Music in American Life – serie
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300 produkter
300 produkter
319 kr
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A member of Muddy Waters' legendary late 1940s-1950s band, Jimmy Rogers pioneered a blues guitar style that made him one of the most revered sidemen of all time. Rogers also had a significant if star-crossed career as a singer and solo artist for Chess Records, releasing the classic singles "That's All Right" and "Walking By Myself." In Blues All Day Long, Wayne Everett Goins mines seventy-five hours of interviews with Rogers' family, collaborators, and peers to follow a life spent in the blues. Goins' account takes Rogers from recording Chess classics and barnstorming across the South to a late-in-life renaissance that included new music, entry into the Blues Hall of Fame, and high profile tours with Eric Clapton and the Rolling Stones. Informed and definitive, Blues All Day Long fills a gap in twentieth century music history with the story of one of the blues' eminent figures and one of the genre's seminal bands.
252 kr
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Unlike their rock 'n' roll predecessors, many rock musicians of the mid-sixties came to consider themselves as artists--self-consciously presenting themselves as creators of a new sonic medium.Sixties Rock offers a provocative look at these artists and their innovations in two pivotal rock genres: garage rock and psychedelic music. Delving into everything from harmony to hardware, Michael Hicks shows what makes this music tick and what made it unique in its time. Looking at bands like the Doors, the Rolling Stones, the Yardbirds, and Love, Hicks puts legends and flashes in the pan alike through a rigorous analysis that places their music within rock history while exploring its place in the oft-swirling contexts of the time.
268 kr
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The product of a hardscrabble childhood, J. Mayo "Ink" Williams parlayed an Ivy League education into unlikely twin careers as a foundational producer of Black music and pioneering Black player in the early NFL. Clifford R. Murphy tells the story of an ambitious, upwardly mobile life affected, but never daunted, by white society's racism or the Black community's class tensions. Williams caroused with Paul Robeson, recorded the likes of Ma Rainey and Blind Lemon Jefferson, and lined up against Chicago Bears player-coach George Halas. Though resented by the artists he exploited, Williams combined a rock-solid instinct for what would sell with an ear for music that put him at the forefront of finding, recording, and blending blues and jazz. Murphy charts Williams's wide-ranging accomplishments while providing portraits of the cutthroat recording industry and the possibilities, however constrained, of Black life in the 1920s and 1930s. Vivid and engaging, Ink brings to light the extraordinary journey of a Black businessman and athlete.
291 kr
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Few American entertainers have had the explosive impact, wide-ranging appeal, and continuing popularity of country music superstar Hank Williams. Such Williams standards as "Your Cheatin' Heart," "I'm So Lonesome I Could Cry," "Jambalaya," and "I Saw the Light" have entered the pantheon of great American song while Williams's very name remains synonymous with the genre he helped define. Sing a Sad Songs tells the story of Hank Williams's rise from impoverished Alabama roots, his coming of age during and after World War II, his meteoric climb to national acclaim and star status on the Grand Ole Opry, his star-crossed marriages and recurring health problems, the chronic bouts with alcoholism and the alienation it caused in those he loved and sang for, and finally his tragic death at twenty-nine and subsequent emergence as a folk hero.In addition, the book includes an essential discography compiled by Bob Pinson of the Country Music Foundation.
406 kr
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"Until Hank Williams came along, it was just Bob Willis," says Willie Nelson. "He was it." And indeed he was, especially for the thousands in the Southwest who knew and loved the King of Western Swing. The colorful band leader-composer-fiddler from Turkey, Texas, lassoed the emotions of country-and-western fans nationwide. In the early 1940s, his records outsold those of any other recording artist. He was voted not only into the Country Music Hall of Fame but also into the National Cowboy Hall of Fame, the only performer other than Gene Autry to be so honored. Affectionately written by a Texan who responded to the legendary fiddler's style, San Antonio Rose captures Wills's magnetism and the musical excitement he created. Charles R. Townsend traces Wills's dynamic life from his birth into a family of frontier fiddlers through his career and stardom and on to the poignant last recording session in 1973 and his death two years later. Townsend shows how Wills brought black and white music together and examines the tremendous impact he had on both popular and country music through the more than 550 selections he recorded and the forty years he and his Texas Playboys performed in dance halls and on radio.
378 kr
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Paul Hindemith (1895–1963) was one of the most influential musicians and composers of the twentieth century. His wide-ranging musical interests and prodigious gifts connected him to music as varied as neoclassicism, the avant garde, and chamber pieces for unusual groupings of instruments. The uncertainties of life under the Nazi regime led Hindemith to move to the United States in 1940. There, he taught at Yale University and composed celebrated works like Symphonic Metamorphosis of Themes by Carl Maria von Weber. Concentrating upon the composer's first three US concert tours and his thirteen years at Yale, Luther Noss brings to life a observant, energetic, stubborn, and wry personality. Hindemith's journals offer detailed commentary on his experiences at Tanglewood while Noss draws on archives to describe the composer's groundbreaking Collegium concerts, classes, controversial plans to reorganize the School of Music, and other activities. Noss also delves into professional activity that included a huge number of commissions, writing four theory textbooks, an expansion of his Charles Eliot Norton Lectures, and numerous world premieres and other events.
Ethnic Music on Records
A Discography of Ethnic Recordings Produced in the United States, 1893-1942. Vol. 1: Western Europe
Inbunden, Engelska, 1991
1 062 kr
Skickas inom 11-20 vardagar
This impressive compilation offers a nearly complete listing of sound recordings made by American minority artists prior to mid-1942. Organized by national group or language, the seven-volume set cites primary and secondary titles, composers, participating artists, instrumentation, date and place of recording, master and release numbers, and reissues in all formats. Because of its clear arrangements and indexes, it will be a unique and valuable tool for music and ethnic historians, folklorists, and others.
Ethnic Music on Records
A Discography of Ethnic Recordings Produced in the United States, 1893-1942. Vol. 2: Slavic
Inbunden, Engelska, 1990
1 062 kr
Skickas inom 11-20 vardagar
This impressive compilation offers a nearly complete listing of sound recordings made by American minority artists prior to mid-1942. Organized by national group or language, the seven-volume set cites primary and secondary titles, composers, participating artists, instrumentation, date and place of recording, master and release numbers, and reissues in all formats. Because of its clear arrangements and indexes, it will be a unique and valuable tool for music and ethnic historians, folklorists, and others.
Ethnic Music on Records
A Discography of Ethnic Recordings Produced in the United States, 1893-1942. Vol. 3: Eastern Europe
Inbunden, Engelska, 1990
1 053 kr
Skickas inom 11-20 vardagar
This impressive compilation offers a nearly complete listing of sound recordings made by American minority artists prior to mid-1942. Organized by national group or language, the seven-volume set cites primary and secondary titles, composers, participating artists, instrumentation, date and place of recording, master and release numbers, and reissues in all formats. Because of its clear arrangements and indexes, it will be a unique and valuable tool for music and ethnic historians, folklorists, and others.Winner of the ARSC Award for Excellence in the Field of Recorded Country, Folk, or Ethnic Music, 1991.
Ethnic Music on Records
A Discography of Ethnic Recordings Produced in the United States, 1893-1942. Vol. 4: Spanish, Portuguese, Philippines, Basque
Inbunden, Engelska, 1990
1 051 kr
Skickas inom 5-8 vardagar
This impressive compilation offers a nearly complete listing of sound recordings made by American minority artists prior to mid-1942. Organized by national group or language, the seven-volume set cites primary and secondary titles, composers, participating artists, instrumentation, date and place of recording, master and release numbers, and reissues in all formats. Because of its clear arrangements and indexes, it will be a unique and valuable tool for music and ethnic historians, folklorists, and others.
Ethnic Music on Records
A Discography of Ethnic Recordings Produced in the United States, 1893-1942. Vol. 5: Middle East, Far East, Scandinavian, English Language, American Indian, International
Inbunden, Engelska, 1990
1 051 kr
Skickas inom 5-8 vardagar
This impressive compilation offers a nearly complete listing of sound recordings made by American minority artists prior to mid-1942. Organized by national group or language, the seven-volume set cites primary and secondary titles, composers, participating artists, instrumentation, date and place of recording, master and release numbers, and reissues in all formats. Because of its clear arrangements and indexes, it will be a unique and valuable tool for music and ethnic historians, folklorists, and others.
Ethnic Music on Records
A Discography of Ethnic Recordings Produced in the United States, 1893-1942. Vol. 6: Artist Index, Title Index
Inbunden, Engelska, 1990
1 053 kr
Skickas inom 11-20 vardagar
This impressive compilation offers a nearly complete listing of sound recordings made by American minority artists prior to mid-1942. Organized by national group or language, the seven-volume set cites primary and secondary titles, composers, participating artists, instrumentation, date and place of recording, master and release numbers, and reissues in all formats. Because of its clear arrangements and indexes, it will be a unique and valuable tool for music and ethnic historians, folklorists, and others.
Ethnic Music on Records
A Discography of Ethnic Recordings Produced in the United States, 1893-1942. Vol. 7: Record Number Index, Matrix Number Index
Inbunden, Engelska, 1990
1 062 kr
Skickas inom 11-20 vardagar
This impressive compilation offers a nearly complete listing of sound recordings made by American minority artists prior to mid-1942. Organized by national group or language, the seven-volume set cites primary and secondary titles, composers, participating artists, instrumentation, date and place of recording, master and release numbers, and reissues in all formats. Because of its clear arrangements and indexes, it will be a unique and valuable tool for music and ethnic historians, folklorists, and others.
Crooked Stovepipe
Athapaskan Fiddle Music and Square Dancing in Northeast Alaska and Northwest Canada
Inbunden, Engelska, 1993
612 kr
Skickas inom 5-8 vardagar
Named for a popular local fiddle tune, The Crooked Stovepipe is a rollicking, detailed, first-ever study of the indigenous fiddle music and social dancing enjoyed by the Gwich'in Athapskan Indians and other tribal groups in northeast Alaska, the Yukon, and the Northwest Territories. Though the music has obvious roots in the British Isles, French Canada, and the American South, the Gwich'in have used it in shaping their own aesthetic, which is apparent in their choice of fiddle tunings, bowing techniques, foot clogging, dances, and a distinctively stratified tune repertoire.
406 kr
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A few weeks before his death in an auto accident, Milton Brown and his band the Musical Brownies recorded forty-nine songs in a single three-day session. That prolific output was a testament to Brown's enormous popularity not only on record but as head of the premier touring act in the Southwest. Cary Ginell draws on interviews and his own musical knowledge to chart Brown's too-short career. Ginell sees Brown as the first key figure to merge blues, jazz, and country into the genre that artists like Bob Wills and Spade Cooley later popularized as Western Swing. Following Brown from his early years to his rise via the Fort Worth dance hall scene, Ginell traces the evolution of the singer-bandleader's musical innovations like adding vocals to dance music and his band's adoption of a style heavy with rhythm and blues. In 1936, Brown and his band stood at the brink of national stardom when Brown's car hit a telephone pole. He died five days later.
361 kr
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"Tell 'em I'm a farmer with a mandolin and a high tenor voice," Bill Monroe said. Known as the Father of Bluegrass Music, Monroe pioneered a whole new category of music and inspired generations of musicians and fans. Yet from his founding of the original bluegrass band through six decades of performing, he remained an enigmatic figure, a compelling mixture of fierce intensity, homespun modesty, and musical integrity. Determined to play the mandolin in a way it had never been played before, Monroe distinguished himself in the mid-1930s with the Monroe Brothers then began forming his own band, the Blue Grass Boys, in 1938. By the mid-1940s other bands were copying his sound, and a new style, bluegrass music, was born. While country music moved toward electrification, Monroe maintained his acoustic ensemble and developed his "high, lonesome sound," performing nearly up to his death in 1996. In this eclectic, richly illustrated reader, former Blue Grass Boy Tom Ewing gathers the most significant and illuminating of the many articles that have been written about Monroe. Through the writings of nearly sixty observers, interviewers, admirers, folklorists, and other scholars, along with Ewing's astute commentary, The Bill Monroe Reader offers a multifaceted view of one of the most influential country musicians of the twentieth century. Lively, heartfelt, and informative, The Bill Monroe Reader is a fitting tribute to the man and the musician who transformed the traditional music of western Kentucky into an international sensation.
364 kr
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Once a wildly popular form of Spanish entertainment, the zarzuela boasts a long history of bridging classical and popular art. Yet its contradictions make it a theatrical chameleon. Neither opera nor serious drama, the staging still requires trained singers and good actors. Neither purely folkloric nor high art, the music is too popular for some and too classical for others. Janet L. Sturman traces the zarzuela's colorful history from its origins as a Spanish court entertainment to Cuba's pivotal role in transmitting it to Latin America and the Caribbean. Ranging from Argentina, Mexico, and Puerto Rico to El Paso, Miami, and New York, Sturman draws distinctions among the ways various Spanish-speaking communities have reformulated zarzuela by combining the traditional model with local characters, music, dances, and politics. She also explores two theaters in New York, Repertorio EspaÑol and the Thalia Spanish Theatre, that have fostered the zarzuela by mounting innovative productions that cultivate both audiences and a network of donors. Vivid and revealing, Zarzuela recognizes the enduring cultural and social relevance of a genre at once resilient, adaptable, and temptingly elusive.
364 kr
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Author of New Musical Resources and a teacher of John Cage, Lou Harrison, and Burt Bacharach, Henry Cowell is regarded as an innovator, rebel, and genius. Celebrated for the novelty of his playing, Cowell popularized a series of experimental piano-playing techniques that included pounding his fists and forearms on the keys and plucking the piano strings directly to achieve the exotic, dissonant sounds he desired. Michael Hicks shows how the maverick composer, writer, teacher, and performer built his career on the intellectual and aesthetic foundations of his parents, community, and teachers--and exemplified the essence of bohemian California. Hicks traces Cowell's radical ideas to teachers like Charles Seeger, Samuel Seward, and E. G. Stricklen, his childhood in the tightknit artistic communities in the San Francisco Bay area, and the immeasurable influence of his parents. Focusing on Cowell's formative and most prolific years, Hicks examines the philosophical fervor that fueled the artist's whirlwind compositions and the ways his irrepressible spirit helped foster an appreciation in the United States and Europe for a new brand of American music.
319 kr
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Mississippi bluesman Robert Johnson died young and left behind just twenty-nine recorded songs. But the legacy, legends, and lore surrounding him loom large in American music history. Merging literary analysis with cultural criticism and biographical study, Patricia R. Schroeder explores Johnson's ongoing role as a cultural icon. Schroeder's detailed analysis engages key images and myths about the blues musician (such as the Faustian crossroads exchange of his soul for guitar virtuosity). Navigating the many competing interpretations that swirl around him, Schroeder reveals the cultural purposes served by the stories and the storytellers. The result is a fascinating examination of the relationships among Johnson's life, its subsequent portrayals, and the forces that drove the representations.Offering penetrating insights into both Johnson and the society that perpetuates him, Robert Johnson, Mythmaking, and Contemporary American Culture is essential reading for blues fans and cultural critics interested in a foundational musical figure.
447 kr
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In the 1920s and 1930s, Chicago became a center for jazz and blues, vaudeville, and a budding recording industry. Not surprisingly, the city and its environs spawned and nurtured a sprawling scene of nationally recognized dance bands and orchestras. That Toddlin' Town focuses on the untold history of Chicago's white dance bands, theater orchestras, radio studio ensembles, and nightclub bands. Charles A. Sengstock Jr. draws on monumental research to portray the bands not only in terms of their music but also in the context of the venues in which they played and Chicago's volatile economic and social climate. Viewing the bands as parts of an economic system, he analyzes them as businesses facing all the usual pressures brought on by ambition, personality clashes, financial realities, and the overriding need to serve clients. He also examines how the bands--along with their charismatic leaders, powerful booking agencies, and the Chicago Federation of Musicians--impacted the music industry at large and influenced other entertainment media.
1 395 kr
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John Philip Sousa (1854-1932) is an American icon. Most famous for his military marches, the composer-bandmaster led a disciplined group of devoted musicians on numerous American tours and around the world, shaping a new cultural landscape. Paul E. Bierley documents every aspect of the "March King's" band: its history, its star performers, its appearances on recordings and radio, and the problems they faced on their 1911 trip around the world. Enhanced by more than 120 images and photographs, The Incredible Band of John Philip Sousa also contains six statistical appendixes detailing where the band played, a complete list of musicians, instrumentation of the band, program listings, and a discography
1 423 kr
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Roni Stoneman was the youngest daughter of the pioneering country music family and a woman who overcame poverty and abusive husbands to claim the title of "The First Lady of Banjo," a fixture on the Nashville scene, and, as Hee Haw's Ironing Board Lady, a comedienne beloved by millions. Drawn from more than seventy-five hours of recorded interviews, Pressing On reveals Roni's gifts as a master storyteller. With characteristic spunk and candor, she describes her "pooristic" ("way beyond 'poverty-stricken'") Appalachian childhood, and how her brother Scott taught her to play the challenging and innovative three-finger banjo picking style developed by Earl Scruggs. She also warmly recounts Hee Haw-era adventures with Minnie Pearl, Roy Clark, and Buck Owens; her encounters as a musician with country greats like Loretta Lynn, Johnny Cash, June Carter, and Patsy Cline; as well as her personal struggles with shiftless and violent husbands, her relationships with her children, and her musical life after Hee Haw.
1 216 kr
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A compelling account of contemporary Sacred Harp singing, Traveling Home describes how this vibrant musical tradition brings together Americans of widely divergent religious and political beliefs. Named after the most popular of the nineteenth-century shape-note tunebooks--which employed an innovative notation system to teach singers to read music--Sacred Harp singing has been part of rural Southern life for more than 150 years. In the wake of the folk revival of the 1950s and '60s, this participatory musical tradition attracted new singers from all over America. All-day "singings" from The Sacred Harp now take place across the country, creating a diverse and far-flung musical community. Meanwhile, the advent of internet discussion boards and increasing circulation of singer-produced recordings have changed the nature of traditional transmission and sharpened debates about Sacred Harp as an "authentic" form of southern musical expression. Blending historical scholarship with wide-ranging fieldwork, Kiri Miller presents an engagingly written study of a musical movement that some have christened "a quintessential expression of American democracy."
355 kr
Skickas
What does it mean to be Californian? To find out, Mina Yang delves into multicultural nature of musics in the state that has launched musical and cultural trends for decades. In the early twentieth century, an orientalist fascination with Asian music and culture dominated the popular imagination of white Californians and influenced their interactions with the Asian Other. Several decades later, tensions between the Los Angeles Police Department and the African American community made the thriving jazz and blues nightclub scene of 1940s Central Avenue a target for the LAPD's anti-vice crusade. The musical scores for Hollywood's noir films confirmed reactionary notions of the threat to white female sexuality in the face of black culture and urban corruption while Mexican Americans faced a conflicted assimilation into the white American mainstream. Finally, Korean Americans in the twenty-first century turned to hip-hop to express their cultural and national identities.A compelling journey into the origins of musical identity, California Polyphony explores the intersection of musicology, cultural history, and politics to define Californian.
1 381 kr
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This volume is an engaging and exceptional history of the independent rock 'n' roll record industry from its raw regional beginnings in the 1940s with R & B and hillbilly music through its peak in the 1950s and decline in the 1960s. John Broven combines narrative history with extensive oral history material from numerous recording pioneers including Joe Bihari of Modern Records; Marshall Chess of Chess Records; Jerry Wexler, Ahmet Ertegun, and Miriam Bienstock of Atlantic Records; Sam Phillips of Sun Records; Art Rupe of Specialty Records; and many more.
474 kr
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Q: Is he afraid of work? A: No, he can lie down beside it and go to sleep.This volume is an encyclopedia of the many country music performers who made comedy a central part of their careers. Loyal Jones offers an informative biographical sketch of each performer and many entries include a sample of the artist's humor, a recording history, and amusing anecdotal tidbits. Starting with vaudeville and radio barn dance figures like the Skillet Lickers and the Weaver Brothers and Elviry, Jones moves on to the regulars on Hee Haw and the Grand Old Opry and present-day comedians from the Austin Lounge Lizards to Jeff Foxworthy. Jones's introductory essay discusses such topics as stock comic figures, venues for comedic performance, and benchmark performers. Throughout the volume, he places each performer squarely in the context of the country music community, its performing traditions, and each artist's place in the larger cultural milieu.
390 kr
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Set against the drama of the Great Depression, the conflict of American race relations, and the inquisitions of the House Un-American Activities Committee, Cafe Society tells the personal history of Barney Josephson, proprietor of the legendary interracial New York City night clubs Cafe Society Downtown and Cafe Society Uptown and their successor, The Cookery. Famously known as "the wrong place for the Right people," Cafe Society featured the cream of jazz and blues performers--among whom were Billie Holiday, boogie-woogie pianists, Big Joe Turner, Lester Young, Buck Clayton, Big Sid Catlett, and Mary Lou Williams--as well as comedy stars Imogene Coca, Zero Mostel, and Jack Gilford, and also gospel and folk singers. A trailblazer in many ways, Josephson welcomed black and white artists alike to perform for mixed audiences in a venue whose walls were festooned with artistic and satiric murals lampooning what was then called "high society."Featuring scores of photographs that illustrate the vibrant cast of characters in Josephson's life, this exceptional book speaks richly about Cafe Society's revolutionary innovations and creativity, inspired by the vision of one remarkable man.
347 kr
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George Gershwin lived with purpose and gusto, but with melancholy as well, for he was unable to make a place for himself--no family of his own and no real home in music. He and his siblings received little love from their mother and no direction from their father. Older brother and lyricist Ira managed to create a home when he married Leonore Strunsky, a hard-edged woman who lived for wealth and status. The closest George came to domesticity was through his longtime relationship with Kay Swift. She was his lover, musical confidante, and fellow composer. But she remained married to another man while he went endlessly from woman to woman. Only in the final hours of his life, when they were separated by a continent, did he realize how much he needed her. Fatally ill, unprotected by (and perhaps estranged from) Ira, he was exiled by Leonore from the house she and the brothers shared, and he died horribly and alone at the age of thirty-eight.Nor was Gershwin able to find a satisfying musical harbor. For years his songwriting genius could be expressed only in the ephemeral world of show business, as his brilliance as a composer of large-scale works went unrecognized by highbrow music critics. When he resolved this quandary with his opera Porgy and Bess, the critics were unable to understand or validate it. Decades would pass before this, his most ambitious composition, was universally regarded as one of music's lasting treasures and before his stature as a great composer became secure.In George Gershwin: An Intimate Portrait, Walter Rimler makes use of fresh sources, including newly discovered letters by Kay Swift as well as correspondence between and interviews with intimates of Ira and Leonore Gershwin. It is written with spirited prose and contains more than two dozen photographs.
418 kr
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This first biography of Jimmy McHugh captures a lively and significant contributor to American songwriting. Creator of favorite tunes such as "I'm in the Mood for Love" and "On the Sunny Side of the Street," McHugh was a one-man history of twentieth-century popular music: in his prolific composing career, he wrote songs for Duke Ellington, Shirley Temple, Bobby Breen, Carmen Miranda, Deanna Durbin, Frank Sinatra, Ethel Waters, Adelaide Hall, and scores of other entertainers, and his last works were turned into smash hits by Pat Boone and Fats Domino. Following McHugh from humble Irish-American beginnings in Boston to eventual success in New York, Europe, and Los Angeles, Alyn Shipton deftly evokes the lively milieus of Tin Pan Alley, the Cotton Club, Broadway, and Hollywood. McHugh crossed the color line frequently, writing revues for both black and white entertainers, and he and his songwriting partner Dorothy Fields were also among the first to create Hollywood musical films. In the 1940s, he waged heroic fundraising efforts for the war effort and the crusade against polio. He continued to write songs for shows, movies, and revues and managed up-and-coming singers late in his life.
337 kr
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King of the Queen City is the first comprehensive history of King Records, one of the most influential independent record companies in the history of American music. Founded by businessman Sydney Nathan in the mid-1940s, this small outsider record company in Cincinnati, Ohio, attracted a diverse roster of artists, including James Brown, the Stanley Brothers, Grandpa Jones, Redd Foxx, Earl Bostic, Bill Doggett, Ike Turner, Roy Brown, Freddie King, Eddie Vinson, and Johnny "Guitar" Watson. While other record companies concentrated on one style of music, King was active in virtually all genres of vernacular American music, from blues and R & B to rockabilly, bluegrass, western swing, and country.A progressive company in a reactionary time, King was led by an interracial creative and executive staff that redefined the face and voice of American music as well as the way it was recorded and sold. Drawing on personal interviews, research in newspapers and periodicals, and deep access to the King archives, Jon Hartley Fox weaves together the elements of King's success, focusing on the dynamic personalities of the artists, producers, and key executives such as Syd Nathan, Henry Glover, and Ralph Bass. The book also includes a foreword by legendary guitarist, singer, and songwriter Dave Alvin.