Frederick Bianchi is a composer and music technologist. Recognized internationally for his musical compositions, installations, and innovative music technology development, Bianchi has been associated with interactive music applications since the mid-1980s.V.J. Manzo is Assistant Professor of Music Technology and Cognition at Worcester Polytechnic Institute. He is the author of the books MAX/MSP/Jitter for Music, Foundations of Music Technology, and co-author of Interactive Composition, all published by Oxford University Press.

Bianchi, Manzo, and the contributors to their book present music studies with a wealth of critical research and creative practices that will influence new social science and humanities research, short-term field studies in the classroom, and studio courses. With Environmental Sound Artists: In Their Own Words, we welcome a valuable addition to the field of sound studies and to music libraries across the globe.

• ForewordPrefaceAcknowledgmentsIntroduction1. Sonifications of Global Environmental DataAndrea Polli2. Sewer Pipe OrganPhilip Blackburn3. Biophonic Sound Sculptures in Public SpacesBernie Krause4. A Philosophical Report From Work-In-ProgressDavid Dunn5. Listening to the EarthJohn Bullitt6. The Place Where You Go to Listen: An Ecosystem of Sound and LightJohn Luther Adams7. MeltwaterCheryl E. Leonard8. Hearing Curved SpaceJeff Talman9. River ListeningLeah Barclay10. Sun BoxesCraig Colorusso11. Bridge Music and Tower MusicJoseph Bertolozzi12. Data as Music: Why Musically Encoded Sonification Design Offers a Rich Palette for Information DisplayMarty Quinn13. Sonic Landscapes (finding a sense of place with my ears)Bruce Odland14. Sonic Migrations: listening in-between, sensing placeXimena Alarcón15. Sound ArchitectureZimoun16. The Sonic Ecology of StructuresChina Blue17. Why Bring Nature Into Your Music?David Rothenberg18. The Dawn ChorusGordon Hempton19. Bivvy BroadcastsDawn Scarfe20. A Philosophy of Eco-acoustics in the Interdisciplinary Project "Fragments of Extinction"David Monacchi21. Towards Activist Sound: N30 Live at the WTO Protest November 30, 1999Christopher DeLaurenti22. The Listening Experience of "Paramnesia"Aki Pasoulas23. Musical Heuristics in Six Ecoacoustic QuintetsMatthew BurtnerIndex

Frederick Bianchi is a composer and music technologist. Recognized internationally for his musical compositions, installations, and innovative music technology development, Bianchi has been associated with interactive music applications since the mid-1980s.V.J. Manzo is Assistant Professor of Music Technology and Cognition at Worcester Polytechnic Institute. He is the author of the books MAX/MSP/Jitter for Music, Foundations of Music Technology, and co-author of Interactive Composition, all published by Oxford University Press.

Bianchi, Manzo, and the contributors to their book present music studies with a wealth of critical research and creative practices that will influence new social science and humanities research, short-term field studies in the classroom, and studio courses. With Environmental Sound Artists: In Their Own Words, we welcome a valuable addition to the field of sound studies and to music libraries across the globe.

• ForewordPrefaceAcknowledgmentsIntroduction1. Sonifications of Global Environmental DataAndrea Polli2. Sewer Pipe OrganPhilip Blackburn3. Biophonic Sound Sculptures in Public SpacesBernie Krause4. A Philosophical Report From Work-In-ProgressDavid Dunn5. Listening to the EarthJohn Bullitt6. The Place Where You Go to Listen: An Ecosystem of Sound and LightJohn Luther Adams7. MeltwaterCheryl E. Leonard8. Hearing Curved SpaceJeff Talman9. River ListeningLeah Barclay10. Sun BoxesCraig Colorusso11. Bridge Music and Tower MusicJoseph Bertolozzi12. Data as Music: Why Musically Encoded Sonification Design Offers a Rich Palette for Information DisplayMarty Quinn13. Sonic Landscapes (finding a sense of place with my ears)Bruce Odland14. Sonic Migrations: listening in-between, sensing placeXimena Alarcón15. Sound ArchitectureZimoun16. The Sonic Ecology of StructuresChina Blue17. Why Bring Nature Into Your Music?David Rothenberg18. The Dawn ChorusGordon Hempton19. Bivvy BroadcastsDawn Scarfe20. A Philosophy of Eco-acoustics in the Interdisciplinary Project "Fragments of Extinction"David Monacchi21. Towards Activist Sound: N30 Live at the WTO Protest November 30, 1999Christopher DeLaurenti22. The Listening Experience of "Paramnesia"Aki Pasoulas23. Musical Heuristics in Six Ecoacoustic QuintetsMatthew BurtnerIndex

Frederick Bianchi is a composer and music technologist. Recognized internationally for his musical compositions, installations, and innovative music technology development, Bianchi has been associated with interactive music applications since the mid-1980s.V.J. Manzo is Assistant Professor of Music Technology and Cognition at Worcester Polytechnic Institute. He is the author of the books MAX/MSP/Jitter for Music, Foundations of Music Technology, and co-author of Interactive Composition, all published by Oxford University Press.

Bianchi, Manzo, and the contributors to their book present music studies with a wealth of critical research and creative practices that will influence new social science and humanities research, short-term field studies in the classroom, and studio courses. With Environmental Sound Artists: In Their Own Words, we welcome a valuable addition to the field of sound studies and to music libraries across the globe.

• ForewordPrefaceAcknowledgmentsIntroduction1. Sonifications of Global Environmental DataAndrea Polli2. Sewer Pipe OrganPhilip Blackburn3. Biophonic Sound Sculptures in Public SpacesBernie Krause4. A Philosophical Report From Work-In-ProgressDavid Dunn5. Listening to the EarthJohn Bullitt6. The Place Where You Go to Listen: An Ecosystem of Sound and LightJohn Luther Adams7. MeltwaterCheryl E. Leonard8. Hearing Curved SpaceJeff Talman9. River ListeningLeah Barclay10. Sun BoxesCraig Colorusso11. Bridge Music and Tower MusicJoseph Bertolozzi12. Data as Music: Why Musically Encoded Sonification Design Offers a Rich Palette for Information DisplayMarty Quinn13. Sonic Landscapes (finding a sense of place with my ears)Bruce Odland14. Sonic Migrations: listening in-between, sensing placeXimena Alarcón15. Sound ArchitectureZimoun16. The Sonic Ecology of StructuresChina Blue17. Why Bring Nature Into Your Music?David Rothenberg18. The Dawn ChorusGordon Hempton19. Bivvy BroadcastsDawn Scarfe20. A Philosophy of Eco-acoustics in the Interdisciplinary Project "Fragments of Extinction"David Monacchi21. Towards Activist Sound: N30 Live at the WTO Protest November 30, 1999Christopher DeLaurenti22. The Listening Experience of "Paramnesia"Aki Pasoulas23. Musical Heuristics in Six Ecoacoustic QuintetsMatthew BurtnerIndex