Ian James – författare

Dementia is a syndrome characterized by cognitive and non-cognitive symptoms. This book focuses on the clinically distinct categories of non-cognitive symptoms. These are grouped together under the umbrella term Behavioural and Psychological Symptoms in Dementia (BPSD). BPSD include agitation (describing a cluster of related symptoms including anxiety, irritability and motor restlessness, often leading to behaviours such as wandering, pacing, aggression, shouting and night-time disturbances), psychosis (referring to three main categories of symptoms: hallucinations, delusions and delusional misidentification) and mood disorders (depression, anxiety and hypomania). Other symptoms include sexual disinhibition, eating problems and abnormal vocalizations (shouting, screaming and demanding attention). There are many reasons why a patient with dementia may develop BPSD. Because of these potential different aetiologies, a full and careful assessment of possible physical, psychological and environmental factors is essential. This book will inform all of those responsible for caring for the patient with dementia about the identification of BPSD, the nature of the symptoms, assessment of their severity and recommends a structured and sequential approach to management. The authors are internationally respected, combining expertise from the fields of clinical research, psychiatry and clinical psychology to provide an integrated approach to the topic.

This collection of essays addresses the question of lucidity as a thematic in literature and film but also as a quality of both expression and insight in literary criticism and critical thought more generally. The essays offer treatments of lucidity in itself and in relation to its opposites, forms of obscurity and darkness. They offer attention to problems of philosophical thought and reason, to questions of literary and poetic form, and of photographic and filmic contemplation. Ranging from engagements with early modern writing through to more recent material the contributions focus in particular on nineteenth- and twentieth-century French prose and poetry, the field which has been the predominant focus of Alison Finch’s critical writing. They are written as tributes to the distinctively lucid insights of her work and to the breadth and clarity of its intellectual engagement.

Paul Virilio is a challenging and original thinker whose work on technology, state power and war is increasingly relevant today. Exploring Virilio's main texts from their political and historical contexts, and case studies from contemporary culture and media in order to explain his philosophical concepts, Ian James introduces the key themes in Virlio's work, including:speedvirtualizationwarpoliticsart.As technological and scientific innovations continue to set the agenda for the present and future development of culture, communications, international economy, military intervention and diverse forms of political organization, Virilio's unique theoretical and critical insights are of enormous value and importance for anyone wishing to understand the nature of modern culture and society.

Paul Virilio is a challenging and original thinker whose work on technology, state power and war is increasingly relevant today. Exploring Virilio's main texts from their political and historical contexts, and case studies from contemporary culture and media in order to explain his philosophical concepts, Ian James introduces the key themes in Virlio's work, including:speedvirtualizationwarpoliticsart.As technological and scientific innovations continue to set the agenda for the present and future development of culture, communications, international economy, military intervention and diverse forms of political organization, Virilio's unique theoretical and critical insights are of enormous value and importance for anyone wishing to understand the nature of modern culture and society.

Experience the forces behind the changes in the IT, Mobile Telecom and Media industries through real-life cases from this converging market! Mobile Media and Applications - From Concept to Cash shows how to address the challenges of consumer marketing, technology strategy and delivery tactics for new 3G services from a pragmatic ‘how they did it’ approach. Combining the authors’ technical competence, business experience and consumer understanding, the book pinpoints the pitfalls and keys to success in the industry.  The authors offer an end-to-end view, covering customer needs, analysis of the many complex value chains, the capabilities and limitations of the technologies, and the packaging and launch of new mobile services.  Based on real case studies and experiences, analysis and advice is given to help the reader succeed in the real world.Mobile Media and Applications - From Concept to Cash: Explains how media companies can go mobile, how the telecoms, media and IT industries are converging and how even a frog can top the CD singles chart with a ringtone.Built heavily on case studies from real implementations and launches of services such as mobile TV, music and gaming.Describes how many service environments today are failing and highlights best practices to make them efficient and powerful.For the first time ever, the impact of mobile devices and customer behavior for mobile services is analyzed in depth.Offers an accompanying website with additional case studies, articles and links to the best developer forums and resources.Decision makers, professionals and application developers in the IT, Telecoms and Media industries, as well as enterprises, analysts, consultants, financial services, and journalists will find this an invaluable guide to creating successful mobile services. Advanced students in Electrical Engineering and Telecoms as well as business schools will find this book a useful addition to their reading list.

Experience the forces behind the changes in the IT, Mobile Telecom and Media industries through real-life cases from this converging market!

Mobile Media and Applications - From Concept to Cash shows how to address the challenges of consumer marketing, technology strategy and delivery tactics for new 3G services from a pragmatic ‘how they did it’ approach. Combining the authors’ technical competence, business experience and consumer understanding, the book pinpoints the pitfalls and keys to success in the industry.  The authors offer an end-to-end view, covering customer needs, analysis of the many complex value chains, the capabilities and limitations of the technologies, and the packaging and launch of new mobile services.  Based on real case studies and experiences, analysis and advice is given to help the reader succeed in the real world.

Mobile Media and Applications - From Concept to Cash:

Explains how media companies can go mobile, how the telecoms, media and IT industries are converging and how even a frog can top the CD singles chart with a ringtone. Built heavily on case studies from real implementations and launches of services such as mobile TV, music and gaming. Describes how many service environments today are failing and highlights best practices to make them efficient and powerful. For the first time ever, the impact of mobile devices and customer behavior for mobile services is analyzed in depth. Offers an accompanying website with additional case studies, articles and links to the best developer forums and resources.

Decision makers, professionals and application developers in the IT, Telecoms and Media industries, as well as enterprises, analysts, consultants, financial services, and journalists will find this an invaluable guide to creating successful mobile services. Advanced students in Electrical Engineering and Telecoms as well as business schools will find this book a useful addition to their reading list.

This book gives a critical assessment of key developments in contemporary French philosophy, highlighting the diverse ways in which recent French thought has moved beyond the philosophical positions and arguments which have been widely associated with the terms 'post-structuralism' and 'postmodernism'. These developments are assessed through a close comparative reading of the work of seven contemporary thinkers: Jean-Luc Marion, Jean-Luc Nancy, Bernard Stiegler, Catherine Malabou, Jacques Rancière, Alain Badiou and François Laruelle. The book situates the writing of each philosopher in relation to earlier traditions of French thought. In differing ways, these philosophers decisively distance themselves from the linguistic paradigm which dominated so much twentieth-century thought in order to rethink philosophical conceptions of materiality, worldliness, shared embodied existence and human agency or subjectivity. They thereby open the way for a radical renewal of the claims, possibilities and transformative power of philosophical thinking itself.This book will be an indispensable text for students of philosophy and for anyone interested in current developments in philosophy and social thought.

This book gives a critical assessment of key developments in contemporary French philosophy, highlighting the diverse ways in which recent French thought has moved beyond the philosophical positions and arguments which have been widely associated with the terms 'post-structuralism' and 'postmodernism'. These developments are assessed through a close comparative reading of the work of seven contemporary thinkers: Jean-Luc Marion, Jean-Luc Nancy, Bernard Stiegler, Catherine Malabou, Jacques Rancière, Alain Badiou and François Laruelle. The book situates the writing of each philosopher in relation to earlier traditions of French thought. In differing ways, these philosophers decisively distance themselves from the linguistic paradigm which dominated so much twentieth-century thought in order to rethink philosophical conceptions of materiality, worldliness, shared embodied existence and human agency or subjectivity. They thereby open the way for a radical renewal of the claims, possibilities and transformative power of philosophical thinking itself.This book will be an indispensable text for students of philosophy and for anyone interested in current developments in philosophy and social thought.

This book gives a critical assessment of key developments in contemporary French philosophy, highlighting the diverse ways in which recent French thought has moved beyond the philosophical positions and arguments which have been widely associated with the terms ''post-structuralism'' and ''postmodernism''. These developments are assessed through a close comparative reading of the work of seven contemporary thinkers: Jean-Luc Marion, Jean-Luc Nancy, Bernard Stiegler, Catherine Malabou, Jacques Rancière, Alain Badiou and François Laruelle.

The book situates the writing of each philosopher in relation to earlier traditions of French thought. In differing ways, these philosophers decisively distance themselves from the linguistic paradigm which dominated so much twentieth-century thought in order to rethink philosophical conceptions of materiality, worldliness, shared embodied existence and human agency or subjectivity. They thereby open the way for a radical renewal of the claims, possibilities and transformative power of philosophical thinking itself.

This book will be an indispensable text for students of philosophy and for anyone interested in current developments in philosophy and social thought.

This introduction to the philosophy of Jean-Luc Nancy gives an overview of his philosophical thought to date and situates it within the broader context of contemporary French and European thinking. The book examines Nancy's philosophy in relation to five specific areas: his account of subjectivity; his understanding of space and spatiality; his thinking about the body and embodiment; his political thought; and his contribution to contemporary aesthetics. In each case it shows the way in which Nancy develops or moves beyond some of the key concerns associated with phenomenology, post-structuralism, and what could broadly be termed the "post-modern."

This introduction to the philosophy of Jean-Luc Nancy gives an overview of his philosophical thought to date and situates it within the broader context of contemporary French and European thinking. The book examines Nancy's philosophy in relation to five specific areas: his account of subjectivity; his understanding of space and spatiality; his thinking about the body and embodiment; his political thought; and his contribution to contemporary aesthetics. In each case it shows the way in which Nancy develops or moves beyond some of the key concerns associated with phenomenology, post-structuralism, and what could broadly be termed the "post-modern."

Fully revised and updated, the second edition of this important book covers the key topics in paediatric anaesthesia in a concise and structured format, providing key management principles for practitioners. Incorporating the latest advances in clinical practice and anaesthesia, it guides readers through the complications and complexities of the field, from the premature infant to the teenager. It covers the common surgical conditions encountered in daily practice alongside a comprehensive discussion of consent and the law, safeguarding children and the complexity of drug dosing in the paediatric population. Additional topics include trauma, burns, resuscitation, principles of intensive care, transporting a sick child and information on the paediatric-specific areas of ethics and medicolegal concerns. Established experts in the field share a wealth of practical experience, providing all the essential information required for advanced paediatric anaesthesia training. This book is an essential reading for trainee and practising paediatric anaesthetists and general anaesthetists managing children.

Paul Virilio is a challenging and original thinker whose work on technology, state power and war is increasingly relevant today. Exploring Virilio's main texts from their political and historical contexts, and case studies from contemporary culture and media in order to explain his philosophical concepts, Ian James introduces the key themes in Virlio's work, including:speedvirtualizationwarpoliticsart.As technological and scientific innovations continue to set the agenda for the present and future development of culture, communications, international economy, military intervention and diverse forms of political organization, Virilio's unique theoretical and critical insights are of enormous value and importance for anyone wishing to understand the nature of modern culture and society.

Paul Virilio is a challenging and original thinker whose work on technology, state power and war is increasingly relevant today. Exploring Virilio's main texts from their political and historical contexts, and case studies from contemporary culture and media in order to explain his philosophical concepts, Ian James introduces the key themes in Virlio's work, including:speedvirtualizationwarpoliticsart.As technological and scientific innovations continue to set the agenda for the present and future development of culture, communications, international economy, military intervention and diverse forms of political organization, Virilio's unique theoretical and critical insights are of enormous value and importance for anyone wishing to understand the nature of modern culture and society.

This collection of essays addresses the question of lucidity as a thematic in literature and film but also as a quality of both expression and insight in literary criticism and critical thought more generally. The essays offer treatments of lucidity in itself and in relation to its opposites, forms of obscurity and darkness. They offer attention to problems of philosophical thought and reason, to questions of literary and poetic form, and of photographic and filmic contemplation. Ranging from engagements with early modern writing through to more recent material the contributions focus in particular on nineteenth- and twentieth-century French prose and poetry, the field which has been the predominant focus of Alison Finch’s critical writing. They are written as tributes to the distinctively lucid insights of her work and to the breadth and clarity of its intellectual engagement.

This collection of essays addresses the question of lucidity as a thematic in literature and film but also as a quality of both expression and insight in literary criticism and critical thought more generally. The essays offer treatments of lucidity in itself and in relation to its opposites, forms of obscurity and darkness. They offer attention to problems of philosophical thought and reason, to questions of literary and poetic form, and of photographic and filmic contemplation. Ranging from engagements with early modern writing through to more recent material the contributions focus in particular on nineteenth- and twentieth-century French prose and poetry, the field which has been the predominant focus of Alison Finch’s critical writing. They are written as tributes to the distinctively lucid insights of her work and to the breadth and clarity of its intellectual engagement.

This book is not for everyone. Even when you put it down, the story will continue to rattle your mind and disrupt everything you thought to be true.Planet earth is evolving. However, amid technological advances that promise so much, there lies a menacing reality about why our world suffers so greatly. The contents of this book will both arouse and intimidate, inspire and baffle. Once you have read it, you are then accountable for what you do with the information.If you are brave enough to know the truth, then begin your journey with our young scientist through the epic legends of our cosmos and learn the powers that control all life on the planet...

Interrogating the work of four contemporary French philosophers to rethink philosophy’s relationship to science and science’s relationship to realityThe Technique of Thought explores the relationship between philosophy and science as articulated in the work of four contemporary French thinkers-Jean-Luc Nancy, FranÇois Laruelle, Catherine Malabou, and Bernard Stiegler. Situating their writings within both contemporary scientific debates and the philosophy of science, Ian James elaborates a philosophical naturalism that is notably distinct from the Anglo-American tradition. The naturalism James proposes also diverges decisively from the ways in which continental philosophy has previously engaged with the sciences. He explores the technical procedures and discursive methods used by each of the four thinkers as distinct “techniques of thought” that approach scientific understanding and knowledge experimentally.  Moving beyond debates about the constructed nature of scientific knowledge, The Technique of Thought argues for a strong, variably configured, and entirely novel scientific realism. By bringing together post-phenomenological perspectives concerning individual or collective consciousness and first-person qualitative experience with science’s focus on objective and third-person quantitative knowledge, James tracks the emergence of a new image of the sciences and of scientific practice. Stripped of aspirations toward total mastery of the universe or a “grand theory of everything,” this renewed scientific worldview, along with the simultaneous reconfiguration of philosophy’s relationship to science, opens up new ways of interrogating immanent reality.

Interrogating the work of four contemporary French philosophers to rethink philosophy’s relationship to science and science’s relationship to realityThe Technique of Thought explores the relationship between philosophy and science as articulated in the work of four contemporary French thinkers-Jean-Luc Nancy, FranÇois Laruelle, Catherine Malabou, and Bernard Stiegler. Situating their writings within both contemporary scientific debates and the philosophy of science, Ian James elaborates a philosophical naturalism that is notably distinct from the Anglo-American tradition. The naturalism James proposes also diverges decisively from the ways in which continental philosophy has previously engaged with the sciences. He explores the technical procedures and discursive methods used by each of the four thinkers as distinct “techniques of thought” that approach scientific understanding and knowledge experimentally.  Moving beyond debates about the constructed nature of scientific knowledge, The Technique of Thought argues for a strong, variably configured, and entirely novel scientific realism. By bringing together post-phenomenological perspectives concerning individual or collective consciousness and first-person qualitative experience with science’s focus on objective and third-person quantitative knowledge, James tracks the emergence of a new image of the sciences and of scientific practice. Stripped of aspirations toward total mastery of the universe or a “grand theory of everything,” this renewed scientific worldview, along with the simultaneous reconfiguration of philosophy’s relationship to science, opens up new ways of interrogating immanent reality.

This book gives original readings of Proust and Quignard to elaborate a novel theory of literary naturalism. Drawing on contemporary biological perspectives, the book argues that, despite their opposition to traditional naturalism, both understand human experience, meaning-making, and creativity as being immanent to, and as emerging from, shared biological life. Rethinking Literary Naturalism reads contemporary biosemiotic theory, Proust, and Quignard alongside each other in the context of a shared genealogy that leads back into nineteenth-century philosophical and literary visions of natural life that are inherited from German Romanticism and Idealism. Here biological theory and forms of literary practice are recast as distinct techniques of thought that aim to situate themselves in relation to biological life. Each in its own way is shown to adopt an interpretative posture that ‘steps back’ into the immanence of sense and meaning that is constitutive of qualitatively lived existence. Each produces a different kind of knowledge (scientific, literary, literary-philosophical) of shared biological life that can be understood as distinctive variations of a saying ‘after life’. The novel literary naturalism that is rethought here can be understood as ‘post-dicative’ and as being entirely distinct from that of Émile Zola, Maupassant, or the Goncourt brothers.

This collection of essays addresses the question of lucidity as a thematic in literature and film but also as a quality of both expression and insight in literary criticism and critical thought more generally. The essays offer treatments of lucidity in itself and in relation to its opposites, forms of obscurity and darkness. They offer attention to problems of philosophical thought and reason, to questions of literary and poetic form, and of photographic and filmic contemplation. Ranging from engagements with early modern writing through to more recent material the contributions focus in particular on nineteenth- and twentieth-century French prose and poetry, the field which has been the predominant focus of Alison Finch’s critical writing. They are written as tributes to the distinctively lucid insights of her work and to the breadth and clarity of its intellectual engagement.