Samuel Wilson's research focuses on music and twentieth- and twenty-first-century modernity. He lectures in music aesthetics at Guildhall School of Music and Drama and interdisciplinary theory at London Contemporary Dance School. He is the editor of Music--Psychoanalysis--Musicology (Routledge, 2018).

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• Introduction: New Musical MaterialismsPart 1: Musical BodiesChapter 1: The (Dis)possession of the Musical BodyChapter 2: The Composition of Posthuman BodiesPart 2: Musical ObjectsChapter 3: Orientations and the Piano-ObjectChapter 4: Contemporary Composition and/as Plastic ArtPart 3: Musical MaterialsChapter 5: On the "Material" of Musical MaterialChapter 6: Natures and Ecologies of Composition

Samuel Wilson's research focuses on music and twentieth- and twenty-first-century modernity. He lectures in music aesthetics at Guildhall School of Music and Drama and interdisciplinary theory at London Contemporary Dance School. He is the editor of Music--Psychoanalysis--Musicology (Routledge, 2018).

Select Guide Rating

• Introduction: New Musical MaterialismsPart 1: Musical BodiesChapter 1: The (Dis)possession of the Musical BodyChapter 2: The Composition of Posthuman BodiesPart 2: Musical ObjectsChapter 3: Orientations and the Piano-ObjectChapter 4: Contemporary Composition and/as Plastic ArtPart 3: Musical MaterialsChapter 5: On the "Material" of Musical MaterialChapter 6: Natures and Ecologies of Composition

Samuel Wilson's research focuses on music and twentieth- and twenty-first-century modernity. He lectures in music aesthetics at Guildhall School of Music and Drama and interdisciplinary theory at London Contemporary Dance School. He is the editor of Music--Psychoanalysis--Musicology (Routledge, 2018).

Select Guide Rating

• Introduction: New Musical MaterialismsPart 1: Musical BodiesChapter 1: The (Dis)possession of the Musical BodyChapter 2: The Composition of Posthuman BodiesPart 2: Musical ObjectsChapter 3: Orientations and the Piano-ObjectChapter 4: Contemporary Composition and/as Plastic ArtPart 3: Musical MaterialsChapter 5: On the "Material" of Musical MaterialChapter 6: Natures and Ecologies of Composition