Religion, Theology and the Holocaust – serie

An examination of the recorded memoirs of 50 Holocaust survivors. Patterson draws on the sacred texts of Jewish tradition and the philosophy of Fackenheim and Levinas. He discusses the recovery of tradition, recovery seen as recovery from illness, and recovery as a process which has no resolution.

A collection of poems written in Jewish ghettos, way stations, death camps and forests under the nightmarish circumstances of the Holocaust.

The personal story of a teenage boy in the concentration camps of the Holocaust. It begins with his deportation in 1942 to the Belgium concentration camp of Breendonk at the age of 16 and follows his movements through a series of camps until 1945, concluding with the Auschwitz death march and his return to Belgium.

Fifty years after the war Dagmar Ostermann, a former prisoner at Auschwitz-Birkenau, and Hans Wilhelm Muinch, former Nazi and SS physician, talk face to face.In this rare interview Muinch—the only SS member acquitted during the 1947 Cracow war crimes trial refers to himself as a "victim," claiming that because he had to follow orders he was "no less a victim than his prisoners."The Meeting grew out of a documentary film in which Muinch was first interviewed by Viennese filmmaker Bernhard Frankfurter. As head of the Waffen SS Hygiene Institute Mi.inch had controlled hundreds of lives. Intrigued by Muinch's responses, Frankfurter arranged for Ostermann, whose mother was German and her father Jewish, to conduct a book-length interview, for which he provided a concluding essay.The dramatic structure of the discussion follows the events of the Nazi occupation chronologically. As Ostermann initiates questions regarding reasons for Muinch's involvement (Was it a conscious endeavor? Did he participate willingly?), the book adds important new information to the testimonial literature of the Holocaust.

Fifty years after the war Dagmar Ostermann, a former prisoner at Auschwitz-Birkenau, and Hans Wilhelm Muinch, former Nazi and SS physician, talk face to face.In this rare interview Muinch—the only SS member acquitted during the 1947 Cracow war crimes trial refers to himself as a "victim," claiming that because he had to follow orders he was "no less a victim than his prisoners."The Meeting grew out of a documentary film in which Muinch was first interviewed by Viennese filmmaker Bernhard Frankfurter. As head of the Waffen SS Hygiene Institute Mi.inch had controlled hundreds of lives. Intrigued by Muinch's responses, Frankfurter arranged for Ostermann, whose mother was German and her father Jewish, to conduct a book-length interview, for which he provided a concluding essay.The dramatic structure of the discussion follows the events of the Nazi occupation chronologically. As Ostermann initiates questions regarding reasons for Muinch's involvement (Was it a conscious endeavor? Did he participate willingly?), the book adds important new information to the testimonial literature of the Holocaust.

When World War II erupted in Europe, Konrad Charmatz was a prospering businessman in Sosnowiec, Poland, a loving son, and an aspiring poet. For the next seven years he witnessed the Holocaust as it destroyed his family, his country and his culture. In this study of suffering and survival, he gives his own personal account of the Warsaw ghetto, the death chambers at Auschwitz, the transport trains, the slave labour camps of Dachau, and the liberation. And from the perspective of the renowned journalist he later became, he also describes how the Holocaust was carried out, not only at the level of governments and their armies, but at the level of the individuals who took its orders. Few people survived the Holocaust from such close range or for so long, and few remembered it with the eye of a practiced journalist.

A Polish partisan and political prisoner and non-Jew, the author recalls wartime and the horrors of Auschwitz. 1943: Polish underground fighter John Wiernicki is captured and beaten by the Gestapo, then shipped to Auschwitz. In this chilling memoir, Wiernicki, a Gentile, details ""life"" in the infamous death camp, and his battle to survive, physically and morally, in the face of utter evil. The author begins by remembering his aristocratic youth, an idyllic time shattered by German invasion. The ensuing dark days of occupation would fire the adolescent Wiernicki with a burning desire to serve Poland, a cause that led him to valiant action and eventual arrest. As a young non-Jew, Wiernicki was acutely sensitive to the depravity and injustice that engulfed him at Auschwitz. He bears witness to the harrowing selection and extermination of Jews doomed by birth to the gas chambers, to savage camp policies, brutal SS doctors, and rampant corruption with the system. He notes the difference in treatment between Jews and non-Jews. And he relives fearful unexpected encounters with two notorious "Angels of Death": Josef Mengele and Heinz Thilo. War in the Shadow of Auschwitz is an important historical and personal document. Its vivid portrait of prewar and wartime Poland, and of German concentration camps, provides a significant addition to the growing body of testimony by gentile survivors and a heartfelt contribution to fostering comprehension and understanding.

1943: Polish underground fighter John Wiernicki is captured and beaten by the Gestapo, then shipped to Auschwitz. In this chilling memoir, Wiernicki, a Gentile, details "life" in the infamous death camp, and his battle to survive, physically and morally, in the face of utter evil. The author begins by remembering his aristocratic youth, an idyllic time shattered by German invasion. The ensuing dark days of occupation would fire the adolescent Wiernicki with a burning desire to serve Poland, a cause that led him to valiant action and eventual arrest.As a young non-Jew, Wiernicki was acutely sensitive to the depravity and injustice that engulfed him at Auschwitz. He bears witness to the harrowing selection and extermination of Jews doomed by birth to the gas chambers, to savage camp policies, brutal SS doctors, and rampant corruption with the system. He notes the difference in treatment between Jews and non-Jews. And he relives fearful unexpected encounters with two notorious "Angels of Death": Josef Mengele and Heinz Thilo. War in the Shadow of Auschwitz is an important historical and personal document. Its vivid portrait of prewar and wartime Poland, and of German concentration camps, provides a significant addition to the growing body of testimony by gentile survivors and a heartfelt contribution to fostering comprehension and understanding.

Alan Scott Haft provides the first-hand testimony of his father, Harry Haft, a holocaust victim with a singular story of endurance, desperation, and unrequited love. Harry Haft was a sixteen-year-old Polish Jew when he entered a concentration camp in 1944. Forced to fight other Jews in bare-knuckle bouts for the perverse entertainment of SS officers, Harry quickly learned that his own survival depended on his ability to fight and win. Haft details the inhumanity of the ""sport"" in which he must perform in brutal contests for the officers. Ultimately escaping the camp, Haft's experience left him an embittered and pugnacious young man. Determined to find freedom, Haft traveled to America and began a career as a professional boxer, quickly finding success using his sharp instincts and fierce confidence. In a historic battle, Haft fights in a match with Rocky Marciano, the future undefeated heavy-weight champion of the world. Haft's boxing career takes him into the world of such boxing legends as Rocky Graziano, Roland La Starza, and Artie Levine, and he reveals new details about the rampant corruption at all levels of the sport. In sharp contrast to Elie Wiesel's scholarly, pious protagonist in ""Night"", Harry Haft is an embattled survivor, challenging the reader's capacity to understand suffering and find compassion for an antihero whose will to survive threatens his own humanity. Haft's account, at once dispassionate and deeply absorbing, is an extraordinary story and an invaluable contribution to Holocaust literature.

Born in 1883 in New York City, Gemma La Guardia Gluck was the daughter of an American army bandleader and European mother of aristocratic Italian Jewish lineage. She was the sister of beloved New York City mayor Fiorello La Guardia. Gemma and her Hungarian Jewish husband were living in Budapest in 1944 when Nazi troops stormed the city. The Gestapo arrested her as a political prisoner because she was La Guardia's sister. Gluck recounts the plight of Budapest's Jews, deportation to Mutthausen with her husband, and enslavement at Ravensbruck, a notorious concentration camp for women. With painful sensitivity she chronicles unspeakable evil, kindness at great risk, and courage among women in a prefeminist world. She also recalls her girlhood years spent in the Old West, Native Americans befriended by her mother, international travel with her father, and her brother's ambitions and rise to success. Her story, first published in 1961, has been out of print for decades. This revised edition contains a new prologue, epilogue, photos, and annotated material inspired by recently discovered notes and letters.

The evocation of memory is wrought with emotional and historical significance in this distinctive Holocaust memoir. With lyrical prose and remarkable candor, Helena Ganor narrates her story through a series of recently penned letters to the significant people in her life during her wartime girlhood: her sister, mother, father, and stepmother. Both Ganor's mother and sister perished during the Holocaust. The author's letters reveal much about living in pre-war Lvov, Poland, and its surrounding area. Her descriptions of relationships between local Jews, Poles, Ukrainians, and Gypsies in southeastern Poland lend a broad historical context to the Holocaust. Ganor combines deeply personal reminiscences of struggling as a Jewish child cast out alone to survive under Nazi occupation with reflections on the varied ways that humans respond to impending catastrophe. Punctuating her letters with poems, Ganor's story is an inspiring contribution to Holocaust literature.

Will to Freedom is an eyewitness account of the social and political upheaval that shook Eastern Europe from the mid-1930s to the mid-1960s. As an underground resistance fighter, political prisoner, fugitive, and Communist Party official, Egon Balas charts his journey from idealistic young Communist to disenchanted dissident.Attracted by its anti-Nazi stance, Balas joined the Hungarian Communist Party in 1942, after Hungary had entered the war on Hitler's side. He helped organize work stoppages and distributed antiwar leaflets. In his memoir, he offers a compelling account first of his eventual imprisonment and ordeal under torture and then of his escape and life in hiding.

Louis Lowy (1920–1991), an international social worker and gerontologist, rarely spoke publicly about the Holocaust. During the last months of his life, however, he recorded an oral narrative that explores his activities during the Holocaust as the formative experiences of his career. Whether caring for youth in concentration camps, leading an escape from a death march, or forming the self-government of a Jewish displaced persons center, Lowy was guided by principles that would later inform his professional identity as a social worker, including the values of human worth and self-determination, the interdependence of generations, and the need for social participation and lifelong learning. Drawing on Lowy’s oral narrative and accounts from three other Holocaust survivors who witnessed his work in the Terezín ghetto and the Deggendorf Displaced Persons Center, Gardella offers a rich portrait of Lowy’s personal and professional legacy. In chronicling his life, Gardella also uncovers a larger story about Jewish history and the meaning of the Holocaust in the development of the social work profession.

This biography tells the story of André and Magda Trocmé, two individuals who made nonviolence a way of life. During World War II, the southern French town of Le Chambon-sur-Lignon and its surrounding villages became a center where Jews and others in flight from Nazi roundups could be hidden or led abroad, and where children with parents in concentration camps could be nurtured and educated. The Trocmés’ courage during World War II has been well documented in books and film, yet the full arc of their lives, the impulse that led them to devote themselves to nonviolence and their extensive work in the decades following the war, has never been compiled into a full-length biography. Based on the Trocmés’ unpublished memoirs, interviews, and the author’s research, the book details the couple’s role in the history of pacifism before, during, and after the war. Unsworth traces their mission of building peace by nonviolence throughout Europe to Morocco, Algeria, Japan, Vietnam, and the United States. Analyzing the political and religious complexities of the pacifist movement, the author underscores the Trocmés’ deeply personal commitment. Regardless of which nation was condoning violence, shaping international relations, or pressing for peace, and regardless of whose theology dominated the pulpits, both André and Magda remained driven by conscience to make nonviolence the hallmark of their life’s work.

Opening with the ominous scene of one young schoolgirl whispering an urgent account of Nazi horror to another over birthday cake, Ozsváth’s extraordinary and chilling memoir tells the story of her childhood in Hungary, living under the threat of the Holocaust. The setting is the summer of 1944 in Budapest during the time of the German occupation, when the Jews were confined to ghetto houses but not transported to Auschwitz in boxcars, as was the rest of the Hungarian Jewry living in the countryside. Provided with food and support by their former nanny, Erzsi, Ozsváth’s family stays in a ghetto house where a group of children play theater, tell stories to one another, invent games to pass time, and wait for liberation. In the fall of that year, however, things take a turn for the worse. Rounded up under horrific circumstances, forced to go on death marches, and shot on the banks of the Danube by the thousands, the Jews of Budapest are threatened with immediate destruction. Ozsváth and her family survive because of Erzsi’s courage and humanity. Cheating the watching eyes of the murderers, she brings them food and runs with them from house to house under heavy bombardment in the streets. As a scholar, critic, and translator, Ozsváth has written extensively about Holocaust literature and the Holocaust in Hungary. Now, she records her own history in this clear-eyed, moving account. When the Danube Ran Red combines an exceptional grounding in Hungarian history with the pathos of a survivor and the eloquence of a poet to present a truly singular work.

Alan Scott Haft provides the first-hand testimony of his father, Harry Haft, a holocaust victim with a singular story of endurance, desperation, and unrequited love. Harry Haft was a sixteen-year-old Polish Jew when he entered a concentration camp in 1944. Forced to fight other Jews in bare-knuckle bouts for the perverse entertainment of SS officers, Harry quickly learned that his own survival depended on his ability to fight and win. Haft details the inhumanity of the "sport" in which he must perform in brutal contests for the officers. Ultimately escaping the camp, Haft's experience left him an embittered and pugnacious young man. Determined to find freedom, Haft traveled to America and began a career as a professional boxer, quickly finding success using his sharp instincts and fierce confidence. In a historic battle, Haft fights in a match with Rocky Marciano, the future undefeated heavyweight champion of the world. Haft's boxing career takes him into the world of such boxing legends as Rocky Graziano, Roland La Starza, and Artie Levine, and he reveals new details about the rampant corruption at all levels of the sport. In sharp contrast to Elie Wiesel's scholarly, pious protagonist in Night, Harry Haft is an embattled survivor, challenging the reader's capacity to understand suffering and find compassion for an antihero whose will to survive threatens his own humanity. Haft's account, at once dispassionate and deeply absorbing, is an extraordinary story and an invaluable contribution to Holocaust literature.

This work tells the story of how George Mantello - First Secretary of the El Salvador Consulate in Geneva from 1942 to 1945 - defied censorship to launch a press campaign against the daily deportation of 12,000 Hungarian Jews to Auschwitz.

This work is an analysis of the ideology, causal patterns, and means employed in the Nazi genocide against the Jews. It argues that the events of the genocide compel reconsideration of such moral concepts as individual and group responsibility, the role of knowledge in ethical decisions, and the conditions governing the relation between guilt and forgiveness. It shows how the moral implications of genocide extend to linguistic and artistic presentations of the Nazi extermination of the Jews.

Delineates the roles that individuals and their churches played in confronting Hitler. Written by both Jewish and Christian scholars, these essays focus on the Christian responses to Nazism and delineate the roles that individuals and their churches played in confronting Hitler.

A collection honoring Elie Wiesel's seventieth birthday. Based on a three-day symposium, ""The Claims of Memory,"" this volume conveys the omnipresence of memory in Elie Wiesel's writing and attempts to preserve the flavor of the exchange that took place. It represents several intersecting approaches to memory: the nature of memoir writing; an analysis of contrasting dimensions of memory in victims and persecutors; the ethics of memory; and chronicling of the ""memory"" of God through key texts in Christian and Jewish traditions.

Since the liberation of the Nazi concentration camps and recognition of the Holocaust as a watershed event of the twentieth century, if not in Western Civilization itself, the capacity of art to represent this event adequately has been questioned. Contributors provide case studies that include a broad spectrum of artists from North America, Europe and Israel, and examine some of the dominant themes of their work.

Emil Fackenheim was the last in a long line of Jewish philosophers to emerge from Germany, the modern center of Western philosophy, following Moses Mendelssohn, Leo Baeck, and Martin Buber. In this revealing book, David Patterson explores Fackenheim's rigorous pursuit of a philosophical response to the tragedy of the Holocaust. Fackenheim's writing sheds light on the tensions between Jewish thinking and German philosophy, illustrating how elements of the latter were used by the Nazis to justify Jewish annihilation. In addition, he emphasizes the important implications of defining Jewish philosophy as its own entity, separate from the tenets of the Jewish cultural tradition.