Karen Duffek is curator of art at the University of British Columbia Museum of Anthropology in Vancouver and author of Bill Reid: Beyond the Essential Form and The Transforming Image: Painted Arts of Northwest Coast First Nations. Charlotte Townsend-Gault is associate professor of art history at the University of British Columbia. She edited Land, Spirit, Power: First Nations at the National Gallery of Canada. The other contributors include Doug Cranmer, Marcia Crosby, Leslie Dawn, Aaron Glass, Guujaaw, Gwaganad (Diane Brown), Alan L. Hoover, Aldona Jonaitis, Ki-ke-in (Ron Hamilton), Bill McLennan, Marianne Nicolson, George Rammell, Miles Richardson, Doris Shadbolt, David Summers, Loretta Todd, and Scott Watson.

• List of illustrationsForeword by Nika CollisonPreface by Ruth B. PhillipsIntroduction: Image and Imagination by Charlotte Townsend-Gault and Karen DuffekPart I: Expanding the Understanding of Haida ArtOn Its Own Terms by Miles RichardsonThe Will to Be Haida by Doris ShadboltA Matter of Choice by Bill McLennanGoldsmith/Culturesmith by George RammellPart II: Locating CommunityMan, Myth or Magic? by GuujaawA Non-Haida Upbringing: Conflicts and Resolutions by Gwaganad (Diane Brown)On Shifting Ground: Bill Reid at the Museum of Anthropology by Karen DuffekBill Reid: Master of Patronage by Alan L. HooverHaidas, Human Beings and Other Myths by Marcia CrosbyPart III: Revisiting the RevivalWhat is a Renaissance? by David SummersReconsidering the Northwest Coast Renaissance by Aldona Jonaitis"Other-Side" Man by Doug CranmerMemories of Bill Reid: A Most Unlikely "Indian" by Ki-ke-in (Ron Hamilton)Was Bill Reid the Fixer of a Broken Culture or a Culture Broker? by Aaron GlassPart IV: Reconciling Aboriginality and ModernityTwo Bears by Scott WatsonStruggles with Aboriginality/Modernity by Charlotte Townsend-GaultA Bringer of Change: "Through Inadvertence and Accident" by Marianne NicolsonRe: Reading Reid and the "Revival" by Leslie DawnBeyond by Loretta ToddBibliography Biographical Notes on the Contributors

Karen Duffek is curator of art at the University of British Columbia Museum of Anthropology in Vancouver and author of Bill Reid: Beyond the Essential Form and The Transforming Image: Painted Arts of Northwest Coast First Nations. Charlotte Townsend-Gault is associate professor of art history at the University of British Columbia. She edited Land, Spirit, Power: First Nations at the National Gallery of Canada. The other contributors include Doug Cranmer, Marcia Crosby, Leslie Dawn, Aaron Glass, Guujaaw, Gwaganad (Diane Brown), Alan L. Hoover, Aldona Jonaitis, Ki-ke-in (Ron Hamilton), Bill McLennan, Marianne Nicolson, George Rammell, Miles Richardson, Doris Shadbolt, David Summers, Loretta Todd, and Scott Watson.

• List of illustrationsForeword by Nika CollisonPreface by Ruth B. PhillipsIntroduction: Image and Imagination by Charlotte Townsend-Gault and Karen DuffekPart I: Expanding the Understanding of Haida ArtOn Its Own Terms by Miles RichardsonThe Will to Be Haida by Doris ShadboltA Matter of Choice by Bill McLennanGoldsmith/Culturesmith by George RammellPart II: Locating CommunityMan, Myth or Magic? by GuujaawA Non-Haida Upbringing: Conflicts and Resolutions by Gwaganad (Diane Brown)On Shifting Ground: Bill Reid at the Museum of Anthropology by Karen DuffekBill Reid: Master of Patronage by Alan L. HooverHaidas, Human Beings and Other Myths by Marcia CrosbyPart III: Revisiting the RevivalWhat is a Renaissance? by David SummersReconsidering the Northwest Coast Renaissance by Aldona Jonaitis"Other-Side" Man by Doug CranmerMemories of Bill Reid: A Most Unlikely "Indian" by Ki-ke-in (Ron Hamilton)Was Bill Reid the Fixer of a Broken Culture or a Culture Broker? by Aaron GlassPart IV: Reconciling Aboriginality and ModernityTwo Bears by Scott WatsonStruggles with Aboriginality/Modernity by Charlotte Townsend-GaultA Bringer of Change: "Through Inadvertence and Accident" by Marianne NicolsonRe: Reading Reid and the "Revival" by Leslie DawnBeyond by Loretta ToddBibliography Biographical Notes on the Contributors

Karen Duffek is curator of art at the University of British Columbia Museum of Anthropology in Vancouver and author of Bill Reid: Beyond the Essential Form and The Transforming Image: Painted Arts of Northwest Coast First Nations. Charlotte Townsend-Gault is associate professor of art history at the University of British Columbia. She edited Land, Spirit, Power: First Nations at the National Gallery of Canada. The other contributors include Doug Cranmer, Marcia Crosby, Leslie Dawn, Aaron Glass, Guujaaw, Gwaganad (Diane Brown), Alan L. Hoover, Aldona Jonaitis, Ki-ke-in (Ron Hamilton), Bill McLennan, Marianne Nicolson, George Rammell, Miles Richardson, Doris Shadbolt, David Summers, Loretta Todd, and Scott Watson.

• List of illustrationsForeword by Nika CollisonPreface by Ruth B. PhillipsIntroduction: Image and Imagination by Charlotte Townsend-Gault and Karen DuffekPart I: Expanding the Understanding of Haida ArtOn Its Own Terms by Miles RichardsonThe Will to Be Haida by Doris ShadboltA Matter of Choice by Bill McLennanGoldsmith/Culturesmith by George RammellPart II: Locating CommunityMan, Myth or Magic? by GuujaawA Non-Haida Upbringing: Conflicts and Resolutions by Gwaganad (Diane Brown)On Shifting Ground: Bill Reid at the Museum of Anthropology by Karen DuffekBill Reid: Master of Patronage by Alan L. HooverHaidas, Human Beings and Other Myths by Marcia CrosbyPart III: Revisiting the RevivalWhat is a Renaissance? by David SummersReconsidering the Northwest Coast Renaissance by Aldona Jonaitis"Other-Side" Man by Doug CranmerMemories of Bill Reid: A Most Unlikely "Indian" by Ki-ke-in (Ron Hamilton)Was Bill Reid the Fixer of a Broken Culture or a Culture Broker? by Aaron GlassPart IV: Reconciling Aboriginality and ModernityTwo Bears by Scott WatsonStruggles with Aboriginality/Modernity by Charlotte Townsend-GaultA Bringer of Change: "Through Inadvertence and Accident" by Marianne NicolsonRe: Reading Reid and the "Revival" by Leslie DawnBeyond by Loretta ToddBibliography Biographical Notes on the Contributors