SUNY series in Psychoanalysis and Culture – serie

Sussman here explores the relevance and value of object-relations theory to literature and literary studies. His study of character treats literature as a medium in which important relationships to conceptualized others-artifacts, mentors, activities, and schools of thought-are being worked through. Although rooted in the psychoanalytical model, this book is ultimately a study of character and of the conditions of subjectivity and intellectual work in the contemporary world. No background in literature or psychoanalysis is necessary for its understanding and productive use.Beginning his study of character with Sophocles' The Antigone and Shakespeare's Othello, Sussman then goes on to locate the underpinnings of twentieth-century notions of the grandiose and of subjective emptiness in the Romantic exploration of the sublime. Discussions of characterization in Kafka, Joyce, and Beckett lead to an extended reading of Musil's A Man Without Qualities. To show the increasing awareness of narcissistic psychopathology in contemporary popular culture, Sussman also includes readings of "Citizen Kane" and "The Silence of the Lambs."

This book provides the first truly sustained commentary to appear in either French or English on Lacan's most important seminar, The Four Fundamental Concepts of Psychoanalysis. The 16 contributors unpack Lacan's notoriously difficult work in simple terms, and supply elegant illustrations from a variety of fields: psychoanalytic treatment, film, literature, art, and so on. Each of Lacan's fundamental concepts—the unconscious, transference, drive, and repetition—is discussed in detail, and related to other important notions such as object a cause of desire, the gaze, the Name-of-the-Father, the subject, and the Other. This volume also includes a translation of Lacan's companion piece to Seminar XI, "Position of the Unconscious" (an article from the French edition of the Ecrits that has never before appeared in English), by one of the foremost translators of Lacan's work, Bruce Fink. As an indication of the important of this article, Lacan considered it to be the sequel to his "Function and Field of Speech and Language in Psychoanalysis," arguably his most important paper in the 1950s.The contributors include many of the best minds in the Lacanian psychoanalytic world in Paris today. Chapters include "Excommunication: Context and Concepts" by Jacques-Alain Miller, "The Subject and the Other I and II" by Colette Soler, "Alienation and Separation I and II" by Eric Laurent, "Science and Psychoanalysis" by Bruce Fink, "The Name-of-the-Father" by Francois Regnault, "Transference as Deception" by Pierre-Gilles Gueguen, "The Drive I and II" by Marie-Helène Brousse, "The Demontage of the Drive" by Maire Jaanus, "The Gaze as an Object" by Antonio Quinet, "The Phallic Gaze of Wonderland" by Richard Feldstein, "The 'Evil Eye' of Painting: Jacques Lacan and Witold Gombrowicz on the Gaze" by Hanjo Berressem, "Art and the Position of the Analyst" by Robert Samuels, "The Relation between Voice and the Gaze" by Ellie Ragland, "The Lamella of David Lynch" by Slavoj Zizek, "The Real Cause of Repetition" by Bruce Fink, "Introductory Talk at Sainte-Anne Hospital" by Jacques-Alain Miller, and "The End of Analysis I and II" by Anne Dunand.

An anthology of psychoanalytic criticism applied to the wider field of cultural studies including class, gender, representation, ideology, and lawIn this volume, psychoanalysts, cultural theorists, and literary critics demonstrate the relevance of the unconscious economy to the field of cultural studies, applying psychoanalytic criticism to political and aesthetic issues related to the legal and ideological superstructure of contemporary society.These writers have adopted a variety of rhetorical positions when engaging cultural issues that deal with representation, ideology, class, and gender. Contributors include Willy Apollon, Richard Feldstein, Slavoj Zizek, Juliet Flower MacCannell, Judith Roof, Ellie Ragland, Elizabeth J. Bellamy, Bruce Fink, Maire Jaanus, Elizabeth Bronfen, Hanjo Berressem, Peter Widmer, Danielle Bergeron, Lucie Cantin, and Catherine Portuges.

Uses recent psychoanalytic theory to analyze the work of three contemporary scholars—Harold Bloom, Stanley Cavell, and Sacvan Bercovitch—while viewing their work as expressing Jewish immigrant desires for integration into American culture.This book primarily concerns the work of three prominent literary scholars, Harold Bloom, Stanley Cavell, and Sacvan Bercovitch, treating them as second-generation immigrant Jewish Americans. With at least two meanings of "transferring" in mind, the title alludes both to the historical, socio-cultural actualities of immigrancy, and to the psychoanalytic model used to describe the relations between these readers and the American texts they interpret. The central claim is that the theories and critical practices of Bercovitch, Bloom, and Cavell can be considered as the tools and tactics of an ambivalent, not yet fully realized desire for integration into America. Their cultural identity as members of the Jewish minority in America can thus still be seen to operate as a compelling source of anxiety and motivation.

In this collection of essays, Lacan's early work is first discussed systematically by focusing on his two earliest seminars: Freud's Papers on Technique and The Ego in Freud's Theory and in the Technique of Psychoanalysis. These essays, by some of the finest analysts and writers in the Lacanian psychoanalytic world in Paris today, carefully lay out the background and development of Lacan's thought. In Part I, Jacques-Alain Miller spells out the philosophical and psychiatric origins of Lacan's work in great detail. In Parts II, III, and IV, Colette Soler, Eric Laurent, and others explain in the clearest of fashions the highly influential conceptualization Lacan introduces with the terms "symbolic," "imaginary," and "real." Part V provides the first sustained account in English to date of Lacan's reformulation of psychoanalytic diagnostic categories—neurosis, perversion, psychosis, and their subcategories—their theoretical foundations, and clinical applications (ample case material is provided here.)Parts VI and VII of this collection take us well beyond Seminars I and II, relating Lacan's early work to his later views of the 1960s and 1970s. Slavoj Zizek explores the complex philosophical relations between Hegel and Lacan regarding the subject and the cause. And Lacan's article, "On Freud's 'Trieb' and the Psychoanalyst's Desire"—that appears here for the first time in English and is brilliantly unpacked by Jacques-Alain Miller in his "Commentary on Lacan's Text"—takes a giant step forward to 1965 where we see a crucial reversal in Lacan's perspective: desire is suddenly devalued, the defensive, inhibiting nature of desire coming to the fore. "What then becomes essential is the drive as an activity related to the lost object that produces jouissance."

Of literary criticsm uses Lacanian psychoanalytic theory to explicate Roland Barthes, Albert Camus, Ernest Hemingway, D.H. Lawrence, and Alain Robbe-Grillet.Winner of the 1997 Gradiva Award for Best Book (Cultural Arts Related) awarded by the National Association for the Advancement of Psychoanalysis (NAAP) Using Lacanian psychoanalytic theory in order to uncover the relationship between literature, reading, and the unconscious, this book argues for a special affinity between a text and its reader. This process strives to unveil the disguises of tropic language in order to generate manifest meaning from latent content. Focusing on five twentieth-century writers: D.H. Lawrence, Ernest Hemingway, Albert Camus, Roland Barthes, and Alain Robbe-Grillet, this book shows how Freud's theories of condensation and displacement in dreams match Lacan's uses of metaphor and metonymy in language. Despite the different backgrounds of these authors from America, England, and France, the unifying theme is that the unconscious (because it is structured like language) is the voice of the (m)Other disguised in figurative language.

Offers a complex analysis of the psychodynamic role of shame in Melville's work, with detailed readings of Moby-Dick, Pierre, and "Billy Budd."This study offers a complex analysis of the psychodynamic role of shame in Melville's work, with detailed readings of Moby-Dick, Pierre, and "Billy Budd." Its concrete application of the rich analytic framework supplied by the work of such theorists as Heinz Kohut, Léon Wurmser, Silvan Tomkins, and Donald Nathanson implicitly challenges the contemporary reliance on an often abstract poststructuralist model of psychoanalysis. As a paradigmatic, coherent reading of the work of a single author, the book will appeal both to the many scholars interested in Melville's work and to anyone interested in psychoanalytic or psychological approaches to literature.

Uses close readings of Hitchcock's films to combine an articulation of Lacan's theory of ethics with a discussion of recent theories of feminine subjectivity and queer textuality.This book combines three elements: an articulation of Lacan's theory of ethics; a discussion of recent theories of feminine subjectivity and queer textuality; and close readings of Hitchcock's films. Hitchcock's Bi-Textuality argues that just as Freud posited a fundamental ground of bisexuality for every subject, we can affirm a form of universal "bi-textuality" that is repressed through different modes of representation, yet returns in unconscious aspects of textuality (dreams, word play, jokes, and symbolism). In order to illustrate this notion of bi-textuality, this work discusses how Hitchcock's films are extremely heterogeneous and present multiple forms of sexual identification and desire, although they have most often been read through the reductive lens of male heterosexuality.Throughout this book, the work of Julia Kristeva, Kaja Silverman, Judith Butler, Luce Irigaray, and Slavoj Zizek is examined. One of the central concerns is the way that different psychoanalytic and feminist theories tend to equate the Real and the unconscious with the feminine. This feminization of the Real tends to block the awareness of the bisexual nature of the unconscious. In order to return to Freud's fundamental theory of polyvalent sexuality, recent notions of queer sexuality and textuality are explored. This book extends psychoanalytic theory by incorporating new feminist and queer conceptions of sexuality and representation.

In this first English translation of a classic text by one of the foremost commentators on Lacan's work, Nasio eloquently demonstrates the clinical and practical import of Lacan's theory, even in its most difficult or obscure moments.Five Lessons on the Psychoanalytic Theory of Jacques Lacan is the first English translation of a classic text by one of the foremost commentators on Lacan's work. Juan-David Nasio makes numerous theoretical advances and eloquently demonstrates the clinical and practical import of Lacan's theory, even in its most difficult or obscure moments. What is distinctive, in the end, about Nasio's treatment of Lacan's theory is the extent to which Lacan's fundamental concepts-the unconscious, jouissance, and the body-become the locus of the overturning or exceeding of the discrete boundaries of the individual. The recognition of the implications of Lacan's psychoanalytic theory, then, brings the analyst to adopt what Nasio calls a "special listening."

In this first English translation of a classic text by one of the foremost commentators on Lacan's work, Nasio eloquently demonstrates the clinical and practical import of Lacan's theory, even in its most difficult or obscure moments.Five Lessons on the Psychoanalytic Theory of Jacques Lacan is the first English translation of a classic text by one of the foremost commentators on Lacan's work. Juan-David Nasio makes numerous theoretical advances and eloquently demonstrates the clinical and practical import of Lacan's theory, even in its most difficult or obscure moments. What is distinctive, in the end, about Nasio's treatment of Lacan's theory is the extent to which Lacan's fundamental concepts-the unconscious, jouissance, and the body-become the locus of the overturning or exceeding of the discrete boundaries of the individual. The recognition of the implications of Lacan's psychoanalytic theory, then, brings the analyst to adopt what Nasio calls a "special listening."

Draws attention to the enigmatic missed encounter between Emmanuel Levinas and Jacques Lacan, and articulates the theoretical stakes and practical consequences of such a disjunctive encounter for ethics.Levinas and Lacan traces the similar concepts and logics of Jacques Lacan and Emmanuel Levinas, to explicitly render the rigorous questioning of the philosophic tradition undertaken by these thinkers, and to articulate the theoretical stakes and practical consequences of such a conjunction for ethics. In this book, contemporary philosophers examine this missed encounter between Levinas and Lacan by tracing their preoccupation with issues that emerge in late modernity: language, subjectivity, alterity, and ethics.

Draws attention to the enigmatic missed encounter between Emmanuel Levinas and Jacques Lacan, and articulates the theoretical stakes and practical consequences of such a disjunctive encounter for ethics.Levinas and Lacan traces the similar concepts and logics of Jacques Lacan and Emmanuel Levinas, to explicitly render the rigorous questioning of the philosophic tradition undertaken by these thinkers, and to articulate the theoretical stakes and practical consequences of such a conjunction for ethics. In this book, contemporary philosophers examine this missed encounter between Levinas and Lacan by tracing their preoccupation with issues that emerge in late modernity: language, subjectivity, alterity, and ethics.

Explores the role of shame as an important affect in the complex psychodynamics of literary and philosophical works.The significance of shame as a critical human emotion has come to be recognized in the fields of psychoanalysis, psychotherapy, and psychology. Scenes of Shame brings this body of theory to bear on literary and philosophical representations of shame. The contributors explore the role of shame as an important affect in the psychodynamics of a wide range of literary and philosophical works, including essays on Kierkegaard, Hawthorne, George Eliot, Nietzsche, Lawrence, Faulkner, Sexton, and Toni Morrison. The book also includes an analysis of the problem of shame in student lifewriting in the classroom, and testifies to the importance of affect in philosophy and literature, as well as to the way in which imaginative writers can clarify and enrich our understanding of an emotion that, as Silvan Tomkins claims, "strikes deepest" into the human heart.

Examines the myths and realities of narcissism in the life and work of Percy Bysshe Shelley, and explores how Shelley combated what he called "the principle of Self" by embracing the ideals of Christlike self-sacrifice and sisterly love.Shelley's Mirrors of Love confronts the myths and realities of Shelleyan narcissism and discovers an artist fiercely engaged with problems of (gender) identity, self-idolatry, and the nature of love itself. Rather than capitulating to what he called "the principle of Self," Shelley obsessively explored its temptations, its dangers, and its antidotes. The book is largely psychobiographical in approach, working with the theories of Heinz Kohut and Jessica Benjamin, among others, as it closely analyzes Shelley's fiction, poetry, and letters.The book offers the most comprehensive analysis to date of the poet's fluid gender identity, finding strong evidence of an "imaginative transsexualism" that allowed him to identify with real and imagined "sister-spirits" who exemplified the powers of love and sympathy, the greatest of Shelleyan ideals. The latter force receives particular attention as the study turns to scientific theories of Shelley's day, theories that helped the poet envision how the energy of electricity, sympathy, and sexuality converge to create the kind of erotically interpenetrating universe we see at the close of Prometheus Unbound.

An important contribution to our understanding and interpretation of fetishism and of what fetishism can teach us about sexuality, gender, belief, and knowledge.Object Lessons begins with the question, What can fetishism teach us? One answer, as this book makes clear, is that fetishism is a form of subject-object relation that informs us about basic strategies of defining, desiring, and knowing subjects and objects in Western culture. More importantly, in the way that it brings together peculiarly modern anxieties-especially those about sexuality, gender, belief, and knowledge-fetishism reveals how our basic categories for interpreting the world have been reduced to binary and mutually exclusive terms. By foregrounding concerns about sexual differences in examining fetishism's unique intersection of desire and knowledge, Object Lessons seizes on the promises fetishism offers to those who want to call into question the resurgence of conservative and even reactionary drives to lock down absolute definitions of sexual differences through either biological or cultural essentialism.

Demonstrates in painstaking detail and with reference to stunning new archival evidence how fetishism was crucial to the construction and negotiation of identity and gender in Hemingway's life and fiction.In Hemingway's Fetishism, Carl Eby demonstrates in painstaking detail and with stunning new archival evidence how fetishism was crucial to the construction and negotiation of identity and gender in both Hemingway's life and his fiction. Critics have long acknowledged Hemingway's lifelong erotic obsession with hair, but this book is the first to explain in a theoretically coherent manner why Hemingway was a fetishist and why we should care. Without reducing Hemingway's art to his psychosexuality, Eby demonstrates that when the fetish appears in Hemingway's fiction, it always does so with a retinue of attendant fantasies, themes, and symbols that are among the most prominent and important in Hemingway's work.

Demonstrates in painstaking detail and with reference to stunning new archival evidence how fetishism was crucial to the construction and negotiation of identity and gender in Hemingway's life and fiction.In Hemingway's Fetishism, Carl Eby demonstrates in painstaking detail and with stunning new archival evidence how fetishism was crucial to the construction and negotiation of identity and gender in both Hemingway's life and his fiction. Critics have long acknowledged Hemingway's lifelong erotic obsession with hair, but this book is the first to explain in a theoretically coherent manner why Hemingway was a fetishist and why we should care. Without reducing Hemingway's art to his psychosexuality, Eby demonstrates that when the fetish appears in Hemingway's fiction, it always does so with a retinue of attendant fantasies, themes, and symbols that are among the most prominent and important in Hemingway's work.

Explores the multiple, often contradictory identifications and fantasies that distinguish Lawrence's fiction, casting fresh light on his relationship with women.Contributing to the debate about D. H. Lawrence's relationship with and fictional portrayal of women, this book discusses how the dynamic tensions of his art dramatically reenact the competing forces of psychic and relational life. In her examination of Sons and Lovers, The Rainbow, Women in Love, and various short stories, Schapiro discusses how Lawrence's best works reveal a continual struggle to recognize and be recognized by the other as an independent subject. Drawing on Jessica Benjamin's psychoanalytic theory of intersubjectivity, she also demonstrates how a breakdown of balanced subject-subject relations in his texts gives rise to defensive polarities of gender and of domination and submission.

Examines the psychological, cultural, and political implications of Gothic fiction, and helps to explain why horror writers and filmmakers have found such large and receptive audiences eager for the experience of being scared out of their wits.Exploring the psychological and political implications of Gothic fiction, Valdine Clemens focuses on some major works in the tradition: The Castle of Otranto, Frankenstein, Dr. Jekyll and Mr. Hyde, Dracula, The Shining, and Alien. She applies both psychoanalytic theory and sociohistorical contexts to offer a fresh approach to Gothic fiction, presenting new insights both about how such novels "work" and about their cultural concerns.Clemens argues that by stimulating a sense of primordial fear in readers, Gothic horror dramatically calls attention to collective and attitudinal problems that have been unrecognized or repressed in the society at large. Gothic fiction does more, however, than simply reflect social anxieties; it actually facilitates social change. That is, in frightening us out of our collective "wits," Gothic fiction actually shocks us into using them in more viable ways.

Examines the psychological, cultural, and political implications of Gothic fiction, and helps to explain why horror writers and filmmakers have found such large and receptive audiences eager for the experience of being scared out of their wits.Exploring the psychological and political implications of Gothic fiction, Valdine Clemens focuses on some major works in the tradition: The Castle of Otranto, Frankenstein, Dr. Jekyll and Mr. Hyde, Dracula, The Shining, and Alien. She applies both psychoanalytic theory and sociohistorical contexts to offer a fresh approach to Gothic fiction, presenting new insights both about how such novels "work" and about their cultural concerns.Clemens argues that by stimulating a sense of primordial fear in readers, Gothic horror dramatically calls attention to collective and attitudinal problems that have been unrecognized or repressed in the society at large. Gothic fiction does more, however, than simply reflect social anxieties; it actually facilitates social change. That is, in frightening us out of our collective "wits," Gothic fiction actually shocks us into using them in more viable ways.

Explores the wounded body in literature from Homer to Toni Morrison, examining how it functions archetypally as both a cultural metaphor and a poetic image.An almost obsessive interest in the human body in literary and psychological theory over the past ten years has uncovered not just the physical body but the body as metaphor, political emblem, social construction, and symptom. The Wounded Body builds on this recent interest in the body by providing an ambitious interdisciplinary exploration of the wounded body in literature from Homer to Toni Morrison. Guided by insights from phenomenology to Jungian archetypal psychology, Dennis Slattery argues that the body in its scarred, marked, diseased, tattooed, or otherwise afflicted state is not only an individual phenomenon but, in the hands of the poet, a cultural symptom, a place of suffering, as well as a way of seeing and ordering the experience of the one who is wounded.

The fate of the hero-gambler, as described by Dostoevsky, Balzac, Poe, and others, is the focus of this unprecedented exploration of gambling and the human psyche.Bettina Knapp adds a new spin on the study of gambling as she explores both sides of the coin-the rush and thrill of risk taking versus the depression and defeat of losing. In a unique Jungian approach, Knapp probes the universal and eternal mysteries that lady luck herself offers to humanity's never-ending quest to defy destiny.While games of chance and of skill have held universal appeal throughout the ages, here Knapp adds a new dimension by exploring the psyches and the cultures of their players. In each of the book's nine chapters, she examines a different type of gambling as evidenced in Western and Eastern tradition through the literary works of Aleichem, Balzac, Dostoevsky, Hesse, Kawabata, Pascal, Poe, Serao, and Zhang. This scrutiny shows both the diversity and universality of each culture as she takes the literary works out of their individual contexts and relates them to humankind in general. Through an examination of seven different cultures-American, Chinese, French, German, Italian, Japanese, and Russian-she shows the effects of gambling on individuals and groups of players as well as its impact on the family and society.

Focuses on the role of shame and trauma as it looks at issues of race, class, color, and caste in the novels of Toni Morrison.Quiet As It's Kept draws on and extends recent psychoanalytic and psychiatric work of shame and trauma theorists to offer an in-depth analysis of Toni Morrison's representation of painful and shameful race matters in her fiction. Providing a frank and sustained look at the troubling, if not distressing, aspects of Morrison's fiction that other critics have studiously avoided or minimized in their commentaries, this book challenges established views of Morrison, showing her to be an author who forces readers into uncomfortable confrontations with matters of race. In Quiet As It's Kept, J. Brooks Bouson explores these issues in Morrison's works The Bluest Eye, Sula, Song of Solomon, Tar Baby, Beloved, Jazz, and Paradise.Morrison, Nobel prize-winning author, has viewed part of her cultural and literary task as a writer to bear witness to the plight of black Americans. "Quiet as it's kept, much of our business, our existence here, has been grotesque. It really has," she has commented. As she exposes to public view sensitive race matters in her fiction, Morrison presents jarring depictions of the trauma of slavery and the horrors of racist oppression and black-on-black violence.

Focuses on the role of shame and trauma as it looks at issues of race, class, color, and caste in the novels of Toni Morrison.Quiet As It's Kept draws on and extends recent psychoanalytic and psychiatric work of shame and trauma theorists to offer an in-depth analysis of Toni Morrison's representation of painful and shameful race matters in her fiction. Providing a frank and sustained look at the troubling, if not distressing, aspects of Morrison's fiction that other critics have studiously avoided or minimized in their commentaries, this book challenges established views of Morrison, showing her to be an author who forces readers into uncomfortable confrontations with matters of race. In Quiet As It's Kept, J. Brooks Bouson explores these issues in Morrison's works The Bluest Eye, Sula, Song of Solomon, Tar Baby, Beloved, Jazz, and Paradise.Morrison, Nobel prize-winning author, has viewed part of her cultural and literary task as a writer to bear witness to the plight of black Americans. "Quiet as it's kept, much of our business, our existence here, has been grotesque. It really has," she has commented. As she exposes to public view sensitive race matters in her fiction, Morrison presents jarring depictions of the trauma of slavery and the horrors of racist oppression and black-on-black violence.

Explores Lacan's theory of the registers through readings of a wide variety of texts.The other Side of Desire puts Jacques Lacan's theoretical constructs to work on texts as varied as Plato's Symposium, Hamlet, Tootsie, and the journals of Sylvia Plath, making the techniques of Lacanian analysis accessible to a wide variety of readers. Moving from oppositional readings of Lacan himself, through Lacan's search for an alternative to oppositionality, to his solution in the theory of the registers, Van Pelt rereads Lacan's most significant essays on aggressivity, the mirror stage, the subversion of the subject, and the signification of the phallus, making explicit the reading practices implicit in Lacan's first seven Seminars and his Écrits. Throughout, Van Pelt demonstrates Lacanian theory's pivotal role in the intellectual transition from the poststructuralism of the mid–twentieth century to the post-humanism of the twenty-first.

Offers a psychoanalytically enhanced theory of poetics through close readings of Dylan Thomas and Julia Kristeva.Highly original and theoretically wide-ranging, this book offers new insights into the origins of poetry. Working with much of the significant primary and secondary literature in psychoanalysis, particularly the theories of Julia Kristeva, the book skillfully sketches out a psychoanalytically enhanced theory of poetics through close readings of the works of Dylan Thomas. Through an intense dialogue with pivotal poems, it offers a "subjectivist" theory of poetic language, one that focuses on the interrelation between meaning and subjectivity in the dynamics of the poetic text. In this scheme, the "genesis of the speaking subject" is held to be a reenactment of old and new fantasies of origins, the reality of which is inaccessible to us-buried, as it were, "below time." Among these fantasies, the author also recognizes the psychoanalytic fantasy of origins that guides her own project.

An accessible introduction to the psychoanalytic theories of Jacques Lacan, intended especially for American psychologists but useful to anyone interested in the work of this important thinker.Written with the American psychological community in mind, The Subject of Lacan provides an accessible introduction to the psychoanalytic theories of Jacques Lacan. The contributors address issues and theories that define the field of psychology for its practitioners, researchers, and theorists. Focusing on a wide range of topics, including cognitive science, family therapy, psychoanalytic technique, psychotherapy versus psychopharmacology, gender and sexuality, psychology of religion, psycholinguistics, and cultural diversity, this book makes an important contribution to the understanding of the radically innovative character and complexity of Lacanian theory.Contributors include Willy Apollon, Suzanne Barnard, Mario L. Beira, Donna Bentolila, Danielle Bergeron, Mark Bracher, Daniel L. Buccino, Lucie Cantin, David S. Caudill, Bruce Fink, Stephen R. Friedlander, Patricia Gherovici, Kareen Ror Malone, David Metzger, Paola Mieli, John Muller, Ian Parker, Andre Patsalides, Ellie Ragland, Robert Samuels, Lucia Villela, Valerie Walkerdine, and Slavoj Zoizuek.

Examines representations of political, psychological, and sexual violence in seven novels by American women.This book examines portrayals of political and psychological trauma, particularly sexual trauma, in the work of seven American women writers. Concentrating on novels by Charlotte Perkins Gilman, Pauline Hopkins, Gayl Jones, Leslie Marmon Silko, Dorothy Allison, Joyce Carol Oates, and Margaret Atwood, Horvitz investigates whether memories of violent and oppressive trauma can be preserved, even transformed into art, without reproducing that violence. The book encompasses a wide range of personal and political traumas, including domestic abuse, incest, rape, imprisonment, and slavery, and argues that an analysis of sadomasochistic violence is our best protection against cyclical, intergenerational violence, a particularly timely and important subject as we think about how to stop "hate" crimes and other forms of political and psychic oppression.

Attempts to comprehend the traumatic significance of Hiroshima in order to construct a new theory of history.Through a critique of history-as a reality, a discipline, and a way of writing-Deracination challenges the basic theoretical tenets of both humanism and postmodernism. As a discipline, history is currently undergoing what Heidegger would call a productive "crisis," and a number of thinkers, including Michel Foucault, Hayden White, Paul Ricoeur, and Stephen Greenblatt, have begun to reexamine the cognitive assumptions and narrative paradigms that inform the discipline. This book radicalizes such developments in order to construct both a new theory of history as well as a new concept of how histories should be written. To make the interrogation concrete, the book focuses on Hiroshima and the ways in which the trauma of that event has been repressed by the discourses that historians have fashioned in order to "explain" what happened on August 6, 1945.