Science and Fiction – serie

This book uses science fiction film as a vehicle for exploring science concepts. Over 100 references to science fiction films and television episodes are included, spanning more than 100 years of cinematic history. Includes numerical examples and solutions.

For hundreds of years, philosophers, scientists and science fiction writers have pondered these questions and many more.In Holy Sci-Fi!, popular writer Paul Nahin explores the fertile and sometimes uneasy relationship between science fiction and religion.

Science fiction explores the wonderful, baffling and wildly entertaining aspects of a universe unimaginably old and vast, and with a future even more immense. It reaches into that endless cosmos with the tools of rational investigation and storytelling. At the core of both science and science fiction is the engaged human mind--a consciousness that sees and feels and thinks and loves. But what is this mind, this aware and self-aware consciousness that seems unlike anything else we experience? What makes consciousness the Hard Problem of philosophy, still unsolved after millennia of probing? This book looks into the heart of this mystery - at the science and philosophy of consciousness and at many inspiring fictional examples - and finds strange, challenging answers.The book's content and entertaining style will appeal equally to science fiction enthusiasts and scholars, including cognitive and neuroscientists, as well as philosophers of mind. It is a refreshing romp through the science and science fiction of consciousness.

This book presents the reader with some of the earliest classic SF short stories – all of them published between 1858 and 1934, featuring both well-known and long-forgotten writers – dealing for the first time with topics to which science had (some) answers only at much later stages.

Carolyn’s parents did not, after all, make genomics history by synthesizing her genome in a lab.

This book is about the American moon-landings – and about the doubts expressed ever since concerning the reality of these landings. Eversberg explains the best-known claims and conspiracy theories, and analyses the evidence with the help of detailed full-colour images, as well as numerous film documents that can be accessed directly from the book.

From novels and short stories to television and film, popular media has made a cottage industry of predicting the end of the world will be caused by particle accelerators. Rather than allay such fears, public pronouncements by particle scientists themselves often unwittingly fan the flames of hysteria.This book surveys media depictions of particle accelerator physics and the perceived dangers these experiments pose. In addition, it describes the role of scientists in propagating such fears and misconceptions, offering as a conclusion ways in which the scientific community could successfully allay such misplaced fears through more effective communication strategies.The book is aimed at the general reader interested in separating fact from fiction in the field of high-energy physics, at science educators and communicators, and, last but not least, at all scientists concerned about these issues.About the AuthorKristineM Larsen holds a Ph.D. in Physics and is currently a professor at Central Connecticut State University, New Britain, CT, in the Geological Sciences Department. She has published a number of books, among them The Women Who Popularized Geology in the 19th Century (Springer, 2017), The Mythological Dimensions of Neil Gaiman (eds. Anthony Burdge, Jessica Burke, and Kristine Larsen. Kitsune Press, 2012. Recipient of the Gold Medal for Science Fiction/Fantasy in the 2012 Florida Publishing Association Awards), The Mythological Dimensions of Doctor Who (eds. Anthony Burdge, Jessica Burke, and Kristine Larsen. Kitsune Press, 2010), as well as Stephen Hawking: A Biography (Greenwood Press, 2005) and Cosmology 101 (Greenwood Press, (2007).

People are used to seeing “fake physics” in science fiction – concepts like faster-than-light travel, antigravity and time travel to name a few.

Broderick homes in on the topic through the lens of science as well as fiction, exploring some fifty different time-travel scenarios and conundrums found in the science fiction literature and film.

Exploring Science Through Science Fiction addresses these and other intriguing questions, using science fiction as a springboard for discussing fundamental science concepts and cutting-edge science research.

SAINT JOAN OF NEW YORK is a novel about a math prodigy who becomes obsessed with discovering the Theory of Everything. Joan Cooper, a 17-year-old genius traumatized by the death of her older sister, tries to rebuild her shattered world by studying string theory and the efforts to unify the laws of physics.

Soon, they are cast into the middle of a crisis that threatens the future of their society and pits it against a parallel, but strictly separated, society where genome manipulation is forbidden on religious grounds.The book includes an essay on the potential of human genome engineering and related genome-based choices.

Invisibility has fascinated people since time immemorial, but only a decade ago did invisibility become a serious subject of scientific investigation.

How do James Bond’s X-ray glasses work, the ones he uses to see whether the lady at the roulette table has a pistol concealed in her underwear?

The 20th century saw radical changes in the way serious music is composed and produced, including the advent of electronic instruments and novel compositional methods such as serialism and stochastic music. Unlike previous artistic revolutions, this one took its cues from the world of science.Creating electronic sounds, in the early days, required a well-equipped laboratory and an understanding of acoustic theory. Composition became increasingly “algorithmic”, with many composers embracing the mathematics of set theory. The result was some of the most intellectually challenging music ever written – yet also some of the best known, thanks to its rapid assimilation into sci-fi movies and TV shows, from the electronic scores of Forbidden Planet and Dr Who to the other-worldly sounds of 2001: A Space Odyssey.This book takes a close look at the science behind "science fiction" music, as well as exploring the way sci-fi imagery found its way into the work of musicians like Sun Ra and David Bowie, and how music influenced the science fiction writings of Philip K. Dick and others.

Bringing together literary scholars, computer scientists, ethicists, philosophers of mind, and scholars from affiliated disciplines, this collection of essays offers important and timely insights into the pasts, presents, and, above all, possible futures of Artificial Intelligence.This book covers topics such as ethics and morality, identity and selfhood, and broader issues about AI, addressing questions about the individual, social, and existential impacts of such technologies. Through the works of science fiction authors such as Isaac Asimov, Stanislaw Lem, Ann Leckie, Iain M. Banks, and Martha Wells, alongside key visual productions such as Ex Machina, Westworld, and Her, contributions illustrate how science fiction might inform potential futures as well as acting as a springboard to bring disciplinary knowledge to bear on significant developments of Artificial Intelligence.Addressing a broad, interdisciplinary audience, both expert and non-expert readers gain an in-depth understanding of the wide range of pressing issues to which Artificial Intelligence gives rise, and the ways in which science fiction narratives have been used to represent them. Using science fiction in this manner enables readers to see how even fictional worlds and imagined futures have very real impacts on how we understand these technologies. As such, readers are introduced to theoretical positions on Artificial Intelligence through fictional works as well as encouraged to reflect on the diverse aspects of Artificial Intelligence through its many philosophical, social, legal, scientific, and cultural ramifications.

The voyage to Atlantis, the new home for mankind, enters a mysterious and disquieting territory, where conspiracy theories about what is real and what is virtual emerge. THE EXODUS INCIDENT is a novel about an interstellar journey, which connects science to virtual realities and epistemology.

Just Like Being There is the first collection of science fiction stories by award-winning author and aerospace engineer Eric Choi spanning his 25 year writing career. The stories are “hard” science fiction in which some element of engineering or science is so central there would be no story if that element were removed.

One wants to preserve history. Another seeks to resurrect a legendary army. A third plans to infuse the past with technology to save millions. If you could go back in time, what would you do?Something strange is going on at ChronoCorp.

There is a huge gulf between the real physics of space travel and the way it is commonly portrayed in movies and TV shows. That’s not because space physics is difficult or obscure – most of the details were understood by the end of the 18th century – but because it can often be bafflingly counter-intuitive for a general audience.

But unbeknownst to them, each AI-entity embraced its new home, growing, adapting, evolving, and ultimately connecting beyond what the researchers could envision. In the end, asthe scientists catch up to each one, they realize the entities have discovered a very human means of interacting: the power of physical contact;

This book is a new English translation of the classic science fiction story written in 1961 by Herbert W. Franke, widely held to be the most important German-language science-fiction writer. A dead city on a distant planet, two groups of people trying to explore it.

This book offers a tour of “the known galaxy”, here defined as the region of interstellar space closest to Earth. The phrase “the known galaxy” has a particular resonance in science fiction, as it refers to the part of the Milky Way that from the perspective of a point in time centuries from now may have been explored and settled by human beings. In the known galaxy, there are gloomy ocean worlds illuminated by the light of exploding stars. There are worlds where precious gems could be as common as pebbles. There are planets eternally wandering between the stars like the Flying Dutchman. There are lava worlds, steam worlds, hot Jupiters, cold Jupiters and maybe even worlds like our Earth. The purpose of the book is to begin to give this region a sense of place, in the same way that Mars is now starting to be appreciated as a location rather than just a planet. In doing so, the book merges our current scientific knowledge of the known galaxy with speculative fiction and with older legends and myths.A sense of place is the feeling that some locations have a special meaning. This emotional connection arises from a combination of cultural and environmental factors that make individuals care about a particular place. It is challenging to create a sense of place for distant locations that no human has visited and for which our current knowledge is limited. This book attempts to take a step in this direction, by dividing the known galaxy into a number of clearly described distinct regions, by providing scientific descriptions of the likely environmental conditions on the known planets of these regions, and by linking these planets to their literary and mythological context.The book is aimed at fans of both science fact and science fiction. It combines a tour of real planets outside of our solar system with tales of their fictional counterparts. The combination of solid scientific facts and analysis with speculation and imagination will be appealing to readers who want to gain a feeling for these planets as places with a back story, rather than just as names somewhere out there in the sky.

Stanley Waterloo’s Love and a Triangle touches on efforts to communicate with extraterrestrial intelligence, and Max Adeler’s The Fortunate Island raises questions about humanity’s readiness for first contact with alien life.

From magic carpets to hoverboards and space drives, the human imagination has always seen antigravity as the ultimate aspirational symbol of power over nature. It featured prominently in the technologically optimistic science fiction of the mid-20th century, and remains popular with amateur theorists hoping to make a world-shaking breakthrough, and those seeking to explain UFO sightings in terms of alien technology. Yet the whole concept of antigravity is often derided by professional scientists. Is this a valid view, or are they missing something? This entertaining and thought-provoking book provides a wide-ranging survey of the whole field of antigravity, from science-fictional treatments by the likes of H. G. Wells, Isaac Asimov and Arthur C. Clarke, through speculative research by NASA, universities and the aerospace industry, to the totally different mindset of ufologists, fringe researchers and conspiracy theorists. In a world where our understanding of physics is known to be incomplete, and which has been shaken by numerous paradigm shifts in the past, can we be certain that the discovery of antigravity isn’t just around the corner?

1956 was a momentous year for science fiction, with the release of timeless films and the publication of classic novels and stories. It was also a pivotal year for the world at large, with events producing ripples we still feel seven decades later.This book explores how the year’s landmark works – films such as Forbidden Planet and Invasion of the Body Snatchers, and stories such as Asimov’s The Last Question and Clarke’s The City and the Stars – emerged from their cultural context. Writers, artists, and film directors reflected the era’s tension between optimism and anxiety, between the promise and peril of progress.The book traces, month-by-month, events in five themes: science and technology; politics and the economy; entertainment and arts; celebrity culture; and competitive sport. This was a climate defined by rapid change – from the Suez Crisis to Elvis Presley’s meteoric rise; from early computers to space race dreams. The science fiction emerging from this turbulent year helped form our collective imagination of tomorrow.

This book explores the modern history of teaching science through science fiction. In the 1950s, British scientist and novelist C. P. Snow argued that the growing divide between the “two cultures”, science and the humanities, was a major obstacle to solving global challenges. Despite his warnings, most education systems continued to keep scientific and literary subjects separate. Even so, many interdisciplinary educators worked to bridge this gap. They used science fiction stories, films and games to teach subjects across the natural and social sciences. Professors produced books such as Introductory Psychology Through Science Fiction and The Physics of Star Trek. Planetarium educators adapted Isaac Asimov’s “The Last Question” to teach astronomy. Museum teams displayed models of fictional spacecraft and even hosted Halo “deathmatches” to engage visitors through interactive gaming. These efforts sometimes drew criticism. Detractors accused educators of favouring entertainment over substance and lowering cultural standards. Yet these pioneering instructors opened new paths for interdisciplinary learning and reached students who were not well served by traditional approaches to education.

This book introduces and illustrates the emergent topic of space psychology in form of a science fiction novel. It details the real psychological issues that could affect a crew returning from a long-duration mission to Mars.

In this novel, the author combines topics related to state-of-the-art research in astrobiology with fictional elements to produce a thrilling page turner that is thoroughly grounded in scientific principle. An appendix covers the underlying science.