Nick Couldry is Professor of Media Communications and Social Theory at the London School of Economics. He is the author or editor of 14 books, including The Costs of Connection (with Ulises Mejias, 2019), Media: Why It Matters (2019), The Mediated Construction of Reality (with Andreas Hepp, 2016), Media Rituals: A Critical Approach (2003) and The Place of Media Power (2000). Jonathan Gray is Hamel Family Distinguished Chair in Communication Arts at the University of Wisconsin – Madison, USA. He is the author of four books (Television Entertainment; Show Sold Separately: Promos, Spoilers, and Other Media Paratexts; Watching with The Simpsons: Television, Parody, and Intertextuality; and Television Studies (with Amanda D. Lotz) and the co-editor of seven further books.

‘It is a wonderful thing to read these marvellous essays of Nick Couldry, that stand the test of time, and offer us in a timely collection, a resonant and searching set of investigations into the central trajectories of media and culture. This is theory at its best, communicated in an unfailingly generous, bracingly refractory, and utterly distinctive voice. Essential and rewarding reading!’Gerard Goggin, Professor of Communication and Information Nanyang Technological University'If you dislike compilation volumes, this book will prove you wrong. Spanning key issues in culturalist media studies – from Princess Diana’s funeral to Big Data - Couldry offers a coherent and grounded exercise in intellectual wonder.'Kirsten Drotner, University of Southern Denmark 'Strongly anchored in time and space, Couldry’s essays employ a plurality of theoretical voices to advance our ability to make sense of what people do with media.'Clemencia Rodríguez, Professor, Klein College of Media and Communication, Temple University

• Preface: Analysis without Sorting Hats – Jonathan GrayPart One SPEAKING UP AND SPEAKING OUT Speaking Up in a Public Space: The Strange Case of Rachel Whiteread's House Local Magics, Global Discretion Speaking about Others and Speaking Personally: Reflections after Elspeth Probyn's Sexing the Self The Individual "Point of View": Learning from Bourdieu’s The Weight of the World Part Two SPACES OF MEDIA, SPACES OF EXCLUSION Remembering Diana: The Geography of Celebrity and the Politics of Lack Passing Ethnographies: Rethinking the Sites of Agency and Reflexivity in a Mediated World The Umbrella Man: Crossing a Landscape of Speech and Silence On the Set of the Sopranos: "Inside" a Fan’s construction of Nearness Teaching Us to Fake It: The Ritualised Norms of Television's "Reality" Games Class and Contemporary Forms of "Reality" Production Or, Hidden Injuries of Class 2 Part Three: DEMOCRACY’S UNCERTAIN FUTURES Form and Power in an Age of Continuous Spectacle Living Well with and through Media What and Where is the Transnationalized Public Sphere? A Necessary Disenchantment: Myth, Agency and Injustice in the Digital Age Media in Modernity: A Nice Derangement of Institutions Afterword: Refracting Power in an Age of Big Data - Nick Couldry

Nick Couldry is Professor of Media Communications and Social Theory at the London School of Economics. He is the author or editor of 14 books, including The Costs of Connection (with Ulises Mejias, 2019), Media: Why It Matters (2019), The Mediated Construction of Reality (with Andreas Hepp, 2016), Media Rituals: A Critical Approach (2003) and The Place of Media Power (2000). Jonathan Gray is Hamel Family Distinguished Chair in Communication Arts at the University of Wisconsin – Madison, USA. He is the author of four books (Television Entertainment; Show Sold Separately: Promos, Spoilers, and Other Media Paratexts; Watching with The Simpsons: Television, Parody, and Intertextuality; and Television Studies (with Amanda D. Lotz) and the co-editor of seven further books.

‘It is a wonderful thing to read these marvellous essays of Nick Couldry, that stand the test of time, and offer us in a timely collection, a resonant and searching set of investigations into the central trajectories of media and culture. This is theory at its best, communicated in an unfailingly generous, bracingly refractory, and utterly distinctive voice. Essential and rewarding reading!’Gerard Goggin, Professor of Communication and Information Nanyang Technological University'If you dislike compilation volumes, this book will prove you wrong. Spanning key issues in culturalist media studies – from Princess Diana’s funeral to Big Data - Couldry offers a coherent and grounded exercise in intellectual wonder.'Kirsten Drotner, University of Southern Denmark 'Strongly anchored in time and space, Couldry’s essays employ a plurality of theoretical voices to advance our ability to make sense of what people do with media.'Clemencia Rodríguez, Professor, Klein College of Media and Communication, Temple University

• Preface: Analysis without Sorting Hats – Jonathan GrayPart One SPEAKING UP AND SPEAKING OUT Speaking Up in a Public Space: The Strange Case of Rachel Whiteread's House Local Magics, Global Discretion Speaking about Others and Speaking Personally: Reflections after Elspeth Probyn's Sexing the Self The Individual "Point of View": Learning from Bourdieu’s The Weight of the World Part Two SPACES OF MEDIA, SPACES OF EXCLUSION Remembering Diana: The Geography of Celebrity and the Politics of Lack Passing Ethnographies: Rethinking the Sites of Agency and Reflexivity in a Mediated World The Umbrella Man: Crossing a Landscape of Speech and Silence On the Set of the Sopranos: "Inside" a Fan’s construction of Nearness Teaching Us to Fake It: The Ritualised Norms of Television's "Reality" Games Class and Contemporary Forms of "Reality" Production Or, Hidden Injuries of Class 2 Part Three: DEMOCRACY’S UNCERTAIN FUTURES Form and Power in an Age of Continuous Spectacle Living Well with and through Media What and Where is the Transnationalized Public Sphere? A Necessary Disenchantment: Myth, Agency and Injustice in the Digital Age Media in Modernity: A Nice Derangement of Institutions Afterword: Refracting Power in an Age of Big Data - Nick Couldry

Nick Couldry is Professor of Media Communications and Social Theory at the London School of Economics. He is the author or editor of 14 books, including The Costs of Connection (with Ulises Mejias, 2019), Media: Why It Matters (2019), The Mediated Construction of Reality (with Andreas Hepp, 2016), Media Rituals: A Critical Approach (2003) and The Place of Media Power (2000). Jonathan Gray is Hamel Family Distinguished Chair in Communication Arts at the University of Wisconsin – Madison, USA. He is the author of four books (Television Entertainment; Show Sold Separately: Promos, Spoilers, and Other Media Paratexts; Watching with The Simpsons: Television, Parody, and Intertextuality; and Television Studies (with Amanda D. Lotz) and the co-editor of seven further books.

‘It is a wonderful thing to read these marvellous essays of Nick Couldry, that stand the test of time, and offer us in a timely collection, a resonant and searching set of investigations into the central trajectories of media and culture. This is theory at its best, communicated in an unfailingly generous, bracingly refractory, and utterly distinctive voice. Essential and rewarding reading!’Gerard Goggin, Professor of Communication and Information Nanyang Technological University'If you dislike compilation volumes, this book will prove you wrong. Spanning key issues in culturalist media studies – from Princess Diana’s funeral to Big Data - Couldry offers a coherent and grounded exercise in intellectual wonder.'Kirsten Drotner, University of Southern Denmark 'Strongly anchored in time and space, Couldry’s essays employ a plurality of theoretical voices to advance our ability to make sense of what people do with media.'Clemencia Rodríguez, Professor, Klein College of Media and Communication, Temple University

• Preface: Analysis without Sorting Hats – Jonathan GrayPart One SPEAKING UP AND SPEAKING OUT Speaking Up in a Public Space: The Strange Case of Rachel Whiteread's House Local Magics, Global Discretion Speaking about Others and Speaking Personally: Reflections after Elspeth Probyn's Sexing the Self The Individual "Point of View": Learning from Bourdieu’s The Weight of the World Part Two SPACES OF MEDIA, SPACES OF EXCLUSION Remembering Diana: The Geography of Celebrity and the Politics of Lack Passing Ethnographies: Rethinking the Sites of Agency and Reflexivity in a Mediated World The Umbrella Man: Crossing a Landscape of Speech and Silence On the Set of the Sopranos: "Inside" a Fan’s construction of Nearness Teaching Us to Fake It: The Ritualised Norms of Television's "Reality" Games Class and Contemporary Forms of "Reality" Production Or, Hidden Injuries of Class 2 Part Three: DEMOCRACY’S UNCERTAIN FUTURES Form and Power in an Age of Continuous Spectacle Living Well with and through Media What and Where is the Transnationalized Public Sphere? A Necessary Disenchantment: Myth, Agency and Injustice in the Digital Age Media in Modernity: A Nice Derangement of Institutions Afterword: Refracting Power in an Age of Big Data - Nick Couldry