Pickering Masters – serie

The image of Robert Boyle owes much to a series of evaluations of him written shortly after his death by men who had known him well, such as John Evelyn, Gilbert Burnet and Sir Peter Pett. This book includes a selection of these previously unpublished texts.

This critical edition is the first such version of Christianity Not as Old as the Creation and the first time it has been reprinted. Starr’s attribution is not only a significant contribution to Defoe scholarship, but in making it he provides an excellent ‘how to’ guide for scholars wishing to add other non-attributed works to the Defoe canon.

Best known for "Enquiry Concerning Political Justice" (1793) and "Caleb Williams" (1794), William Godwin (1756-1836) is one of the most important figures of the Romantic period. This book offers academics the chance to build a complete picture of Godwin as a writer and political figure.

In 1864, George Eliot began writing her longest poem, "The Spanish Gypsy". This project exhausted her, and her partner took the manuscript away from her for fear it was making her ill. This work explains what Eliot read to research the poem, which parts caused her particular problems and summarises the poem's critical reception.

This volume contains a newly-edited cache of over 30 manuscript essays on a diverse range of topics and descriptions.

Contains letters from Francis Jeffrey (1773-1850) to Thomas Carlyle (1795-1881) and Jane Welsh Carlyle (1801-1866). The letters in this title present a personal and intellectual narrative of nineteenth-century Britain.

Presents George Eliot's shorter poetry. This volume includes an introduction, which discusses Eliot's interest in poetry verse and its relation to her prose and prose fiction; her recurring themes and motifs; the poetry's critical reception and its value to modern readers.

Vernon Lee was the pen name of Violet Paget (1856–1935) – a prolific author best known for her supernatural fiction and her radical polemics. She was also an active letter writer whose correspondents include many well-known figures in fin de siècle intellectual circles across Europe. However, until now no attempt has been made to make these letters widely available in their complete form. This multi-volume scholarly edition presents a comprehensive selection of her English, French, Italian, and German correspondence — compiled from more than 30 archives worldwide — that reflect her wide variety of interests and occupations as a Woman of Letters and contributor to scholarship and political activism. The edition focuses on those letters concerning the writing, ideas and aesthetics that influenced Lee’s articles, books and stories. Full transcriptions of letters are arranged in chronological order along with newly written introductions that explain their context and identifies the recipients, friends and colleagues mentioned. Since scholarship on Lee’s critical and creative output is still in the beginning stages, these letters will serve a purpose to students and researchers in a number of academic fields.The letters in this fourth volume (1897-1904) reveal the extraordinary range of Lee’s intellectual network across Europe and the central role that correspondence played in sustaining her social and professional life. Her correspondents include leading literary and cultural figures, and the volume documents evolving relationships marked by affection, collaboration, conflict, reconciliation, and estrangement. It traces her romantic attachment to Clementina Anstruther-Thomson, which gradually cooled into a lasting friendship; her reconciliation with Henry James; tensions with Bernard Berenson and Mary Costelloe following accusations of plagiarism; and the formation of new friendships with prominent writers and patrons. The letters also illuminate her personal circumstances: her lifelong devotion to her half-brother Eugene Lee-Hamilton, his recovery and marriage after their mother’s death, her grief over the passing of close friends such as Gabrielle Delzant, and her efforts to maintain connections within an ever-shifting cosmopolitan circle.At the same time, the correspondence provides detailed insight into Lee’s creative, intellectual, and social commitments during a highly productive period. It documents the publication of Genius Loci, the completion of Hortus Vitae, the beginning of Laurus Nobilis, and the composition of her play Ariadne in Mantua, as well as her research in psychology and aesthetics. Her travels across France and Germany—especially the German forests—deeply influenced her writing, and she vividly describes her impressions of landscapes, music festivals, and cultural life. Beyond literature, the letters reflect her engagement with broader causes, including nursing reform, the protection of historic buildings in Florence, and practical concerns such as copyright, translation, publishing, repairs to her home Il Palmerino, and revisions to her will. Overall, the volume portrays Vernon Lee as a complex, intellectually ambitious, and socially engaged European writer whose correspondence is indispensable for understanding both her work and the cultural networks of the fin de siècle.

A core member of the Bloomsbury Group, Lytton Strachey (1880–1932) is recognized for his radical influence on the new school of psychological biography. This volume collects for the first time Strachey’s previously unpublished essays, dialogues and stories.

Robert Owen (1771-1858) was the founder of British socialism, and one of the most influential reformers in Britain and America in the first half of the 19th century. This book contains all Owen's key writings on the ideal community, socialism, religion, and the capitalist economic system.

Robert Owen (1771-1858) was the founder of British socialism, and one of the most influential reformers in Britain and America in the first half of the 19th century. This book contains all Owen's key writings on the ideal community, socialism, religion, and the capitalist economic system.

Robert Owen (1771-1858) was the founder of British socialism, and one of the most influential reformers in Britain and America in the first half of the 19th century. This book contains all Owen's key writings on the ideal community, socialism, religion, and the capitalist economic system.

Robert Owen (1771-1858) was the founder of British socialism, and one of the most influential reformers in Britain and America in the first half of the 19th century. This book contains all Owen's key writings on the ideal community, socialism, religion, and the capitalist economic system.

Nicholas Rowe was the first Poet Laureate of the Georgian era. A fascinating and important yet largely overlooked figure in eighteenth-century literature, he is the ‘lost Augustan’. His plays are important both for the way they address the political and social concerns of the day and for reflecting a period in which the theatre was in crisis. This edition sets out to demonstrate Rowe’s mastery of the early eighteenth century theatre, especially his providing significant roles for women, and examines the political and historical stances of his plays. It also highlights his work as a translator, which was both innovative and deeply in tune with current practices as exemplified by John Dryden and Alexander Pope. This is the first scholarly edition of all Rowe’s plays and poems and is accompanied by 15 musical scores and 31 black and white illustrations. In this final volume the second part of his translation of Lucan’s Pharsalia, described by Samuel Johnson as one of the greatest productions in English poetry, is presented along with some his own original poetry. A newly written explanatory introduction to the Pharsalia by Stephen Bernard precedes the full edited text in volume IV. Appendices covering the related music and textual apparatus are also included. The edition comes with a consolidated bibliography for ease of reference.

The career of Erasmus Darwin (1731-1802) affords an extraordinary glimpse into the intellectual ferment of late-eighteenth- and early-nineteenth-century Britain. As a popular poet, practicing physician, inventor of speaking machines and mechanical birds, essayer of natural history from geology to meteorology, and proponent of an evolutionary theory that inspired his famous grandson Charles, he left a lasting impression on almost every branch of knowledge. His magnum opus, and the synthesis of his myriad interests, is The Botanic Garden (1792) — an epic poem that aims to "enlist the Imagination under the banner of Science." Part I, The Economy of Vegetation, sings the praises of British industry as a dance of supernatural creatures while part II, The Loves of the Plants, wittily employs metaphors of human courtship to describe the reproductive cycles of hundreds of flowers. Darwin supplements his accomplished verses with (often much longer) "philosophical notes" that offer his idiosyncratic perspective on the scholarly controversies of the day. Despite a recent surge of academic interest in Darwin, however, no authoritative critical edition of The Botanic Garden exists, presenting a barrier to further scholarship. This two volume set comprises a complete, meticulously transcribed, reading text — including all the poetry, prose apparatus, and illustrations — along with extensive commentary that situates Darwin within contemporary debates about the natural sciences. This set will be of interest to readers as the definitive reference edition of The Botanic Garden and due to its efforts to make the work more practically and intellectually accessible to seasoned and novice readers alike.The first volume presents a wide ranging and authoritative introduction to The Botanic Garden, detailing the background to the work and the various contexts in which it should be understood. These include: aesthetic theory and practice, the science of the mind, love and sexuality, politics, spirituality, the natural sciences, and evolutionary theory and the two Darwins. The full text of Part I of the The Botanic Garden, The Economy of Vegetation, then follows accompanied by the editors’ annotations, discussion of illustrations and textual notes.

The career of Erasmus Darwin (1731-1802) affords an extraordinary glimpse into the intellectual ferment of late-eighteenth- and early-nineteenth-century Britain. As a popular poet, practicing physician, inventor of speaking machines and mechanical birds, essayer of natural history from geology to meteorology, and proponent of an evolutionary theory that inspired his famous grandson Charles, he left a lasting impression on almost every branch of knowledge. His magnum opus, and the synthesis of his myriad interests, is The Botanic Garden (1792) — an epic poem that aims to "enlist the Imagination under the banner of Science." Part I, The Economy of Vegetation, sings the praises of British industry as a dance of supernatural creatures while part II, The Loves of the Plants, wittily employs metaphors of human courtship to describe the reproductive cycles of hundreds of flowers. Darwin supplements his accomplished verses with (often much longer) "philosophical notes" that offer his idiosyncratic perspective on the scholarly controversies of the day. Despite a recent surge of academic interest in Darwin, however, no authoritative critical edition of The Botanic Garden exists, presenting a barrier to further scholarship. This two volume set comprises a complete, meticulously transcribed, reading text — including all the poetry, prose apparatus, and illustrations — along with extensive commentary that situates Darwin within contemporary debates about the natural sciences. This set will be of interest to readers as the definitive reference edition of The Botanic Garden and due to its efforts to make the work more practically and intellectually accessible to seasoned and novice readers alikeThis second volume includes the full version of the second part of The Botanic Garden, The Lives of Plants along with the related textual apparatus consisting of the editors’ annotations, discussion of the illustrations, textual notes, and a taxonomic table of the flowers mentioned.

This book is the first of two volumes in an edited collection that brings together the unpublished letters of the extended Clairmont family, for the first time. The letters, housed in the Carl H. Pforzheimer Collection of Shelley and His Circle at the New York Public Library, inform our understanding of the Shelley-Godwin circle through the experiences and thoughts of their descendants. The correspondence also enables us to see into the contemporary social history of nineteenth-century families living in Europe and Australia, dealing with subjects such as the conflicts in Europe, woes in the European financial markets, and the effects of Australian pioneer life on immigrants to that country.The Clairmont Family Letters, 1839–1889 improves upon scholarship made by other Shelley and Clairmont collections and is furnished with editorial notes and apparatus from Dr. Sharon Joffe. These volumes will be of significant interest to scholars in British Romanticism.

This book is the second of two volumes in an edited collection that brings together the unpublished letters of the extended Clairmont family, for the first time. The letters, housed in the Carl H. Pforzheimer Collection of Shelley and His Circle at the New York Public Library, inform our understanding of the Shelley-Godwin circle through the experiences and thoughts of their descendants. The correspondence also enables us to see into the contemporary social history of nineteenth-century families living in Europe and Australia, dealing with subjects such as the conflicts in Europe, woes in the European financial markets, and the effects of Australian pioneer life on immigrants to that country.The Clairmont Family Letters, 1839–1889 improves upon scholarship made by other Shelley and Clairmont collections and is furnished with editorial notes and apparatus from Dr. Sharon Joffe. These volumes will be of significant interest to scholars in British Romanticism.

Philip Webb was a British architect known as a founder of the Arts and Crafts movement and also a key member of the Pre-Raphaelite circle. He had a long association with William Morris and was responsible for the design of the hugely influential Red House, Morris’s first home. Webb's letters will be of interest to art and architecture historians.

Philip Webb was a British architect known as a founder of the Arts and Crafts movement and also a key member of the Pre-Raphaelite circle. He had a long association with William Morris and was responsible for the design of the hugely influential Red House, Morris’s first home. Webb's letters will be of interest to art and architecture historians.

Philip Webb was a British architect known as a founder of the Arts and Crafts movement and also a key member of the Pre-Raphaelite circle. He had a long association with William Morris and was responsible for the design of the hugely influential Red House, Morris’s first home. Webb's letters will be of interest to art and architecture historians.

Philip Webb was a British architect known as a founder of the Arts and Crafts movement and also a key member of the Pre-Raphaelite circle. He had a long association with William Morris and was responsible for the design of the hugely influential Red House, Morris’s first home. Webb's letters will be of interest to art and architecture historians.

Nicholas Rowe was the first Poet Laureate of the Georgian era. A fascinating and important yet largely overlooked figure in eighteenth-century literature, he is the ‘lost Augustan’. His plays are important both for the way they address the political and social concerns of the day and for reflecting a period in which the theatre was in crisis. This edition sets out to demonstrate Rowe’s mastery of the early eighteenth century theatre, especially his providing significant roles for women, and examines the political and historical stances of his plays. It also highlights his work as a translator, which was both innovative and deeply in tune with current practices as exemplified by John Dryden and Alexander Pope. This is the first scholarly edition of all Rowe’s plays and poems and is accompanied by 15 musical scores and 31 black and white illustrations. In this first volume, a general introduction by Stephen Bernard and Michael Caines introduces Rowe's works and the five volumes that comprise this set. It then presents the early plays, The Ambitious Step-Mother, Tamerlane, and The Fair Penitent along with a newly written explanatory introduction by Rebecca Bullard and John McTague which precedes the full edited text. Appendices covering dedications performance history, the related music and textual apparatus are also included. A consolidated bibliography is included with the final volume for ease of reference.

Nicholas Rowe was the first Poet Laureate of the Georgian era. A fascinating and important yet largely overlooked figure in eighteenth-century literature, he is the ‘lost Augustan’. His plays are important both for the way they address the political and social concerns of the day and for reflecting a period in which the theatre was in crisis. This edition sets out to demonstrate Rowe’s mastery of the early eighteenth century theatre, especially his providing significant roles for women, and examines the political and historical stances of his plays. It also highlights his work as a translator, which was both innovative and deeply in tune with current practices as exemplified by John Dryden and Alexander Pope. This is the first scholarly edition of all Rowe’s plays and poems and is accompanied by 15 musical scores and 31 black and white illustrations. In this second volume the middle plays, The Biter, Ulysses, and The Royal Convert are presented, along with a newly written explanatory introduction by Michael Caines which precedes the full edited text. Appendices covering dedications, prologues and epilogues, performance history, the related music and textual apparatus are also included. A consolidated bibliography is included with the final volume for ease of reference.

Nicholas Rowe was the first Poet Laureate of the Georgian era. A fascinating and important yet largely overlooked figure in eighteenth-century literature, he is the ‘lost Augustan’. His plays are important both for the way they address the political and social concerns of the day and for reflecting a period in which the theatre was in crisis. This edition sets out to demonstrate Rowe’s mastery of the early eighteenth century theatre, especially his providing significant roles for women, and examines the political and historical stances of his plays. It also highlights his work as a translator, which was both innovative and deeply in tune with current practices as exemplified by John Dryden and Alexander Pope. This is the first scholarly edition of all Rowe’s plays and poems and is accompanied by 15 musical scores and 31 black and white illustrations.In this third volume the late plays, The Tragedy of Jane Shore and The Tragedy of the Lady Jane Grey are presented, along with a newly written explanatory introduction by Claudine van Hensbergen which precedes the full edited text. Appendices covering performance history, the related music and textual apparatus are also included. A consolidated bibliography is included with the final volume for ease of reference.

Nicholas Rowe was the first Poet Laureate of the Georgian era. A fascinating and important yet largely overlooked figure in eighteenth-century literature, he is the ‘lost Augustan’. His plays are important both for the way they address the political and social concerns of the day and for reflecting a period in which the theatre was in crisis. This edition sets out to demonstrate Rowe’s mastery of the early eighteenth century theatre, especially his providing significant roles for women, and examines the political and historical stances of his plays. It also highlights his work as a translator, which was both innovative and deeply in tune with current practices as exemplified by John Dryden and Alexander Pope. This is the first scholarly edition of all Rowe’s plays and poems and is accompanied by 15 musical scores and 31 black and white illustrations. In this fourth volume his poetry and the first part of his translation of Lucan's Pharsalia, described by Samuel Johnson as one of the greatest productions in English poetry, is presented. A newly written explanatory introduction by Stephen Bernard to the poems, and by Robin Sowerby to the Pharsalia, precedes each of full edited texts. The second part of the text and textual apparatus are included with the fifth volume of this edition. A consolidated bibliography is also included with the final volume for ease of reference.

This is the first volume of a three volume collection of the correspondence of Caroline Norton, covering the period July 1828-Deember 1837. The collection also includes an introduction and five commentaries by the editor, contextualising and embedding Caroline’s literary and political achievements within the narrative of her letters.

This is the second volume of a three volume collection of the correspondence of Caroline Norton, covering the period January 1838-November 1857. The collection also includes an introduction and five commentaries by the editor, contextualising and embedding Caroline’s literary and political achievements within the narrative of her letters.

This is the third volume of a three volume collection of the correspondence of Caroline Norton, covering the period February 1858-June 1877. The collection also includes an introduction and five commentaries by the editor, contextualising and embedding Caroline’s literary and political achievements within the narrative of her letters.