Willie Morris Books in Memoir and Biography – serie

While undergoing routine surgery to remove a benign tumor, Ruby Elzy died. She was only thirty-five. Had she lived, she would have been one of the first black artists to appear in grand opera. Although now in the shadows, she was a shining star in her day. She entertained Eleanor Roosevelt in the White House. She was Paul Robeson's leading lady in the movie version of The Emperor Jones. She co-starred in Birth of the Blues opposite Bing Crosby and Mary Martin. She sang at Harlem's Apollo Theater and in the Hollywood Bowl. Her remarkable soprano voice was known to millions over the radio. She was personally chosen by George Gershwin to create one of the leading roles in his masterpiece, that of Serena in the original production of Porgy and Bess. Her signature song was the vocally demanding ""My Man's Gone Now."" From obscurity she had risen to great heights. Ruby Pearl Elzy (1908-1943) was born in abject poverty in Pontotoc, Mississippi. Her father abandoned the family when she was five, leaving her mother, a strong, devout woman, to raise four small children. Ruby first sang publicly at the age of four and even in childhood dreamed of a career on the stage. Good fortune struck when a visiting professor, overwhelmed upon hearing her beautiful voice at Rust College in Mississippi, arranged for her to study music at Ohio State University. Later, on a Rosenwald Fellowship, she enrolled at the Juilliard School in New York City. After more than 800 performances in Porgy and Bess, she set her sights on a huge goal, to sing in grand opera. She was at the peak of her form. While she was preparing for her debut in the title role of Verdi's Aida, tragedy struck.During her brief career, Ruby Elzy was in the top tier of American sopranos and a precursor who paved a way for Leontyne Price, Jessye Norman, Kathleen Battle, and other black divas of the operatic stage. This biography acknowledges her exceptional talent, recognizes her contribution to American music, and tells her tragic yet inspiring story.

Betty Bobo Pearson (b. 1922), a seventh-generation, plantation-born Mississippian, defied her cultural heritage - and caused great personal pain for her parents and herself - when she became an activist in the civil rights movement. Never fearing to break the mold in her search for the ""best,"" she, in her ninety-third year, remains a strong, effective leader with a fun-loving, generous spirit.When Betty was eighteen months old, a train smashed into the car her mother was driving, killing Betty's beloved grandfather and severely injuring her grandmother. Thrown onto the engine's cow catcher, Betty lived and did not remember the accident. She did, however, grow up to fulfill her grandmother's prediction: ""Betty, God reached down and plucked you from in front of that train because he has something very special he wants you to do with your life.""In 1943, twenty-one-year-old Betty, soon to graduate from the University of Mississippi, received a full tuition scholarship to Columbia Graduate School in New York City. Ecstatic, she rushed home to tell her parents. ""ABSOLUTELY NOT. There is no way I'll allow my daughter to live in Yankee Land,"" her father replied. After fierce argument and much door slamming, Betty could not defy her father. But she had to show him she was her own person. Her nation was at war - so Betty joined the Marines.After the war, Betty married Bill Pearson and became mistress of Rainbow Plantation in the Delta. In 1955, she attended the Emmett Till trial (accompanied by her close friend and budding civil rights activist Florence Mars) and was shocked by the virulent degree of racism she witnessed there. Seeing her world in a new way, she became a courageous and dedicated supporter of the civil rights movement. Her activities severely fractured her close relationship with her parents. Yet, as a warm friend and bold, persuasive leader, Betty made an indelible mark in her church, in the Delta communities, in the lives of the people she employed, and in her beautiful garden at Rainbow.

Arrested as a Freedom Rider in June of 1961, Carol Ruth Silver, a twenty-two-year-old recent college graduate originally from Massachusetts, spent the next forty days in Mississippi jail cells, including the Maximum Security Unit at the infamous Parchman Prison Farm. She chronicled the events and her experiences on hidden scraps of paper which amazingly she was able to smuggle out. These raw written scraps she fashioned into a manuscript, which has waited, unread for more than fifty years. Freedom Rider Diary is that account.Freedom Riders were civil rights activists who rode interstate buses into the segregated southern United States in 1961 to test the US Supreme Court rulings outlawing segregation in interstate bus and terminal facilities. Brutality and arrests inflicted on the Riders called national attention to the disregard for federal law and the local violence used to enforce segregation. Police arrested Riders for trespassing, unlawful assembly, and violating state and local Jim Crow laws, along with other alleged offenses, but they often allowed white mobs to attack the Riders without arrest or intervention.This book offers a heretofore unavailable detailed diary from a woman Freedom Rider along with an introduction by historian Raymond Arsenault, author of the definitive history of the Freedom Rides. In a personal essay detailing her life before and after the Freedom Rides, Silver explores what led her to join the movement and explains how, galvanized by her actions and those of her compatriots in 1961, she spent her life and career fighting for civil rights. Framing essays and personal and historical photographs make the diary an ideal book for the general public, scholars, and students of the movement that changed America.

This true story of an ex-Marine who fought crime as an undercover cop, a narcotics agent, and finally a federal prosecutor spans a decade of crime fighting and narrow escapes. Charlie Spillers dealt with a remarkable variety of career criminals, including heroin traffickers, safecrackers, burglars, auto thieves, and members of Mafia and Mexican drug smuggling operations. In this riveting tale, the author recounts fascinating experiences and the creative methods he used to succeed and survive in a difficult and sometimes extremely dangerous underworld life.As a young officer with the Baton Rouge Police Department, ex-Marine Charlie Spillers first went undercover to infiltrate criminal groups to gather intelligence. Working alone and often unarmed, he constantly attempted to walk the thin line between triumph and disaster. When on the hunt, his closest associates were safecrackers, prostitutes, and burglars. His abilities propelled him into years of undercover work inside drug trafficking rings. But the longer he worked, the greater the risks. His final and perhaps most significant action in Baton Rouge was leading a battle against corruption in the police department itself.After Baton Rouge, he joined the Mississippi Bureau of Narcotics and for the next five years continued working undercover, from the Gulf Coast to Memphis; and from New Orleans to Houston, Texas. He capped off a unique career by becoming a federal prosecutor and the justice attaché for Iraq. In this book, he shares his most intriguing exploits and exciting undercover stings, putting readers in the middle of the action.

In 1922, Mildred Pitts Walter was born in DeRidder, Louisiana, to a log cutter and a midwife/beautician. She became the first member of her family to go to college, graduating in 1940. Walter moved to California, where she worked as an elementary school teacher. After being encouraged by a Publisher to write books for and about African American children, Walter went on to become a pioneer of African American children's literature. Most notably, she wrote Justin and the Best Biscuits in the World, which bent preconceptions with tales of black cowboys and men doing "women’s work." She was also a contributing book reviewer to the Los Angeles Times. In Something Inside So Strong: Life in Pursuit of Choice, Courage, and Change, Walter recollects major touchstones in her life. The autobiography, divided into three parts, "Choice," "Courage," and "Change," covers Walter’s life beginning with her childhood in the 1920s and moving to the present day. In "Choice," Walter describes growing up in a deeply segregated Louisiana and includes memories of school, rural home life, World War II, and participating in neighborhood activities like hog killing and church revivals. "Courage" documents her adjustment to living away from family, her experiences teaching in Los Angeles and her extensive work with her husband for the Los Angeles chapter of the Congress of Racial Equality. The final section, "Change," shows how Walter’s writing and activism merged, detailing her work as an education consultant and as an advocate for nonviolent resistance to racism. It also reveals how her world travels expanded her personal inquiry into Christianity and African spirituality. Something Inside So Strong is one woman’s journey to self-discovery.

Stone Motel: Memoirs of a Cajun Boy is the story of a gay preteen, his seven siblings, their violent father, overwhelmed mother, unstoppable grandmother, and the sordid array of customers they encounter at their family's roadside motel, situated in the hot, prairie town of Eunice, Louisiana. When half of the motel burns in a Christmastime fire, the family scrambles to get back on their feet and get things moving again. The fire rekindles the father's long-repressed violent nature, and while he attacks several of his children, he reserves his most ferocious beatings for his second son whom he feels needs "fixing." When they were not working at the Stone Motel, Morris Ardoin and his siblings played canasta, an "old ladies" card game, which provided a refuge from the blistering summer sun and helped them avoid their mercurial father, a man unable to shake the horrors he had experienced as a child and, later, as a soldier.In this memoir, Ardoin provides an episodic narrative, detailing the sweet, sometimes awkward, often funny memories of his family, but moves beyond the personal to also document Louisiana life in the 1960s and 1970s. Through his descriptions of the regional French dialect spoken by his elders, to nostalgic images of places lost to time and progress, a unique portrait of a small community in Cajun Louisiana unfolds. Moving from childhood into adulthood, Ardoin's story speaks to what shapes a life—location, culture, language, heritage, and family.

Former New York Times correspondent John N. Herbers (1923-2017), who covered the civil rights movement for more than a decade, has produced Deep South Dispatch: Memoir of a Civil Rights Journalist, a compelling story of national and historical significance. Born in the South during a time of entrenched racial segregation, Herbers witnessed a succession of landmark civil rights uprisings that rocked the country, the world, and his own conscience. Herbers's retrospective is a timely and critical illumination on America's current racial dilemmas and ongoing quest for justice.Herbers's reporting began in 1951, when he covered the brutal execution of Willie McGee, a black man convicted for the rape of a white housewife, and the 1955 trial for the murder of Emmett Till, a black teenager killed for allegedly whistling at a white woman. With immediacy and first-hand detail, Herbers describes the assassination of John F. Kennedy; the death of four black girls in the Birmingham, Alabama, church bombing; extensive travels and interviews with Martin Luther King Jr.; Ku Klux Klan cross-burning rallies and private meetings; the Freedom Summer murders in Philadelphia, Mississippi; and marches and riots in St. Augustine, Florida, and Selma, Alabama, that led to passage of national civil rights legislation.This account is also a personal journey as Herbers witnessed the movement with the conflicted eyes of a man dedicated to his southern heritage but who also rejected the prescribed laws and mores of a prejudiced society. His story provides a complex understanding of how the southern status quo, in which the white establishment benefited at the expense of African Americans, was transformed by a national outcry for justice.

For thirty-four years Sister Anne Brooks, a Catholic nun and doctor of osteopathy, served one of the nation's most impoverished towns and regions, Tutwiler, in Tallahatchie County in the Mississippi Delta. In 1983, she reopened the Tutwiler Clinic, which had remained closed for five years, as no other physician was willing to serve in Tallahatchie County. Starting with only two other nuns and regularly working twelve-hour days, Brooks's patient load - in a region where seven out of ten patients that walked in her door had no way to pay for care - grew from thirty to forty individuals per month her first year to more than 8,500 annually.Sally Palmer Thomason tells the powerful story of Sister Anne Brooks, beginning with her tumultuous childhood, the contracting and overcoming of crippling arthritis in early adulthood, and her near-unprecedented decision to attend medical school at the age of forty. Dr. Brooks's remarkable dedication and accomplishments in caring for the health and well-being of both the individuals and the community of Tutwiler attracted ongoing attention and was often featured in national publications and media, including People magazine and 60 Minutes. Thomason not only shares Brooks's powerful story but reveals, through excerpts from journal entries, letters, and interviews, the intimate musings that connect Brooks's faith in God to her profound compassion for others. Whether it is Brooks's efforts to desegregate Tutwiler or provide free healthcare, her constant devotion to others is striking.

What happens when you marry into a family that includes a Nobel Prize winner who is arguably the finest American writer of the twentieth century? Lawrence Wells, author of In Faulkner's Shadow: A Memoir, fills this lively tale with stories that answer just that. In 1972, Wells married Dean Faulkner, the only niece of William Faulkner, and slowly found himself lost in the Faulkner mystique. While attempting to rebel against the overwhelming influence of his in-laws, Wells had a front-row seat to the various rivalries that sprouted between his wife and the members of her family, each of whom dealt in different ways with the challenges and expectations of carrying on a literary tradition.Beyond the family stories, Wells recounts the blossoming of a literary renaissance in Oxford, Mississippi, after William Faulkner's death. Both the town of Oxford and the larger literary world were at a loss as to who would be Faulkner's successor. During these uncertain times, Wells and his wife cofounded Yoknapatawpha Press and the quarterly literary journal the Faulkner Newsletter and Yoknapatawpha Review. In his dual role as publisher and author, Wells encountered and befriended Larry Brown, Barry Hannah, Willie Morris, and many other writers. He became both participant and observer to the deeds and misdeeds of a rowdy collection of talented authors living in Faulkner's shadow.Full of personal insights, this memoir features unforgettable characters and exciting behind-the-scene moments that reveal much about modern American letters and the southern literary tradition. It is also a love story about a courtship and marriage, and an ode to Dean Faulkner Wells and her family.

Wolfgang W. E. Samuel, Colonel, US Air Force (Ret.), interweaves his story and that of his family with the larger history of World War II and the postwar world through a moving recollection and exploration of Fassberg, a small town in Germany few have heard of and fewer remember. Created in 1933 by the Hitler regime to train German aircrews, Fassberg hosted Samuel's father in 1944-45 as an officer in the German air force. As fate and Germany's collapse chased young Wolfgang, Fassberg later became his home as a postwar refugee, frightened, traumatized, hungry, and cold.Built for war, Fassberg made its next mark as a harbinger of the new Cold War, serving as one of the operating bases for Allied aircraft during the Berlin Airlift in 1948. With the end of the Berlin Crisis, the airbase and town faced a dire future. When the Royal Air Force declared the airbase surplus to its needs, it also signed the place's death warrant, yet increasing Cold War tensions salvaged both base and town. Fassberg transformed again, this time into a forward operating base for NATO aircraft, including a fighter flown by Samuel's son.Both personal revelation and world history, replete with tales from pilots, mechanics, and all those whose lives intersected there, Flights from Fassberg provides context to the Berlin Airlift and its strategic impact, the development of NATO, and the establishment of the West German nation. The little town built for war survived to serve as a refuge for a lasting peace.

Growing up in the Delta town of Yazoo City, Mississippi, Teresa Nicholas believed that she and her country-born and -bred mother weren’t close. She knew little of her mother’s early life as a sharecropper during the Great Depression, but whenever she brought up the subject, her taciturn mother would snap, "You ask too many questions, young’un."Nicholas left Mississippi to attend college, then settled in New York to work in the hard-driving world of commercial book publishing. Twenty-five years later, eager for a change, she and her husband decided to shift careers to writing, trading their home in the New York suburbs for a casita in the Mexican Highlands. But as her mother’s health deteriorated, Nicholas found herself spending more time in the small town she thought she had left behind. Over long afternoons in front of Turner Classic Movies, she grew closer to her mother, coaxing stories from her about her hardscrabble past—until a major stroke threatened to silence her mother's newfound voice.Torn between her new home in Mexico and her old home in Mississippi, Nicholas struggled to find her place in the world. She discovered that the past isn’t always the way we remember it, and as the years ticked by, that she and her mother could grow closer still. The Mama Chronicles: A Memoir is a funny and poignant account of a mother-daughter relationship and, ultimately, a meditation on acceptance and what it means to call a place home.

During Mardi Gras 1973, Stewart Butler fell in love with Alfred Doolittle—a wealthy socialite and schizophrenic from San Francisco. Their relationship was an improbable love story that changed the course of LGBTQ+ history. With Doolittle’s money, Butler was able to retire and devote his life to political activism in the cause of queer liberation. A survivor of the horrific UpStairs Lounge arson, Butler was a founding member of the first statewide lesbian and gay rights organization in Louisiana and an early champion for transgender rights, playing a key role in the eight-year struggle to persuade PFLAG to become the first national LGBTQ+ organization to include trans people in its mission statement.In Political Animal: The Life and Times of Stewart Butler, author Frank Perez traces Butler’s amazing life from his early childhood in Depression-era New Orleans, his adolescence at Carville where his father worked, his first unsuccessful attempt at college, his time in the army as a closeted gay man, his adventures in Alaska, his transformation into a hippie in the 1960s, his love affair with Doolittle, his decades as a gay rights advocate, and ultimately, his twilight years as an elder statesman.Based on Butler's own personal papers, including hundreds of letters, and dozens of interviews, Political Animal paints an intimate portrait of a legendary figure in gay politics and the times in which he lived.

With Hawks and Angels: Episodes from a Southern Life chronicles the fortunate life of a man born in the Cajun country of Louisiana and his interaction with the three distinct parts of his home state: the swampy, laissez-faire South where he was born, the red clay hills and piney woods of northern Louisiana where his relatives lived, and exotic New Orleans, where he was educated.Author Joel Lafayette Fletcher III examines his childhood on the campus of what is now the University of Louisiana at Lafayette where his father, Joel Lafayette Fletcher Jr., was president for twenty-five years, to his time as a student at Tulane. The book follows Fletcher through his service as a naval officer—when he began to admit to himself, accept, and explore who he really was—to his life in Europe and, eventually, Virginia where he now resides. With Hawks and Angels intimately explores the life of a young man growing up in the racially segregated Deep South while coming to terms with being gay at a time when being out was not socially acceptable.Based on his personal journals and recollections and filled with the unique characters he met along the way, With Hawks and Angels is the culmination of writing that, for Fletcher, was a way of holding onto an important part of his true self that for many years he felt compelled to hide.

Becoming Ezra Jack Keats offers the first complete biography of acclaimed children’s author and illustrator Ezra Jack Keats (1916–1983) intended for adult readers. Drawing extensively from his unpublished autobiography and letters, Becoming Ezra Jack Keats covers the breadth of Keats’s life, taking readers through his early years as the child of immigrant parents, his introduction to illustration and writing, and the full arc of his remarkable career.Beyond a standard biography, this volume presents a time capsule of the political, social, and economic issues evolving during the span of Keats’s lifetime. It also addresses his trailblazing commitment to representation and diversity, most notably in his work The Snowy Day, which won the Caldecott Medal as the first full-color picture book to feature a Black child as the protagonist. Keats far surpassed his father’s prediction that he would be a starving artist. Instead, as shown in Becoming Ezra Jack Keats, he is now regarded as one of the most influential figures in children’s literature, having published twenty-two books translated into sixteen languages, all featuring the diversity he saw in the children outside the window of his Brooklyn studio.

Thalia Mara’s story spans the history of dance in the twentieth century and the rise of the arts in her adopted city of Jackson, Mississippi. As an adolescent Mara (1911–2003) studied with renowned Russian teacher Adolph Bolm, who recommended she go at age sixteen to Paris for further study. During a tour in Europe and South America, she met her partner in dance and life, Arthur Mahoney, and they dazzled the world with their breathtaking performances during the 1930s and '40s. The two were named codirectors of Jacob’s Pillow in 1947, gracing the cover of Life magazine that year. Later they started two schools of dance in New York City, but despite much success, they closed due to lack of funding. That misfortune, however, was Jackson’s boon as it led Mara to the second phase of her career: reviving the Jackson Ballet Company and bringing the USA International Ballet Competition (IBC) to the state.Thalia Mara was recognized at the end of her life not only for the USA IBC’s decision to locate in Jackson, but also for her efforts as a patron of the arts. Her extraordinary fundraising and planning attracted international performers to the city in the 1980s and '90s. To Dance, to Live: A Biography of Thalia Mara gives the first full account of a life devoted to the arts.

Ellen Ann Fentress is a veteran writer for the New York Times, the Washington Post, and The Atlantic. She’s also a seasoned southern woman, specifically a white Mississippi one. "Women do a lot for free, no matter the era, no matter the location," she observes in The Steps We Take: A Memoir of Southern Reckoning. As a good southern woman, Fentress felt a calling to help others. As a teenager, she volunteered as a March of Dimes quarter collector and sang hymns at a soup-and-salvation homeless shelter. Later, she married, reared two daughters, renovated a 1941 Colonial home, practiced her French, and served as the bookkeeper for her husband’s business. She followed the scripts she was handed by society.But there were the convenient lies and silences that she and most southern—make that American—white women have settled on in the name of convention and, to be honest, inertia. For Fentress, her dodges both behind her front door and beyond became impossible to miss. Eventually, along with claiming a personal second act at midlife, she realized the most urgent community work she could do was to spur truth-telling about the history she knew well and participated in. She was one of the nearly one million students in the South enrolled in all-white "segregation academies," a sweeping movement away from public education that continues to warp the Deep South today. To document and engage with this history, she founded the Admissions Project: Racism and the Possible in Southern Schools, which has been featured in the Washington Post, Slate, Forbes and other publications. The Steps We Take tells how one woman reckons with both a region’s history and her own past. Through a lens ranging from intimate to the widely human, through moments painful and darkly comic, Fentress casts a penetrating light on what it means to be a white southern woman today.

In the summers of the early 1970s, Morris Ardoin and his siblings helped run their family's roadside motel in a hot, buggy, bayou town in Cajun Louisiana. The stifling, sticky heat inspired them to find creative ways to stay cool and out of trouble. When they were not doing their chores—handling a colorful cast of customers, scrubbing motel-room toilets, plucking chicken bones and used condoms from under the beds—they played canasta, an old ladies’ game that provided them with a refuge from the sun and helped them avoid their violent, troubled father.Morris was successful at occupying his time with his siblings and the children of families staying in the motel’s kitchenette apartments but was not so successful at keeping clear of his father, a man unable to shake the horrors he had experienced as a child and, later, as a soldier. The preteen would learn as he matured that his father had reserved his most ferocious attacks for him because of an inability to accept a gay or, to his mind, broken, son. It became his dad’s mission to "fix" his son, and Morris’s mission to resist—and survive intact. He was aided in his struggle immeasurably by the love and encouragement of a selfless and generous grandmother, who provides his story with much of its warmth, wisdom, and humor. There’s also suspense, awkward romance, naughty French lessons, and an insider’s take on a truly remarkable, not-yet-homogenized pocket of American culture.

Larry Brown (1951–2004) was unique among writers who started their careers in the late twentieth century. Unlike most of them—his friends Clyde Edgerton, Jill McCorkle, Rick Bass, and Kaye Gibbons, among others—he was neither a product of a writing program, nor did he teach at one. In fact, he did not even attend college. His innate talent, his immersion in the life of north Mississippi, and his determination led him to national success. Drawing on excerpts from numerous letters and material from interviews with family members and friends, Larry Brown: A Writer's Life is the first biography of a landmark southern writer.Jean W. Cash explores the cultural milieu of Oxford, Mississippi, and the writers who influenced Brown, including William Faulkner, Flannery O'Connor, Harry Crews, and Cormac McCarthy. She covers Brown's history in Mississippi, the troubled family in which he grew up, and his boyhood in Tula and Yocona, Mississippi, and in Memphis, Tennessee. She relates stories from Brown's time in the Marines, his early married life—which included sixteen years as an Oxford fireman—and what he called his ""apprenticeship"" period, the eight years during which he was teaching himself to write publishable fiction.The book examines Brown's years as a writer: the stories and novels he wrote, his struggles to acclimate himself to the fame his writing brought him, and his many trips outside Yocona, where he spent the last thirty years of his life. The book concludes with a discussion of his posthumous fame, including the publication of A Miracle of Catfish, the novel he had nearly completed just before his death. Brown's cadre of fans will relish this comprehensive portrait of the man and his work.

In this poignant and introspective dual memoir, Marion Garrard Barnwell embarks on a deeply personal journey. Inspired by the memoir of her maternal grandmother, Mary DuBose Trice Clark, affectionately known as ""Ganny,"" the narratives, though separated by decades, are brought together to offer readers a unique and moving exploration of growing up in Mississippi and the intersections of family, motherhood, and self-discovery.Clark’s memoir, penned in 1956, offers readers a glimpse into the past, telling the story of her life in Mississippi with unwavering commitment to ""just plain facts."" Her narrative traverses the landscapes of Okalona, Nettleton, Verona, and Tupelo, revealing their histories and the vibrant tapestry of her life while artfully sidestepping the complexities of her relationships and emotional vulnerabilities. Reflecting on an era when discussions of emotion and self-awareness were often shrouded in reticence, Clark’s story leaves a void in which Barnwell seeks to uncover the unspoken truths that shaped their family dynamics.Written at the age of seventy-seven, the same age as her grandmother when she wrote her memoir, Barnwell’s writing emerges as a response to the enigmatic silence within her grandmother’s narrative. It paints a vivid and expansive picture of her own life in the Mississippi Delta while also addressing profound themes of alcoholism, racism, shared family history, and the intricate dynamics between generations of women. As Barnwell weaves her own memoir into the fabric of this book, she takes readers on her emotional journey of self-discovery and truth-telling that leads to healing. All the Things We Didn’t Say: Two Memoirs is a testament to the power of storytelling and a captivating ode to the enduring human spirit and the timeless pursuit of understanding the intricate threads that connect us across generations.

Best known for her award-winning book The Free State of Jones: Mississippi’s Longest Civil War, historian Victoria Bynum turns now to her own history in this multigenerational American saga spanning from 1840 to 1979. Through meticulous historical research, personal letters, diaries, and the unpublished memoir of Mary Daniel Huckenpoehler, the author’s maternal grandmother, Bynum examines five generations within the broader context of the nation’s history, navigating pivotal events such as First Wave immigration, the Civil War, the Gilded Age, the Great Depression, two world wars, the Cold War, and beyond.Child of a mother from Waconia, Minnesota, and father from Jones County, Mississippi, Bynum blends a historian’s voice with personal experiences, intertwining her grandmother’s unpublished memoir and letters with her own role as a diarist and historian. She explores class, race, ethnicity, and gender dynamics. From the rise of Welsh immigrant ancestors in the Upper Midwest and the Gilded Age privileges of her grandmother’s upbringing to Bynum’s own tumultuous childhood in the 1950s and early 1960s as she is shuttled between Georgia, Mississippi, Minnesota, Florida, and California, Bynum grapples with numerous dangers of being raised in a volatile environment marked by alcohol-fueled violence, sexual degradation, and neglect. Against the backdrop of racial segregation, civil rights movements, and the Cold War, Deep Roots, Broken Branches traces the author’s coming-of-age journey, and the profound influence of her grandmother.Revealed through the lens and tensions of an Air Force family, Deep Roots, Broken Branches explores Bynum’s intellectual curiosity, voracious reading habits, and turbulent path through early motherhood, divorce, and higher education in California. Throughout, her grandmother remains a stabilizing force, offering inspiration and guidance. This book paints a vivid portrait of a southern identity’s growth amid personal challenges and broader societal shifts.

Edgar Allan Poe (1809–1849) was an American original—a luminous literary theorist, an erratic genius, and an analyst par excellence of human obsession and compulsion. The scope of his literary achievements and the dramatic character of Poe’s life have drawn readers and critics to him in droves.And yet, upon his death, one obituary penned by a literary enemy in the New York Daily Tribune cascaded into a lasting stain on Poe’s character, leaving a historic misunderstanding. Many remember Poe as a difficult, self-pitying, troubled drunkard often incapable of caring for himself.Poe reclaims the Baltimore and Virginia writer’s reputation and power, retracing Poe’s life and career. Biographer and critic James M. Hutchisson captures the boisterous worlds of literary New York and Philadelphia in the 1800s to understand why Poe wrote the way he did and why his achievement was so important to American literature. The biography presents a critical overview of Poe’s major works and his main themes, techniques, and imaginative preoccupations.This portrait of the writer emphasizes Poe’s southern identity; his existence as a workaday journalist in the burgeoning magazine era; his authority as a literary critic and cultural arbiter; his courtly demeanor and sense of social propriety; his advocacy of women writers; his adaptation of art forms as diverse as the so-called "gutter press" and the haunting rhythms of African American spirituals; his borrowing of imagery from such popular social movements as temperance and freemasonry; and his far-reaching, posthumous influence.

Am I Dead Yet? Memoirs of a Medic follows the remarkable journey of a young Mississippi paramedic who grows into an emergency medicine physician through years of intense, unpredictable, and often life-changing experiences in rural Mississippi towns, on the streets of small cities, and in the trauma bay. Beginning with Andy Anderson’s earliest days in EMS, the book traces how naïve confidence gives way to competence as he responds to chaotic scenes, catastrophic injuries, and unforgettable patients who shape his understanding of life, death, and the fragile space in between. Organized into eight parts, the memoir weaves together stories of first calls, baptism-by-fire emergencies, cardiac arrests, mistakes and lessons learned, bizarre 911 responses, dangerous scenes, EMS humor, and the critical moments that ultimately guided Anderson toward medical school. Along the way, he learns to trust instinct over textbooks, remain calm in the face of overwhelming pressure, and rely on partners who become a second family. The calls range from heartbreaking to hilarious, from violent to absurd, and from lifesaving victories to scenes where even the best efforts cannot change the outcome. More than a collection of EMS stories, Am I Dead Yet? is a coming-of-age story shaped by sirens, trauma, resilience, and humanity. Through honesty, humor, and hard-earned wisdom, the memoir captures what it truly means to serve others on their worst days and how those moments forge the heart of a healer.

Am I Dead Yet? Memoirs of a Medic follows the remarkable journey of a young Mississippi paramedic who grows into an emergency medicine physician through years of intense, unpredictable, and often life-changing experiences in rural Mississippi towns, on the streets of small cities, and in the trauma bay. Beginning with Andy Anderson’s earliest days in EMS, the book traces how naïve confidence gives way to competence as he responds to chaotic scenes, catastrophic injuries, and unforgettable patients who shape his understanding of life, death, and the fragile space in between. Organized into eight parts, the memoir weaves together stories of first calls, baptism-by-fire emergencies, cardiac arrests, mistakes and lessons learned, bizarre 911 responses, dangerous scenes, EMS humor, and the critical moments that ultimately guided Anderson toward medical school. Along the way, he learns to trust instinct over textbooks, remain calm in the face of overwhelming pressure, and rely on partners who become a second family. The calls range from heartbreaking to hilarious, from violent to absurd, and from lifesaving victories to scenes where even the best efforts cannot change the outcome. More than a collection of EMS stories, Am I Dead Yet? is a coming-of-age story shaped by sirens, trauma, resilience, and humanity. Through honesty, humor, and hard-earned wisdom, the memoir captures what it truly means to serve others on their worst days and how those moments forge the heart of a healer.

What was the experience of war for a child in bombed and ravaged Germany? In this memoir, the voice of innocence is heard.""This is great stuff,"" exclaims Stephen E. Ambrose.""I love this book.""In this gripping account, a boy and his mother are wrenched from their tranquil lives to forge a path through the storm of war and the rubble of its aftermath. In the past there has been a spectrum of books and films that share other German World War II experiences. However, told from the perspective of a ten-year-old, this book is rare. The boy and his mother must prevail over hunger and despair, or die.In the Third Reich, young Wolfgang Samuel and his family are content but alone. The father, a Luftwaffe officer, is away fighting the Allies in the West. In 1945 as Berlin and nearby communities crumble, young Wolfgang, his mother Hedy, and little sister Ingrid flee the advancing Russian army. They have no inkling of the chaos ahead. In Strasburg, a small town north of Berlin where they find refuge, Wolfgang begins to comprehend the evils the Nazi regime brought to Germany. As the Reich collapses, mother, son, and daughter flee again just ahead of the Russian charge.In the chaos of defeat they struggle to find food and shelter. Death stalks the primitive camps that are their temporary havens, and the child becomes the family provider. Under the crushing responsibility, Wolfgang becomes his mother's and sister's mainstay. When they return to Strasburg, the Communists in control are as brutal as the Nazis. In the violent atmosphere of arbitrary arrest, rape, hunger, and fear, the boy and his mother persist. Pursued by Communist police through a fierce blizzard, they escape to the West, but even in the English zone, the constant search for food, warmth, and shelter dominates their lives, and the mother's sacrifices become the boy's nightmares.Although this is a time of deepest despair, Wolfgang hangs on to the thinnest thread of hope. In June 1948 with the arrival of the Americans flying the Berlin Airlift, Wolfgang begins a new journey.