Diego Santos Sánchez is a researcher at the Universidad de Alcalá, Spain.

• Weaving the Luso-Hispanic Fabric: an Entangled World of Dictatorial Constraints and Theatrical ResponsesDiego Santos Sánchez (Universidad de Alcalá) | Policies/Practices |Theatre Censorship and Foreign Drama in Estado Novo Portugal during the Spanish Civil War and the Second World WarZsófia Gombár (Universidade de Lisboa)Censorship on the Brazilian Scene: the "Distribution of the Sensible" and Art as a Political Force Maria Cristina Castillo Costa and Walter de Sousa Junior (Universidade de São Paulo)José Tamayo: Foreign Policy and Cultural OpportunismCarey Kasten (Fordham University)Galician Independent Theatre: a Breach in Franco's DictatorshipCilha Lourenço Módia (Universidade da Coruña)The Aftermath of Dictatorship in Contemporary Basque TheatreArantzazu Fernández Iglesias (Universidad Nacional Española a Distancia, UNED)| Performance |Are All Tyrannies the Same? Rebellion Against Spanish Oppression as a Reenactment of Resistance to Totalitarianism in Marcos’ PhilippinesRocío Ortuño Casanova (Universiteit Antwerpen)Puppet theatre as response to dictatorship in Catalonia and ChileCariad Astles (Royal Central School of Speech and Drama/University of Exeter)Dagoll Dagom’s No hablaré en clase, a Postdramatic Response to FrancoismDavid Rodríguez Solás (University of Massachusetts Amherst)The politics of community and place in o bando’s Nós Matámos o Cão Tinhoso! Vanessa Silva Pereira (Independent Scholar)| Texts |Bridging Literary Traditions in the Hispanic World: Equatorial Guinean Drama and the Dictatorial Cultural-Political OrderElisa Rizo (Iowa State University)Soldiers Without Orders, Actors Without Stages: Carlos Manuel Varela’s Interrogatorio en Elsinore and Bosco Brasil’s Novas diretrizes em tempos de paz Katya Soll (Baker University, Kansas, USA)Complicitous Acts in Argentina’s Theater: La nona and De a unoAriel Strichartz (St. Olaf College)Paraguay between Dictatorships: El Edificio, an Unknown Play by Josefina PláYasmina Yousfi (Universitat Autònoma de Barcelona, Spain)Negotiating Sexuality and Censorship in Las sábanas by José CorralesLourdes Betanzos (Auburn University)Appropriating the Past Under Somoza and the Sandinistas: the Polyvalent Sign of El GüegüenceE.J. Westlake (University of Michigan-Ann Arbor)

Diego Santos Sánchez is a researcher at the Universidad de Alcalá, Spain.

• Weaving the Luso-Hispanic Fabric: an Entangled World of Dictatorial Constraints and Theatrical ResponsesDiego Santos Sánchez (Universidad de Alcalá) | Policies/Practices |Theatre Censorship and Foreign Drama in Estado Novo Portugal during the Spanish Civil War and the Second World WarZsófia Gombár (Universidade de Lisboa)Censorship on the Brazilian Scene: the "Distribution of the Sensible" and Art as a Political Force Maria Cristina Castillo Costa and Walter de Sousa Junior (Universidade de São Paulo)José Tamayo: Foreign Policy and Cultural OpportunismCarey Kasten (Fordham University)Galician Independent Theatre: a Breach in Franco's DictatorshipCilha Lourenço Módia (Universidade da Coruña)The Aftermath of Dictatorship in Contemporary Basque TheatreArantzazu Fernández Iglesias (Universidad Nacional Española a Distancia, UNED)| Performance |Are All Tyrannies the Same? Rebellion Against Spanish Oppression as a Reenactment of Resistance to Totalitarianism in Marcos’ PhilippinesRocío Ortuño Casanova (Universiteit Antwerpen)Puppet theatre as response to dictatorship in Catalonia and ChileCariad Astles (Royal Central School of Speech and Drama/University of Exeter)Dagoll Dagom’s No hablaré en clase, a Postdramatic Response to FrancoismDavid Rodríguez Solás (University of Massachusetts Amherst)The politics of community and place in o bando’s Nós Matámos o Cão Tinhoso! Vanessa Silva Pereira (Independent Scholar)| Texts |Bridging Literary Traditions in the Hispanic World: Equatorial Guinean Drama and the Dictatorial Cultural-Political OrderElisa Rizo (Iowa State University)Soldiers Without Orders, Actors Without Stages: Carlos Manuel Varela’s Interrogatorio en Elsinore and Bosco Brasil’s Novas diretrizes em tempos de paz Katya Soll (Baker University, Kansas, USA)Complicitous Acts in Argentina’s Theater: La nona and De a unoAriel Strichartz (St. Olaf College)Paraguay between Dictatorships: El Edificio, an Unknown Play by Josefina PláYasmina Yousfi (Universitat Autònoma de Barcelona, Spain)Negotiating Sexuality and Censorship in Las sábanas by José CorralesLourdes Betanzos (Auburn University)Appropriating the Past Under Somoza and the Sandinistas: the Polyvalent Sign of El GüegüenceE.J. Westlake (University of Michigan-Ann Arbor)

Diego Santos Sánchez is a researcher at the Universidad de Alcalá, Spain.

• Weaving the Luso-Hispanic Fabric: an Entangled World of Dictatorial Constraints and Theatrical ResponsesDiego Santos Sánchez (Universidad de Alcalá) | Policies/Practices |Theatre Censorship and Foreign Drama in Estado Novo Portugal during the Spanish Civil War and the Second World WarZsófia Gombár (Universidade de Lisboa)Censorship on the Brazilian Scene: the "Distribution of the Sensible" and Art as a Political Force Maria Cristina Castillo Costa and Walter de Sousa Junior (Universidade de São Paulo)José Tamayo: Foreign Policy and Cultural OpportunismCarey Kasten (Fordham University)Galician Independent Theatre: a Breach in Franco's DictatorshipCilha Lourenço Módia (Universidade da Coruña)The Aftermath of Dictatorship in Contemporary Basque TheatreArantzazu Fernández Iglesias (Universidad Nacional Española a Distancia, UNED)| Performance |Are All Tyrannies the Same? Rebellion Against Spanish Oppression as a Reenactment of Resistance to Totalitarianism in Marcos’ PhilippinesRocío Ortuño Casanova (Universiteit Antwerpen)Puppet theatre as response to dictatorship in Catalonia and ChileCariad Astles (Royal Central School of Speech and Drama/University of Exeter)Dagoll Dagom’s No hablaré en clase, a Postdramatic Response to FrancoismDavid Rodríguez Solás (University of Massachusetts Amherst)The politics of community and place in o bando’s Nós Matámos o Cão Tinhoso! Vanessa Silva Pereira (Independent Scholar)| Texts |Bridging Literary Traditions in the Hispanic World: Equatorial Guinean Drama and the Dictatorial Cultural-Political OrderElisa Rizo (Iowa State University)Soldiers Without Orders, Actors Without Stages: Carlos Manuel Varela’s Interrogatorio en Elsinore and Bosco Brasil’s Novas diretrizes em tempos de paz Katya Soll (Baker University, Kansas, USA)Complicitous Acts in Argentina’s Theater: La nona and De a unoAriel Strichartz (St. Olaf College)Paraguay between Dictatorships: El Edificio, an Unknown Play by Josefina PláYasmina Yousfi (Universitat Autònoma de Barcelona, Spain)Negotiating Sexuality and Censorship in Las sábanas by José CorralesLourdes Betanzos (Auburn University)Appropriating the Past Under Somoza and the Sandinistas: the Polyvalent Sign of El GüegüenceE.J. Westlake (University of Michigan-Ann Arbor)