Anthony Colantuono is Professor of Art History at the University of Maryland.Steven F. Ostrow is Professor and Chair of Art History at the University of Minnesota.

“The reader is sure to be disappointed that there is not another volume on hand to continue the story through the eighteenth century. Of course, the challenge of this sequel would be to find a similar group of authors who could approach their topics with the highest imagination and argue their points as persuasively—and there would also need to be editors like Colantuono and Ostrow, ones intent on uncovering the nitty-gritty of the era’s sculptural practice.”—C. D. Dickerson III CAA.Reviews

• ContentsList of IllustrationsPrefaceAcknowledgmentsIntroductionSteven F. Ostrow and Anthony Colantuono1The “Accademia dei Scultori” in Late Sixteenth- and Seventeenth-Century RomePeter M. Lukehart2Francesco Mochi: Stone and ScaleMichael Cole3Impossible Apostles: Francesco Mochi’s Saint Peter and Saint Paul for S. Paolo fuori le muraEstelle Lingo4The Poetry of Atomism: Duquesnoy, Poussin, and the Song of SilenusAnthony Colantuono5Orfeo Boselli’s Osservationi della scoltura antica: A Seventeenth-Century Treatise on Sculpture, Its Purpose, and Its Descent into ObscurityMaria Cristina Fortunati6The Sculptural Altarpiece and Its Vicissitudes in the Roman Church Interior: Renaissance Through BaroqueDamian Dombrowski7“For we are made a spectacle unto the world, and to angels, and to men”: Alessandro Algardi’s Beheading of Saint Paul and the Theatricality of MartyrdomMaarten Delbeke8“Appearing to be what they are not”: Bernini’s Reliefs in Theory and PracticeSteven F. Ostrow9The Poisoned Present: A New Reading of Gianlorenzo Bernini’s Rape of ProserpinaChristina Strunck10“Humoring” the Antique: Michel Anguier and the Physiological Interpretation of Ancient Greek SculptureJulia K. Dabbs11On Causes and Effects: Imitating Nature in Seventeenth-Century Sculpture Between Rome and ParisAline MagnienList of ContributorsBibliographyIndex

Anthony Colantuono is Professor of Art History at the University of Maryland.Steven F. Ostrow is Professor and Chair of Art History at the University of Minnesota.

“The reader is sure to be disappointed that there is not another volume on hand to continue the story through the eighteenth century. Of course, the challenge of this sequel would be to find a similar group of authors who could approach their topics with the highest imagination and argue their points as persuasively—and there would also need to be editors like Colantuono and Ostrow, ones intent on uncovering the nitty-gritty of the era’s sculptural practice.”—C. D. Dickerson III CAA.Reviews

• ContentsList of IllustrationsPrefaceAcknowledgmentsIntroductionSteven F. Ostrow and Anthony Colantuono1The “Accademia dei Scultori” in Late Sixteenth- and Seventeenth-Century RomePeter M. Lukehart2Francesco Mochi: Stone and ScaleMichael Cole3Impossible Apostles: Francesco Mochi’s Saint Peter and Saint Paul for S. Paolo fuori le muraEstelle Lingo4The Poetry of Atomism: Duquesnoy, Poussin, and the Song of SilenusAnthony Colantuono5Orfeo Boselli’s Osservationi della scoltura antica: A Seventeenth-Century Treatise on Sculpture, Its Purpose, and Its Descent into ObscurityMaria Cristina Fortunati6The Sculptural Altarpiece and Its Vicissitudes in the Roman Church Interior: Renaissance Through BaroqueDamian Dombrowski7“For we are made a spectacle unto the world, and to angels, and to men”: Alessandro Algardi’s Beheading of Saint Paul and the Theatricality of MartyrdomMaarten Delbeke8“Appearing to be what they are not”: Bernini’s Reliefs in Theory and PracticeSteven F. Ostrow9The Poisoned Present: A New Reading of Gianlorenzo Bernini’s Rape of ProserpinaChristina Strunck10“Humoring” the Antique: Michel Anguier and the Physiological Interpretation of Ancient Greek SculptureJulia K. Dabbs11On Causes and Effects: Imitating Nature in Seventeenth-Century Sculpture Between Rome and ParisAline MagnienList of ContributorsBibliographyIndex

Anthony Colantuono is Professor of Art History at the University of Maryland.Steven F. Ostrow is Professor and Chair of Art History at the University of Minnesota.

“The reader is sure to be disappointed that there is not another volume on hand to continue the story through the eighteenth century. Of course, the challenge of this sequel would be to find a similar group of authors who could approach their topics with the highest imagination and argue their points as persuasively—and there would also need to be editors like Colantuono and Ostrow, ones intent on uncovering the nitty-gritty of the era’s sculptural practice.”—C. D. Dickerson III CAA.Reviews

• ContentsList of IllustrationsPrefaceAcknowledgmentsIntroductionSteven F. Ostrow and Anthony Colantuono1The “Accademia dei Scultori” in Late Sixteenth- and Seventeenth-Century RomePeter M. Lukehart2Francesco Mochi: Stone and ScaleMichael Cole3Impossible Apostles: Francesco Mochi’s Saint Peter and Saint Paul for S. Paolo fuori le muraEstelle Lingo4The Poetry of Atomism: Duquesnoy, Poussin, and the Song of SilenusAnthony Colantuono5Orfeo Boselli’s Osservationi della scoltura antica: A Seventeenth-Century Treatise on Sculpture, Its Purpose, and Its Descent into ObscurityMaria Cristina Fortunati6The Sculptural Altarpiece and Its Vicissitudes in the Roman Church Interior: Renaissance Through BaroqueDamian Dombrowski7“For we are made a spectacle unto the world, and to angels, and to men”: Alessandro Algardi’s Beheading of Saint Paul and the Theatricality of MartyrdomMaarten Delbeke8“Appearing to be what they are not”: Bernini’s Reliefs in Theory and PracticeSteven F. Ostrow9The Poisoned Present: A New Reading of Gianlorenzo Bernini’s Rape of ProserpinaChristina Strunck10“Humoring” the Antique: Michel Anguier and the Physiological Interpretation of Ancient Greek SculptureJulia K. Dabbs11On Causes and Effects: Imitating Nature in Seventeenth-Century Sculpture Between Rome and ParisAline MagnienList of ContributorsBibliographyIndex