Daniel J. Sherman is Professor of Art History at the University of North Carolina.Ruud van Dijk is Professor of History and International Relations at the University of Amsterdam.Jasmine Alinder is Associate Professor of History at the University of Wisconsin-Milwaukee.A. Aneesh is Associate Professor of Sociology and Global Studies at the University of Wisconsin-Milwaukee.

"Bringing together the fields of visual culture, art history, film and media studies, philosophy, and history, The Long 1968 illuminates the often-overlooked histories of 1968. . . . [T]he diverse sources and methodologies makes this a welcome addition that encourages further avenues of research."—The Journal of American History"[T]he thorough descriptions in the very useful introduction and the internal coherence of each section of the book [and] the wide-ranging selections are quite navigable. There are pieces of interest here to scholars working in any of the areas these essays engage, particularly those teaching social movements, transnationalism, performance, representation, and cultural politics.Winter 2015"—Register of the Kentucky Historical Society"A rich and compelling volume . . . . [M]akes an important contribution to scholarship on '1968,' and it is very teachable."—Daniel A. Segal, Munroe Center for Social Inquiry, Pitzer College"The Long 1968 makes an important contribution to our understanding of politics and social life over four decades after the revolutionary fervor of 1968. As a complex, overlapping series of reflections on the impact of '68 in a present moment characterized by political apathy, cynicism, paralysis, and even despair, the volume is especially welcome. For those readers still committed to the possibility of political and social transformation, the volume offers both a sobering assessment of the differences between 'then' and 'now' and an intriguing invitation to reclaim the 'spirit of '68' for creative interventions in the present. . . . Sophisticated enough for an audience of specialists but also will be accessible to non-specialists. It will be especially valuable in upper-level undergraduate and graduate courses in history; cultural studies; women's and gender studies; science and especially technology studies; French, Latin American, and African studies; art history; and media studies. . . . An impressive achievement."—Lynne Huffer, Emory University

• AcknowledgmentsIntroductionJasmine Alinder, A. Aneesh, Daniel J. Sherman, and Ruud van DijkPart 1. 1968, the Text1. Foucault's 1968Bernard Gendron2. Palimpsests of '68: Theorizing Labor after AdornoRichard Langston3. What's Left of the Right to the City?Judit BodnarPart 2. Locating Politics4. The Rise and Fall of an International Counterculture, 1960–1975Jeremi Suri5. Invisible Humanism: An African 1968 and Its AftermathsJames Ferguson6. Pushing Luck Too Far: '68, Northern Ireland, and NonviolenceSimon Prince7. Mexico 1968 and the Art(s) of MemoryJacqueline E. BixlerPart 3. Bodies, Protest, and Art8. White Power, Black Power, and the 1968 Olympic ProtestsMartin A. Berger9. Bodies Count: The Sixties Body in American PoliticsRobert O. Self10. Beginning 9 EveningsMichelle Kuo11. Sensorial Techniques of the Self: From the Jouissance of May '68 to the Economy of the DelayNoit BanaiPart 4. 1968, the Movie12. Tempered Nostalgia in Recent French Films on the '68 YearsJulian Bourg13. Rhetorics of Resistance: The Port Huron ProjectMark TribeContributorsIndex