Studies in Medievalism - Böcker

This volume is devoted to medievalism in England, including: The Antiquarian Impulse in England, 1500-1730, The Two Noble Kinsmen and the Problem of Chivalry, From Medievalism to Historicism, Catholic History and the MiddleAges, Rossetti's Quest for God's Graal.Medievalism - the whole spectrum of post-medieval response to the middle ages - is now accepted as a vital key to the understanding of Western culture and society from 1500 to the present, pervading every aspect of our time, fromthe popularto the scholarly and artistic. Studies in Medievalism, published annually, is the one series to provide a regular forum for discussion of issues related to medievalism. This volume is devoted to medievalism in England, appropriately, since England has always played a central part in the development of medievalism. Contributors from England, Germany, Japan, Canada and the United States deal with topics ranging from 16th-century antiquarianism to 20th-century detective fiction.Contributors: D.R. WOOLF, DENNIS O'BRIEN, PETER HADORN, A. CAMERON AIRHEART, MARTIN WALSH, R.J.SMITH, ROGER SIMPSON, RAYMOND CHAPMAN, CLARE SIMMONS, THOMAS COOKSEY, RENATE HAAS, YURIFUWA, ANTHONY HARRISON, ROBERT BURTON, EDWIN CHRISTIAN, BLAKE LINDSY, MARC BAER.

Concentrating on Europe, this volume's sixteen essays discuss different forms of medievalism in Germany, France, Italy, Spain, and Serbia.Medievalism, the whole spectrum of post-medieval response to the middle ages, is now accepted as a vital key to the understanding of Western culture and society from 1500 to the present, pervading every aspect of our time, from the popular and artistic to the scholarly. Studies in Medievalism, now published annually, is the one series to provide a regular forum for discussion of medievalism. This volume is devoted to medievalism in Europe, excludingEngland (the subject of Volume IV,1992). Contributors from Europe and America consider medievalism in Germany, Italy, France, Spain and Serbia over a wide range of topics from eighteenth-century French politics and nineteenth-century German nationalism to contemporary Italian film.

Studies on the influence of the middle ages, and in particular the Arthurian legends, on the culture of North America.Fifteen essays trace North America's enthusiastic engagement with the middle ages from the Revolution to Disney. There are eight studies of the American reception of Arthur: in art (Abbey, Rosenthal), literature (Canadian writers,John Ciardi), scholarship (R.S. Loomis), politics (JFK), and popular culture (Arthurian youth groups, Disneyland, the Excalibur Casino). Other topics include Tom Paine, Elbertus Hubbard, Edgar Rice Burroughs, C.B. DeMille, popular treatments of Villon, the roots of the New Mexican cuento, and the rhetoric of the Gulf War.Contributors: ROGER WOOD, KYMBERLEY N. PINDER, ERICA E. HIRSHLER, ALAN LUPACK, CHARLOTTE OBERG, RAYMOND H. THOMPSON,STAN GALLOWAY, ROBIN BLAETZ, ROBERT D. PECKHAM, JEFF RIDER, KLAUS P. JANKOFSKY, MARY MORSE, PAMELA S. MORGAN, SUSAN ARONSTEIN, NANCY COINER, JONATHAN M. ELUKIN

The second study of medievalism in Europe shows how the influence of the middle ages has been manifested itself in various forms, throughout the modern age, in Germany, France, Denmark, Sweden - and Brazil.How have the middle ages been constructed in modern European culture? How have these constructions both reflected and refashioned national and political ideology? What has characterised the interplay between literary and artisticmedievalism and the rise of formal medieval studies in the academy? This international collection addresses medievalism in Germany, France, Scandinavia, and postcolonial South America.Contributors: RICHARD J. UTZ, ALBRECHT CLASSEN, OTFRID EHRISMANN, NILS HOLGER PETERSEN, ROBERT E. BJORK, MARTHA L. MACFARLANE, ADAM KNOBLER, WILLIAM CHESTER JORDAN, SUZY BEEMER, WILLIAM CALIN, ROY ROSENSTEIN

Twelve essays discuss how the middle ages are reflected in English culture from the sixteenth century to the present day.Eleven essays, by scholars from America, Australia and the United Kingdom, investigate reinventions of the middle ages in English culture from the end of sixteenth century to the present day. Topics addressed include medievalism in English popular literature; Sir Walter Scott's Sir Tristrem; Elizabeth Barrett Browning and Chaucer; George Stephens and Old Northern philology; Anglo-Saxonism and the Franco-Prussian War; Dante and the Victorian historical sense; the Grail paintings of G.F. Watts; heterogeneity and the Kelmscott Chaucer; revivals of the Chester Mystery plays; and the cinematic art of Terry Gilliam.KATHLEEN VERDUIN is Professor of English, Hope College,Michigan.Contributors: JOHN SIMONS, DAVID MATTHEWS, ALAN LUPACK, KAREN HODDER, ANDREW WAWN, MARILYNN LINCOLN BOARD, CLARE SIMMONS, ALISON MILBANK, DIANA ARCHIBALD, DAVID MILLS, RICHARD H. OSBERG

The second part of Medievalism and the Academy identifies the four specific questions that have come to focus recent scholarship in medievalism: What is difference? what is theory? woman? God?The impact of cultural studies on contemporary medieval studies is investigated in this latest volume of Studies in Medievalism, which also offers an account of the developing interest of contemporary cultural theorists inthe medieval period. Rather than dismissing the connection between medieval studies and cultural criticism as an expression of academic self-interest, the essays identify specific questions which engage both, such as race, history, women, religion, and literature. Topics include the use of Augustine by postcolonial theorists; the influence of studies in medieval mysticism on the development of women's studies programs; and the influence of Foucault and NewHistoricism on the study of medieval history.Contributors: ELLIE RAGLAND, TIMOTHY RICHARDSON, MICHAEL BERNARD-DONALS, CLAY KINSNER, LINDA SEXSON, REBECCA DOUGLASS, LOUISE SYLVESTER, RICHARD GLEJZER, CHARLES WILSON, ANDREW J. DELL'OLIO

Studies in Medievalism is the only journal entirely devoted to modern re-creations of the middle ages: a field of central importance not only to scholarship but to the whole contemporary cultural world.The middle ages remain a prize to be fought for and a territory to control. From early modern times rulers and politicians have sought to ground their legitimacy in ancient tradition - which they have often invented or rewritten for their own purposes. This issue of Studies in Medievalism presents a number of such cases, ranging from the rewriting of Mozart, and Merovingian history, for the King of Bavaria, to the anglicization of the medieval WelshMabinogion by the wife of an English ironmaster. Other articles consider the involvement of scholarship with national and professional self-definition, whether in Renaissance Holland or Victorian Britain. And who "discovered" America, Christopher Columbus or Leif Ericsson? This is an issue of vital importance to many 19th-century Americans, but one created and determined entirely by scholarship. Simple commercial motives for exploiting the middle ages are also represented, whether straightforward forgery for sale, or the giant modern industry of tourism.Professor TOM SHIPPEY teaches in the Department of English at the University of St Louis; Dr MARTIN ARNOLD teaches at University College, Scarborough.Contributors: SOPHIE VAN ROMBURGH, ROLF H. BREMMER JR, BETSY BOWDEN, WERNER WUNDERLICH, JUDITH JOHNSTON, GERALDINE BARNES, RICHARD UTZ, JOHN BLOCK FRIEDMAN, STEVE WATSON.

Essays on the continuing power and applicability of medieval images, with particular reference to recent films.The middle ages provide the material for mass-market films, for historical and fantasy fiction, for political propaganda and claims of legitimacy, and these in their turn exert a force well outside academia. The phenomenon is tooimportant to be left unscrutinised: these essays show the continuing power and applicability of medieval images - and also, it must be said, their dangerousness and often their falsity.Of the ten essays in this volume, several examine modern movies, including the highly-successful A Knight's Tale (Chaucer as a PR agent) and the much-derided First Knight (the Round Table fights the Gulf War). Others deal with the appropriation of history and literature by a variety of interested parties: King Alfred press-ganged for the Royal Navy and the burghers of Winchester in 1901, William Langland discovered as a prophet of future Socialism, Chaucer at once venerated and tidied into New England respectability. Vikings, Normans and Saxons are claimed as forebears and disowned as losers in works as complex as Rider Haggard's Eric Brighteyes, at once neo-saga and anti-saga. Victorian melodramaprovides the clichés of "the bad baronet" who revives the droit de seigneur (but baronets are notoriously modern creations); and of the "bony grasping hand" of the Catholic Church and its canon lawyers (an image spread in ways eerily reminiscent of the modern "urban legend" in its Internet forms). Contributors: BRUCE BRASINGTON, WILLIAM CALIN, CARL HAMMER, JONA HAMMER, PAUL HARDWICK, NICKOLAS HAYDOCK, GWENDOLYN MORGAN, JOANNE PARKER, CLARE A. SIMMONS, WILLIAM F. WOODS. Professor TOM SHIPPEY teaches in the Department of English at the University of St Louis; Dr MARTIN ARNOLD teaches at University College, Scarborough.

Studies of texts from the late middle ages to the contemporary moment, together they indicate, broadly, directions both in postmodern studies and studies in medievalism.Bringing together significant statements on postmodern qualities of the invocation of the medieval, Postmodern Medievalisms is a cross-disciplinary and international collection. The volume also effects a critically celebratory appreciation of the intellectual and political possibilities of the many inchoate modes implicit in various acts of "postmodern" scholarship. The essays treat texts from the late middle ages to the contemporary moment, and together they indicate, broadly, what is happening both in postmodern studies and studies in medievalism. The fourteen essays of the collection are organized into four sections, Music (including Pavel Chinizul, Negru Voda, Arvo Part), Art and Architecture (contemporary architecture, Robert Rauschenberg and more), Cinema (Tolkien, Bresson, Braveheart among the matters discussed), and Literature (including Sir John Mandeville, Marco Polo, Marvel, Naomi Mitchison).Contributors: FLORIN CURTA, PAUL MURPHY, LEOPOLD BRAUNEISS, JOHN M. GANIM, KARL FUGELSO, VERLYN FLIEGER, WILLIAM D. PADEN, BRIAN LEVY, LESLEY COOTE, A.E. CHRISTA CANITZ, JENNIFER COOLEY, PAUL SMETHURST, ELENALEVY-NAVAFRO, ANITA OBERMEIER, SYLVIA MITTLER.

Articles centred on the use made by European nations of medieval texts and other artefacts to define their history and origins.The 19th century was a time of fierce national competition for the "ownership" of medieval documents and the legitimation of national histories. This volume contains papers dealing with the attempts of French scholars to claim English documents (and vice versa), as also of disputes between Scandinavian and British scholars, and Dutch, German and Italian scholars. Regionalism is also a repeated topic, with claims made for the autonomy of Frisia within the Netherlands, and Languedoc within France. Other papers deal with the rediscovery of medieval music, with early American attempts to redirect the course of 20th century poetry by appeal to medieval precedent, and with the continuing vitality of Dante's Divina Commedia (especially the Inferno) in the light of 20th century experience. The volume as a whole sheds new light on the whole process of appropriating history, which remains a vital and contentioustopic, both inside and outside the academic world. CONTRIBUTORS: MARK BURDE, MAGNUS FJALLDAL, ALPITA DE JONG, ANNETTE KREUZIGER-HERR, NILS HOLGER PETERSEN, RACHEL DRESSLER, KARL FUGELS, WILLIAM QUINN, PETER CHRISTENSEN

New essays attempt to survey and map out the increasingly significant discipline of medievalism.Medievalism has been attracting considerable scholarly attention in recent years. But it is also suffering from something of an identity crisis. Where are its chronological and geographical boundaries? How does it relate to the Middle Ages? Does it comprise neomedievalism, pseudomedievalism, and other "medievalisms"?Studies in Medievalism XVII directly addresses these and related questions via a series of specially-commissioned essays from some of the most well-known scholars in the field; they explore its origins, survey the growth of the subject, and attempt various definitions. The volume then presents seven articles that often test the boundaries of medievalism: they look at echoes of medieval bestiaries in J. K. Rowling's Harry Potter books, the influence of the Niebelungenlied on Wagner's Ring cycle, representations of King Alfred in two works by Dickens, medieval tropes in John Bale's Reformist plays, authenticity in Sigrid Undset's novel Kristin Lavransdatter, incidental medievalism in Handel's opera Rodelinda, and editing in the audio version of Seamus Heaney's Beowulf.CONTRIBUTORS: KATHLEEN VERDUIN, CLARE A. SIMMONS, NILS HOLGER PETERSEN, TOM SHIPPEY, GWENDOLYN A. MORGAN, M. J. TOSWELL, ELIZABETH EMERY, KARL FUGELSO, EMILY WALKER HEADY, MARK B. SPENCER, GAIL ORGELFINGER, DOUGLAS RYAN VAN BENTHUYSEN, THEA CERVONE, WERNER WUNDERLICH, EDWARD R. HAYMES

Articles which survey and map out the increasingly significant discipline of medievalism; and explore its numerous aspects.This latest volume of Studies in Medievalism further explores definitions of the field, complementing its landmark predecessor. In its first section, essays by seven leading medievalists seeks to determine precisely how tocharacterize the subjects of study, their relationship to new and related fields, such as neomedievalism, and their relevance to the middle ages, whose definition is itself a matter of debate. Their observations and conclusions are then tested in the articles second part of the book. Their topics include the notion of progress over the last eighty or ninety years in our perception of the middle ages; medievalism in Gustave Doré's mid-nineteenth-century engravings of the Divine Comedy; the role of music in Peter Jackson's Lord of the Rings films; cinematic representations of the Holy Grail; the medieval courtly love tradition in Jeanette Winterson's The Passionand The.Powerbook; Eleanor of Aquitaine in twentieth-century histories; modern updates of the Seven Deadly Sins; and Victorian spins on Jacques de Voragine's Golden Legend.CONTRIBUTORS: Carla A. Arnell,Aida Audeh, Jane Chance, Pamela Clements, Alain Corbellari, Roberta Davidson, Michael Evans, Nickolas Haydock, Carol Jamison, Stephen Meyer, E.L. Risden, Carol L. Robinson, Clare A. Simmons, Richard Utz, Veronica Ortenberg West-Harling

An engagement with the huge growth in neomedievalism forms the core of this volume, with other essays testing its conclusions.The focus on neomedievalism at the 2007 International Conference on Medievalism, in ever more sessions at the annual International Congress on Medieval Studies, and by many recent or forthcoming publications has left little doubtof the importance of this new, provocative area of study. In response to a seminal essay defining medievalism in relationship to neomedievalism [published in volume 18 of this journal], this book begins with seven essays definingneomedievalism in relationship to medievalism. Their positions are then tested by five articles, whose subjects range from modern American manifestations of Byzantine art, to the Vietnam War as refracted through non-heterosexual implications in the 1976 movie Robin and Marian, and versions of abjection in recent Beowulf films. Theory and practice are thus juxtaposed in a volume that is certain to fuel a central debate in not one but two of the fastest growing areas of academia.Contributors: Amy S. Kaufman, Brent Moberley, Kevin Moberley, Lesley Coote, Cory Lowell Grewell, M.J. Toswell, E.L. Risden, Lauryn S. Mayer, Glenn Peers, Tison Pugh, David W. Marshall,Richard H. Osberg, Richard Utz

Essays on the post-modern reception and interpretation of the middle ages, with a particular focus on its relationship with business and finance.Academia has never been immune to corporate culture, and despite the persistent association of medievalism with escapism, perhaps never has that been more obvious than at the present moment. The six essays that open the volume explore precisely how financial institutions have promoted, distorted, appropriated, resisted, and repudiated post-medieval interpretations of the middle ages. In the second part of the book, contributors explore medievalism in a variety of areas, juxtaposing specific case studies with broader investigations of the discipline's motives and methods; they include Charles Kingsley's racial Anglo-Saxonism, Jessie L. Weston's Sir Gawain and the treatment of womenin medievalist film. The book also includes a spirited response to previous Studies in Medievalism volumes on the topic neomedievalism.Contributors: Harry Brown, Henrik Aubert, Helen Brookman, Pamela Clements, KellyAnnFitzpatrick, Jil Hanifan, Michael R. Kightley, Felice Lifshitz, Lauren S. Mayer, Brent Moberley, Kevin Moberley, E. L. Risden, Carol L. Robinson, M. J. Toswell, J. Rubén Valdés Miyares

Essays on the post-modern reception and interpretation of the Middle Ages, with a particular focus on its relationship with business and finance.In the wake of the many passionate responses to its predecessor, Studies in Medievalism 22 also addresses the role of corporations in medievalism. Amid the three opening essays, Amy S. Kaufman examines how three modern novelists have refracted contemporary corporate culture through an imagined and highly dystopic Middle Ages. On either side of that paper, Elizabeth Emery and Richard Utz explore how the Woolworth Company and Google have variously promoted, distorted, appropriated, resisted, and repudiated post-medieval interpretations of the Middle Ages. And Clare Simmons expands on that approach in a full-length article on the Lord Mayor's Show in London.Readers are then invited to find other permutations of corporate influence in six articles on the gendering of Percy's Reliques, the Romantic Pre-Reformation in Charles Reade's The Cloister and the Hearth, renovation and resurrection in M.R. James's "Episode of Cathedral History", salvation in the Commedia references of Rodin's Gates of Hell, film theory and the relationship of the Sister Arts to the cinematic Beowulf, and American containment culture in medievalist comic-books. While offering close, thorough studies of traditional media and materials, the volume directly engages timely concerns about the motives and methods behind this field and many others inacademia.Karl Fugelso is Professor of Art History at Towson University in Baltimore, Maryland.Contributors: Aida Audeh, Elizabeth Emery, Katie Garner, Nickolas Haydock, Amy S. Kaufman, Peter W. Lee, Patrick J. Murphy, Fred Porcheddu, Clare A. Simmons, Mark B. Spencer, Richard Utz.

Essays on the modern reception of the Middle Ages, built round the central theme of the ethics of medievalism.Ethics in post-medieval responses to the Middle Ages form the main focus of this volume. The six opening essays tackle such issues as the legitimacy of reinventing medieval customs and ideas, at what point the production and enjoyment of caricaturizing the Middle Ages become inappropriate, how medievalists treat disadvantaged communities, and the tension between political action and ethics in medievalism. The eight subsequent articles then build on this foundation as they concentrate on capitalist motives for melding superficially incompatible narratives in medievalist video games, Dan Brown's use of Dante's Inferno to promote a positivist, transhumanist agenda, disjuncturesfrom medieval literature to medievalist film in portrayals of human sacrifice, the influence of Beowulf on horror films and vice versa, portrayals of war in Beowulf films, socialism in William Morris's translation of Beowulf, bias in Charles Alfred Stothard's Monumental Effigies of Great Britain, and a medieval source for death in the Harry Potter novels. The volume as a whole invites and informs a much larger discussion on such vital issues as the ethical choices medievalists make, the implications of those choices for their makers, and the impact of those choices on the world around us.Karl Fugelso is Professor of Art History at Towson University in Baltimore, Maryland.Contributors: Mary R. Bowman, Harry Brown, Louise D'Arcens, Alison Gulley, Nickolas Haydock, Lisa Hicks, Lesley E. Jacobs, Michael R. Kightley, Phillip Lindley, Pascal J. Massie, Lauryn S. Mayer, Brent Moberley, Kevin Moberley, Daniel-Raymond Nadon, Jason Pitruzello, Nancy M. Resh, Carol L. Robinson, Christopher Roman, M.J. Toswell.

Essays on the post-modern reception and interpretation of the middle ages.This volume not only defines medievalism's margins, as well as its role in marginalizing other fields, ideas, people, places, and events, but also provides tools and models for exploring those issues and indicates new subjects towhich they might apply.The eight opening essays address the physical marginalizing of medievalism in annotated texts on medieval studies; the marginalism of oneself via medievalism; medievalism's dearth of ecotheory and religious studies; academia's paucity of pop medievalism; and the marginalization of races, ethnicities, genders, sexual orientations, and literary characters in contemporary medievalism. The seven subsequent articles build on this foundation while discussing: the distancing of oneself (and others) during imaginary visits to the Middle Ages; lessons from the margins of Brazilian medievalism; mutual marginalization among factions of Spanish medieval studies; and medievalism in the marginalization of lower socio-economic classes in late-eighteenth- and early nineteenth-century Spain, of modern gamers, of contemporary laborers, and of Alfred Austin, a late-nineteenth- and early twentieth-century poet also known as Alfred the Little. In thus investigating the margins of and marginalization via medievalism, the volume affirms their centrality to the field.Karl Fugelso is Professor of Art History at Towson University in Baltimore, Maryland.Contributors: Nadia R. Altschul, Megan Arnott, Jaume Aurell, Juan Gomis Coloma, Elizabeth Emery, Vincent Ferré, Valerie B. Johnson, Alexander L. Kaufman, Erin Felicia Labbie, VickieLarsen, Kevin Moberly, Brent Moberly, Alicia C. Montoya, Serina Patterson, Jeff Rider, Lindsey Simon-Jones, Richard Utz, Helen Young.

Essays examining the complex intertwining and effect of medievalism on modernity - and vice versa.The question of how modernity has influenced medievalism and how medievalism has influenced modernity is the theme of this volume. The opening essays examine the 2001 film Just Visiting's comments on modern anxieties via medievalism; conflations of modernity with both medievalism and the Middle Ages in rewriting sources; the emergence of modernity amid the post-World War I movement The Most Noble Order of Crusaders; António Sardinha's promotion of medievalism as an antidote to modernity; and Mercedes Rubio's medievalism in her feminist commentary on modernity. The eight subsequent articles build on this foundation while discussing remnants of medieval London amid its moderndescendant; Michel Houellebecq's critique of medievalism through his 2011 novel La Carte et le territoire; historical authenticity in Michael Morrow's approach to performing medieval music; contemporary concerns in Ford Madox Brown and David Gentleman's murals; medieval Chester in Catherine A.M. Clarke and Nayan Kulkarni's Hryre (2012); medieval influences on the formation of and debate about modern moral panics; medievalist considerations inmodern repurposings of medieval anchorholds; and medieval sources for Paddy Molloy's Here Be Dragons (2013). The articles thus test the essays' methods and conclusions, even as the essays offer fresh perspectives on the articles.Karl Fugelso is Professor of Art History at Towson University in Baltimore, Maryland.Contributors: Edward Breen, Katherine A. Brown, Catherine A.M. Clarke, Louise D'Arcens, Joshua Davies, John LanceGriffith, Mike Horswell, Pedro Martins, Paddy Molloy, Lisa Nalbone, Sarah Salih, Michelle M. Sauer, James L. Smith

Essays on the post-modern reception and interpretation of the Middle Ages, with a particular concentration on environmental matters.Ecoconcerns and ecocriticism are a rising trend in medievalism studies, and form a major focus of this collection. Topics under discussion in the first part of the volume include figurations in nineteenth- and twentieth-century medievalism; environmental medievalism in Sidney Lanier's Southern chivalry; nostalgia and loss in T.H. White's "forest sauvage"; and green medievalism in J.R.R. Tolkien's elven realms.The eleven subsequent articles continue to take in such themes more tangentially, testing and buillding on the methods and conclusions of the first part. Their subjects include John Aubrey's Middle Ages; medieval charter-horns in early modern England; nineteenth-centuryreimaginings of Chaucer's Griselda; Dante's influence on Harlan Ellison's "I Have No Mouth and I Must Scream"; multi-layered medievalisms in George R.R. Martin's A Song of Ice and Fire; (coopted) feminism via medievalism inDisney's Maleficent; (neo)medievalism in Babylon 5 and Crusade; cosmopolitan anxieties and national identity in Netflix's Marco Polo; mapping Everealm in The Quest; undergraduate perceptions ofthe "medieval" and the "Middle Ages"; and medievalism in the prosopopeia and corpsepaint of Mayhem's De Mysteriis Dom Sathanas.Karl Fugelso is Professor of Art History at Towson University in Baltimore, Maryland.Contributors: Dustin M. Frazier Wood, Daniel Helbert, Ann F. Howey, Carol Jamison, Ann M. Martinez, Kara L. McShane, Lisa Myers, Elan Justice Pavlinich, Katie Peebles, Scott Riley, Paul B. Sturtevant, Dean Swinford, Renée Ward, Angela Jane Weisl, Jeremy Withers.

Essays tackling the difficult but essential question of how medievalism studies should look at the issue of what is and what is not "authentic".Given the impossibility of completely recovering the past, the issue of authenticity is clearly central to scholarship on postmedieval responses to the Middle Ages. The essays in the first part of this volume address authenticitydirectly, discussing the 2017 Middle Ages in the Modern World conference; Early Gothic themes in nineteenth-century British literature; medievalism in the rituals of St Agnes; emotions in Game of Thrones; racism in Disney's Middle Ages; and religious medievalism. The essayists' conclusions regarding authenticity then inform, even as they are tested by, the subsequent papers, which consider such matters as medievalism in contemporary French populism; nationalism in re-enactments of medieval battles; postmedieval versions of the Kingis Quair; Van Gogh's invocations of Dante; Surrealist medievalism; chant in video games; music in cinematic representations of the Black Death; and sound in Aleksei German's film Hard to Be a God.Karl Fugelso is Professor of Art History at Towson University in Baltimore, Maryland.Contributors: Aida Audeh, Tessel Bauduin, Matthias Berger, Karen Cook, Timothy Curran, Nickolas Haydock, Alexander Kolassa, Carolyne Larrington, David Matthews, E.J. Pavlinich, Lotte Reinbold, Clare Simmons, Adam Whittaker, Daniel Wollenberg.

The difficult and nuanced issue of discrimination - race, gender, ethicity, religion - is the focus of this volume.Discrimination has long played a part in medievalism studies, but it has rarely been weaponized as thoroughly and publicly as in recent exchanges. The essays in the first part of this volume respond to that development by examining some of the many forms discrimination has taken in medievalism (studies) relative to race, gender, sexual orientation, religion, and ethnicity. These papers thus inform many of the subsequent chapters, which address a wide variety of aspects of medievalism, showing how many cultural areas it touches upon. Subjects include Evelyn Underhill's literary interest in the Arts and Crafts Movement; the Anchoresses of the filmmaker Chris Newby and novelist RobynCadwallader; cinematic battle orations; contemporary representations of Viking helmet horns; modern board-game culture; and Vincent Van Gogh's Studio of the South. The volume also includes a transcription and contextualization ofthe celebrated scholar Helen Waddell's notes on medieval texts.KARL FUGELSO is Professor of Art History at Towson University.Contributors: Carla Arnell, Aida Audeh, Peter Burkholder, Christopher Caldiero,Michael Evans, Jennifer FitzGerald, Jonathan Godsall, Angus J. Kennedy, Nadia Margolis, Lauryn Mayer, Timothy S. Miller, Tison Pugh, Richard Utz, Kim Wilkins, Karen A. Winstead, Helen Young

Essays on the post-modern reception and interpretation of the Middle Ages,To attract followers many professional politicians, as well as other political actors, ground their biases in (supposedly) medieval beliefs, align themselves with medieval heroes, or condemn their enemies as medieval barbarians. The essays in the first part of this volume directly examine some of the many forms such medievalism can take, including the invocation of "blood libels" in American politics; Vladimir Putin's self-comparisons to "Saint Equal-of-the-Apostles Prince Vladimir"; alt-right references to medieval Christian battles with Moslems; nativist Brexit allusions to the Middle Ages; and, in the 2019 film The Kid Who Would be King, director Joe Cornish's call for Arthurian leadership through Brexit. These essays thus inform, even as they are tested by, the subsequent papers, which touch on politics in the course of discussing the director Guy Ritchie's erasure of Wales in the 2017 film King Arthur: Legend of the Sword; medievalist alt-right attempts to turn one disenfranchised group against another; Jean-Paul Laurens's 1880 condemnation of Napoleon III via a portrait of Honorius; Henry Wadsworth Longfellow's extraordinarily wide range of medievalisms; the archaeology of Julian of Norwich's anchorite cell; the influence of Julian on pity in J.K. Rowling's Harry Potter book series; the origins of introductory maps for medievalist narratives; self-reflexive medievalism in a television episode of Doctor Who; and sonic medievalism in fantasy video games.

Essays on the post-modern reception and interpretation of the Middle Ages,This volume continues the theme of its predecessor, addressing how the Middle Ages have been invoked to score political points, particularly with reference to the rise of populism fueled by recent recessions and a pandemic. The nine essays in the first portion of the volume directly address political medievalism in Tariq Ali's 2005 novel on Mideast instability, A Sultan in Palermo; attempts by twentieth-century Czech politicians to anchor their causes in the fifteenth-century Czech hero Petr Chelcický; far-right deployment of Robin Hood memes to slander Hillary Rodham Clinton and Barack Obama; the ways Rory Mullarkey's 2017 play Saint George and the Dragon comments onEnglish national identity relative to Brexit; how national stereotypes have come into play amid cross-channel reporting on Brexit; nationalism in the medievalizing German monument to their fallen at the 1942 Battle of El Alamein;the English-speaking world's reception of Anthony Munday's 1589 book on conduct, Palmendos; nationalism in the self-characterization of two contemporary British Pagan movements; and how various communities in the television series Game of Thrones comment on medieval and/or contemporary nations. Nor are politics entirely absent from the final four articles in the volume, as they examine attempts to promote such particular agendas as toxic masculinity in Game of Thrones; misogyno-feminism there and in the George R.R. Martin book series on which the television program is based, A Song of Ice and Fire; the potential for audience self-realization amid the tension between the individual and the collective in The Mere Wife, Maria Dahvana Headley's 2018 adaptation of Beowulf; and ideal individual and collective behavior as modeled in the Ringling Brothers' 1912-13 spectacles about Joan of Arc.

Essays on the use, and misuse, of the Middle Ages for political aims.Like its two immediate predecessors, this volume tackles the most pressing and contentious issue in medievalism studies: how the Middle Ages have been subsequently deployed for political ends. The six essays in the first section directly address that concern with regard to Numa Denis Fustel de Coulanges's contemporaneous responses to the 1871 Commune; the hypocrisy of the Robinhood App's invocation of their namesake; misunderstood parallels and differences between the Covid-19 pandemic and medieval plagues; Peter Gill's reworking of a major medieval Mystery play in his 2001 The York Realist; celebrations of medieval monks by the American alt-right; and medieval references in twenty-first-century novels by the American neo-Nazi Harold A. Covington. The approaches and conclusions of those essays are then tested in the second section's seven articles as they examine widely discredited alt-right claims that strong kings ruled medieval Finland; Norse medievalism in WWI British and German propaganda; post-war Black appropriation of white jousting tournaments in the Antebellum South; early American references to the Merovingian Dynasty; Rudyard Kipling's deployment of the Middle Ages to defend his beliefs; the reframing of St. Anthony by Agustina Bessa-Luís's 1973 biography of him; and post-medieval Portuguese reworkings of the Goat-Foot-Lady and other medieval legends.

Though manifestations of play represent a burgeoning subject area in the study of post-medieval responses to the Middle Ages, they have not always received the respect and attention they deserve. This volume seeks to correct those deficiencies.Though manifestations of play represent a burgeoning subject area in the study of post-medieval responses to the Middle Ages, they have not always received the respect and attention they deserve. This volume seeks to correct those deficiencies via six essays that directly address how the Middle Ages have been put in play with regard to Alice Munro's 1977 short story "The Beggar Maid"; David Lowery's 2021 film The Green Knight; medievalist archaisms in Japanese video games; runic play in Norse-themed digital games; medievalist managerialism in the 2020 video game Crusader Kings III; and neomedieval architectural praxis in the 2014 video game Stronghold: Crusader II. The approaches and conclusions of those essays are then tested in the second section's six essays as they examine "muscular medievalism" in George R. R. Martin's 1996 novel A Game of Thrones; the queering of the Arthurian romance pattern in the 2018-20 television show She-Ra and the Princesses of Power; the interspecies embodiment of dis/ability in the 2010 film How to Train Your Dragon; late-nineteenth and early twentieth-century nationalism in Irish reimaginings of the Fenian Cycle; post-bellum medievalism in poetry of the Confederacy; and the medievalist presentation of Israeli Prime Minister Benjamin Netanyahu's 2020-21 Covid inoculation.

Essays on the post-modern reception and interpretation of the Middle Ages.Though Studies in Medievalism has hosted many essays on gender, this is the first volume devoted specifically to that theme. The first part features four short essays that directly address manifestations of sexism in postmedieval responses to the Middle Ages: gender substitutions in a Grail Quest episode of the 2023 television series Mrs. Davis, repurposed misogyny in the last two episodes of Game of Thrones (2011-19), traditional gender stereotypes in Capital One's credit card commercials from 2000 to 2013, and "shaggy" medievalism in Robert Eggers' 2022 film The Northman. The second part contains ten longer essays, which collectively continue to demonstrate the ubiquity of gender issues and the extraordinary flexibility of approaches to them. The authors discuss the misogynistic sexualization of Grendel's mother in Parke Godwin's 1995 fantasy novel The Tower of Beowulf, in Graham Baker's 1999 film Beowulf, in three episodes from the television series Xena: Warrior Princess, and in Robert Zemeckis's 2007 film Beowulf; gender substitution in David Lowery's 2021 film The Green Knight and in Kinoku Nasu's and Takashi Takeuchi's anime series Fate (2004-); female authorship of three early-nineteenth-century plays about court ladies' medieval empowerment; extraordinary violence in medievalist video games; nationalism in fake nineteenth-century medievalist documents and in contemporary online fora; racial discrimination in video gaming and in Jim Crow literature; and the condemnation of racism in Maria Dahvana Headley's 2018 novel The Mere Wife.

The themes of tribalism and medievalism unite this wide-ranging collection of essays.Essays address queer medievalisms in and around Gwen Lally's historical pageants and Radclyffe Hall's The Well of Loneliness; Robert Glück's 1994 novel Margery Kempe; and forms of gender tribalism in and around Josephine Butler's Catharine of Siena: A Biography. Gender is further explored alongside the central theme, with surveys of tribal gendering of masculinity in C. S. Lewis's Prince Caspian and its film; tribalism in medievalist bandits beyond Robin Hood and his "merry" band; and tribal gendering of femininity in the films Brave and Sleeping Beauty. There are also contributions on colonialist tribalism in the staging of Camelot in Richard E. Grant's film Wah-Wah; nationalistic tribalism in German pride, refracted through American frontier attitudes towards Native Americans; tribal perspectives of Native Americans in Guy Gavriel Kay's Fionavar Tapestry; the death of Optimus Prime in Transformers: The Movie as an act that stirs fans' tribal passions; and Carolingian legends as both reflecting and superseding tribal affiliations in twentieth-century America.