Oxford Monographs on Classical Archaeology – serie
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33 produkter
33 produkter
Roman Imperial Portrait Practice in the Second Century AD
Marcus Aurelius and Faustina the Younger
Inbunden, Engelska, 2022
2 099 kr
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It has long been thought that imperial portrait types were officially commissioned to commemorate specific historical moments and that they were made available to both the mint and the marble workshops in Rome, assuming a close correspondence between portraits on coins and in the round. All of this, however, has never been clearly proven, nor has it been disproven by a close systematic examination of the evidence on a broad material basis by those scholars who have questioned it. Through systematic case studies of Faustina the Younger's and Marcus Aurelius' portraits on coins and in sculpture, this book provides new insights into the functioning of the imperial image in Rome in the second century AD that move a difficult, much-discussed subject forward decisively. The new evidence presented here has made it necessary to adjust the established model; more flexibility is needed to describe the processes and practices behind the phenomenon of 'repeated' imperial portraits and how the imperial portrait worked in the mint of Rome and in the metropolitan marble workshops.
4 409 kr
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The site of the Mausoleum at Halicarnassus, one of the Seven Wonders of the World, was rediscovered and partially excavated by C. T. Newton's expedition in 1865-6, and has been cleared completely by the Danish Archaeological Expedition to Bodrum (1966-76). Most of the fragments of relief sculpture have not been published before. The larger pieces, including slabs formerly incorporated in the Castle at Bodrum, are well known, but new, detailed photographs are published here for the first time.The Introduction includes a history of the site and the reliefs, with a new hypothesis on their location in the castle, a critique of Newton's accounts of his excavation, and a definitive rebuttal of many attempts made over the past century to attribute the reliefs to the sculptors named by Pliny and Vitruvius as responsible for decorating the four sides of the building, attempts now seen to be mistaken in method and misleading in results.
4 330 kr
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The total number of extant Apulian red-figured vases cannot fall far short of 10,000, and the present work (the first of two volumes) is the first attempt to survey the history and development of the fabric as a whole, from its beginnings in the later fifth century BC to its end around 300. It does not attempt to give a complete corpus, but the authors have tried to include all the more significant workshops and to give a representative selection of the minor pieces. Many Apulian vases display a very high level of technical and artistic competence, and the representations upon them are often of remarkable interest, not only for their illustrations of mythological and theatrical themes but also for the light they shed upon the daily life, customs, and religious beliefs of the Greek colonists and native inhabitants of Apulia.
3 977 kr
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More than 5000 vases from Apulia are classified and catalogued in these volumes. These vases are of great importance for the history of Greek art and, in their representations, for our knowledge of Greek mythology and for illustration of lost literature.
5 202 kr
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The aim of this study is to place the inscriptions found on Athenian vases in the context of the early development of writing in Athens from the time of the invention of the alphabet in the eighth century BC to the early fourth, when the local alphabet had been supplanted by the common Ionic script. Other sources include the inscriptions on stone, both public and private, scratched inscriptions on pottery, among them the political ostraca, and some inscriptions on lead tablets; they are, however, insufficient to give a full picture of actual writing practices in a period from which we have no papyri. Although the vase inscriptions are brief, they number in the thousands, and being autographs of the period, they give a more accurate picture of the art of writing and the state of literacy in the Classical period.This book presents a selection of inscriptions, with many illustrations, that will help students of ancient vase painting to properly appreciate the individuality, writing competence, and level of education of the members of the pottery workshops, and epigraphists to get a better feel for the different styles of the well-known stone inscriptions. Professor Immerwahr has been working for many years on a complete collection of the inscriptions on Attic pottery, which he hopes will help contribute to a wide-ranging study of aspects of ancient life.
5 202 kr
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The visual image of the ruler, particularly in sculpture, played an important role in expressing the character of the new, distinctive style of monarchy brought to Greece and the East by Alexander and the Hellenistic kings. Royal portraits survive on coins and in sculpture, and we read about them in inscriptions and literature - evidence that is here combined to give an historical interpretation of the royal image from Alexander to Kleopatra.Part I looks at the historical setting of royal portrait statues, which functioned as an important medium of exchange between the king and the Greek cities. They gave a visual presentation of royal ideology and expressed the basis of the king's power in a personal godlike charisma. Part II collects together and analyses the major surviving portraits, grouped broadly by time and place, and Part III sets them in the wider political context of the period. The dated coin portraits are used to show broad changes in the royal image and how it responded to the major political challenges from Parthia to the East and Rome to the West.
1 112 kr
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One of the first personalities to be identified in Etruscan art, the Micali Painter (sixth century BC), is also one of the liveliest of ancient vase-painters, and the leading exponent of a black-figure style that owed more to native imagination than the influence of imported Athenian vases. He is named after Guiseppe Micali (1769-1844), who recognized the hoard of vases discussed in this book as being the work of one man. This book presents the first full stylistic study of the painter, together with a catalogue of his surviving work (some two hundred pieces) and an account of his development and influence within the course of archaic Etruscan painting. Much of the material is hitherto unpublished, and the illustrations have been chosen to furnish a full documentation of the Micali Painter's range and originality.
1 165 kr
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This book examines the textual and archaeological evidence for the history of Cyprus from 750 to 500 BC. This significant period of the island's past is examined in three parts. The first surveys what is known about the local population of Cyprus and the political and social organization of the island. The second offer a narrative account of the period within a chronological framework more detailed than any analysis currently available. It suggests that the defining feature of the Cypro-Archaic period was the way in which local kingdoms adapted to different political and economic conditions in the Near East and Egypt, and took advantage of them. It challenges the prevalent view of a succession of foreign overlords controlling the island through military means. The third part discusses the internal and external relations of Cyprus by studying specific groups of pottery, seals, and sculpture. As a whole, this book provies a more complete picture of Archaic Cyprus than ever previously attempted. Generously illustrated with plates and figures, this will be an invaluable work of reference for archaeologists and ancient historians of both the West and Near East.
6 139 kr
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The fortifications built around Greek cities for their defence and protection are among the most impressive of ancient remains. In breadth and detail Anthony McNicoll analysed and illustrated over a score of fortified sites on the basis of personal knowledge and inspection, ranging from Ephesus and Assos on the Aegean to Dura Europus on the Euphrates, and spanning the development from the fourth-century Mausolean great circuit of Halicarnassus to the first-century cross-wall at Miletus. The individual studies provide a valuable publication of some little known material and support not only a technical and architectural history, but an explanation of what was built in broader terms. Anthony McNicoll's Oxford doctoral thesis `Hellenistic Fortifications from Aegean to the Euphrates' was much acknowledged by A. W. Lawrence (the author of Greek Aims in Fortification, OUP 1979), and has been highly praised by a number of scholars who have consulted it. Revised here for publication, it has been updated in the light of recent scholarship in a final chapter by N. P. Milner.
The Local Scripts of Archaic Greece
A Study of the Origin of the Greek Alphabet and its Development from the Eighth to the Fifth Centuries BC
Inbunden, Engelska, 1990
6 650 kr
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This is the only modern work to survey in depth the inscriptions of Greece before 403 BC. Since its first publication in 1961, the body of material available for study has increased substantially, and the size of the Supplement in this reissue is a clear measure of that growth. The new pages are partly the work of Anne Jeffery, and partly that of her pupil Alan Johnston.The original text attempts to reconstruct, for Greek inscriptions from the eighth to the fifth centuries BC, a chronological system (divided tentatively into twenty-five year periods) similar to those already generally accepted for Greek sculpture and pottery. It includes surveys of the origin and dissemination of the alphabet among the city states, the development and content of early inscriptions, and the techniques of the craftsmen, followed by a discussion of the inscriptions of each state. Each section contains a list, with bibliography, of all significant inscriptions, while numerous photographs and facsimiles of the inscriptions provide an important instrument of control. The approach is primarily archaeological, but account is taken also of the many historical, philological, and artistic problems involved.`This is a monumental, an altogether superb, book ... It is a book worth waiting for, a major work for reading and for reference, in its field incomparable, and a contribution to the history of our civilization.' Classical World
4 250 kr
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This book is the first major study of the themes which were used in the decoration of sarcophagi made for children in Rome and Ostia from the late first to early fourth century AD. It provides a selective catalogue of examples of each type, followed by discussion of how these fit into the general pattern. This allows certain themes to be identified which are virtually exclusive to childre's sarcophagi.The second part of the book discusses the choice of subjects and how these reflect the standing of children in Roman society: to what extent, for instance, was childhood shown as a differentiated stage of life, or was it dominated by aspirations of the adult world? How is the death of a child treated in art? There are separate sections on the role of workshops and customers in the development of child-specific imagery, and on material from the early Christian era, providing some interesting differences resulting from differing attitudes towards children and beliefs about life and death.
6 261 kr
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This book is a definitive architectural study of Roman theatre architecture. In nine chapters it brings together a massive amount of archaeological, literary,and epigraphic information under one cover. It also contains a full catalogue of all known Roman theatres, including a number of odea (concert halls) and bouleuteria (council chambers) which are relevant to the architectural discussion, about 1,000 entries in all. Inscriptional or literary evidence relating to each theatre is listed and there is an up-to-date bibliography for each building. Most importantly the book contains plans of over 500 theatres or buildings of theatrical type, as well as numerous text figures and nearly 200 figures and plates.
4 567 kr
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Véronique Dasen here examines dwarfs in myth and everyday life in ancient Egypt and Greece. In both cultures physical beauty was highly admired, even to excess. What happened to those whose appearance did not conform to the `ideal proportion'? The spectacular forms of dwarfism were always a focus of interest, and it is the most depicted disorder in antiquity. In this study Dr Dasen brings together for the first time a whole range of mostly unpublished or little known iconographic, epigraphic, literary, and anthropological evidence. She covers areas such as the history of caricature and the portrait; medical history, in particular the development of the perception of congenital disorders; social history; and history of religion, with questions on the magical and ritual efficacy of the malformed in sacred and theatrical contexts. She considers also the complex relations between mythology and ethnography, as shown, for example, in the Greek myth of the Pygmies. This is a fascinating work, with a wealth of insights for anyone interested in the history of medicine or the ancient world.
Greek Architectural Terracottas from the Prehistoric to the End of the Archaic Period
Inbunden, Engelska, 1994
1 815 kr
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Ancient Greek buildings were renowned for their terracotta roofs, an invention which may have first occurred in prehistoric times and been rediscovered in the seventh century BC. This is the first book to look in detail at the complex variations in tile shape, technical features, and decorative motifs which occurs across Greece, particularly during the Archaic period. Inscriptions refer to Corinthian and Spartan tiles, and two different types of tiles characterizing the roofs of Corinth and Sparta confirm these nomenclatures. A careful analysis of the preserved elements or roofs found in each major city or district, however, reveals considerably more variation, and shows that there were regional styles which distinguished the roofs of north-western Greece. Arcadia, the Argolid, Central Greece, Attica, and the Aegean islands as well.The importance of this new work is not only that it brings a fresh approach to the topic, revealing the regional styles of roofs as of pottery and sculpture, but also that it shows exactly how ancient roofs were assembled, by providing detailed drawings of several characteristic roofs for each regional system. The book is illustrated with numerous photographs, figures, and maps. It should be invaluable for excavators, surveyors, and architectural historians.
4 216 kr
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The Parthenon and the Erechtheion, two of the best-known monuments of ancient Athens, were once filled with countless priceless treasures - from furniture and musical instruments to jewellery, gold, silver, and bronze. This unique volume presents for the first time the only evidence we have for this massive collection of ancient objets d'art - annually inscribed inventories on tablets written by Athenian officials in the classical period. The author provides the first ever translation of these inscriptions, and comes to some important and exciting conclusions about the life and religion of ancient Athens.
4 528 kr
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A unique, fully illustrated, and fascinating study of all the known carved reliefs decorating official inscriptions in classical and Hellenistic Athens. The author's new and illuminating work on the iconography of these reliefs shows how the gods, heroes, and other personifications were not simply decorative, but integral to the overall political message.
5 202 kr
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Engraved gems were used by the Greeks as seals and amulets, but were primarily valued as ornaments. Their iconography was drawn from a wide range of motifs and standard devices current in other art forms. In the Hellenistic period gem cutters remained faithful to the classical tradition, but were able to develop new subjects and styles. Portraits, especially of royalty, became the commonest subject in glyptic after Alexander, a practice that continued through the Roman period and was still popular with patrons and artists of the Renaissance and even later. This volume follows the development of gem engraving from Alexander's conquest of the East to the Augustan period. Hellenistic gems are studied in their archaeological and historical context: evidence on their use, significance, and value; questions of technique and style; and problems of chronology and distribution. Special sections have been devoted to patronage of gem-engravers and the relationship of gem-cutting with other miniaturist arts and coinage.
3 536 kr
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Dionysian Imagery in Fifth-Century Athens is a response to the question, `What can surviving visual sources reveal about fifth-century Attic perceptions of Dionysos?' In this sequel to his book Dionysian Imagery in Archaic Greek Art (1986), Thomas Carpenter defines a methodology for using ancient Greek imagery as evidence for cultural and religious activity based on an empirical rather than theoretical approach. Red-figure vases provide the richest source of Dionysian iconography, but the significant volume of evidence supplied by architectural sculpture, coins, and the theatre also demands attention. The conclusions that Carpenter draws from his extensive study challenge commonly-held views about the meaning of Dionysian imagery: women depicted with the god in red-figure vase scenes are demonstrated to be semi-divine nymphs rather than human `maenads' and cannot be seen as evidence for maenadic practices in Attic cults; although many fifth-century depictions are mock-heroic, the Dionysos of the comic theatre is never represented, nor is the god ever dressed in feminine clothing. It is also argued that the introduction of accessories associated with ecstatic worship in Dionysian scenes can be explained with reference to narratives rather than attributed to cult practices. While seeking to unravel the important social and cultural implications of this religious imagery, Carpenter takes care to point out the problems inherent in the evidence available for scrutiny.
5 043 kr
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Spectacular archaeological discoveries were made during the 1970s and 1980s in Bulgaria and North Aegean Greece which sparked international interest in the forgotten Odrysian kingdom of Thrace. Here, for the first time, these and earlier discoveries are presented in their archaeological and historical context. The Thracians were the fabulously wealthy and populous neighbours of the ancient Greeks, whose golden age began in the fifth century BC when an inter-tribal state was created by the ruling dynasty of the tribe - the Odrysians. A vogue in the Greek world for Orpheus the Thracian coincided with the period of the Odrysians's greatest prominence. Not only does this book analyse the fascinating cultural amalgam of native, Persian, and Greek elements by the Odrysian governing elite, it also provides new data on the external relations of Athens, Thasos, and Macedon in the classical and early Hellenistic periods.
3 049 kr
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This book concerns the history of the interpretation of Attic painted vases, and is based on a comparative study of the works of Edmond Pottier (1855-1934), the founder and organizer of the Corpus Vasorum Antiquorum, and John Beazley (1885-1970), who carried out the majority of vase attributions. The comparison between the two men involves an examination of two intellectual traditions which run through the history of the study of pottery. The first of these accentuates the documentary value of vases and the need to ensure their global publication, while the second views vases as objets d'art, and endeavours to trace the development of artistic forms by constructing a history of vase-painters. In reality these approaches are not directly conflicting, but represent two poles around which the discipline of pottery scholarship is organized. By showing how both interpretations have gained support in the more recent past, this work aims to provide a better understanding of the issues involved in the study of pottery today.
4 409 kr
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Archaic Naukratis was a busy trading place in the Western Delta of the Nile, renowned for its sanctuaries and courtesans, granting the Greeks access to Egyptian grain and luxury items. Now, more than one hundred years after the discovery and excavation of Naukratis, the author offers the first full-length analysis of the archaeology and archaic history of this important site. Although Naukratis always features in modern accounts of ancient Greek colonization, it was not a place where the Greeks could freely establish their own political and social organization - it was under the strict control of the Egyptian pharaoh and his officials. To understand the special status of Naukratis, the author takes the port of trade model, surveying the political, social, and economic background of both Late Period Egypt and archaic Greece. A major section of the book comprises an archaeological re-evaluation of the topography of archaic Naukratis and its material finds. The sanctuaries, archaic pottery styles, terracottas, faiences, statuettes, and other small finds are examined in the light of recent scholarship, and an in-depth study of the literary evidence is brought to bear on the archaeological material. This book comprises a significant contribution to our understanding of Graeco-Egyptian relations during the seventh and sixth centuries BC and also demonstrates that Polanyian economic theory can play an invaluable rôle in the ongoing debate about the concepts best employed to analyse the ancient Greek economy.
5 431 kr
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Composite statues of gold (chrysos), ivory (elephas), and other precious materials were the most celebrated artworks of classical antiquity. Greek and Latin authors leave no doubt that such images provided a centrepiece for religious and civic life and that vast sums were spent to produce them. A number of these statues were the creations of antiquity's most highly acclaimed artists: Polykleitos, Alkamenes, Leochares, and, of course, Pheidias, whose magnificent Zeus Olympios came to be ranked among the Seven Wonders of the World. Although a few individual images such as Pheidias' Athena Parthenos have been the subject of detailed scholarly analysis, chryselephantine statuary as a class, from the exquisite statuettes of Minoan Crete to the majestic temple images constructed by classical Greek city-states and imitated by the Romans, has not received comprehensive study since 1815. This book presents not only the ancient literary and epigraphical evidence for lost statues and examines representations of them in other media, but also assembles and analyses much-neglected physical survivals, elucidating throughout the innovative techniques, such as ivory-bending, employed in their production as well as the variety of social, religious, and political roles they played within the ancient societies that produced them.
2 580 kr
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Religious Architecture in Latium and Etruria c. 900-500 BC presents the first comprehensive treatment of cult buildings in western central Italy from the Iron Age to the Archaic Period. By analysing the archaeological evidence for the form of early religious buildings and their role in ancient communities, it reconstructs a detailed history of early Latial and Etruscan religious architecture that brings together the buildings and the people who used them.The first part of the study examines the processes by which religious buildings changed from huts and shrines to monumental temples, and explores apparent differences between these processes in Latium and Etruria. The second part analyses the broader architectural, religious, and topographical contexts of the first Etrusco-Italic temples alongside possible rationales for their introduction. The result is a new and extensive account of when, where, and why monumental cult buildings became features of early central Italic society and set precedents for the great temples of republican Rome.
1 914 kr
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The Dodecanese and the Eastern Aegean Islands in Late Antiquity, AD 300-700 is a regional study of the history, archaeology, and religious profile of the Late Antique Dodecanese (the islands of the south-eastern Aegean, centred on Rhodes), exploring how the spread of Christianity altered these communities and how the prosperity of the eastern Roman Empire, and the new capital in Constantinople, affected their life. Incorporating comparative evidence from the rest of the Aegean islands and both the Greek and Turkish mainlands, the volume analyses material from the whole area as part of a wider system of social and economic relations, political history, and culture. Accompanied by an extensive archaeological gazetteer, it presents the administrative and political history of the islands and considers the written and archaeological evidence for the monotheistic communities of the eastern Aegean, offering a closer examination of the late history of pagan temples and the transition to Christianity. It discusses the settlement and economic history of the islands, focusing on the urban history of Rhodes and Kos, but also on the numerous key non-urban sites from the rest of the islands, in particular the extended ruins of a barely known site located in the small island of Saria, north of Karpathos. The final chapter addresses the seventh century-which saw the destruction of so much of what had been built up in the fourth to sixth centuries-when the islands' societies acquired a new role for the State as naval outposts, functioning as a border zone in the course of the Arab-Byzantine wars.
1 950 kr
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Figured Tombstones from Macedonia, Fifth-First Century BC brings together for the first time a substantial body of material from ancient Macedonia, comprising stone funerary monuments, be they statues, stelai, or reliefs, which feature figured representations. The volume's geographical focus encompasses what can be referred to as the national territory of the ancient Macedonians, as established largely from the reign of Philip II until the last Antigonids, and extending from the range of Mount Pindos and Lake Lychnitis in the west as far as the Strymon valley and Mount Pangaion in the east. Its broad chronological scope stretches back to prehistoric times, when stone funerary monuments seem to have first appeared in the area, and into the first century AD, when significant changes in the modes which shaped (self-) representation in a funerary context can be traced. However, the volume takes as its main focus the Classical and Hellenistic periods, describing and unravelling the codes which moulded the representation of the dead on tombstones dating from the fifth to the first century BC. Paying close attention to the wealth of information that can be gained through morphological, typological, iconographical, and epigraphic analysis, the volume goes beyond artistic evaluation to consider social history: social and gender roles, social status, cultural identity, regionalism or consciously constructed cosmopolitanism, shifts in religious behaviour, and attitudes towards death and a possible afterlife are all addressed, revealing the ideas that shaped aesthetic predilections and the choice of (self-)representation.
593 kr
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Religious Architecture in Latium and Etruria, c. 900-500 BC presents the first comprehensive treatment of cult buildings in western central Italy from the Iron Age to the Archaic Period. By analysing the archaeological evidence for the form of early religious buildings and their role in ancient communities, it reconstructs a detailed history of early Latial and Etruscan religious architecture that brings together the buildings and the people who used them.The first part of the study examines the processes by which religious buildings changed from huts and shrines to monumental temples, and explores apparent differences between these processes in Latium and Etruria. The second part analyses the broader architectural, religious, and topographical contexts of the first Etrusco-Italic temples alongside possible rationales for their introduction. The result is a new and extensive account of when, where, and why monumental cult buildings became features of early central Italic society.
4 131 kr
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The potter and painter Myson founded the Mannerist workshop at the end of the sixth century BC. The Mannerists were his pupils and pupils of his pupils, and specialized in columnkraters, hydriai, and pelikai. The workshop was unusually long-lived and was active through the whole of the fifth century and the first decade of the fourth.The style of painting and the choice of some subjects are curiously old-fashioned. A number of pictures show rare themes such as the Death of Prokris, Odysseus and Nausicaa, and Orestes in Delphi. Other paintings give an unusual twist to well-known stories. The Mannerists were influenced by theatrical productions, extant wall paintings, and the works of other vase-painters.The workshop provides important clues for the chronology of Attic vase-painting, for example drawing reflecting Pheidias' Athena Parthenos, and Aeschylos' plays Sphinx, Eumenides, and Seven against Thebes.
The Protogeometric Aegean
The Archaeology of the Late Eleventh and Tenth Centuries BC
Inbunden, Engelska, 2003
6 528 kr
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This is the first full and up-to-date survey of Aegean archaeology at the beginning of the Iron Age (late eleventh and tenth centuries BC) since Snodgrass's classic The Dark Age of Greece (1971). These crucial 150 years in the development of ancient Greek society are known as the Protogeometric period after the characteristic pottery which was commonly in use in the Aegean. The book offers a detailed account of old and new discoveries with chapters on pottery, metal finds, burial customs, and architectural remains (and how to use them to understand the social and political structure of the society). This analysis of the material culture of the period covers not only well-known sites such as Athens and Lefkandi but also other, less familiar, regions, many of which are discussed in English for the first time. In addition, Dr Lemos examines a number of specific issues such as relative and absolute chronology, the introduction of iron technology in the Aegean, and the use of handmade pottery and jewellery. The archaeological record is also used to suggest interpretations of the social and political structure of the society, cult practices, and the use of Homer in understanding the period. The book challenges the description of the period from the collapse of the Mycenean palace system to the formation of early Greek city-states as the 'Dark Age of Greece'. Dr Lemos argues that some of the advances on socio-economic structures towards the formation of states, which were thought to belong to the eighth century BC, might have started to develop much earlier, in the course of the tenth century.
2 781 kr
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This is the first comprehensive and fully illustrated study of silver vessels from ancient Macedonia from the 4th to the 2nd centuries BC. These precious vessels formed part of dining sets owned by the royal family and the elite and have been discovered in the tombs of their owners. Eleni Zimi presents 171 artifacts in a full-length study of form, decoration, inscriptions and manufacturing techniques, set against contemporary comparanda in other media (clay, bronze, glass). She adopts an art historical and sociological approach to the archaeological evidence and demonstrates that the use of silver vessels as an expression of wealth and a status symbol is not only connected with the wealth spread in the empire after Alexander's the Great expedition to the East, but constitutes a practice reflecting the opulence and appreciation for luxury at least in the Macedonian court from the reign of Philip II onwards.
3 272 kr
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In this fully illustrated study, Rune Frederiksen assembles all sources for Archaic city walls in the ancient Greek world, and argues that widespread fortification of settlements and towns, usually considered to date from the Classical period, in fact took place much earlier. Frederiksen discusses the types of fortified settlement and the topography of urban fortification, and also the preservation of structures from early settlements. He also presents an architectural history of Greek fortification walls before the Classical period, and makes the intriguing observation that early monumental architecture developed just as much in fortifications as it did in early temples. This underlines the importance of the secular sphere for the development of early communities across the Greek world.