ELIZABETH BELL is Assistant Professor in the Department of Communication at the Unviersity of South Florida.LYNDA HAAS is Assistant Professor in the Writing Program at Ithaca College.LAURA SELLS is a doctoral student in the Department of Communication at the University of South Florida.

"... a wealth of local insights into many specific Disney projects, from their animated classics up to and including their work produced and distributed under their various other corporate names ..." - American Quarterly "The Disney book with a difference! ...These tightly structured and passionately but thoughtfully argued points should provoke lively debate..." - Brave New World

• AcknowledgmentsIntroduction: Walt's in the Movies—Elizabeth Bell, Lynda Haas, and Laura SellsSection I: Sanitizations/Disney Film as Cultural PedagogyBreaking the Disney Spell—Jack ZipesMemory and Pedagogy in the "Wonderful World of Disney": Beyond the Politics of Innocence—Henry A. GirouxPinocchio—Claudia CardDisney Does Dutch: Billy Bathgate and the Disneyficationof the Gangster Genre—Robert HaasThe Movie You See, The Movie Don't: How Disney Do's That Old Time Derision—Susan Miller and Greg RodeSection II: Contestations/Disney Film as Gender ConstructionSomatexts at the Disney Shop: Constructing the Pentimentos of Women's Animated Bodies—Elizabeth Bell"The Whole Wide World was Scribbed Clean": The Androcentric Animation of Denatured Disney—Patrick D. MurphyBambi—David PayneBeyond Captain Nemo: Disney's Science Fiction—Brian AtteberyThe Curse of Masculinity: Disney's Beauty and the Beast—Susan JeffordsSection III: Erasures/Disney Film as Identity Politics"Where Do The Mermaids Stand?"Voice and Body in The Little Mermaid—Laura Sells"Eighty-Six the Mother": Murder, Matricide, and Good Mothers—Lynda HaasSpinsters in Sensible Shoes: Mary Poppins and Bedknobs and Broomsticks—Chris CuomoPretty Woman Through the Triple Lens of Black Feminist Spectatorship—D.Soyini MadisonPachuco Mickey—Ramona FernancezContributorsIndex

ELIZABETH BELL is Assistant Professor in the Department of Communication at the Unviersity of South Florida.LYNDA HAAS is Assistant Professor in the Writing Program at Ithaca College.LAURA SELLS is a doctoral student in the Department of Communication at the University of South Florida.

"... a wealth of local insights into many specific Disney projects, from their animated classics up to and including their work produced and distributed under their various other corporate names ..." - American Quarterly "The Disney book with a difference! ...These tightly structured and passionately but thoughtfully argued points should provoke lively debate..." - Brave New World

• AcknowledgmentsIntroduction: Walt's in the Movies—Elizabeth Bell, Lynda Haas, and Laura SellsSection I: Sanitizations/Disney Film as Cultural PedagogyBreaking the Disney Spell—Jack ZipesMemory and Pedagogy in the "Wonderful World of Disney": Beyond the Politics of Innocence—Henry A. GirouxPinocchio—Claudia CardDisney Does Dutch: Billy Bathgate and the Disneyficationof the Gangster Genre—Robert HaasThe Movie You See, The Movie Don't: How Disney Do's That Old Time Derision—Susan Miller and Greg RodeSection II: Contestations/Disney Film as Gender ConstructionSomatexts at the Disney Shop: Constructing the Pentimentos of Women's Animated Bodies—Elizabeth Bell"The Whole Wide World was Scribbed Clean": The Androcentric Animation of Denatured Disney—Patrick D. MurphyBambi—David PayneBeyond Captain Nemo: Disney's Science Fiction—Brian AtteberyThe Curse of Masculinity: Disney's Beauty and the Beast—Susan JeffordsSection III: Erasures/Disney Film as Identity Politics"Where Do The Mermaids Stand?"Voice and Body in The Little Mermaid—Laura Sells"Eighty-Six the Mother": Murder, Matricide, and Good Mothers—Lynda HaasSpinsters in Sensible Shoes: Mary Poppins and Bedknobs and Broomsticks—Chris CuomoPretty Woman Through the Triple Lens of Black Feminist Spectatorship—D.Soyini MadisonPachuco Mickey—Ramona FernancezContributorsIndex

ELIZABETH BELL is Assistant Professor in the Department of Communication at the Unviersity of South Florida.LYNDA HAAS is Assistant Professor in the Writing Program at Ithaca College.LAURA SELLS is a doctoral student in the Department of Communication at the University of South Florida.

"... a wealth of local insights into many specific Disney projects, from their animated classics up to and including their work produced and distributed under their various other corporate names ..." - American Quarterly "The Disney book with a difference! ...These tightly structured and passionately but thoughtfully argued points should provoke lively debate..." - Brave New World

• AcknowledgmentsIntroduction: Walt's in the Movies—Elizabeth Bell, Lynda Haas, and Laura SellsSection I: Sanitizations/Disney Film as Cultural PedagogyBreaking the Disney Spell—Jack ZipesMemory and Pedagogy in the "Wonderful World of Disney": Beyond the Politics of Innocence—Henry A. GirouxPinocchio—Claudia CardDisney Does Dutch: Billy Bathgate and the Disneyficationof the Gangster Genre—Robert HaasThe Movie You See, The Movie Don't: How Disney Do's That Old Time Derision—Susan Miller and Greg RodeSection II: Contestations/Disney Film as Gender ConstructionSomatexts at the Disney Shop: Constructing the Pentimentos of Women's Animated Bodies—Elizabeth Bell"The Whole Wide World was Scribbed Clean": The Androcentric Animation of Denatured Disney—Patrick D. MurphyBambi—David PayneBeyond Captain Nemo: Disney's Science Fiction—Brian AtteberyThe Curse of Masculinity: Disney's Beauty and the Beast—Susan JeffordsSection III: Erasures/Disney Film as Identity Politics"Where Do The Mermaids Stand?"Voice and Body in The Little Mermaid—Laura Sells"Eighty-Six the Mother": Murder, Matricide, and Good Mothers—Lynda HaasSpinsters in Sensible Shoes: Mary Poppins and Bedknobs and Broomsticks—Chris CuomoPretty Woman Through the Triple Lens of Black Feminist Spectatorship—D.Soyini MadisonPachuco Mickey—Ramona FernancezContributorsIndex