A useful appendix sketching a chronology thoroughly updated in the light of current Busnoys scholarship ... Overall the essays in this book are so stimulating and wide-ranging in their approach that the findings presented in this long volume are far-reaching in their implications, not just for Busnoys studies (although especially for him) but for our understanding of the late medieval musical culture as a whole.

• PART I MUSIC, CEREMONY, AND RITUAL IN LATE MIDDLE AGES ; PART II INTERTEXTUAL, CONTEXTUAL, AND HERMENEUTIC APPROACHES TO LATE MEDIEVAL MUSICAL CULTURE ; PART III ISSUES OF AUTHORSHIP, ATTRIBUTION, AND ANONYMITY IN ARCHIVAL AND MUSICAL SOURCES ; PART IV READING THE THEORISTS ON COMPOSITIONAL PROCEDURES AND CHANGING STYLES ; PART V BUSNOYS'S LEGACY

A useful appendix sketching a chronology thoroughly updated in the light of current Busnoys scholarship ... Overall the essays in this book are so stimulating and wide-ranging in their approach that the findings presented in this long volume are far-reaching in their implications, not just for Busnoys studies (although especially for him) but for our understanding of the late medieval musical culture as a whole.

• PART I MUSIC, CEREMONY, AND RITUAL IN LATE MIDDLE AGES ; PART II INTERTEXTUAL, CONTEXTUAL, AND HERMENEUTIC APPROACHES TO LATE MEDIEVAL MUSICAL CULTURE ; PART III ISSUES OF AUTHORSHIP, ATTRIBUTION, AND ANONYMITY IN ARCHIVAL AND MUSICAL SOURCES ; PART IV READING THE THEORISTS ON COMPOSITIONAL PROCEDURES AND CHANGING STYLES ; PART V BUSNOYS'S LEGACY

A useful appendix sketching a chronology thoroughly updated in the light of current Busnoys scholarship ... Overall the essays in this book are so stimulating and wide-ranging in their approach that the findings presented in this long volume are far-reaching in their implications, not just for Busnoys studies (although especially for him) but for our understanding of the late medieval musical culture as a whole.

• PART I MUSIC, CEREMONY, AND RITUAL IN LATE MIDDLE AGES ; PART II INTERTEXTUAL, CONTEXTUAL, AND HERMENEUTIC APPROACHES TO LATE MEDIEVAL MUSICAL CULTURE ; PART III ISSUES OF AUTHORSHIP, ATTRIBUTION, AND ANONYMITY IN ARCHIVAL AND MUSICAL SOURCES ; PART IV READING THE THEORISTS ON COMPOSITIONAL PROCEDURES AND CHANGING STYLES ; PART V BUSNOYS'S LEGACY