BRINDA J. MEHTA is Professor of French and Francophone Studies at Mills College, USA and author of Diasporic (Dis)locations: Indo-Caribbean Women Writers Negotiate the Kala Pani, Winner of the 2007 Frantz Fanon Award for Outstanding Work in Caribbean Thought.

'One of the best new critical perspective son gender and transnationalism in Caribbean women's literature.' Feminist Collections "For scholars and teachers of Caribbean diaspora studies, Mehta's study will be of interest both for its perceptive readings of key novels in the field and for its concerted realization of expanded notions of diaspora and Caribbean syncretism." - Clio 40:1 "Mehta provides an exciting new framework ...her brilliant, richly textured analysis of texts by Maryse Conde, Edwidge Danticat, Laure Moutoussamy, Gisele Pineau, and Evelyne Trouillot reveals a dialogue across generations and locations that is informed by memories of slavery and indenture. Unique, timely, and compelling - an indispensable addition to literary scholarship." - Renee Larrier, author of Autofiction and Advocacy in the Francophone Caribbean "I have heard Evelyne Trouillot beginning a lecture in Lima, Peru, by saying: 'I am black, I am woman, and I am a Third World writer.' Mehta's book explores and explodes that triple enduring constitution of colonial subjects. Mehta, however, as well as the writers she analyzes, is not describing the laments of the victims but the triumphal march of Caribbean women writers and scholars, as Mehta herself, toward the growing global disavowal of the enduring naturalization of patriarchal and racist hierarchies of being and of enclosed religious and national subjectivities and rationalities. Integrated (and not a detached observer) to the novels she analyses, Mehta's book is a signal de-colonial contribution of irresistible shifting processes to global reconfigurations of world order, illusionary geographies, and power relations. Sycorax here joins her son Caliban in shifting the geo- and bio-graphies ofimperial reason." - Walter D. Mignolo, William H. Wannamaker Professor of Romance Studies and Professor of Literature, Duke University "Notions of Identity, Diaspora and Gender in Caribbean Women's Writing is a welcome addition to the growing library of Caribbean/Diaspora Studies. While it deals with the difficult history of enslavement and resistance, 'diasporic fractures' as with 'dyasporic trauma' and the problematics of migration, it also offers a unique articulation of 'culinary diasporas,' always advancing the works of women writers from the Francophone Caribbean." - Carole Boyce-Davies, Professor of Africana Studies and English, Cornell University

• Introduction: Diasporic Trajectories in Francophone Caribbean Women's Writing Diasporic Fractures in Colonial Saint Domingue: From Enslavement to Resistance in Evelyne Trouillot's Rosalie l'infâme Dyasporic Trauma, Memory, and Migration in Edwidge Danticat's The Dew Breaker Culinary Diasporas: Identity and the Transnational Geography of Food in Gisèle Pineau's Un Papillon dans la Cité and L'Exil Selon Julia Diasporic Identity: Problematizing the Figure of the Dougla in Laure Moutoussamy's Passerelle de vie and Maryse Condé's La Migration des Coeurs The Voice of Sycorax: Diasporic Maternal Thought Conclusion

BRINDA J. MEHTA is Professor of French and Francophone Studies at Mills College, USA and author of Diasporic (Dis)locations: Indo-Caribbean Women Writers Negotiate the Kala Pani, Winner of the 2007 Frantz Fanon Award for Outstanding Work in Caribbean Thought.

'One of the best new critical perspective son gender and transnationalism in Caribbean women's literature.' Feminist Collections "For scholars and teachers of Caribbean diaspora studies, Mehta's study will be of interest both for its perceptive readings of key novels in the field and for its concerted realization of expanded notions of diaspora and Caribbean syncretism." - Clio 40:1 "Mehta provides an exciting new framework ...her brilliant, richly textured analysis of texts by Maryse Conde, Edwidge Danticat, Laure Moutoussamy, Gisele Pineau, and Evelyne Trouillot reveals a dialogue across generations and locations that is informed by memories of slavery and indenture. Unique, timely, and compelling - an indispensable addition to literary scholarship." - Renee Larrier, author of Autofiction and Advocacy in the Francophone Caribbean "I have heard Evelyne Trouillot beginning a lecture in Lima, Peru, by saying: 'I am black, I am woman, and I am a Third World writer.' Mehta's book explores and explodes that triple enduring constitution of colonial subjects. Mehta, however, as well as the writers she analyzes, is not describing the laments of the victims but the triumphal march of Caribbean women writers and scholars, as Mehta herself, toward the growing global disavowal of the enduring naturalization of patriarchal and racist hierarchies of being and of enclosed religious and national subjectivities and rationalities. Integrated (and not a detached observer) to the novels she analyses, Mehta's book is a signal de-colonial contribution of irresistible shifting processes to global reconfigurations of world order, illusionary geographies, and power relations. Sycorax here joins her son Caliban in shifting the geo- and bio-graphies ofimperial reason." - Walter D. Mignolo, William H. Wannamaker Professor of Romance Studies and Professor of Literature, Duke University "Notions of Identity, Diaspora and Gender in Caribbean Women's Writing is a welcome addition to the growing library of Caribbean/Diaspora Studies. While it deals with the difficult history of enslavement and resistance, 'diasporic fractures' as with 'dyasporic trauma' and the problematics of migration, it also offers a unique articulation of 'culinary diasporas,' always advancing the works of women writers from the Francophone Caribbean." - Carole Boyce-Davies, Professor of Africana Studies and English, Cornell University

• Introduction: Diasporic Trajectories in Francophone Caribbean Women's Writing Diasporic Fractures in Colonial Saint Domingue: From Enslavement to Resistance in Evelyne Trouillot's Rosalie l'infâme Dyasporic Trauma, Memory, and Migration in Edwidge Danticat's The Dew Breaker Culinary Diasporas: Identity and the Transnational Geography of Food in Gisèle Pineau's Un Papillon dans la Cité and L'Exil Selon Julia Diasporic Identity: Problematizing the Figure of the Dougla in Laure Moutoussamy's Passerelle de vie and Maryse Condé's La Migration des Coeurs The Voice of Sycorax: Diasporic Maternal Thought Conclusion

BRINDA J. MEHTA is Professor of French and Francophone Studies at Mills College, USA and author of Diasporic (Dis)locations: Indo-Caribbean Women Writers Negotiate the Kala Pani, Winner of the 2007 Frantz Fanon Award for Outstanding Work in Caribbean Thought.

'One of the best new critical perspective son gender and transnationalism in Caribbean women's literature.' Feminist Collections "For scholars and teachers of Caribbean diaspora studies, Mehta's study will be of interest both for its perceptive readings of key novels in the field and for its concerted realization of expanded notions of diaspora and Caribbean syncretism." - Clio 40:1 "Mehta provides an exciting new framework ...her brilliant, richly textured analysis of texts by Maryse Conde, Edwidge Danticat, Laure Moutoussamy, Gisele Pineau, and Evelyne Trouillot reveals a dialogue across generations and locations that is informed by memories of slavery and indenture. Unique, timely, and compelling - an indispensable addition to literary scholarship." - Renee Larrier, author of Autofiction and Advocacy in the Francophone Caribbean "I have heard Evelyne Trouillot beginning a lecture in Lima, Peru, by saying: 'I am black, I am woman, and I am a Third World writer.' Mehta's book explores and explodes that triple enduring constitution of colonial subjects. Mehta, however, as well as the writers she analyzes, is not describing the laments of the victims but the triumphal march of Caribbean women writers and scholars, as Mehta herself, toward the growing global disavowal of the enduring naturalization of patriarchal and racist hierarchies of being and of enclosed religious and national subjectivities and rationalities. Integrated (and not a detached observer) to the novels she analyses, Mehta's book is a signal de-colonial contribution of irresistible shifting processes to global reconfigurations of world order, illusionary geographies, and power relations. Sycorax here joins her son Caliban in shifting the geo- and bio-graphies ofimperial reason." - Walter D. Mignolo, William H. Wannamaker Professor of Romance Studies and Professor of Literature, Duke University "Notions of Identity, Diaspora and Gender in Caribbean Women's Writing is a welcome addition to the growing library of Caribbean/Diaspora Studies. While it deals with the difficult history of enslavement and resistance, 'diasporic fractures' as with 'dyasporic trauma' and the problematics of migration, it also offers a unique articulation of 'culinary diasporas,' always advancing the works of women writers from the Francophone Caribbean." - Carole Boyce-Davies, Professor of Africana Studies and English, Cornell University

• Introduction: Diasporic Trajectories in Francophone Caribbean Women's Writing Diasporic Fractures in Colonial Saint Domingue: From Enslavement to Resistance in Evelyne Trouillot's Rosalie l'infâme Dyasporic Trauma, Memory, and Migration in Edwidge Danticat's The Dew Breaker Culinary Diasporas: Identity and the Transnational Geography of Food in Gisèle Pineau's Un Papillon dans la Cité and L'Exil Selon Julia Diasporic Identity: Problematizing the Figure of the Dougla in Laure Moutoussamy's Passerelle de vie and Maryse Condé's La Migration des Coeurs The Voice of Sycorax: Diasporic Maternal Thought Conclusion