Katie Barclay is the Deputy Director of the ARC Centre of Excellence in the History of Emotions and Associate Professor of History at the University of Adelaide.Jade Riddle works on heritage policy at a national level for the Commonwealth of Australia.

• 1. Urban Emotions and the Making of the City 2. Converting the Cityscape: Emotions, Religion and Civic Ritual in the Renaissance City for the Tenshō Embassy 3. Space, Light and Allegiance in the Piazza di Spagna in the Seventeenth Century 4. "That One Parish of St. Giles Hath Done Us All This Mischief": Locating Fearful Places During Seventeenth-Century London Plague Times 5. Tuning In: Emotion, Sound and the Urban Landscape of Radio Broadcasting in Postwar Brussels 6. Good Fences: Affective Sociability, Neighbourly Relations and Australian Municipalism 7. Mapping Migration in Melbourne’s Emotional Cityscapes, 1960s–1980s 8. Recognising Emotions within Urban Development 9. Wanti nintu’ai kapakapa? (Where Do You Push Me To?): Emotional Responses to the Re-Emerging Kaurna Linguistic Landscape in the City of Adelaide 10. This Smile Is Not for You 11. Theme Park Lover: Longing and Flight Through Tourist Space in Jia Zhangke’s The World 12. From Bank to Gallery to the Sofa of Dreams: Accessing Autonomy-Supportive Transformation in Urban Sites Through Performance Art

Katie Barclay is the Deputy Director of the ARC Centre of Excellence in the History of Emotions and Associate Professor of History at the University of Adelaide.Jade Riddle works on heritage policy at a national level for the Commonwealth of Australia.

• 1. Urban Emotions and the Making of the City 2. Converting the Cityscape: Emotions, Religion and Civic Ritual in the Renaissance City for the Tenshō Embassy 3. Space, Light and Allegiance in the Piazza di Spagna in the Seventeenth Century 4. "That One Parish of St. Giles Hath Done Us All This Mischief": Locating Fearful Places During Seventeenth-Century London Plague Times 5. Tuning In: Emotion, Sound and the Urban Landscape of Radio Broadcasting in Postwar Brussels 6. Good Fences: Affective Sociability, Neighbourly Relations and Australian Municipalism 7. Mapping Migration in Melbourne’s Emotional Cityscapes, 1960s–1980s 8. Recognising Emotions within Urban Development 9. Wanti nintu’ai kapakapa? (Where Do You Push Me To?): Emotional Responses to the Re-Emerging Kaurna Linguistic Landscape in the City of Adelaide 10. This Smile Is Not for You 11. Theme Park Lover: Longing and Flight Through Tourist Space in Jia Zhangke’s The World 12. From Bank to Gallery to the Sofa of Dreams: Accessing Autonomy-Supportive Transformation in Urban Sites Through Performance Art

Katie Barclay is the Deputy Director of the ARC Centre of Excellence in the History of Emotions and Associate Professor of History at the University of Adelaide.Jade Riddle works on heritage policy at a national level for the Commonwealth of Australia.

• 1. Urban Emotions and the Making of the City 2. Converting the Cityscape: Emotions, Religion and Civic Ritual in the Renaissance City for the Tenshō Embassy 3. Space, Light and Allegiance in the Piazza di Spagna in the Seventeenth Century 4. "That One Parish of St. Giles Hath Done Us All This Mischief": Locating Fearful Places During Seventeenth-Century London Plague Times 5. Tuning In: Emotion, Sound and the Urban Landscape of Radio Broadcasting in Postwar Brussels 6. Good Fences: Affective Sociability, Neighbourly Relations and Australian Municipalism 7. Mapping Migration in Melbourne’s Emotional Cityscapes, 1960s–1980s 8. Recognising Emotions within Urban Development 9. Wanti nintu’ai kapakapa? (Where Do You Push Me To?): Emotional Responses to the Re-Emerging Kaurna Linguistic Landscape in the City of Adelaide 10. This Smile Is Not for You 11. Theme Park Lover: Longing and Flight Through Tourist Space in Jia Zhangke’s The World 12. From Bank to Gallery to the Sofa of Dreams: Accessing Autonomy-Supportive Transformation in Urban Sites Through Performance Art