Posthumanism in Practice – serie

Problematic assumptions which see humans as special and easily defined as standing apart from animals, plants, and microbiota, both consciously and unconsciously underpin scientific investigation, arts practice, curation, education, and research across the social sciences and humanities. This is the case particularly in those traditions emerging from European and Enlightenment philosophies. Posthumanism disrupts these traditional humanist outlooks and interrogates their profound shaping of how we see ourselves, our place in the world, and our role in its protection.In Posthumanism in Practice, artists, researchers, educators, and curators set out how they have developed and responded to posthumanist ideas across their work in the arts, sciences, and humanities, and provide examples and insights to support the exploration of posthumanism in how we can think, create, and live. In capturing these ideas, Posthumanism in Practice shows how posthumanist thought can move beyond theory, inform action, and produce new artefacts, effects, and methods that are more relevant and more useful for the incoming realities for all life in the 21st century.

Problematic assumptions which see humans as special and easily defined as standing apart from animals, plants, and microbiota, both consciously and unconsciously underpin scientific investigation, arts practice, curation, education, and research across the social sciences and humanities. This is the case particularly in those traditions emerging from European and Enlightenment philosophies. Posthumanism disrupts these traditional humanist outlooks and interrogates their profound shaping of how we see ourselves, our place in the world, and our role in its protection. In Posthumanism in Practice, artists, researchers, educators, and curators set out how they have developed and responded to posthumanist ideas across their work in the arts, sciences, and humanities, and provide examples and insights to support the exploration of posthumanism in how we can think, create, and live. In capturing these ideas, Posthumanism in Practice shows how posthumanist thought can move beyond theory, inform action, and produce new artefacts, effects, and methods that are more relevant and more useful for the incoming realities for all life in the 21st century.

Problematic assumptions which see humans as special and easily defined as standing apart from animals, plants, and microbiota, both consciously and unconsciously underpin scientific investigation, arts practice, curation, education, and research across the social sciences and humanities. This is the case particularly in those traditions emerging from European and Enlightenment philosophies. Posthumanism disrupts these traditional humanist outlooks and interrogates their profound shaping of how we see ourselves, our place in the world, and our role in its protection. In Posthumanism in Practice, artists, researchers, educators, and curators set out how they have developed and responded to posthumanist ideas across their work in the arts, sciences, and humanities, and provide examples and insights to support the exploration of posthumanism in how we can think, create, and live. In capturing these ideas, Posthumanism in Practice shows how posthumanist thought can move beyond theory, inform action, and produce new artefacts, effects, and methods that are more relevant and more useful for the incoming realities for all life in the 21st century.

Problematic assumptions which see humans as special and easily defined as standing apart from animals, plants, and microbiota, both consciously and unconsciously underpin scientific investigation, arts practice, curation, education, and research across the social sciences and humanities. This is the case particularly in those traditions emerging from European and Enlightenment philosophies. Posthumanism disrupts these traditional humanist outlooks and interrogates their profound shaping of how we see ourselves, our place in the world, and our role in its protection.In Posthumanism in Practice, artists, researchers, educators, and curators set out how they have developed and responded to posthumanist ideas across their work in the arts, sciences, and humanities, and provide examples and insights to support the exploration of posthumanism in how we can think, create, and live. In capturing these ideas, Posthumanism in Practice shows how posthumanist thought can move beyond theory, inform action, and produce new artefacts, effects, and methods that are more relevant and more useful for the incoming realities for all life in the 21st century.

Using an innovative multidisciplinary approach which is deeply invested in posthumanist thought, this book demonstrates how reading science fiction shapes the way we engage with lived environments. In dialogue with works by widely studied science fiction authors Greg Bear, N.K. Jemisin, Paolo Bacigalupi, and Jeff VanderMeer, it draws out how they function as mutant narratives. The first to systematically integrate three fields – feminist posthumanism, cognitive narratology, and science fiction studies – it offers a complex and coherent understanding of readerly experience as material, embodied, dynamic, and imaginative. Covering a range of urgent topics, including climate fiction, New Weird fiction, and new phenomenologies of the body, this book is the first to demonstrate how readerly experience acts as a site for ethical and political reorientation in the time of climate change.

Using an innovative multidisciplinary approach which is deeply invested in posthumanist thought, this book demonstrates how reading science fiction shapes the way we engage with lived environments. In dialogue with works by widely studied science fiction authors Greg Bear, N.K. Jemisin, Paolo Bacigalupi, and Jeff VanderMeer, it draws out how they function as mutant narratives. The first to systematically integrate three fields – feminist posthumanism, cognitive narratology, and science fiction studies – it offers a complex and coherent understanding of readerly experience as material, embodied, dynamic, and imaginative. Covering a range of urgent topics, including climate fiction, New Weird fiction, and new phenomenologies of the body, this book is the first to demonstrate how readerly experience acts as a site for ethical and political reorientation in the time of climate change.

Using an innovative multidisciplinary approach which is deeply invested in posthumanist thought, this book demonstrates how reading science fiction shapes the way we engage with lived environments. In dialogue with works by widely studied science fiction authors Greg Bear, N.K. Jemisin, Paolo Bacigalupi, and Jeff VanderMeer, it draws out how they function as mutant narratives. The first to systematically integrate three fields – feminist posthumanism, cognitive narratology, and science fiction studies – it offers a complex and coherent understanding of readerly experience as material, embodied, dynamic, and imaginative. Covering a range of urgent topics, including climate fiction, New Weird fiction, and new phenomenologies of the body, this book is the first to demonstrate how readerly experience acts as a site for ethical and political reorientation in the time of climate change.

Using an innovative multidisciplinary approach which is deeply invested in posthumanist thought, this book demonstrates how reading science fiction shapes the way we engage with lived environments. In dialogue with works by widely studied science fiction authors Greg Bear, N.K. Jemisin, Paolo Bacigalupi, and Jeff VanderMeer, it draws out how they function as mutant narratives. The first to systematically integrate three fields – feminist posthumanism, cognitive narratology, and science fiction studies – it offers a complex and coherent understanding of readerly experience as material, embodied, dynamic, and imaginative. Covering a range of urgent topics, including climate fiction, New Weird fiction, and new phenomenologies of the body, this book is the first to demonstrate how readerly experience acts as a site for ethical and political reorientation in the time of climate change.

Traditional Western attitudes towards death deal with it as a painful inevitability, something that has to be navigated as a trauma and a taboo. They focus essentially on the ‘management’ of death, an anthropocentric practice prioritising the human life above every other type of existence.Patricia MacCormack explores how we can develop a ‘death activism’ – a variety of tactics and posthuman practices which celebrate death, its inevitability, its forms, from the slow to times of crisis, and how trauma and mourning emerge as their own forms of expression. Crucial to the foundation of death activism is the dissymmetry with which different deaths are met including the mass death of nonhuman animals and ecologies.Death Activism is a feminist, queer, postcolonialist enquiry, that seeks to queer death – making queer our usual familiar death habits and trajectories of thought, toward a jubilant activism that can transform death into a more democratically equal, and a more jubilant force for life.

Traditional Western attitudes towards death deal with it as a painful inevitability, something that has to be navigated as a trauma and a taboo. They focus essentially on the ‘management’ of death, an anthropocentric practice prioritising the human life above every other type of existence.Patricia MacCormack explores how we can develop a ‘death activism’ – a variety of tactics and posthuman practices which celebrate death, its inevitability, its forms, from the slow to times of crisis, and how trauma and mourning emerge as their own forms of expression. Crucial to the foundation of death activism is the dissymmetry with which different deaths are met including the mass death of nonhuman animals and ecologies.Death Activism is a feminist, queer, postcolonialist enquiry, that seeks to queer death – making queer our usual familiar death habits and trajectories of thought, toward a jubilant activism that can transform death into a more democratically equal, and a more jubilant force for life.

Traditional Western attitudes towards death deal with it as a painful inevitability, something that has to be navigated as a trauma and a taboo. They focus essentially on the ''management'' of death, an anthropocentric practice prioritising the human life above every other type of existence.Patricia MacCormack explores how we can develop a ''death activism'' – a variety of tactics and posthuman practices which celebrate death, its inevitability, its forms, from the slow to times of crisis, and how trauma and mourning emerge as their own forms of expression. Crucial to the foundation of death activism is the dissymmetry with which different deaths are met including the mass death of nonhuman animals and ecologies. Death Activism is a feminist, queer, postcolonialist enquiry, that seeks to queer death – making queer our usual familiar death habits and trajectories of thought, toward a jubilant activism that can transform death into a more democratically equal, and a more jubilant force for life.

Traditional Western attitudes towards death deal with it as a painful inevitability, something that has to be navigated as a trauma and a taboo. They focus essentially on the ''management'' of death, an anthropocentric practice prioritising the human life above every other type of existence.Patricia MacCormack explores how we can develop a ''death activism'' – a variety of tactics and posthuman practices which celebrate death, its inevitability, its forms, from the slow to times of crisis, and how trauma and mourning emerge as their own forms of expression. Crucial to the foundation of death activism is the dissymmetry with which different deaths are met including the mass death of nonhuman animals and ecologies. Death Activism is a feminist, queer, postcolonialist enquiry, that seeks to queer death – making queer our usual familiar death habits and trajectories of thought, toward a jubilant activism that can transform death into a more democratically equal, and a more jubilant force for life.

Examining our relationships with architecture beyond human-centric perspectives, Xenoaesthetics challenges conventional views of design and space inhabitation by exploring the architectural project as an autonomous entity. Drawing together insights from philosophy and architecture, this book delves into the conditions, roles, and implications of architectural encounters, conceptualising the architectural project as a site of unity-multiplicity tension, and introducing the concept of xenoaesthetics as a cognitive mode attuned to this structure. This approach invites readers to reimagine architectural experience as a dual action that reveals the project to us and realizes itself through us. As well as implying disciplinary consequences for design questions, Vaillo’s work holds socio-political significance for our everyday architectural interactions, contributing to the quest for practices and discourses on equality. Methodologically, his argument draws from Object-Oriented Ontology and the architect Enric Miralles, offering an additional retrospective crossover that enriches both references.A resource for students, architects, scholars, and enthusiasts interested in exploring architecture beyond assumptions and prescribed value systems, Xenoaesthetics encourages a deeper understanding of the intricate relationship between humans and the architectural project.

Examining our relationships with architecture beyond human-centric perspectives, Xenoaesthetics challenges conventional views of design and space inhabitation by exploring the architectural project as an autonomous entity. Drawing together insights from philosophy and architecture, this book delves into the conditions, roles, and implications of architectural encounters, conceptualising the architectural project as a site of unity-multiplicity tension, and introducing the concept of xenoaesthetics as a cognitive mode attuned to this structure. This approach invites readers to reimagine architectural experience as a dual action that reveals the project to us and realizes itself through us. As well as implying disciplinary consequences for design questions, Vaillo's work holds socio-political significance for our everyday architectural interactions, contributing to the quest for practices and discourses on equality. Methodologically, his argument draws from Object-Oriented Ontology and the architect Enric Miralles, offering an additional retrospective crossover that enriches both references. A resource for students, architects, scholars, and enthusiasts interested in exploring architecture beyond assumptions and prescribed value systems, Xenoaesthetics encourages a deeper understanding of the intricate relationship between humans and the architectural project.