Musik Traditionen / Music Traditions – serie

The “anthropological turn” in ethnomusicology is generally associated with Alan P. Merriam’s “Anthropology of music” (1964). The present volume intends to correct this picture from a European perspective, presenting insights into early fieldwork-based ethnomusicology, hitherto largely restricted by linguistic borders. Eleven authors from different parts of Europe present pioneers in the field who carried out research on the continent and beyond as musicologists, philologists, and folklorists. The volume also includes panoramic overviews of folk music research from specific regional and national perspectives, including national and regional schools of early European ethnomusicology.

Culture as local practice embedded in sound emerges through inherent tensions between historical legacies and contemporary change, and between individual and community. These affect the construction, presentation and representation of culture, renewing the sense of belonging through each performance.Members of Albanian communities in Montenegro are Christian and Muslim, inhabiting mountainous and coastal areas, and both rural and urban environments. These specific circumstances affect the emergence of culture as “that complex whole which includes knowledge, belief, art, morals, law, custom, and any other capacities acquired by man as a member of society” (Tylor), in distinctive ways. These ways are explored in the present study primarily through the impact exercised by musical practices, which are immanent in the creation and shaping of common attitudes and behaviours. Interaction and tensions between individual and community consequently become a condition of belonging, enabling deeper insights when tracing aesthetic topographies and their ever-changing consistency.