Film and Attraction

AndrÉ Gaudreault is a professor at the DÉpartement d’histoire de l’art et d’Études cinÉmatographiques at the UniversitÉ de MontrÉal, the author of From Plato to LumiÈre: Narration and Monstration in Literature and Cinema, and the editor of American Cinema 1890–1909: Themes and Variations.Timothy Barnard is a film historian, publisher, and translator.

Author received the Jean Mitry Prize given by the Giornate del Cinema Muto, honoring individuals who contribute to the advancement of history and recognition of silent cinema, 2010."This work could indeed help rewrite the history of 'early cinema.'  Highly recommended."--Choice"A tour de force. The many historical references to specific uses of cinematic terms that are summoned by the author is impressive and can be accomplished only by a scholar with long and substantial experience working in the field. Books on film historiography as insightful, substantial, and concise as this one are rare."--Charles O'Brien, author of Cinema's Conversion to Sound: Technology and Film Style in France and the U.S. "Thoughtful and provocative."--Philip French, Times Literary Supplement

• Foreword by Rick Altman   ixAcknowledgments   xiiiIntroduction   11. Looking at Early Cinema in a New Light   92. The Emergence of the Kinematograph   323. Attraction and the Kinematograph   484. Intermediality and the Kinematograph   625. A Problematic Institutional Space   83Conclusion   98Appendix A: Discussion between the Author and the Editors of the Journal 1895   109Appendix B: "Kinematographic Views" (1907) by Georges Melies, edited with an introduction and annotations by Jacques Malthete   133Notes   153Works Cited in the Present Volume   177General Bibliography on Early Cinema   185Index   203