The W.E.B. Du Bois Institute Series – serie
Visar alla böcker i serien The W.E.B. Du Bois Institute Series. Handla med fri frakt och snabb leverans.
8 produkter
8 produkter
Primitivist-Modernism
Black Culture and the Origins of Transatlantic Modernism
Inbunden, Engelska, 1998
1 978 kr
Skickas inom 5-8 vardagar
This book offers a bold new account of modernism. By focusing on cubism, primitivist-modernism, jazz, and Josephine Baker's performance, Lemke demonstrates that black art exerted a crucial if masked presence in both Euro-American high art and popular culture. American and European modernism owe much of their symbolic capital to the black cultural other. Black American artists, for their part, also relied on Euro-American American models. By reappropriating European primitivist-modernism, they invented a sui generis black modernism.
864 kr
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Offering a fascinating examination of the explosion of black television programming in the 1980s and 1990s, this book provides, for the first time ever, an interpretation of black TV based in both journalism and critical theory. Locating a persistent black nationalist desire--a yearning for home and community--in the shows produced by and for African-Americans in this period, Zook shows how the Fox hip-hop sitcom both reinforced and rebelled against earlier black sitcoms from the sixties and seventies. Incorporating interviews with such prominent executives, producers, and stars as Keenan Ivory Wayans, Sinbad, Quincy Jones, Robert Townsend, Charles Dutton, Yvette Lee Bowser, Ralph Farquhar, and Susan Fales, this study looks at both production and reception among African-American viewers, providing nuanced readings of the shows themselves as well as the sociopolitical contexts in which they emerged. While black TV during this period may seem trivial or buffoonish to some, Sly as a Fox reveals its deep-rooted ties to African-American protest literature and autobiography, and a desire for social transformation.
200 kr
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Offering a fascinating examination of the explosion of black television programming in the 1980s and 1990s, this book provides, for the first time ever, an interpretation of black TV based in both journalism and critical theory. Locating a persistent black nationalist desire--a yearning for home and community--in the shows produced by and for African-Americans in this period, Zook shows how the Fox hip-hop sitcom both reinforced and rebelled against earlier black sitcoms from the sixties and seventies. Incorporating interviews with such prominent executives, producers, and stars as Keenan Ivory Wayans, Sinbad, Quincy Jones, Robert Townsend, Charles Dutton, Yvette Lee Bowser, Ralph Farquhar, and Susan Fales, this study looks at both production and reception among African-American viewers, providing nuanced readings of the shows themselves as well as the sociopolitical contexts in which they emerged. While black TV during this period may seem trivial or buffoonish to some, Sly as a Fox reveals its deep-rooted ties to African-American protest literature and autobiography, and a desire for social transformation.
2 607 kr
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Patterson offers an exploration of Emerson's contribution to the national debate on democracy, race, and social reform. Emerson's writings, she contests, reveal a consistent pattern of contradiction between fundamental individual rights and race as a factor impossible to dismiss in a consideration of democratic values: ownership, nonconformity, freedom. She traces Emerson's legacy through the writing of African-American intellectuals of succeeding generations: Booker T. Washington, W.E.B. DuBois, Martin Luther King, Jr.
Autobiographical Inscriptions
Form, Personhood, and the American Woman Writer of Color
Inbunden, Engelska, 1999
2 159 kr
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By engaging current approaches to the genre, Autobiographical Inscriptions breaks new ground in the field of autobiography studies. The book is centered in a discussion of the ways that innovations of form and structure contain and bolster arguments for personhood articulated by Harriet Jacobs, Zora Neale Hurston, Hisaye Yamamoto, Maxine Hong Kingston, Leslie Marmon Silko, Adrienne Kennedy, and Cecile Pineda. Organized thematically, with each chapter focusing on central questions of form, this work pairs canonized texts with less well-known works, reading autobiographical works across cultural contexts, historical periods, and artistic media, and illustrating the stunning range of formal strategies available to and adopted by the American woman writer of color.
2 290 kr
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This volume of essays examines the forced dispossession of the Middle Passage through the texts, religious rites, economic exchanges, dance and music it elicited, both on the liminal transatlantic journey, and on the continent and eventual return. The totality of this collection establishes a broad topographical and temporal context for the Passage that extends from the interior of Africa across the Atlantic and to the interior of the Americas, and from the time of the Middle Passage to the present day. A collective narrative of itinerant cultural consciousness as represented in histories, myth and arts, these contributions reconceptualize the meaning of the Middle Passage for African American history and fiction.
737 kr
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This volume of essays examines the forced dispossession of the Middle Passage through the texts, religious rites, economic exchanges, dance and music it elicited, both on the liminal transatlantic journey and on the continent and eventual return. As a whole this collection establishes a broad topographical and temporal context for the Passage that extends from the interior of Africa across the Atlantic and to the interior of the Americas, and from the time of the Middle Passage to the present day. A collective narrative of itinerant cultural consciousness as represented in histories, myth and arts, these contributions reconceptualize the meaning of the Middle Passage for African American history and fiction.
215 kr
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When Nobel laureate Wole Soyinka's The Open Sore of a Continent appeared in 1996, it received rave reviews in the national media. Now comes Soyinka's powerful sequel to that fearless and passionate book, The Burden of Memory.Where Open Sore offered a critique of African nationhood and a searing indictment of the Nigerian military and its repression of human and civil rights, The Burden of Memory considers all of Africa--indeed, all the world--as it poses the next logical question: Once repression stops, is reconciliation between oppressor and victim possible? In the face of centuries long devastations wrought on the African continent and her Diaspora by slavery, colonialism, Apartheid and the manifold faces of racism what form of recompense could possibly be adequate? In a voice as eloquent and humane as it is forceful, Soyinka examines this fundamental question as he illuminates the principle duty and "near intolerable burden" of memory to bear the record of injustice. In so doing, he challenges notions of simple forgiveness, of confession and absolution, as strategies for social healing. Ultimately, he turns to art--poetry, music, painting--as one source that may nourish the seed of reconciliation, art as the generous vessel that can hold together the burden of memory and the hope of forgiveness.Based on Soyinka's Stewart-McMillan lectures delivered at the Du Bois Institute at Harvard, The Burden of Memory speaks not only to those concerned specifically with African politics, but also to anyone seeking the path to social justice through some of history's most inhospitable terrain.