October Books – serie

Optical Unconscious

Suspensions of Perception

Attention, Spectacle, and Modern Culture

Women Artists at the Millennium

Robert Ryman

Used Paint

Critical Laboratory

The Writings of Thomas Hirschhorn

Hall of Mirrors

Roy Lichtenstein and the Face of Painting in the 1960s

Formalism and Historicity

Models and Methods in Twentieth-Century Art

On the Eve of the Future

Selected Writings on Film

Toward Fewer Images

The Work of Alexander Kluge

Barbarian Invasions

A Genealogy of the History of Art

Artwork Caught by the Tail

Francis Picabia and Dada in Paris

Gesture and Speech

Women Artists at the Millennium

Being Watched

Yvonne Rainer and the 1960s

Beautiful Language of My Century"

Reinventing the Language of Contestation in Postwar France, 1945–1968

Perpetual Inventory

Painting as Model

Absence of Work

Marcel Broodthaers, 1964-1976

Filming of Modern Life

European Avant-Garde Film of the 1920s

Realism after Modernism

The Rehumanization of Art and Literature

Looking for Bruce Conner

Techniques of the Observer

On Vision and Modernity in the Nineteenth Century

Art Demonstration

Group Material and the 1980s

Gerhard Richter

Painting After the Subject of History

Robert Ryman

Used Paint

Compulsive Beauty

Return of the Real

Art and Theory at the End of the Century

Subjectivity Effect in Western Literary Tradition

Essays toward the Release of Shakespeare's Will

Prosthetic Gods