“Imaginatively conceived and engagingly written”—Nicholas Thomas, Inside Story [Australia]“[A] fascinating mix of art history focussing on the development of “universal man” portraiture with the rise of Joshua Reynolds, an exploration of competing political positions on the idea of empire, comparisons of society and the evolving awareness and importance of the individual in eighteenth century English, Polynesian and Native American culture”—Margaret Cassidy, Journal of the Oceanic Art Society“In these studies of Ostenaco and Mai, Fullagar’s ambitious whole-of-life approach tobiography really shines…Fullagar’s method combines rich historical contextualisation and informed speculation…Fullagar’s approach decentres empire from the stories of Ostenaco’s and Mai’s lives, and provides a richer, and fuller perspective on these compelling individuals.”—Shino Konishi, History Australia “Destabilises Eurocentric notions of biography, bringing alternative, indigenous worldviews and knowledges to bear on the process and outcome of life writing. Tracing the hubris of imperialism, the independent motivations of indigenous actors, and the fluid values and structures of their societies, Fullagar has rendered a stunning work of portraiture herself, entwining three lives and bloated empire—as she writes of Reynolds’ paintings—with ‘more flair than flailing’.”—Emma Gattey, Family & Community HistoryWinner of the Historians of British Art Book Prize for single-author book on a subject 1600–1800 Winner of the 2020 General History Prize, sponsored by The State Library of New South WalesWinner of the Douglas Stewart Prize for Non-fiction, sponsored by the New South Wales State LibraryShortlisted for the James Tait Black Prize- biography category, sponsored by The University of Edinburgh“Deftly combining indigenous studies, postcolonial perspectives, cultural history, and visual studies, Kate Fullagar produces a new portrait of Georgian Britain that is both surprising and entirely convincing.”—Douglas Fordham, University of Virginia“Spanning three land masses and two oceans, The Warrior, the Voyager, and the Artist exemplifies the very best of the new biography, and is a must read for anyone interested in the cultural history of the British Empire.”— Eliga Gould, author of the Among the Powers of the Earth: The American Revolution and the Making of a New World Empire“Kate Fullagar peers into the soul of the eighteenth century, discovering the shared human challenges that connected three very different men, three faces of the whirling gyre of the British empire. As deep and luminous as a Reynolds portrait, and as wide and wondrous as the Pacific, The Warrior, the Voyager, and the Artist will astonish.”— Jane Kamensky, author of A Revolution in Color: The World of John Singleton Copley“A deftly-told story of three inter-connected but very different lives that challenges many of the clichés about the history of the British empire. Fullagar’s account is subtle, persuasive and humane.”—John Brewer, California Institute of Technology“Fullagar does for biography what Reynolds wanted to do for portraiture—have it speak with the authority and humanity of history. But where he failed, Fullagar brilliantly succeeds.”—Peter Brunt, Victoria University of Wellington
