s. I am Mine stems from my need to investigate what meaning my early work might have for younger generations who did not experience that climate of great trans- formation. This led me to engage with female critics with different perspectives, whose texts are collected here". (Carole A. Feuerman)

A dialogue between Rome and Vienna unfolds through the masterpieces of the Kunsthistorisches Museum, tracing the cultural ties that united the two capitals and shaped their artistic traditions. Featuring over fifty works commissioned by the Habsburg imperial family between the 16th and 18th centuries, the volume offers a privileged insight into the splendour, collecting taste, and political vision of one of Europe’s most powerful dynasties. Through essays and scholarly contributions, the book explores the relationship between art, history, and power, highlighting masterpieces by Peter Paul Rubens, Diego Velazquez, Anthony van Dyck, Titian, Tintoretto, Veronese, and Arcimboldo.

Nicola Samorì (Forlì, 1977) is one of the most innovative contemporary artists, known for his profound dialogue with Western visual tradition. Through a process of excavation and rewriting, Samorì transforms the classical into a field of tension, challenging the apparent immutability of art. Classical Collapse is a unique exhibition project connecting Milan and Naples, bringing together the Pinacoteca Ambrosiana and the Museo e Real Bosco di Capodimonte in a journey through more than fifty works by the artist, displayed alongside masterpieces from the permanent collections. The exhibition explores themes such as matter and illusion, creation and ruin, body and spirit, investigating the continuous metamorphosis of classical art and the vitality of cultural heritage. The accompanying volume includes essays by Demetrio Paparoni, Alberto Rocca and Eike Schmidt, directors of the hosting institutions, as well as contributions by writer Antonio Moresco and theologian and art critic Friedhelm Mennekes, offering an in-depth reflection on Samorì’s practice and his ability to inspire a renewed vision of art.

Through more than one hundred works, the official catalogue of the first major exhibition of M.C. Escher in Paris retraces the entire artistic journey of the Dutch engraver (1898–1972), from his early training and travels in Italy to the complex technical experiments that made him an artist admired even in scientific circles. The volume reconstructs the visual and conceptual universe of M.C. Escher: a space where nature, art, science, and mathematics intertwine in a fascinating and vertiginous balance. His works—true architectures of imagination—continue to influence our contemporary way of seeing and have entered the collective imagination through school textbooks, magazines, design, and popular culture. Trained as a graphic artist, he produced around 450 prints, each characterised by a distinctive style and extraordinary precision. His creations appeal not only to art lovers, but also to those passionate about geometry, mathematics, visual sciences, architecture, and graphic design. This catalogue is much more than a simple exhibition companion: it is a comprehensive guide to the universe of M.C. Escher, where imagination meets geometry and reality bends to the laws of infinity.

Through more than one hundred works, the official catalogue of the first major exhibition in Montreal. The entire artistic journey of M.C. Escher (1898–1972), from his early training and travels in Italy to the complex technical experiments that made him an artist admired even in scientific circles. The volume reconstructs M.C. Escher’s visual and conceptual universe: a space where nature, art, science, and mathematics intertwine in a fascinating and dizzying balance. His works – true architectures of the imagination – continue to influence our contemporary gaze, becoming part of the collective imagination through textbooks, magazines, design, and pop culture. Trained as a graphic artist, M.C. Escher created around 450 prints, each with a distinctive style and extraordinary precision. His creations speak not only to art lovers but also to those passionate about geometry, mathematics, visual sciences, architecture, and graphic design.

The catalogue of the most comprehensive exhibition ever held in Italy, at Palazzo Bonaparte in Rome, dedicated to Katsushika Hokusai (1760–1849), a supreme master of Japanese art and a key figure in global visual culture. The exhibition is part of the official programme of celebrations marking the 160th anniversary of diplomatic relations between Italy and Japan, sealing a deep and enduring cultural dialogue between two artistic traditions that continue to influence and enrich one another. Through a broad and multifaceted journey, the catalogue – curated by Beata Romanowicz – guides the reader in discovering not only the celebrated Thirty-Six Views of Mount Fuji, including the iconic The Great Wave off Kanagawa, but also an extraordinary selection of woodblock prints, illustrated books, and rare objects from the prestigious collection of the National Museum in Kraków, one of Europe’s most important collections, which includes remarkable examples of Japanese art, particularly from the Edo period (1603–1863). The reader is led into the refined universe of Ukiyo-e, the “Floating World,” where nature, the movement of water, landscapes, female figures, and the life of the Japanese people become protagonists of a poetic and surprisingly modern vision. The volume explores the work of an artist who profoundly influenced the Western imagination, inspiring Monet, Van Gogh, and the entire Impressionist movement.

Through more than one hundred works, the official catalogue of the first major exhibition in London. The entire artistic journey of M.C. Escher (1898–1972), from his early training and travels in Italy to the complex technical experiments that made him an artist admired even in scientific circles. The volume reconstructs M.C. Escher’s visual and conceptual universe: a space where nature, art, science, and mathematics intertwine in a fascinating and dizzying balance. His works – true architectures of the imagination – continue to influence our contemporary gaze, becoming part of the collective imagination through textbooks, magazines, design, and pop culture. Trained as a graphic artist, M.C. Escher created around 450 prints, each with a distinctive style and extraordinary precision. His creations speak not only to art lovers but also to those passionate about geometry, mathematics, visual sciences, architecture, and graphic design.

The volume invites readers to reconsider the symbolic complexity of the Colosseum through the works of one of the most captivating contemporary photographers, Olivo Barbieri. ​Famous for his unique use of perspective and light, Barbieri transforms the Colosseum into a disquieting visual narrative, highlighting its history, modernity, and architectural seriality. Each photograph, turning space into time, captures the monument's infinite grandeur and its most auratic details. This significant sequence of images offers a singular perspective from unprecedented viewpoints, making the ancient world extraordinarily present while preserving its timeless vastness. The book is enriched with texts by Andrea Cortellessa and Luca Fiore.  Text in English and Italian.

The catalogue for the exhibition at the Cleve Carney Museum in Chicago (2025) presents an exceptional collection of Japanese artworks, offering the public an in-depth understanding of Japanese painting production from the Edo period (1603–1868), particularly of ukiyo-e, the “images of the Floating World.” The volume includes a selection of hanging vertical scroll paintings (kakemono) and hand-painted horizontal scrolls by the great masters of the various schools, starting from the mid-17th century. Also featured are colour woodblock prints with black outlines and hand painted details — a technique that evolved into nishiki-e, the famous multicoloured “brocade pictures” — as well as printed and painted fans, and high-quality handcrafted objects that testify to Japan’s rich artistic and artisanal tradition, such as board games and musical instruments. These works reflect the evolution of taste, fashion, and entertainment culture that developed during the long Tokugawa peace corresponding to the Edo period. The extraordinary works come from the prestigious collections of the E. Chiossone Museum of Oriental Art in Genoa.

Two souls coexisted within the genius of Salvador Dalí: one revolutionary, the other deeply rooted in the great tradition of painting. The volume, edited by Lucia Moni and Carme Ruiz, with scientific supervision by Montse Aguer, presents a close dialogue with art history, counterpointed by a comparison with Pablo Picasso, an emblem of revolution and modernity. Dalí. Revolution and Tradition also explores the artist’s relationship with the masters who most deeply influenced his vision—Velázquez, Vermeer, and Raphael, his favourite painters—highlighting how his pursuit of technical perfection and formal harmony intertwines with surrealist irreverence and a constant drive toward innovation. Alongside masterpieces inspired by the great artists of the past, the volume also features a selection of illustrations for the book 50 Secrets of Magic Craftsmanship, a testament to Dalí’s profound reflections on art, technique, and creation.

I am Mine traces Feuerman's emergence as a key figure in the Superrealist movement of the 1970s, and considers her ongoing influence on contemporary sculpture. The 1960s and 1970s marked the rise of countercultural movements that challenged social norms regarding sexuality and morality. These movements fostered a more liberal approach to art, allowing artists to explore taboo subjects without fear of censorship. The feminist movement of the late 1960s and the following decade also transformed perceptions of self-determination in the management of one's sexuality. Female artists began to reclaim their bodies, challenging male dominated narratives that often marginalised or objectified female experiences. " With this book, I wanted to initiate a reflection on the cultural climate that characterized the 1970s. I am Mine stems from my need to investigate what meaning my early work might have for younger generations who did not experience that climate of great trans- formation. This led me to engage with female critics with different perspectives, whose texts are collected here". (Carole A. Feuerman)

A dialogue between Rome and Vienna unfolds through the masterpieces of the Kunsthistorisches Museum, tracing the cultural ties that united the two capitals and shaped their artistic traditions. Featuring over fifty works commissioned by the Habsburg imperial family between the 16th and 18th centuries, the volume offers a privileged insight into the splendour, collecting taste, and political vision of one of Europe’s most powerful dynasties. Through essays and scholarly contributions, the book explores the relationship between art, history, and power, highlighting masterpieces by Peter Paul Rubens, Diego Velazquez, Anthony van Dyck, Titian, Tintoretto, Veronese, and Arcimboldo.

Nicola Samorì (Forlì, 1977) is one of the most innovative contemporary artists, known for his profound dialogue with Western visual tradition. Through a process of excavation and rewriting, Samorì transforms the classical into a field of tension, challenging the apparent immutability of art. Classical Collapse is a unique exhibition project connecting Milan and Naples, bringing together the Pinacoteca Ambrosiana and the Museo e Real Bosco di Capodimonte in a journey through more than fifty works by the artist, displayed alongside masterpieces from the permanent collections. The exhibition explores themes such as matter and illusion, creation and ruin, body and spirit, investigating the continuous metamorphosis of classical art and the vitality of cultural heritage. The accompanying volume includes essays by Demetrio Paparoni, Alberto Rocca and Eike Schmidt, directors of the hosting institutions, as well as contributions by writer Antonio Moresco and theologian and art critic Friedhelm Mennekes, offering an in-depth reflection on Samorì’s practice and his ability to inspire a renewed vision of art.

Through more than one hundred works, the official catalogue of the first major exhibition of M.C. Escher in Paris retraces the entire artistic journey of the Dutch engraver (1898–1972), from his early training and travels in Italy to the complex technical experiments that made him an artist admired even in scientific circles. The volume reconstructs the visual and conceptual universe of M.C. Escher: a space where nature, art, science, and mathematics intertwine in a fascinating and vertiginous balance. His works—true architectures of imagination—continue to influence our contemporary way of seeing and have entered the collective imagination through school textbooks, magazines, design, and popular culture. Trained as a graphic artist, he produced around 450 prints, each characterised by a distinctive style and extraordinary precision. His creations appeal not only to art lovers, but also to those passionate about geometry, mathematics, visual sciences, architecture, and graphic design. This catalogue is much more than a simple exhibition companion: it is a comprehensive guide to the universe of M.C. Escher, where imagination meets geometry and reality bends to the laws of infinity.

Through more than one hundred works, the official catalogue of the first major exhibition in Montreal. The entire artistic journey of M.C. Escher (1898–1972), from his early training and travels in Italy to the complex technical experiments that made him an artist admired even in scientific circles. The volume reconstructs M.C. Escher’s visual and conceptual universe: a space where nature, art, science, and mathematics intertwine in a fascinating and dizzying balance. His works – true architectures of the imagination – continue to influence our contemporary gaze, becoming part of the collective imagination through textbooks, magazines, design, and pop culture. Trained as a graphic artist, M.C. Escher created around 450 prints, each with a distinctive style and extraordinary precision. His creations speak not only to art lovers but also to those passionate about geometry, mathematics, visual sciences, architecture, and graphic design.

The catalogue of the most comprehensive exhibition ever held in Italy, at Palazzo Bonaparte in Rome, dedicated to Katsushika Hokusai (1760–1849), a supreme master of Japanese art and a key figure in global visual culture. The exhibition is part of the official programme of celebrations marking the 160th anniversary of diplomatic relations between Italy and Japan, sealing a deep and enduring cultural dialogue between two artistic traditions that continue to influence and enrich one another. Through a broad and multifaceted journey, the catalogue – curated by Beata Romanowicz – guides the reader in discovering not only the celebrated Thirty-Six Views of Mount Fuji, including the iconic The Great Wave off Kanagawa, but also an extraordinary selection of woodblock prints, illustrated books, and rare objects from the prestigious collection of the National Museum in Kraków, one of Europe’s most important collections, which includes remarkable examples of Japanese art, particularly from the Edo period (1603–1863). The reader is led into the refined universe of Ukiyo-e, the “Floating World,” where nature, the movement of water, landscapes, female figures, and the life of the Japanese people become protagonists of a poetic and surprisingly modern vision. The volume explores the work of an artist who profoundly influenced the Western imagination, inspiring Monet, Van Gogh, and the entire Impressionist movement.

Through more than one hundred works, the official catalogue of the first major exhibition in London. The entire artistic journey of M.C. Escher (1898–1972), from his early training and travels in Italy to the complex technical experiments that made him an artist admired even in scientific circles. The volume reconstructs M.C. Escher’s visual and conceptual universe: a space where nature, art, science, and mathematics intertwine in a fascinating and dizzying balance. His works – true architectures of the imagination – continue to influence our contemporary gaze, becoming part of the collective imagination through textbooks, magazines, design, and pop culture. Trained as a graphic artist, M.C. Escher created around 450 prints, each with a distinctive style and extraordinary precision. His creations speak not only to art lovers but also to those passionate about geometry, mathematics, visual sciences, architecture, and graphic design.