Rachel S. Harris is Associate Professor of Comparative and World Literature at the University of Illinois, Urbana-Champaign. She is author of Warriors, Witches, Whores: Women in Israeli Cinema and An Ideological Death: Suicide in Israeli Literature.Dan Chyutin is a Teaching Fellow at Tel Aviv University's Steve Tisch School of Film and TV and University of Haifa's MA Program in Film Culture. He has essays published or forthcoming in such peer-reviewed publications as Cinema Journal, Shofar, Journal of Film and Video, Jewish Film & New Media, Short Film Studies, and Journal of Jewish Identities.

"Casting a Giant Shadow provides, in anthology form, an excellent encyclopedic overview of how Israeli cinema—from its earliest days—has had transnational elements along with those that are specific to its national history and sensibility—addressing this broad topic in myriad imaginative ways. Clear and well-written, it is a major contribution to film studies."—Lucy Fischer, Distinguished Professor of English and Film Studies, University of Pittsburgh"Casting a Giant Shadow will make you see Israeli films in an entirely new light. This new collection puts Israeli cinema squarely on a map of global markets and influences, from Cannon Films to K-cinema, from Westerns to New Extremism. This important book reflects shift towards the transnational in film studies."—Olga Gershenson, University of Massachusetts Amherst

Rachel S. Harris is Associate Professor of Comparative and World Literature at the University of Illinois, Urbana-Champaign. She is author of Warriors, Witches, Whores: Women in Israeli Cinema and An Ideological Death: Suicide in Israeli Literature.Dan Chyutin is a Teaching Fellow at Tel Aviv University's Steve Tisch School of Film and TV and University of Haifa's MA Program in Film Culture. He has essays published or forthcoming in such peer-reviewed publications as Cinema Journal, Shofar, Journal of Film and Video, Jewish Film & New Media, Short Film Studies, and Journal of Jewish Identities.

"Casting a Giant Shadow provides, in anthology form, an excellent encyclopedic overview of how Israeli cinema—from its earliest days—has had transnational elements along with those that are specific to its national history and sensibility—addressing this broad topic in myriad imaginative ways. Clear and well-written, it is a major contribution to film studies."—Lucy Fischer, Distinguished Professor of English and Film Studies, University of Pittsburgh"Casting a Giant Shadow will make you see Israeli films in an entirely new light. This new collection puts Israeli cinema squarely on a map of global markets and influences, from Cannon Films to K-cinema, from Westerns to New Extremism. This important book reflects shift towards the transnational in film studies."—Olga Gershenson, University of Massachusetts Amherst

Rachel S. Harris is Associate Professor of Comparative and World Literature at the University of Illinois, Urbana-Champaign. She is author of Warriors, Witches, Whores: Women in Israeli Cinema and An Ideological Death: Suicide in Israeli Literature.Dan Chyutin is a Teaching Fellow at Tel Aviv University's Steve Tisch School of Film and TV and University of Haifa's MA Program in Film Culture. He has essays published or forthcoming in such peer-reviewed publications as Cinema Journal, Shofar, Journal of Film and Video, Jewish Film & New Media, Short Film Studies, and Journal of Jewish Identities.

"Casting a Giant Shadow provides, in anthology form, an excellent encyclopedic overview of how Israeli cinema—from its earliest days—has had transnational elements along with those that are specific to its national history and sensibility—addressing this broad topic in myriad imaginative ways. Clear and well-written, it is a major contribution to film studies."—Lucy Fischer, Distinguished Professor of English and Film Studies, University of Pittsburgh"Casting a Giant Shadow will make you see Israeli films in an entirely new light. This new collection puts Israeli cinema squarely on a map of global markets and influences, from Cannon Films to K-cinema, from Westerns to New Extremism. This important book reflects shift towards the transnational in film studies."—Olga Gershenson, University of Massachusetts Amherst