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    1. Kultur
    2. Scenkonst och film
    3. Teater

    Performing the Socialist State

    Modern Chinese Theater and Film Culture

    AvXiaomei Chen

    Inbunden, Engelska, 2023

    553 kr

    Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.

    Beskrivning

    Performing the Socialist State offers an innovative account of the origins, evolution, and legacies of key trends in twentieth-century Chinese theater. Instead of seeing the Republican, high socialist, and postsocialist periods as radically distinct, it identifies key continuities in theatrical practices and shared aspirations for the social role and artistic achievements of performance across eras.Xiaomei Chen focuses on the long and remarkable careers of three founders of modern Chinese theater and film, Tian Han, Hong Shen, and Ouyang Yuqian, and their legacy, which helped shape theater cultures into the twenty-first century. They introduced Western plays and theories, adapted traditional Chinese operas, and helped develop a tradition of leftist theater in the Republican period that paved the way for the construction of a socialist canon after 1949. Chen investigates how their visions for a free, democratic China fared in the initial years after the founding of the People’s Republic, briefly thriving only to founder as artists had to adapt to the Communist Party’s demand to produce ideologically correct works. Bridging the faith play and “antiparty plays” of the 1950s, the “red classics” of the 1960s, and their reincarnations in the postsocialist period, she considers the transformations of the depictions of women, peasants, soldiers, scientists, and revolutionary history in plays, operas, and films and examines how the market economy, collective memories, star culture, social networks, and state sponsorship affected dramatic productions.Countering the view that state interference stifles artistic imagination, Chen argues that theater professionals have skillfully navigated shifting ruling ideologies to create works that are politically acceptable yet aesthetically ingenious. Emphasizing the power, dynamics, and complexities of Chinese performance cultures, Performing the Socialist State has implications spanning global theater, comparative literature, political and social histories, and Chinese cultural studies.

    Produktinformation

    • Utgivningsdatum:2023-02-07
    • Mått:152 x 229 x 34 mm
    • Vikt:754 g
    • Format:Inbunden
    • Språk:Engelska
    • Antal sidor:384
    • Förlag:Columbia University Press
    • ISBN:9780231197762

    Utforska kategorier

    • Teater inom Kultur
    • Film inom Kultur

    Mer om författaren

    Xiaomei Chen is Distinguished Professor of Chinese Literature at the University of California, Davis. She is the author of Staging Chinese Revolution: Theater, Film and the Afterlives of Propaganda (Columbia, 2016); Acting the Right Part: Political Theater and Popular Drama in Contemporary China (2002); and Occidentalism: A Theory of Counter-Discourse in Post-Mao China (second and expanded edition, 2002), as well as editor of The Columbia Anthology of Modern Chinese Drama (Columbia, 2010; abridged edition, 2014), among other publications. Chen is also coeditor of Rethinking Chinese Socialist Theaters of Reform: Performance Practice and Debate in the Mao Era (2021), which received the Excellence in Editing Award from the Association for Theatre in Higher Education.

    Recensioner i media

    In her newest work, Xiaomei Chen confirms her position as the leading chronicler and analyst of modern and contemporary Chinese theater. Focusing on three dramatists of central importance before, during, and after the socialist era, she provides a nuanced and fascinating overview of the theater’s reflection of these turbulent times.

    Innehållsförteckning

    • AcknowledgmentsIntroductionPart I: Theater Founding Fathers: Liberal Aesthetics in the Republican Period1. Tian Han and His Legacy: Proletarian Modernism and “The Theater of Dramatists”2. Hong Shen and His Discontent: Canonicity Through Theory and Practice3. Ouyang Yuqian and His Theater Dream: Cross-Dressing, Drama Schools, and Theater ReformsPart II: Chinese Socialist Theater and Its Afterlife: Shifting “Classics” and Their Place in Cultural Transformation4. Is Socialism Good? Satirical Comedy and the Gray Theater of the 1950s5. The Tales of the Wives: The Mao-Era Metamorphosis of the “Red Classics” and Their Postsocialist Reinscriptions6. “The Song of the Geologists”: Remembering Scientists Onstage7. Monumental Theater: Soldier Plays and History Plays8. Singing “The Internationale”: One Hundred Years of Sonic TheaterNotesBibliographyIndex