Revisionen – serie
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17 produkter
17 produkter
Del 1 - Revisionen
Regeln der Bedeutung
Zur Theorie der Bedeutung literarischer Texte
Inbunden, Tyska, 2003
3 018 kr
Skickas inom 3-6 vardagar
This volume marks the launch of "Revisionen", a projected series of some eight volumes on basic concepts of literary theory. The series aims to reflect on central concepts of literary studies which have become questionable or problematic in the coarse of debates and to open up new perspectives on them in order to make them available for research in a new manner. Such concepts include, for example, "meaning", "literature", "interpretation". The papers in the individual volumes are derived from specialist international conferences and present systematic and complete compendia of the different aspects of the various concepts. With its structured framework, detailed contextual introduction and index, each volume forms a problem-orientated handbook. The series takes an interdisciplinary approach, drawing not only on literary theory but also on art history, music, philosophy, linguistic and psychology.
Del 2 - Revisionen
Grenzen der Literatur
Zu Begriff und Phänomen des Literarischen
Inbunden, Tyska, 2009
2 943 kr
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The concept of "literature" is notoriously vague and defies definition, yet at the same time it is indispensable in an age where traditional subject boundaries are breaking down. This volume discusses possible ways of defining the concept in such a manner that it can be productively deployed heuristically in varied historical and cultural contexts. At the same time, phenomena such as fictionality and literaricity are taken as the starting point for a search for common features of literature. The following topics are dealt with: 1. Aspects of 'Literature' as a prototype, 2. Fictionality, 3. Historical aspects of the phenomenon of 'Literature', 4. Cultural and social aspects of the phenomenon of 'Literature', 5. The constitution of literature as an object in literary studies.
Del 3 - Revisionen
Characters in Fictional Worlds
Understanding Imaginary Beings in Literature, Film, and Other Media
Inbunden, Engelska, 2010
2 230 kr
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Although fictional characters have long dominated the reception of literature, films, television programs, comics, and other media products, only recently have they begun to attract their due attention in literary and media theory. The book systematically surveys today´s diverse and at times conflicting theoretical perspectives on fictional character, spanning research on topics such as the differences between fictional characters and real persons, the ontological status of characters, the strategies of their representation and characterization, the psychology of their reception, as well as their specific forms and constellations in - and across - different media, from the book to the internet.
2 534 kr
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2 917 kr
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The study of narrative—the object of the rapidly growing discipline of narratology—has been traditionally concerned with the fictional narratives of literature, such as novels or short stories. But narrative is a transdisciplinary and transmedial concept whose manifestations encompass both the fictional and the factual. In this volume, which provides a companion piece to Tobias Klauk and Tilmann Köppe’s Fiktionalität: Ein interdisziplinäres Handbuch, the use of narrative to convey true and reliable information is systematically explored across media, cultures and disciplines, as well as in its narratological, stylistic, philosophical, and rhetorical dimensions. At a time when the notion of truth has come under attack, it is imperative to reaffirm the commitment to facts of certain types of narrative, and to examine critically the foundations of this commitment. But because it takes a background for a figure to emerge clearly, this book will also explore nonfactual types of narratives, thereby providing insights into the nature of narrative fiction that could not be reached from the narrowly literary perspective of early narratology.
Del 3 - Revisionen
Characters in Fictional Worlds
Understanding Imaginary Beings in Literature, Film, and Other Media
Häftad, Engelska, 2016
359 kr
Skickas inom 3-6 vardagar
Although fictional characters have long dominated the reception of literature, films, television programs, comics, and other media products, only recently have they begun to attract their due attention in literary and media theory. The book systematically surveys today's diverse and at times conflicting theoretical perspectives on fictional character.
359 kr
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2 403 kr
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Die Kategorie des Werks wurde in den Literaturwissenschaften in den letzten 50 Jahren massiv kritisiert. Im Laufe der letzten Jahre lässt sich allerdings beobachten, dass der einstmals verpönte Werkbegriff schrittweise wieder zu einer zentralen und produktiven Analysekategorie avanciert ist. Der vorliegende Band untersucht, welche Formen und Funktionen der Werkbegriff in den Geisteswissenschaften des 21. Jahrhunderts annehmen kann.
Del 4 - Revisionen
Érotisme Et Esthétique Des Larmes / Erotik Und Ästhetik Der Tränen
Études Sur La Prose Française (Xviie-XIXe S.) / Studien Zur Französischen Prosa (17.-19. Jh.)
Inbunden, Franska, 2024
1 715 kr
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Del 1 - Revisionen
Riso, Pianto, Lacrime
Una Storia Letteraria Delle Emozioni (I)
Inbunden, Italienska, 2024
1 715 kr
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1 719 kr
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Del 2 - Revisionen
Dario Fo Tra Storia E Politica
Prospettive Di Studio Sull'opera Teatrale
Inbunden, Italienska, 2024
1 552 kr
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Del 5 - Revisionen
Le Sujet Amoureux Dans La Poésie Médiévale
Forme Lyrique Et Organisation Textuelle Chez Cavalcanti, Dante Et Pétrarque
Inbunden, Franska, 2025
1 669 kr
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387 kr
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Del 7 - Revisionen
Oltre I Tabù
Contro-Narrazioni Sovversive del Ciclo Mestruale Dagli Anni Sessanta a Oggi
Inbunden, Italienska, 2025
1 669 kr
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1 594 kr
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1 669 kr
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Dante’s Emotions: Tears and Smiles between Time and Eternity reveals the centrality of tears and smiles in the development of Dante’s poetics and in his theological reflection, suggesting, for the first time, the paramount role which Dante played within the history of emotions.Starting from the Vita Nuova, this study shows that the representation of tears marks the gradual passage from Dante’s total adherence to the tradition of love poetry to his detachment from it, through the conversion of tears from a manifestation of lovesickness to a fundamental penitential tool for Christian salvation. This process reaches its fulfilment in the Commedia, where tears play a central role in Dante’s journey of expiation, corresponding to a progression from tears to smiles – from sin to bliss – which defines the structure of the poem itself and culminates in Dante’s theology of the smile.Dante scholars will be the main beneficiaries of this study: they will gain insight into the importance played by emotions in Dante’s works and by Dante within the history of emotions, which opens the path to new interpretations of the Commedia and of the Vita Nuova and contributes to a deeper understanding of the author's theological and poetic evolution.