Ian James is Reader in Modern French Literature and Thought at Downing College, Cambridge, and Emma Wilson Professor of French Literature and the Visual Arts at Corpus Christi College, Cambridge.

• 1 Lucidity and Tact 2 ‘A propos, ou hors de propos, il n’importe’: Relevance Theory and Montaigne 3 Lucidity and Misrecognition in Late Corneille 4 Flaubert: Lucidity, Mysticism, and the Senses 5 Lucidity, Modernity: Mallarme, Morisot, and Zola 6 Easy Reading: Zola’s Kitsch 7 The Fog of War: Impressionism and Zola Revisited 8 Baudelaire, Bonnefoy, Jeanne Duval: Poetry and Ethical Lucidity 9 The Peculiar Lucidities of Verse Form: Translation as an Operation of Consciousness 10 Marcel Proust, On and Off 11 Seeing Clearly into the Past: Sartre and Beauvoir at War 12 Nathalie Sarraute’s Domestic Spaces: Windows, Walls, and Blinding Lucidity 13 ‘Et la raison vacilla’: Sociality as Burden in Tahar Djaout and Mohammed Dib 14 ‘The open sea but not the wilderness’: Light and Clarity in the Late Work of Colette and Agnes Varda 15 Varda’s Hermitage: The Madonna del parto and La Pointe Courte

Ian James is Reader in Modern French Literature and Thought at Downing College, Cambridge, and Emma Wilson Professor of French Literature and the Visual Arts at Corpus Christi College, Cambridge.

• 1 Lucidity and Tact 2 ‘A propos, ou hors de propos, il n’importe’: Relevance Theory and Montaigne 3 Lucidity and Misrecognition in Late Corneille 4 Flaubert: Lucidity, Mysticism, and the Senses 5 Lucidity, Modernity: Mallarme, Morisot, and Zola 6 Easy Reading: Zola’s Kitsch 7 The Fog of War: Impressionism and Zola Revisited 8 Baudelaire, Bonnefoy, Jeanne Duval: Poetry and Ethical Lucidity 9 The Peculiar Lucidities of Verse Form: Translation as an Operation of Consciousness 10 Marcel Proust, On and Off 11 Seeing Clearly into the Past: Sartre and Beauvoir at War 12 Nathalie Sarraute’s Domestic Spaces: Windows, Walls, and Blinding Lucidity 13 ‘Et la raison vacilla’: Sociality as Burden in Tahar Djaout and Mohammed Dib 14 ‘The open sea but not the wilderness’: Light and Clarity in the Late Work of Colette and Agnes Varda 15 Varda’s Hermitage: The Madonna del parto and La Pointe Courte

Ian James is Reader in Modern French Literature and Thought at Downing College, Cambridge, and Emma Wilson Professor of French Literature and the Visual Arts at Corpus Christi College, Cambridge.

• 1 Lucidity and Tact 2 ‘A propos, ou hors de propos, il n’importe’: Relevance Theory and Montaigne 3 Lucidity and Misrecognition in Late Corneille 4 Flaubert: Lucidity, Mysticism, and the Senses 5 Lucidity, Modernity: Mallarme, Morisot, and Zola 6 Easy Reading: Zola’s Kitsch 7 The Fog of War: Impressionism and Zola Revisited 8 Baudelaire, Bonnefoy, Jeanne Duval: Poetry and Ethical Lucidity 9 The Peculiar Lucidities of Verse Form: Translation as an Operation of Consciousness 10 Marcel Proust, On and Off 11 Seeing Clearly into the Past: Sartre and Beauvoir at War 12 Nathalie Sarraute’s Domestic Spaces: Windows, Walls, and Blinding Lucidity 13 ‘Et la raison vacilla’: Sociality as Burden in Tahar Djaout and Mohammed Dib 14 ‘The open sea but not the wilderness’: Light and Clarity in the Late Work of Colette and Agnes Varda 15 Varda’s Hermitage: The Madonna del parto and La Pointe Courte