Liquid Ecologies in Latin American and Caribbean Art

Lisa Blackmore is a senior lecturer in Art History and Interdisciplinary Studies at the University of Essex.Liliana Gómez is a SNSF (Swiss National Science Foundation) professor at the Institute of Art History at University of Zurich.

• 1 Beyond the Blue: Notes on the Liquid TurnLisa Blackmore and Liliana Gómez Part I Liquid Epistemologies2 Turbulent River Times: Art and Hydropower in Latin America’s Extractive ZonesLisa Blackmore 3 Acts of Remaining: Liquid Ecologies and Memory Work in Contemporary Art InterventionsLiliana Gómez4 An Expanse of Water: How to Know Water Through FilmAdriana Michéle Campos Johnson Part II (De)Colonised Flows5 Untangling the Mangrove: Slow Violence and the Environmentalism of the Poor in the Colombian CaribbeanRory O’Bryen 6 "The Roar of the River Grows Ever Louder": Polluted Waters in Colombian Eco-Art, From Alicia Barney to Clemencia EcheverriGina Mcdaniel Tarver 7 Amazonian Waterway, Amazonian Water Worlds: Rivers in Government Projects and Indigenous ArtGiuliana Borea and Rember Yahuarcani Part III Fluid Memories8 Water, Women and Action Art in Latin America: Materializing Ecofeminist EpistemologiesEsther Moñivas 9 Memories in the Present: Affect and Spectrality in Contemporary Aquatic ImaginariesIrene Depetris Chauvin Part IV Bodies of Water10 Submerged Bodies: The Tidalectics of Representability and the Sea in Caribbean ArtElizabeth Deloughrey and Tatiana Flores 11 Cecilia Vicuña’s Liquid IndigeneityPaul Merchant 12 "A Water of a Hundred Eyes": Reconfiguring LiquiditySophie Halart