Vintage Lives – serie

Virginia Woolf was a close friend of Roger Fry for many years - after his death she wrote this loving account of his passion for art, his own painting, and his challenging critical theories. Born in 1866, he was primarily responsible for bringing the post-Impressionist movement to Britain, organising the first exhibitions and establishing the Omega workshops: he was also curator of the Metropolitan Museum of Modern Art in New York. Virginia Woolf describes his career and also brings to life Fry's private self, his pain, his resilience, his generosity of spirit, which made him such a powerful influence on his own and future generations.

Among Shakespeare's many biographers none brings to his subject more passion and feeling for the creative act than Anthony Burgess. He breathes life into Shakespeare the man and invigorates his times. His portrait of the age builds upon an almost personal tenderness for Shakespeare and his contemporaries (especially Ben Jonson), and on a profound sense of literary and theatrical history. Anthony Burgess's well-known delight in language infuses his own writing about Shakespeare's works. And in the verve of his biography he conveys the energy of the Elizabethan age.

Auden's dedication as a writer was matched only by his commitment to challenging the received view of political and personal life. The definitive biography goes beyond a study of the great poet to create a vibrant and masterful commentary on Auden's work, ideas and life within the context of the wars, ideologies, spiritual quests and sexual attitudes of this century.

'If men could see us as we really are, they would be amazed', wrote Charlotte Brontë, the outwardly conventional parson's daughter who had rarely met any men beyond those of the church or classroom by the time Jane Eyre was published in 1847. From the landscape of the Yorkshire moors, an appalling childhood and a family decimated by consumption, Jane Eyre came as an instant literary sensation. It also brought Charlotte Brontë the notoriety that was to remain with her for the rest of her short and tragic life. Elizabeth Gaskell, Charlotte's first biographer, attempted to clear Charlotte of the charges of passionate immorality that were levelled at a woman author - and an unmarried one at that. Rebecca Fraser, 130 years later, placed Charlotte's life within the perceptual framework of contemporary attitudes to women. Her biography is an invaluable contribution to Brontë scholarship, which shares her admiration for a woman prepared to stand out against some of the cruelest Victorian ideas about her sex.

Virginia Woolf was a close friend of Roger Fry for many years - after his death she wrote this loving account of his passion for art, his own painting, and his challenging critical theories. Born in 1866, he was primarily responsible for bringing the post-Impressionist movement to Britain, organising the first exhibitions and establishing the Omega workshops: he was also curator of the Metropolitan Museum of Modern Art in New York. Virginia Woolf describes his career and also brings to life Fry's private self, his pain, his resilience, his generosity of spirit, which made him such a powerful influence on his own and future generations.