Johannes Birringer is a choreographer and media artist. Since 2004 he has co-directed the Design and Performance Lab and headed the Centre for Contemporary and Digital Performance at Brunel University London, where he teaches performance technologies. DAP-Lab’s immersive dance installations, metakimospheres, began touring in 2015–19. He is author of Theatre, Theory, Postmodernism; Media and Performance: Along the Border; Performance on the Edge: Transformations of Culture; and Performance, Science & Technology.

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• AcknowledgementsPreface 1. Introduction: theatre, atmospheres, living systems 2. Collaboration: sustainable subjects 3. Really actually windy 4. The openness of the atmosphere: internal and external imagination 5. Trans-sensory hallucination 6. Composition of atmospheres: floating islands 7. Projection environments and animated light 8. The stage and its screen double 9. Kinetic atmospheres: sounding off Bibliography Index

Johannes Birringer is a choreographer and media artist. Since 2004 he has co-directed the Design and Performance Lab and headed the Centre for Contemporary and Digital Performance at Brunel University London, where he teaches performance technologies. DAP-Lab’s immersive dance installations, metakimospheres, began touring in 2015–19. He is author of Theatre, Theory, Postmodernism; Media and Performance: Along the Border; Performance on the Edge: Transformations of Culture; and Performance, Science & Technology.

Select Guide Rating

• AcknowledgementsPreface 1. Introduction: theatre, atmospheres, living systems 2. Collaboration: sustainable subjects 3. Really actually windy 4. The openness of the atmosphere: internal and external imagination 5. Trans-sensory hallucination 6. Composition of atmospheres: floating islands 7. Projection environments and animated light 8. The stage and its screen double 9. Kinetic atmospheres: sounding off Bibliography Index

Johannes Birringer is a choreographer and media artist. Since 2004 he has co-directed the Design and Performance Lab and headed the Centre for Contemporary and Digital Performance at Brunel University London, where he teaches performance technologies. DAP-Lab’s immersive dance installations, metakimospheres, began touring in 2015–19. He is author of Theatre, Theory, Postmodernism; Media and Performance: Along the Border; Performance on the Edge: Transformations of Culture; and Performance, Science & Technology.

Select Guide Rating

• AcknowledgementsPreface 1. Introduction: theatre, atmospheres, living systems 2. Collaboration: sustainable subjects 3. Really actually windy 4. The openness of the atmosphere: internal and external imagination 5. Trans-sensory hallucination 6. Composition of atmospheres: floating islands 7. Projection environments and animated light 8. The stage and its screen double 9. Kinetic atmospheres: sounding off Bibliography Index