York Notes Companions – serie

From Restoration poets and playwrights Dryden, Rochester and Behn, through to the great eighteenth-century novelists and satirists Richardson, Burney and Defoe, this volume discusses the key literary developments of the age. Covering important topics of debate, such as trade, expansion and slavery, nature, liberty, and print culture, this York Notes Companion also incorporates relevant critical theory throughout for a complete and wide-ranging introduction.

The literature of the second half of the twentieth century is characterised by a tension between conservatism and innovation. This volume examines the key writers and genres that explore this idea, including the postmodern novels of Julian Barnes, Angela Carter and Graham Swift, the modern lyrics of Philip Larkin, Sylvia Plath and Stevie Smith, and the inventive dramas of Samuel Beckett, Caryl Churchill and Tom Stoppard. Chapters focussing on “Nostalgia and Nationality”, “Class and Education” and “Sex and Identity” provide important historical and social context, and combine with a range of key critical approaches to provide an indispensable guide to the era.

This volume spans five centuries of post-Conquest literature, written at a time in which enormous social, political and linguistic changes transformed life in Britain. Medieval genres such as Arthurian romance, lyrics, dream narratives and mystery plays are brought to life and accompanied by discussions of key debates such as “Gender and Power”, “The Emergent Individual” and “Society and Class”. Bringing together historical contexts and critical theory, this is essential reading for any student of medieval literature.

The period 1890 to 1950 is remarkable for radical innovation and literary development. This volume looks back to the origins of Modernism and the traditions that shaped it, examining texts from France, America, England and Ireland to provide a stimulating and original take on this unique movement in literary history. Combining textual analysis with key critical approaches, the book considers central texts such as Eliot’s The Waste Land, Joyce’s The Portrait of the Artist and Lawrence’s Women in Love alongside wider debates on “Literature and War”, “Modernism, Music and the Visual Arts” and “Modernism and its Critics”.

A York Notes Companion for students of contemporary literature, this volume looks at the literature of our own times, shaped by recent experiences from millennial anxieties to the events of 9/11. Placing texts within a cultural and critical context, the book discusses emerging genres such as multicultural and post-colonial writing, contemporary theatre, autobiography and the neo-Victorian novel. Established writers such as A. S. Byatt, Salman Rushdie, and Carol Ann Duffy are featured alongside the newer voices of Zadie Smith, Alan Hollinghurst and Sarah Waters in a volume which offers an essential overview of the contemporary literary scene in Britain and further afield.

A fresh and exciting approach to the poetry and prose of the Renaissance which discusses the best-known writers and poets of the age – Shakespeare, Milton, Spenser and Donne – alongside writers much newer to the canon, such as Mary Sidney, Anne Locke and Aemilia Lanyer. The cultural context of the period is covered extensively in chapters focusing on religion, exploration and gender, and relevant modern critical theory is integrated throughout.

The literature of the Romantic era is steeped in the politics of revolution and reaction. This volume looks at first and second generation poets such as Wordsworth, Blake, Byron and Shelley and explores their engagement with the turbulent history of their times. Other genres such as drama, fiction and travel writing are also discussed, with close attention paid to texts by Walpole, Austen and Mary Wollstonecraft. Combining thematic analysis with modern critical perspectives, the volume also includes key contextual sections focusing on “Imagination, Truth and Reason”, “Heroes and Anti-heroes” and “Faith, Doubt and Myth”.

This companion brings Renaissance drama to life by considering such classic plays as Hamlet, Othello and Dr Faustus from the perspective of contemporary theatre-goers.

Discussions of Shakespeare’s masterpieces are accompanied by examinations of the work of lesser known playwrights and commentators, while chapters on “Madness and Subjectivity”, “Rhetoric and Performance” and “Nation-Building” provide a variety of key critical perspectives.

An accessible and wide-ranging introduction to the era, this companion explores influential dramatic works by Ibsen, Shaw and Wilde; the poetry of mourning; novelistic genres, including social problem novels and sensation fiction; and the literature of the fin de siècle’s aesthetes and decadents. Cultural and historical debates – focussing on empire, national identity, science and evolution, print culture and gender – supply essential context alongside discussion of relevant critical theory.