Gavin Alexander is Reader in Renaissance Literature in the Faculty of English, University of Cambridge. His most recent project is an edition of The Model of Poesy by William Scott (CUP, 2013). Other publications include Writing After Sidney: The Literary Response to Sir Philip Sidney, 1586-1640 (OUP, 2006) and Renaissance Figures of Speech (CUP, 2007), co-edited with Sylvia Adamson and Katrin Ettenhuber, as well as numerous articles and book chapters on literary and musicological topics. He is currently working on a book on English Renaissance poets and music, and a project on lyric poetry and poetics.Emma Gilby is Reader in Early Modern French Literature and Thought at the University of Cambridge. Her publications include Descartes's Fictions: Reading Philosophy with Poetics (OUP, 2019) and Sublime Worlds: Early Modern French Literature (MHRA [Legenda], 2006), as well as various co-edited volumes and articles on the literary and intellectual history of the early modern period. Much of her research has focused on poetic theory and its connections to the rhetoric, philosophy and theology of seventeenth-century France.Alexander Marr is Reader in the History of Early Modern Art at the University of Cambridge and a Fellow of Trinity Hall. He recently published, with R. Garrod, J.R. Marcaida, and R. Oosterhoff, Logodaedalus: Word Histories of Ingenuity in Early Modern Europe (University of Pittsburgh Press, 2018). His study of Peter Paul Rubens, Rubens's Spirit: from Ingenuity to Genius is forthcoming from Reaktion Books.

This wideranging collection enriches and extends our understanding of criticism: ancient, Renaissance, and contemporary.

• Introduction: Placing Early Modern Criticism 1: Chris Stamatakis: 'The restful place': Criticism in Early Tudor Poetry 2: Katie Chenoweth: The Corrector as Critic: Jacques Peletier Du Mans 3: Francesco Lucioli: Popular Rewritings of the Orlando Furioso as Forms of Criticism 4: Rowan Cerys Tomlinson: 'Ce rond de sciences [...] nommé Encyclopédie': The Circle of Learning in Renaissance Poetics 5: Gavin Alexander: Grammar, Prosody, and the Place of Accent in Elizabethan Criticism 6: Lorna Hutson: The Play in the Mind's Eye 7: Michael Hetherington: Places of Form in Early Modern Poetics: Art, Mind, and Voice 8: Rodrigo Cacho Casal: Writing in the New World: Spanish American Poetics and the Literary Canon 9: Elizabeth Scott-Baumann: 'Crittickize uppon the smallest word': Anne Southwell and the Place of Gender in Early Modern Criticism 10: Stijn Bussels: The Wondrous Town Hall of Amsterdam: Laudatory Poems on the Impact of Art and Architecture 11: Emma Gilby: Présence d'esprit in Action in Seventeenth-Century France: Salon Poetry and the Lettres provinciales 12: Micha Lazarus: Sublimity by fiat: New Light on the English Longinus 13: Thijs Weststeijn: Painting as 'Reall Performance' in Rembrandt's Studio 14: Sophie Read: Dryden's Debts: Criticism, Commerce, and the Value of Wit 15: Alexander Marr: Locus genii: Placing Genius in Roger de Piles's Criticism

Gavin Alexander is Reader in Renaissance Literature in the Faculty of English, University of Cambridge. His most recent project is an edition of The Model of Poesy by William Scott (CUP, 2013). Other publications include Writing After Sidney: The Literary Response to Sir Philip Sidney, 1586-1640 (OUP, 2006) and Renaissance Figures of Speech (CUP, 2007), co-edited with Sylvia Adamson and Katrin Ettenhuber, as well as numerous articles and book chapters on literary and musicological topics. He is currently working on a book on English Renaissance poets and music, and a project on lyric poetry and poetics.Emma Gilby is Reader in Early Modern French Literature and Thought at the University of Cambridge. Her publications include Descartes's Fictions: Reading Philosophy with Poetics (OUP, 2019) and Sublime Worlds: Early Modern French Literature (MHRA [Legenda], 2006), as well as various co-edited volumes and articles on the literary and intellectual history of the early modern period. Much of her research has focused on poetic theory and its connections to the rhetoric, philosophy and theology of seventeenth-century France.Alexander Marr is Reader in the History of Early Modern Art at the University of Cambridge and a Fellow of Trinity Hall. He recently published, with R. Garrod, J.R. Marcaida, and R. Oosterhoff, Logodaedalus: Word Histories of Ingenuity in Early Modern Europe (University of Pittsburgh Press, 2018). His study of Peter Paul Rubens, Rubens's Spirit: from Ingenuity to Genius is forthcoming from Reaktion Books.

This wideranging collection enriches and extends our understanding of criticism: ancient, Renaissance, and contemporary.

• Introduction: Placing Early Modern Criticism 1: Chris Stamatakis: 'The restful place': Criticism in Early Tudor Poetry 2: Katie Chenoweth: The Corrector as Critic: Jacques Peletier Du Mans 3: Francesco Lucioli: Popular Rewritings of the Orlando Furioso as Forms of Criticism 4: Rowan Cerys Tomlinson: 'Ce rond de sciences [...] nommé Encyclopédie': The Circle of Learning in Renaissance Poetics 5: Gavin Alexander: Grammar, Prosody, and the Place of Accent in Elizabethan Criticism 6: Lorna Hutson: The Play in the Mind's Eye 7: Michael Hetherington: Places of Form in Early Modern Poetics: Art, Mind, and Voice 8: Rodrigo Cacho Casal: Writing in the New World: Spanish American Poetics and the Literary Canon 9: Elizabeth Scott-Baumann: 'Crittickize uppon the smallest word': Anne Southwell and the Place of Gender in Early Modern Criticism 10: Stijn Bussels: The Wondrous Town Hall of Amsterdam: Laudatory Poems on the Impact of Art and Architecture 11: Emma Gilby: Présence d'esprit in Action in Seventeenth-Century France: Salon Poetry and the Lettres provinciales 12: Micha Lazarus: Sublimity by fiat: New Light on the English Longinus 13: Thijs Weststeijn: Painting as 'Reall Performance' in Rembrandt's Studio 14: Sophie Read: Dryden's Debts: Criticism, Commerce, and the Value of Wit 15: Alexander Marr: Locus genii: Placing Genius in Roger de Piles's Criticism

Gavin Alexander is Reader in Renaissance Literature in the Faculty of English, University of Cambridge. His most recent project is an edition of The Model of Poesy by William Scott (CUP, 2013). Other publications include Writing After Sidney: The Literary Response to Sir Philip Sidney, 1586-1640 (OUP, 2006) and Renaissance Figures of Speech (CUP, 2007), co-edited with Sylvia Adamson and Katrin Ettenhuber, as well as numerous articles and book chapters on literary and musicological topics. He is currently working on a book on English Renaissance poets and music, and a project on lyric poetry and poetics.Emma Gilby is Reader in Early Modern French Literature and Thought at the University of Cambridge. Her publications include Descartes's Fictions: Reading Philosophy with Poetics (OUP, 2019) and Sublime Worlds: Early Modern French Literature (MHRA [Legenda], 2006), as well as various co-edited volumes and articles on the literary and intellectual history of the early modern period. Much of her research has focused on poetic theory and its connections to the rhetoric, philosophy and theology of seventeenth-century France.Alexander Marr is Reader in the History of Early Modern Art at the University of Cambridge and a Fellow of Trinity Hall. He recently published, with R. Garrod, J.R. Marcaida, and R. Oosterhoff, Logodaedalus: Word Histories of Ingenuity in Early Modern Europe (University of Pittsburgh Press, 2018). His study of Peter Paul Rubens, Rubens's Spirit: from Ingenuity to Genius is forthcoming from Reaktion Books.

This wideranging collection enriches and extends our understanding of criticism: ancient, Renaissance, and contemporary.

• Introduction: Placing Early Modern Criticism 1: Chris Stamatakis: 'The restful place': Criticism in Early Tudor Poetry 2: Katie Chenoweth: The Corrector as Critic: Jacques Peletier Du Mans 3: Francesco Lucioli: Popular Rewritings of the Orlando Furioso as Forms of Criticism 4: Rowan Cerys Tomlinson: 'Ce rond de sciences [...] nommé Encyclopédie': The Circle of Learning in Renaissance Poetics 5: Gavin Alexander: Grammar, Prosody, and the Place of Accent in Elizabethan Criticism 6: Lorna Hutson: The Play in the Mind's Eye 7: Michael Hetherington: Places of Form in Early Modern Poetics: Art, Mind, and Voice 8: Rodrigo Cacho Casal: Writing in the New World: Spanish American Poetics and the Literary Canon 9: Elizabeth Scott-Baumann: 'Crittickize uppon the smallest word': Anne Southwell and the Place of Gender in Early Modern Criticism 10: Stijn Bussels: The Wondrous Town Hall of Amsterdam: Laudatory Poems on the Impact of Art and Architecture 11: Emma Gilby: Présence d'esprit in Action in Seventeenth-Century France: Salon Poetry and the Lettres provinciales 12: Micha Lazarus: Sublimity by fiat: New Light on the English Longinus 13: Thijs Weststeijn: Painting as 'Reall Performance' in Rembrandt's Studio 14: Sophie Read: Dryden's Debts: Criticism, Commerce, and the Value of Wit 15: Alexander Marr: Locus genii: Placing Genius in Roger de Piles's Criticism