David Lewin's Morgengruß

David Bard-Schwarz is Associate Professor of Music Theory at the University of North Texas College of Music. He has written three single-authored books: Listening Subjects: Music, Psychoanalysis, Culture; Listening Awry: Music and Alterity in German Culture; and An Introduction to Electronic Art through the Teachings of Jacques Lacan: Strangest Thing. His specialties include music theory and music and cultural studies with an emphasis on semiotics and Post-Lacanian psychoanalysis. He is active in the iARTA research cluster bringing together work in music, engineering, computer science, and the arts at UNT and is editor-in-chief of MOEBIUS, a new journal publishing criticism in cultural studies and interactive media.Richard Cohn is Battell Professor of Music Theory at Yale University. He is author of Audacious Euphony: Chromaticism and the Triad's Second Nature (Oxford University Press, 2012). Two of his scholarly articles have earned the Society of Music Theory's Outstanding Publication Award. Cohn was founding editor of Oxford University Press's Studies in Music Theory, and served as Executive Editor of the Journal of Music Theory. His current research models metric states and syntaxes in classical and world-music repertories.

"Lewin intended his essay for readers at various levels of musical ability, including well-informed amateurs, performers, music students in general, and critics. Nevertheless, the history of the essay shows that it is most appropriate for advanced music students and music theory scholars. Highly recommended."--Choice

• Acknowledgements ; 1) Preface ; 2) Introduction by Richard Cohn ; 3) Lewin's Morgengruss ; 4) "The Madeleine and the Rusk: from Morgengruss to 'Phenomenology'" ; by Brian Kane ; 5) "Lewin's Listeners Listening: The Beholder's Share" by Richard Cohn ; 6) "Technology, Methodology, Theory, and Analysis in Lewin's Morgengruss" by Henry Klumpenhouwer ; 7) Appendix ; 9) Bibliography