Ashley Elston is Associate Professor of Art History at Berea College. Madeline Rislow is Associate Professor and Director of Art History, School of Fine Arts, Missouri Western State University.

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• Introduction: Hybridity in Early Modern ArtAshley Elston and Madeline Rislow Part 1: Hybrid Media1. Connecting Human and Divine: Carlo Crivelli’s Hybrid MediaAmanda Hilliam 2. Collaboration and Dissonance in Siena’s Bichi AltarpieceAshley Elston3. Emblems and Hybridity in a Southern German Epitaph SculptureCatharine Ingersoll4. Hybridity, Media, and Source Material in Visual Representations of the Wild Woman: Transitions from Hand-Copied Manuscripts to Hand-Press PrintsMichelle Moseley-Christian5. A Material Legacy: Hybridity and French Manuscript Illumination from the Late Fifteenth through Sixteenth CenturiesLarisa Grollemond Part 2: Hybrid Time6. Visual Hybridity in the Sancta Sanctorum (Rome): Reframing the Middle AgesKirstin Noreen7. (Re-)Encasing the Ashes of St. John the Baptist in Genoa Across TimeMadeline Rislow8. Recycling, Renaissance Style: Hybridity and Giorgio Vasari’s Pieve AltarpiecesSally J. Cornelison9. Style and Meaning Beyond Europe: Bernardo Bitti and MannerismChrista Irwin

Ashley Elston is Associate Professor of Art History at Berea College. Madeline Rislow is Associate Professor and Director of Art History, School of Fine Arts, Missouri Western State University.

Select Guide Rating

• Introduction: Hybridity in Early Modern ArtAshley Elston and Madeline Rislow Part 1: Hybrid Media1. Connecting Human and Divine: Carlo Crivelli’s Hybrid MediaAmanda Hilliam 2. Collaboration and Dissonance in Siena’s Bichi AltarpieceAshley Elston3. Emblems and Hybridity in a Southern German Epitaph SculptureCatharine Ingersoll4. Hybridity, Media, and Source Material in Visual Representations of the Wild Woman: Transitions from Hand-Copied Manuscripts to Hand-Press PrintsMichelle Moseley-Christian5. A Material Legacy: Hybridity and French Manuscript Illumination from the Late Fifteenth through Sixteenth CenturiesLarisa Grollemond Part 2: Hybrid Time6. Visual Hybridity in the Sancta Sanctorum (Rome): Reframing the Middle AgesKirstin Noreen7. (Re-)Encasing the Ashes of St. John the Baptist in Genoa Across TimeMadeline Rislow8. Recycling, Renaissance Style: Hybridity and Giorgio Vasari’s Pieve AltarpiecesSally J. Cornelison9. Style and Meaning Beyond Europe: Bernardo Bitti and MannerismChrista Irwin

Ashley Elston is Associate Professor of Art History at Berea College. Madeline Rislow is Associate Professor and Director of Art History, School of Fine Arts, Missouri Western State University.

Select Guide Rating

• Introduction: Hybridity in Early Modern ArtAshley Elston and Madeline Rislow Part 1: Hybrid Media1. Connecting Human and Divine: Carlo Crivelli’s Hybrid MediaAmanda Hilliam 2. Collaboration and Dissonance in Siena’s Bichi AltarpieceAshley Elston3. Emblems and Hybridity in a Southern German Epitaph SculptureCatharine Ingersoll4. Hybridity, Media, and Source Material in Visual Representations of the Wild Woman: Transitions from Hand-Copied Manuscripts to Hand-Press PrintsMichelle Moseley-Christian5. A Material Legacy: Hybridity and French Manuscript Illumination from the Late Fifteenth through Sixteenth CenturiesLarisa Grollemond Part 2: Hybrid Time6. Visual Hybridity in the Sancta Sanctorum (Rome): Reframing the Middle AgesKirstin Noreen7. (Re-)Encasing the Ashes of St. John the Baptist in Genoa Across TimeMadeline Rislow8. Recycling, Renaissance Style: Hybridity and Giorgio Vasari’s Pieve AltarpiecesSally J. Cornelison9. Style and Meaning Beyond Europe: Bernardo Bitti and MannerismChrista Irwin