Iris Haukamp is Associate Professor in Japanese Film at Tokyo University of Foreign Studies, Japan. Christin Hoene is Assistant Professor in Literary Studies at Maastricht University, Netherlands. Martyn David Smith is a historian of modern and contemporary Japan and Lecturer in Japanese Studies at the University of Sheffield, UK.

• Part 1: The politics of voice 1. The phonographic politics of ‘corporeal voice’: Speech recordings for imperial subjectification and wartime mobilization in colonial Taiwan and Korea 2. In dark times: Poetic dissonance in the Thai-Malay borderlands 3. Sonic aesthetics and social disparity: The voice of villains in Ryoo Seung-wan’s Veteran (2015) and The Unjust (2010) Part 2: Modern noise 4. Aesthetic ruptures and sociabilities: Tateyama Noboru (1876–1926), quotidian noise, and sōkyoku-jiuta 5. The ‘hell of modern sound’: A history of urban noise in modern Japan 6. Feel the power of my exoticism: Japanese noise music and claims of a distinct Japanese sound Part 3: Sound and power 7. Listening to the talkies: Atarashiki tsuchi’s (1937) acoustic construction of Japan for western consumption 8. Recovering the lost Cantonese sounds in pre-handover Hong Kong: Sinophone politics in Dung Kai-cheung’s ‘The Rise and Fall of Wing Shing Street’ (1995) 9. When the looms stop, the baby cries: The changing sounds of the Kyoto kimono-making industry Part 4: Technology and imperialism 10. Early radio in late colonial India: Historiography, geography, audiences 11. (Re) Diffusion of beautiful sound: Chinese broadcast in post-war Bangkok 12. Arranging sounds from daily life: Amateur sound-recording contests and audio culture in Japan in the 1960s and 1970s 13. The dual fate of the twin horn in Thailand: From United States anti-communist weapon to the Phetchabun processional bands’ sound system

Iris Haukamp is Associate Professor in Japanese Film at Tokyo University of Foreign Studies, Japan. Christin Hoene is Assistant Professor in Literary Studies at Maastricht University, Netherlands. Martyn David Smith is a historian of modern and contemporary Japan and Lecturer in Japanese Studies at the University of Sheffield, UK.

• Part 1: The politics of voice 1. The phonographic politics of ‘corporeal voice’: Speech recordings for imperial subjectification and wartime mobilization in colonial Taiwan and Korea 2. In dark times: Poetic dissonance in the Thai-Malay borderlands 3. Sonic aesthetics and social disparity: The voice of villains in Ryoo Seung-wan’s Veteran (2015) and The Unjust (2010) Part 2: Modern noise 4. Aesthetic ruptures and sociabilities: Tateyama Noboru (1876–1926), quotidian noise, and sōkyoku-jiuta 5. The ‘hell of modern sound’: A history of urban noise in modern Japan 6. Feel the power of my exoticism: Japanese noise music and claims of a distinct Japanese sound Part 3: Sound and power 7. Listening to the talkies: Atarashiki tsuchi’s (1937) acoustic construction of Japan for western consumption 8. Recovering the lost Cantonese sounds in pre-handover Hong Kong: Sinophone politics in Dung Kai-cheung’s ‘The Rise and Fall of Wing Shing Street’ (1995) 9. When the looms stop, the baby cries: The changing sounds of the Kyoto kimono-making industry Part 4: Technology and imperialism 10. Early radio in late colonial India: Historiography, geography, audiences 11. (Re) Diffusion of beautiful sound: Chinese broadcast in post-war Bangkok 12. Arranging sounds from daily life: Amateur sound-recording contests and audio culture in Japan in the 1960s and 1970s 13. The dual fate of the twin horn in Thailand: From United States anti-communist weapon to the Phetchabun processional bands’ sound system

Iris Haukamp is Associate Professor in Japanese Film at Tokyo University of Foreign Studies, Japan. Christin Hoene is Assistant Professor in Literary Studies at Maastricht University, Netherlands. Martyn David Smith is a historian of modern and contemporary Japan and Lecturer in Japanese Studies at the University of Sheffield, UK.

• Part 1: The politics of voice 1. The phonographic politics of ‘corporeal voice’: Speech recordings for imperial subjectification and wartime mobilization in colonial Taiwan and Korea 2. In dark times: Poetic dissonance in the Thai-Malay borderlands 3. Sonic aesthetics and social disparity: The voice of villains in Ryoo Seung-wan’s Veteran (2015) and The Unjust (2010) Part 2: Modern noise 4. Aesthetic ruptures and sociabilities: Tateyama Noboru (1876–1926), quotidian noise, and sōkyoku-jiuta 5. The ‘hell of modern sound’: A history of urban noise in modern Japan 6. Feel the power of my exoticism: Japanese noise music and claims of a distinct Japanese sound Part 3: Sound and power 7. Listening to the talkies: Atarashiki tsuchi’s (1937) acoustic construction of Japan for western consumption 8. Recovering the lost Cantonese sounds in pre-handover Hong Kong: Sinophone politics in Dung Kai-cheung’s ‘The Rise and Fall of Wing Shing Street’ (1995) 9. When the looms stop, the baby cries: The changing sounds of the Kyoto kimono-making industry Part 4: Technology and imperialism 10. Early radio in late colonial India: Historiography, geography, audiences 11. (Re) Diffusion of beautiful sound: Chinese broadcast in post-war Bangkok 12. Arranging sounds from daily life: Amateur sound-recording contests and audio culture in Japan in the 1960s and 1970s 13. The dual fate of the twin horn in Thailand: From United States anti-communist weapon to the Phetchabun processional bands’ sound system